Fertile, Iowa jacket
Cosimo Galluzzi
art blog(derogatory)

No title available
Acquired Stardust
cherry valley forever

pixel skylines
Jules of Nature
Alisa U Zemlji Chuda
No title available

Origami Around
wallacepolsom

oozey mess
let's talk about Bridgerton tea, my ask is open
No title available
AnasAbdin
will byers stan first human second

祝日 / Permanent Vacation
noise dept.

izzy's playlists!
Monterey Bay Aquarium
seen from Argentina
seen from China

seen from Malaysia
seen from United States
seen from Malaysia
seen from United States

seen from United Kingdom
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seen from Germany
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seen from Israel

seen from United States
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seen from Singapore
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@huguesetrange
Fertile, Iowa jacket
Robert Rauschenberg
Postcard Self-Portrait, Black Mountain (I), 1952
Robert Milton Ernest Rauschenberg, 1925/2008, American visual artist, considered one of the forerunners of pop art, alongside Andy Warhol, was passionate about photography as much as painting, choreography and music, and belonged to the Neo-Dada movement.
The Memorial of the Old National Theatre, Budapest, Tomislav Marcijuš
couldn't find this on Tumblr so enjoy, sluts
(via Back to Villa Santo Sospir 9 years later - by Daria Reina)
Personally of course I regret everything. Not a word, not a deed, not a thought, not a need, not a grief, not a joy, not a girl, not a boy, not a doubt, not a trust, not a scorn, not a lust, not a hope, not a fear, not a smile, not a tear, not a name, not a face, no time, no place, that I do not regret, exceedingly. An ordure, from beginning to end.
Samuel Beckett, Watt
If there is something comforting - religious, if you want - about paranoia, there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long.
-Thomas Pynchon, Gravity's Rainbow
Went to the art museum today
- TRAJE DE LUCES -
Erwan J. by Quentin de Ladelune
Print now available : www.quentindeladelune.bigcartel.com
WWW.QUENTINDELADELUNE.COM
“CONFESSIONAL (VENICE)” ALYS TOMLINSON // 2019
“[Wallace] Stevens looks to the world for those arresting configurations which stimulate the creative process. Shift doesn’t frighten him — the more shifts, the more configurations. If you treat objects as icons, presuming some inherent significance, you presume, likewise, the universal applicability of that single significance, and this assumption of common ground links the poet to the reader. If, however, objects are occasions, and the notion of inherent significance secondary, beside the point, if it exists at all, then all weight, all import, is conferred by the perceiving eye. And what is stressed is that eye, the individual intelligence. And as the poet’s imagination becomes increasingly unique, its creations increasingly liberated from their sources, so the reader is reminded of the poet’s self-sufficiency.”
— Louise Glück, Proofs and Theories
Siouxsie Sioux
The Green Cathedral, Marinus Boezem 1987
installed near Almere in the Netherlands, the cathedral is a replanting of Lombardy poplars (harvested in the negative impression of Notre Dame) and installed at the size and shape of the Cathedral of Notre Dame.
150 m (490 ft) long x 75 m (246 ft) wide x about 30 m (98 ft) tall.