James Castle

#extradirty
Monterey Bay Aquarium
almost home

Love Begins
hello vonnie

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
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occasionally subtle
KIROKAZE
Keni

bliss lane

Origami Around
I'd rather be in outer space 🛸

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noise dept.
Sade Olutola

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@hunterrstrohauer
James Castle
Stacy Kranitz “From the Study on Post Pubescent Manhood”
Pope L, Tompkins Square Crawl, 1991
Poster for Stefan Sagmeister lecture in Michigan.
"In 1999, Sagmeister was about to give a lecture in AIGA (The American Institute of Graphic Arts) Detroit. To visually represent the pain that seems to accompany the design projects, his intern carved the typography into his skin. This bold (and painful) statement caught the eye of the art community for his unique sense of humor, tending to the absurd."
This is one of my own pieces. Jesse Strohauer, "God-Shaped Hole" Relief Print, 2026
@iluvvlife on instagram, All Dogs Goto Heaven, 2026, 36"x48", Cement, Silicon, Tattoo Ink, Wood
SlutoxWombat, Graff
Wafaa Bilal, Domestic Tension, Performance Piece, 2007
"In May 2007, Bilal began a 30-day-long project called Domestic Tension in protest of the Iraq War. During the installation piece, Bilal confined himself to a small room at the FlatFile Galleries, located in Chicago. Although the artist was confined, he could be seen twenty-four hours a day through a camera that he had connected to the Internet. In addition to the camera, Bilal set up a remote-controlled paintball gun that viewers could use to shoot him at any time. The gun shot foul-smelling yellow paint and emitted a sound as loud as a semiautomatic gun each time it went off.
The inspiration for Domestic Tension stemmed from Bilal's experiences in refugee camps during the rule of Saddam Hussein, losing members of his family in the war, and trying to cope with the reality of war as it raged on the other side of the world. One day, Bilal learned that his people were being killed by soldiers who were not even stationed in Iraq—they had the power to shoot missiles "from an armchair in front of a computer somewhere, as if it were all some kind of video game."
The performance took its toll on Bilal, not only physically, but mentally and emotionally as well. Confined within the gallery, Bilal had no way to escape the constant threat of the paintball gun, the deafening sound of the semiautomatic, or the feedback he received from viewers watching his every move online. In addition to the physical welts he received from the paintball pellets, the artist became so overwhelmed by the constant threat of being shot that he experienced post-traumatic stress, as if he were actually in a war zone. In the chat room attached to the video feed, Bilal was constantly berated by his viewers, who accused him of trying to escape from the gun or even claimed that the performance was being faked. Whenever Bilal wasn't complying with what the viewers wanted, they would become angry, sometimes leaving comments full of "racism and explicit demonizing of all Otherness." Overall, a total of 60,000 shots were fired over the course of 30 days by "shooters" from 128 different countries.
The Death of Marat by Jacques-Louis David, 1793, Oil on Canvas
Dorothea Lange, Migrant Mother, Nipomo, California
(Destitute pea pickers in California. Mother of seven children. Age 32),
Silver print, 1936.
Courtesy of Swann Galleries
Tehching Hsieh, One Year Performance 1980–1981 (Time Clock Piece)
For one year, from 11 April 1980 through 11 April 1981, Hsieh punched a time clock every hour on the hour. Each time he punched the clock, he took a single picture of himself, which together yield a 6-minute movie.
Artemisia Gentileschi, Judith Slaying Holofernes, 1612, oil on canvas
Franz Kline, Chicago, 1959 Brush and black ink, white oil paint, and charcoal
Utagawa Hiroshige, Hakone; Kosui, 1833, Woodblock print, ink and color on paper
Paul Klee, Garten-Plan, 1922
Cy Twombly, Dutch Interior, 1962
Georgio Morandi, Still Life, Oil on Canvas