So it begins... #fallfestivalofshakespeare #muchadoaboutnothing #shakespeare (at Shakespeare & Company)
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So it begins... #fallfestivalofshakespeare #muchadoaboutnothing #shakespeare (at Shakespeare & Company)
Beyoncé… Bruno…. and Peggy
this is exactly what you think it is
HAMILTON YAYYY
Gene Wilder - Willy Wonka
They say to write to your heroes, but not to expect a response because it puts too much pressure on them to reach your expectations. Mr. Wilder, I want you to know - I don’t just admire you. Because I was introduced to you through Willy Wonka, I am terrified of you. Of your genius. In a good way. So any expectation I would have upon hearing from you would be pre-empted by sheer panic. Which is to say, better for both of us we don’t meet. But hear me out.
Sometimes there are actors out there who play a role that will change your life. For me, it’s Willy Wonka. And not Roald Dahl’s strange, perky, slightly adorably spastic Willy Wonka - the dazzling-eyed, calmly insane, awe-inspiring Gene Wilder’s. Prepare yourself Mr. Wilder; this is quite frankly a long overdue fan letter from a 10-year-old-trapped-in-a-26-year-old’s-body.Â
What is so compelling about that Willy Wonka? Part of it is that Gene Wilder took something that went from this:
To this:
On behalf of us all, thanks for forgoing the goatee, Gene.
In the book, the first description we get of Wonka when he comes out of the factory is pretty vivid:
"How clever he looked! How quick and sharp and full of life! He kept making quick jerky little movements with his head, cocking it this way and that, and taking everything in with those bright twinkling eyes. He was like a squirrel in the quickness of his movements, like a quick clever old squirrel from the park."
My sentiments exactly, google image squirrel. Not exactly what I saw in the movie.
And this was the exact moment that all of my hopes and dreams for any kind of art I make were birthed from the loins of Zeus.Â
Gene Wilder wrote to Mel Stuart (director of the movie) that he would take on the role of Willy Wonka on one condition:
"When I make my first entrance, I'd like to come out of the door carrying a cane and then walk toward the crowd with a limp. After the crowd sees Willy Wonka is a cripple, they all whisper to themselves and then become deathly quiet. As I walk toward them, my cane sinks into one of the cobblestones I'm walking on and stands straight up, by itself; but I keep on walking, until I realize that I no longer have my cane. I start to fall forward, and just before I hit the ground, I do a beautiful forward somersault and bounce back up, to great applause. Because from that time on, no one will know if I’m lying or telling the truth."
"No one will know if I’m lying or telling the truth.”
Only the slightest bit horrifyingly BRILLIANT.Â
Sound familiar, Shakespeareans? It should.Â
Take one of Shakespeare’s fools. Feste, for example. From Twelfth Night.Â
Feste does what a lot of fools do. He makes his living darting between noble houses singing songs and delighting people. Evoking all their emotions. And he carouses and drinks with the lower class too, taunting people who think they are greater than they are (Malvolio). There are no bounds to where Feste can roam and what he can do.
Because he’s a different class of person.
Not that kind. That’s a whole other post.
Fools have a special place in all of Shakespeare’s plays - they entertain, they evoke every feeling, they lie through their teeth, and they tell the god’s honest truth. In fact, they are usually the only ones on stage that can see through just about every illusion.Â
Feste is the only character in all of Twelfth Night that figures out Viola (dressed as a boy, Cesario) is actually a girl. It’s a clue in the text that A SURPRISING AMOUNT of productions today miss:
VIOLA: I warrant, thou art a merry fellow and carest for nothing.
FESTE:Â Not so, sir, I do care for something; but in my conscience, sir, I do not care for you: if that be to care for nothing, sir, I would it would make you invisible.
The word “nothing” was a pun to the Elizabethans. It also meant vag. Literally “the no-thing.” As in “NO!” Anyone else find that funny? Anyone?
Feste is basically calling Viola out - that if to care for her is to care for “no-thing,” he wishes that she would disappear. Instead of a girl dressed in boys clothing (which is clearly inconvenient for her). Also, note the number of “sirs” he throws in there. Comic gold.Â
HOW DO SHAKESPEARE COMPANIES MISS THIS?
Anyway. End rant.Â
Feste is, in his way, an all-powerful being. He sees everything.Â
So what do you think would happen if someone gave this all-knowing, all-powerful being his own kingdom?
Perhaps a chocolate factory?
