We Really Need to Talk About the Forehead Kiss Scene
Consider this another iteration of the Sansa and Jon “Would that be so terrible?” scene that I covered a little while back.
For a lot of people that believe that Jonsa will happen, the scene on the battlements in “The Winds of Winter”, the finale episode of the sixth season of Game of Thrones, is the starting point of that belief.
It’s unusually sweet, as Jon and Sansa scenes tend to be. It’s almost semi-unnecessary to the plot. It’s the last we see of Jon before it’s revealed that he is the son of Rhaegar Targaryen and Lyanna Stark, making this decidedly un-sibling like interaction with Sansa a bit less suspicious except upon rewatch.
(Sidenote, imagine if this scene took place after we learned about R+L=J…)
But a lot of Jonsa skeptics (I’ll call them that though there are obviously varying degrees of this such as “venomous”) seem unable to understand why this particular scene feels so different from just about every single other scene on the show. To me, there are multiple factors that make this particular scene unique from any other on the show.
It’s an almost perfect example of a “romance setup” from multiple angles.
1.) It didn’t really advance the “plot”
For some reason, this scene was included among the 10 most crucial scenes of the series by HBO pre-season 7 buuuuut not a lot happened at face value.
Jon had just banished Melissandre for burning someone alive (inquisitive emoji) and was watching her leave on the battlements. He’s approached by Sansa. She says she’s sorry. He credits her for winning the battle. They say they need to trust each other. They leave. So why is a “recap of events” considered a crucial scene? Why was it on the show at all? Viewers wanted to know what Jon was going to do about Sansa arriving with the KotV and if they were going to have a conflict about it. Except that part took about 5 seconds. And the opposite happened.
Similar to the Littlefinger choke scene in season 7, this didn’t really directly affect the actions of the characters in any way. Even if a scene doesn’t advance “plot”, it’s meant to advance the “story”. What happens here between Jon and Sansa? It revealed something between the two of them that wasn’t revealed simply through the dialogue. It’s inclusion in the show at all should leave you wondering about its purpose, but the added layers of the length, framing, and use of reaction shots should make it fairly obvious that it’s a romantic scene.
2.) Both characters are pleasantly surprised by each other’s tenderness towards the other
I think to really grasp this scene, you have to get inside the heads of each character.
Normally, any surprise in Game of Thrones is a bad thing. The strange quality of the battlements scene is that it’s an inversion of the normal routine. We need to take a step back and evaluate the psychology of Jon and Sansa as they’re entering.
Jon has just banished the person who resurrected him. He’s just won a battle that he knows he should have lost. He’s clearly been quite introspective about Sansa and what she meant and her importance in winning the battle since he’s already preparing her chambers. Somehow, the tent scene is magnified in its intensity because this scene is its exact opposite and it’s where we last left off with Jon and Sansa.
Sansa pleaded with Jon to listen to her.
To be fair to Jon, it’s hard to understand what Sansa is saying but instead of trying to understand her more, he allows them to be dead locked and unable to finish their thoughts.
