u know what my goal is to eat pastries in different countries
KIROKAZE
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Lint Roller? I Barely Know Her
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let's talk about Bridgerton tea, my ask is open

@theartofmadeline

roma★
will byers stan first human second
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gracie abrams
todays bird
Show & Tell

Origami Around

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d e v o n

Love Begins
trying on a metaphor

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shark vs the universe
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@icouldnthinkofanythingelse
u know what my goal is to eat pastries in different countries
A Man embracing a Woman, Dosso Dossi (Giovanni di Luteri), ca. 1525 (detail)
— isa b. this survival hasn't been soft
i was born to be a girl who is so in love with everything and yet so incredibly afraid of everything at the same time
17th and 18th century perfumes fell into two general categories: floral and musky. Floral scents of the time were made from flower oils or waters distilled from blooms such as roses, orange flowers, and jasmine. These scents float near the top of the modern note range. Musks are base notes– heavy yet subtle at the same time. They are often animal-based and were favored by both sexes because they blend well with the natural human scent, itself a musky note. In an age of inconsistent bathing practices perfume served as a popular odor equalizer in the merchant and noble classes. During the 17th and 18th century, there was very little difference between men’s and women’s perfumes. A man might wear a wash of rose water to fresh his skin while a lady might don a heady amber toilet for a candle-lit dance.
Bolts of lightning. Electricity for everybody. 1907.
Internet Archive
An orca (Orcinus orca) breaches in Sommarøy, Norway
by Bo Eide
may,
please be so healing and gentle
fan of mother-of-pearl, gold, and silk; open and extended: 21.5 x 37 x 1.8 cm; rené lalique, french c. 1900.
ugh. forget everything i’ve ever said. unless you thought it was smart or funny in which case remember it forever
my potions and talismans
this coffee tastes like i can still have a beautiful life
Jardins de Claude Monet, Giverny