Oh, and also - remember all those haunting songs and quotes Wonka throws in there? Just out of the blue? Well, surprise, surprise. Almost all of them are from this guy:
“Where is fancy bred, in the heart or in the head?” - Merchant of Venice
“Springtime, the only pretty ring time. When birds do sing hey ding a ding, ding, sweet lovers love the spring.” - As You Like It
“Adieu, adieu, parting is such sweet sorrow.” - Romeo & Juliet
“So shines a good deed in a weary world.” - Merchant of Venice
“Is it my soul that calls upon my name?” - Romeo & Juliet
You get the idea.Â
And we can’t forget that Roald Dahl wrote this character. He brought it to into being. And his Willy Wonka evokes a lovely aspect of the Shakespearean fool (a bright, twerky, thought-provoking, slightly creepy being), but Wilder’s takes it to the next level.Â
Just because of that little bit of sinister mystery he places in our brains in that first moment, we have to wonder what he’s going to do to those bad children. He’ll see through them immediately. Like he does.Â
And you know what happens? They get what was coming to them.Â
Anyone remember that Feste scene with Malvolio? In the asylum?
Creepy shit.Â
TL;DR - Willy Wonka was Gene Wilder’s version of a Shakespearean fool with his own chocolate factory kingdom. Bow down.
2nd row seats!!! (at Spring Awakening Broadway)
First Hayground family dinner! (at The Hamptons, N.Y.)
Just saw Maizy's WAYWARD HOME at Hubbard Hall in Cambridge NY! What a beautiful show. Don't miss it!! (at Hubbard Hall Projects, Inc.)
Emma (our Viola, at closure): "In these few weeks, I feel like I'm a superhero." Ditto. Thank you Kevin.
Happy Festival to all, and to all a good night. (at Shakespeare & Company)
Credit to Julie McCarthy
Twelfth Night goes up this Thursday and Friday at 7:30pm @ Lenox Memorial High School! And Thursday the 19th at 8:30 @ Tina Packer Playhouse during Festival! (at Lenox Memorial High)
at Stockbridge Bowl
Our Twelfth Night set! :) (at Lenox Memorial High)
23 Times Feminists Had The Perfect Comeback
Mother of Dragons (and dinosaur dog toys) (at Dream Away Lodge)
Oh hey, Sauron. Fancy seeing you here.
Life of a Libra Lady
I would not normally post anything like this, especially on a blog for my photography. I found this article the other day when I thought it would be amusing to read about my star sign. I was astonished to find this and for it to perfectly encapsulate my way of life and why I am the way I am. Parts are a little lame but at the same time so relevant.
“We love the things we love for what they are.” ~ Robert Frost
A Libra longs for partnership, it is her heart’s forever-wish; but to love a Libra, you must love her completely.
A Libra will need space; she’ll need freedom to be who she is in any given moment. She wants to suffer, celebrate, hate and adore who she is. These things are always changing and often conflicting, because she’s constantly discovering new pieces of who she is.
She’ll never tell you something critical straightaway, instead she’ll sit with it until the perfect words ring true in her heart and ever-so-carefully move into her mouth. Even then, she might write you a letter. Because the intensity of her feelings can make the speaking of words such a task.
She loves words. She loves the magic they hold, the way they can free her (and so few things can).
So to love a Libra, understand that the words always matter—they are the brush strokes of her heart. She won’t lie, she’s no good at it. She won’t brag, for she holds words in too high esteem. Your words must never be cheapened through unfulfilled promises or patronization. If your speech is unkind, she’ll remember and the words will never hurt less.
She’s an artist, through and through. But a Libra, to survive in the world, must find her medium. The words, or paints, the delicate, mindful crease of a freshly-made bed—it’s all art to her. Beautiful pieces of anything. She needs objects and sounds and smells and textures to resonate with that place deep inside that says, “Yes. That’s it, now it is exactly right.” To love a Libra, you must know this.
She’ll need her art like you need your breath—without it, she will lose track of who she is.
You must watch the curve of her mouth; her lips will purse (ever-so-slightly) and when they do, you can rest assured that her mind wanders because her heart is not still. You’ll notice her eyes are far away; in that moment, you must let her go there—to the place where the words find their way to the air—but not for too long. She’s always in danger of escaping for too long.
She seeks stillness.
A Libra will love her body. She’ll hate her body too. But you must love it, you must always love it. You must look into her eyes and smile. Move her hair from her face so you can get a better look. You must touch the places that hardly get touched: her neck as she does the dishes, her collar bone as she types at her desk, her hip as you stand in line at the grocery store. You must weave the ordinary with the erotic. Slide your hands firmly over every inch of her skin as if it were the first time you’ve ever touched her. You must touch her. She’ll crave your embrace and wither without it.
She needs romance. And so many kisses.
She needs to be whisked away to see the world and she needs a comfortable home to return to.
She’ll cry. A lot. She’ll cry and you won’t know what’s wrong. She won’t tell you what’s wrong, not at first, because she might not know. There will be times when she simply needs to feel sadness, she needs to feel the struggle of being alive, even when you both don’t understand.
Whatever it is, she feels it more.
The weight of her fears, her curiosities, everything: of being human, of responsibility, of hate and violence and injustice, of beauty and lightness and breath, all of it. It frighteners her, but amazes her too. So she’ll need time and space to explore, to dance and to fall apart, because there is nothing more lovely than a Libra experiencing the world. She sees magic where others do not. She needs to believe in magic. Ferociously.
