Irving Penn (1917–2009), Ginkgo Leaves, New York, 1990. Dye transfer print. Image/sheet: 22¾ x 19½ in (57.8 x 49.5 cm). This work is from an edition of twenty-two.

Origami Around
trying on a metaphor
Sade Olutola
Alisa U Zemlji Chuda
Cosmic Funnies

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❣ Chile in a Photography ❣
sheepfilms
Cosimo Galluzzi
Show & Tell
DEAR READER
Claire Keane

Love Begins

pixel skylines

★
Lint Roller? I Barely Know Her

No title available
"I'm Dorothy Gale from Kansas"
No title available
todays bird

seen from Austria

seen from United States
seen from United Kingdom
seen from United States
seen from Germany

seen from Germany
seen from United States
seen from United States

seen from Guernsey

seen from France

seen from Germany

seen from Malaysia
seen from United States
seen from United States

seen from United Kingdom

seen from Germany
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seen from United States

seen from Hong Kong SAR China
@humanflower
Irving Penn (1917–2009), Ginkgo Leaves, New York, 1990. Dye transfer print. Image/sheet: 22¾ x 19½ in (57.8 x 49.5 cm). This work is from an edition of twenty-two.
Dan Mccarthy (American, 1935)
“Yellow Moon on the Rise” 2011
Color screenprint
20”x20”
Jie Song (Malaysian, b. 1982, Malaysia, based Kuala Lumpur, KL, Malaysia) - Flourish in Radiance, 2025, Paintings: Oil, Acrylic on Canvas
A woman enters an ancient medieval church that is carved into solid rock in Lalibela, Ethiopia. Lalibela is famous for their monolithic rock-cut churches. The churches themselves date from the seventh to thirteenth centuries, and were declared a UNESCO World Heritage Site in 1978. Steve McCurry.
David Bagnall, Woman living near Ironbridge Power Station eating by candlelight during power cuts in 1972
Larry Sultan
Swimmers, 1982
Erwin Blumenfeld
Shadow of Mont St. Michel, France
William Clift, 1977
calder-park-raceway_2013_print_test6.jpg
Coyote By: John Ebeling From: Wild, Wild World of Animals: Bears and Other Carnivores 1976
Slow it down!
We only see what we look at. To look is an act of choice. As a result of this act, what we see is brought within our reach—though not necessarily within arm's reach. [...] Our vision [constitutes] what is present to us as we are.
—John Berger, Ways of Seeing
Albert Bierstadt - "A Deer at Sunset" (1887)
Ylla, Bear cub and Dandelion, 1930s
Window washer and flock of pidgeons (New York, 1970s)
© Harold Feinstein (1931-2015, American photographer)
Toshi Yoshida - Pinguins, color woodblock prints.
Outdoors Breakfast - Elena Climent , 2022.
Mexican, b. 1955-
Oil on linen on bord, 17 3/4 x 11 in.