I learnt to weld, and I built a table! And yes the legs are yellow.... #skillz (at NO NAME Free Hostel)
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@iamdaisystorm
I learnt to weld, and I built a table! And yes the legs are yellow.... #skillz (at NO NAME Free Hostel)
A film of the cat puppet sequence from Gruffdog Theatre's production of Ionesco's Rhinoceros, directed by Pete Sayer, designed by Daisy Pearson.
The Giant Rhino Head, in progress. The main structure is made from chicken wire, with thicker wire to brace it and fix the shape, then the outlines of the horns were made from wire, and woven into the chicken wire for maximum stability. The whole thing was covered in hessian from the farmer’s market, which was sewn in place.
The various stages of the Rhinoceros cat puppet.
Production photos from Gruffdog Theatre’s Rhinoceros, by Ionesco, (May 2016). Designed and photographed by Daisy Pearson.
We decided to tell this story using elements of clowning and puppetry, using the cat puppet, a bunraku and marionette porté style puppet, as a motif to join the devised sections of clowning to Ionesco’s script. It was an incredibly complex puppet to make, with naturalistic joints and movements. It was done on a budget of about £50, and largely made from found materials. The set, too, was made from many found objects, such as crates, sawn up, painted and arranged.
Trailer for Gruffdog Theatre’s Rhinoceros, by Ionesco. Directed by Pete Sayer, Produced by Conor Jordan, Designed by Daisy Pearson. Video made by Conor Jordan.
Graphic Design for Gruffdog Theatre’s Rhinoceros. Directed by Pete Sayer, Produced by Conor Jordan, Designed by Daisy Pearson. The success of this marketing campaign can be seen in the simplicity of the profile pictures for Facebook - the brand identity, the colour yellow, was powerful enough that they don’t need the show title. And we sold out, with our second release of tickets going in 27 minutes.
Balliol Garden Party, 8th May 2016. Design by Daisy Pearson.
Phantom of the Opera (HT16), for which I was Assistant Costume Designer & Mask maker (for the Masquerade Ball scene). The Phantom’s mask was made of real mirror pieces, and all of the main cast had masks to suit their characters.
Photos of Gruffdog Theatre’s Julius Caesar (MT15), for which I was Graphic Designer, Puppet maker, Photographer... and unofficial design advisor!
Graphics and Marketing campaign for Gruffdog Theatre’s Julius Caesar (MT15). I was Graphic Designer, Assistant Costume Designer, Puppet Maker, and Photographer for this show.
A leaflet I designed for the incoming freshers, with some useful energy-saving, and environmentally friendly info. I designed this in Illustrator, to be risograph-printed by Oxford-based, environmentally-friendly printing company, GreenPrint. (Sep 2015).
‘I Woke Up Like This’ - a birthday present for Ellie, quoting Beyonce, and made from paper. (June 2015)
Costume Design for Paradise Lost: A Staged Reading in Three Parts (TT15, in New College Chapel). Unfortunately there are not many photos of the final show, however I made everything from the sketches, including 10 sets of the black chiffon wings in the first picture!
How to make a 6 hour coach journey somehow productive! This is a watercolour painting of me and my dad <3
Sketches for a new portrait. So good to be painting again!
Graphics for a student production of The Hothouse, by Harold Pinter, at Balliol College, Oxford. Apr ‘15.