And when she finally turns 30—when the leaves are changing and she feels most herself—you’ll be mindful of her feelings; because, even if it isn’t a big deal, it is a big deal and the tears that stream for no particular reason come from a place of shame in her heart.
To love a Libra, you must celebrate; you must celebrate her, life, the amazing, the plain, everything and anything.
To love a Libra is to love the very essence of love, warts and all.
There’s a delicate balance—a perpetual tug-of-war—between feeling fierce and complete against feeling soft and frail. Always trying to reach that impossible balance, she never quite knows who she is.
To compensate for the not-knowing she’ll please everyone around her. She’ll accommodate others and fix situations until you resent her for it; but, to love a Libra is to see that her self-sacrifice, no matter how destructive, is how she loves. Her bleeding heart is how she finds her place in a world that can be unkind; it’s the way she can claim some shred of control—she believes that kindness is what matters most.
A Libra needs you to push her toward self-care. She’ll never choose her needs first, so you’ll have to teach her this craft. You’ll need to teach her that putting her needs before others is not the same as selfishness, because she sees selfishness as ugly.
Ugliness scares her.
Loneliness too.
Her heart will break often. Her heart will feel lonely and sad about many things, but you must never be the one to break it completely.
To capture a Libra’s heart is to capture her heart forever. There are no partners more committed, more attentive than your Libra. You mustn’t ever take her for granted though; for a Libra’s heart will grow uneasy when neglected, her heart will close and you risk never finding your way in again.
Her heart knows the secret to everything. Protect it.
Sometimes she’ll feel lost. She’ll need hot tea and blankets, black-and-white movies, and no conversation. Other times, she’ll need people. Parties and midnight walks and deep, frenzied conversation—she likes literature and science and philosophy best. She likes whiskey too. To love her, you’ll need to know that.
She’ll need constant reminders that she’s a lovely being, that she’s loved—better yet, adored. She needs mindful smothering, she needs adventure. A Libra wants autonomy, but can’t stand the thought of being left alone. You must learn to accept her, even as a contradiction.
She’ll require decisiveness, as she has none of her own. She’ll surprise you with spontaneity and you’ll admire the commitment she shows to her heart’s content. But if she has time to think, any decision will be painful—be it where to eat, what to wear or who to love. This will frustrate you, but you must try understand. For her, there is no such thing as an obvious choice.
Loving a Libra means loving love itself. She loves everything about love: the connection, the discovery, the heartache, the ecstasy, the very idea of love—it’s all the same. She yearns for the safety of partnership, but she thrives on the excitement of love’s uncertainty.
She wants passion.
She can see the good in almost any person, but in a lover she requires intelligence and humor. There is nothing sexier than wit.
She hates discord, because it makes her feel vulnerable; but to love her is not to worry too much, because she believes in forgiveness and trust—enough to repair almost any injury done to her. When you fight with a Libra, she’ll be certain that every fight is the end of everything and this will destroy her a little; you must remind her that every argument is an opportunity for growth—it is the beginning of a new everything. Loving a Libra means knowing there are few things more important than make-up sex.
She loves falling in love, so to love a Libra you’ll have to fall in love time and time again. She’ll require perpetual evolution, and inspiration, and a little dose of sin.
To love a Libra you’ll need to see the good intention that she always has in her heart; to ignore this well-meaning piece of her is to deny her a personal truth. She cannot survive without this particular truth. When she’s awful, or rude, or arguing because she’s right—and she’s usually right, because she’s a Libra and it’s in her nature to be fair and just and indisputably right—you must breathe. Then trust her tears and her words to be true.
She cares too deeply to ever inflict intentional harm.
But if you witness the flash of anger in her eyes, you must let her rage. For gentle, compassionate Libra will storm fiercely in the face of injustice. You must allow her the space to be a warrior when her heart tells her it is time to fight. You must stand beside her, admire her devotion and believe in the cause—see it for what it is, a manifestation of her heart’s deepest purpose.
Believe in her and she’ll believe in you too.
She might be cast as an introvert. She might be tagged an extrovert by those who know her best. Neither matters, as long as she feels connected to what surrounds her.
When a Libra is happy, she can take over the world. She need only be equipped with the proper music, laughter and her smile.
The trick is in keeping her there; for in that moment is an ocean of contentment that only her huge heart can appreciate. If you can keep her in the moment, you can keep her forever. But the Libra mind will drift and worry. It will linger on the wrong that cut her too deeply. She will scrutinize over the words you used, or the words that went unspoken. She’ll wonder about security and what each embrace or touch or quarrel will mean in the long-term; to love a Libra, you must gently guide her back to the now again and again and again.
Libra blossoms in the joyful now.
She believes in the goodness of people, in magic and (above all else) in happily ever after.
To love a Libra, you must believe in her for everything she is.
Long post, but every single part of this is on the money. Wow.
Watching Henry V