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I do love Mary but this was too funny
cowards.
Are you really…. not supposed to…. describe what your characters are wearing….
I think there’s a great deal of misinformation on this topic.
I believe it’s fine to describe what your characters are wearing. However, like all things, it should serve some kind of purpose.
For instance, describing winter clothes helps impart to the reader a sense of how cold it is. Describing summer clothes helps explain how warm it is.
Describing an outfit before a social event gives a window onto the character’s sense of fashion, or explains their reverence (or lack) for the event; for example a character can wear a black suit to a funeral, or watch from a distance while wearing a t-shirt and jeans. These impart a different attitude.
An outfit may be described purely to give a little more interest to a character; to give the reader a bit more insight into who they are, through the way they present themselves. It may have no greater significance to the wider story but this is still a reason to do it.
So the “purpose” doesn’t need to be super-vital to the story. It can be just because “describing this to the reader helps them appreciate the character or scene”, but that’s still a purpose.
I like that last comment because I think it can apply to a lot of things in storytelling! Anything that shows some element of your character has a purpose to the story even if it doesn’t exactly advance the plot.
I think too there’s also the matter of how it’s described.
“I was wearing a purple hoodie, black skinny jeans, and checkered converse.”
vs
“I wiped my palms on the thighs of my jeans. Black was the best color for when you’re going grave robbing – the dirt and blood didn’t stand out as much. Sadie flung the shovel back with a little more force than was necessary, flinging hunks of dirt onto my shoes. I paid 85$ for these limited edition checkered converse, and while perhaps I shouldn’t have been wearing them to grave rob, I didn’t have anything else. I pulled Abby’s shirt out of the pocket of my hoodie, running my fingers over the fabric. It was covered in purple lint from my jacket, but she wouldn’t care anyways. She was dead”
Treat the clothes as an aspect of the character and the situation. The first one is just information about one thing thrown at the reader, whereas you get the same information in the second, but you’re also presented with a situation, thoughts behind the dress choice for the situation, and a reaction from the reader (why is the character going grave robbing? Who is Sadie? How did Abby die?). You get so much more out of your story and your character.
Reblogging this again for @endymions ’s addition.
Also bear in mind that your implicit point of view is important even when writing in the third person – it’s not just a first-person thing.
Unless you’re writing in the objective voice (which you probably aren’t, because it’s a. only appropriate in a few specific circumstances, and b. extremely difficult to write well), your writing is going to have an implied viewpoint character – usually but not always the focus character of the scene – so you’ve gotta ask yourself: what would my PoV character make note of?
Spending a paragraph doing a point-by-point breakdown of a character’s outfit is the equivalent of your PoV stopping to give them the full once over. Is that appropriate? Is it in character? Did they get caught doing it?
Even a flatly factual description that offers no direct opinions on what’s observed tells you something about your PoV’s personality, because now you know what sort of things they do and don’t notice.
(You can, of course, get around most of those issues by having an omniscient narrator who’s weirdly preoccupied with people’s fashion choices, but that just moves the question back a step – now you have to think about what you’re saying about your omniscient narrator’s priorities, and what this implies for how completely and accurately they’re reporting the action!)
All good advice. In spec fic or historical fiction, I enjoy it when the writer gets especially detailed and tells me where the fabric is from and how good a quality it is or whatever.
I do not like in any story where the character’s outfit is constantly described like they just got a new wardrobe at the mall (ex: Nancy Drew) or are clearly wearing the author’s dream outfit. The latter is usually noticeable because they don’t put as much attention onto other things or the outfit is very stereotypically “cool” or “pretty” and the author leans into that without irony or explanation (ex: My Immortal).
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This scene really struck me, and ever since I saw the movie I’ve been trying to figure out why.
And now that I’ve had a while to think on it, I believe I know.
Here we have Wanda:
Wanda, who has just shown herself to be incredibly, dangerously powerful, to the point that she not only destroyed an infinity stone single-handed (a feat that was supposed to be impossible) but also managed to hold off Thanos and his entire array of infinity stones at the same time.
Wanda, who has just been forced to watch yet another person she deeply loves get slaughtered in front of her - this time by her own hand, for the sake of the universe - and who has at this point simply given up on her will to live.
And then we have Thanos:
Thanos, who has just seen firsthand the power of someone who could potentially take him out (and, if it weren’t for the time stone, would have succeeded) whether he holds five infinity stones or not.
Thanos, who has just watched her make the ultimate sacrifice to keep him from succeeding, and in doing so has proven to him that she will do anything to stop him.
Thanos, who has just had what was supposed to be an easy victory suddenly snatched from his hands by the exhausted girl on the ground in front of him - a girl who is a fraction of his size and laughably weaker than him physically. (He was throwing Cap and Thor and Hulk around like they were nothing.)
And right now, they’re the only two left standing.
Wanda just waits there, lying in the dirt, for him to kill her.
She doesn’t fight, or shield herself, or try to run when Thanos starts walking toward her. She has nobody to step in and save her, because everyone else is trapped or unconscious.
Wanda doesn’t even try to get up.
She doesn’t want to live anymore. She has nothing to live for.
She wants to die, and at this point is more than willing to let Thanos be the one to strike that blow.
Even when he physically puts his hand on her head, all she does is flinch.
Thanos, on the other hand, is unscathed.
He’s standing - towering - over the one person who poses an actual, legitimate threat to him. She’s down for the count, hurt and exhausted and with no will to live, waiting for him to finish the fight.
He’s got her at her absolute most vulnerable, and probably the most vulnerable he will EVER have her - this chance isn’t going to come again.
But he doesn’t kill her.
He reaches down, gently strokes her hair, and walks past her to finish what he came here to do.
Even when he brings Vision back and she stands to fight him once more, he still doesn’t kill her.
He strikes her away, and does so gently enough that she manages to recover and crawl over to Vision’s side before she’s taken by the stone.
Given every opportunity and every reason to end her, he doesn’t do it.
Why?
Now it could be argued that Thanos figured there was no point in wasting the effort because he was going to wipe half of all life from the universe as soon as he got the last stone anyway, but as it was mentioned earlier in the film - the selection of who died would be random.
The stone would not pick and choose - it would take rich and poor, passionate and dispassionate, strong and weak, etc. - completely at random.
There was no guarantee that Wanda would be among those that were taken.
So knowing that she is a legitimate threat to him, and that there’s a 50/50 shot of her surviving that final finger snap…
Why would he let her live?
The second thing that strikes me is how gentle he is.
We’ve seen him order half of a world’s population slaughtered for the sake of his goal.
We’ve seen him torture multiple characters without batting an eye.
We’ve seen him crush skulls and snap necks with his bare hands.
But we’ve also seen this.
And this.
And again, the clip with Wanda.
Thanos has instances where he is incredibly gentle.
And it’s honestly a bit unsettling to watch.
He’s so convinced of the true morality of his own objective - so blinded by the end goal - that the means to reach it no longer matter.
Thanos believes himself to be good and kind, and that he is simply making the tough call that nobody else was strong enough to make for the good of the universe in centuries to come.
He’s culling the herd so the rest don’t starve.
Now I’ve seen the comparison made a few times to seeing pictures of Hitler playing with children (and I’ll admit that’s what came to mind for me as well) - it’s disturbing because we don’t want to humanize someone who has committed genocide, and sympathizing is exactly what our brain tries to do when we see someone being gentle and kind to another creature.
We see Thanos not only being kind to a young Gamora, but being surprisingly good at it, and our brains sort of short circuit for a second because we think that he’s not supposed to be CAPABLE of that.
And yet somehow, to an extent, he is.
Hell, even when he’s about to kill half the universe, he doesn’t cause death wantonly.
He traps Bruce in the cliff, but lets him live.
He catches T’Challa by his throat and punches him into the ground but doesn’t break his neck.
He shorts out Sam’s wings to drop him out of the sky but doesn’t finish him off.
He destroys the suit around Rhody, but doesn’t crush him.
He throws Bucky aside but doesn’t kill him.
He tosses Okoye aside but doesn’t kill her.
He pins Natasha with a bunch of rocks, but doesn’t crush her.
He rips Groot’s vines away but doesn’t go after him.
He punches Steve out, but doesn’t continue once he’s down.
Hell, when Thanos goes after Wanda his gauntlet lights up blue with the teleportation power of the tesseract. He’s planning to move her - not fight her.
And even when that fails, he doesn’t grant Wanda’s silent wish for death.
He lets her live.
Thanos is not crazed, or high off his own power, or running on blood lust - he’s doing what he thinks is truly the right thing, and going about accomplishing it in a cold and calculated manner. When he’s not trying to accomplish his goal, he acts in a way that might even be described as good.
I believe that Thanos is truly Lawful Evil.
And that’s what makes him so scary.
A Few Tips All Writers Should Remember:
·Write to your comfort level. Meaning: give yourself a break when you need it and push yourself when you’re feeling motivated.
·Seek out sources of motivation. There are very few times when motivation hits me out of nowhere. Read a good book. Watch a good movie. Write down your goals.
·Find your space. Coffee shop. Library. Your room with the music blasting and the TV playing your favorite show. Find whatever gets you in the right headspace.
·Your first draft is just the first draft. Too many writers stress out about the first draft and they forget it’s just the first step in completing your novel. You can add to it, build from it, or toss it away completely.
·You will be rejected. Even if you write the next big hit, you’ll be rejected. Read the reviews for some of your favorite books—I guarantee someone HATED it. Not everyone will like your work, but that doesn’t mean it’s bad.
·Write advice isn’t for everyone. There’s no one-size-fits-all plan for writers. Pick and choose advice that works for you, ignore what doesn’t. Not everything will relate directly to you and your style of writing.
·It’s okay to stay in. Want a night to yourself so you can write? Don’t be afraid to cancel your plans and focus on your writing hobby. You don’t have to feel guilty about wanting to work on your writing.
·Let ideas settle. It’s tempting to jump right in to a new writing idea, but let things settle for a bit. Brainstorm. See what comes next. An idea needs to have legs and it needs to take your story somewhere. Let it grow.
·Outlines aren’t set in stone. Be flexible with your outlines. Plan if you need to, but allow yourself to explore new ideas. Let your story go in an unexpected direction.
-Kris Noel
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HOW TO FIGHT WRITER’S BLOCK: kidnap human and talk out loud to them until you figure plot out
@annaled, now is as good a time as any to apologise for doing this to you on a weekly basis xD