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@ilikeyoumorethansunsets
hmmmm...
This Venn diagram comes across my dash very frequently and while I agree with the sentiment it just... it pisses me off so much. So many of these are nonsensical. What do you mean Lord of the Flies is a cross between The Handmaid's Tale, Brave New World, and 1984? That makes no sense whatsoever. The society in Gattaca is obsessed with knowledge and educational attainment, it is the opposite of Fahrenheit 451. Did whoever make this even read/watch any of these. I am this close to reading everything in the chart that I haven't yet (Animal Farm, Logan's Run, and A Clockwork Orange) just so I can be pissed off even more.
@mckitterick I did a thing
With thanks to helpful people over on Threads. Come on guys, lets fill those Pure Illegible system, Distraction+Illegible system, and Distraction+Surveillance/control cells.
Children of Men mentioned
but i stay silly! *←said in the most world-weary voice you ever did hear*
“but I stay silly!”
Reblog you stay silly
on it boss
Old artwork of the man himself
With Scream 7 being advertised, I'd like to give a friendly reminder that Spyglass fired Melissa Barrera from the franchise because she spoke out against the genocide in Gaza. Jenna Ortega left not long after. We can still love the movies that came before, but the franchise is no longer what it once was. The producers proved that they would rather lick the boots of murderers than stand with their actors. Boycott Scream 7!
Horror movies by year:
2026
This has to be some media literacy phenomenon because WHY have I seen the SAME COMPLAINT FOR THREE PIECES OF MEDIA! Backrooms, Hokum and the last episode of tadc are getting 'critiqued' because for some characters there's little information on their past/ short backstories?
Let me be clear NOT EVERY CHARACTER THAT EXISTS IN A UNIVERSE NEEDS AN EXTENDED BACKSTORY SEQUENCE especially when its EXPLICITLY STATED by said characters or very EASY TO INTERPRET from the CREATORS SUBTEXT or the character is stellar at communication! For those that aren't and are closed off then I understand because usually what they're hiding helps move the story forward / can be a main conflict.
Because WHY am I seeing a critique for Hokum being ' we never find out the witches backstory?' EH!? WHY DO WE NEED TO FOR PLOT PURPOSES????? If this was a movie solely about the witch or if the witch was slated to be a main character then yes BUT SHE CLEARLY ISNT. Why don't you pay attention to whats actually happening ON SCREEN IN FRONT OF YOU? It's not a problem to wonder, a lot of fanfiction is generated because of curiosity and creativity but to use this AS A GENUINE COMPLAINT?
I saw a critique of backrooms, and I shit you not, saying 'we didn't find out much about Clark and his backstory'. ONE YOU CLEARLY DO. TWO you don't need to! I don't need to know every single detail of Clark's life for me to enjoy this film OR UNDERSTAND IT AND HIS ACTIONS, I don't need to know what he ate for breakfast this morning or when he first argued with his parents because IT AIN'T IMPORTANT. If this was a complaint about Mary's past then I would semi understand as it is left intentionally vague, personally I don't have a problem with it but I can see how others would.
FINALLY TADC now I understand the more potential to have other characters backstorys developed with it being a series HOWEVER, each one of these episodes bar the last ARE HALF AN HOUR LONG. It wouldn't be a good show if characters INFO DUMPED their entire backstories to your face, literally telling you, every episode for half an hour. You simply wouldn't have a good show. Instead you find out through situations characters experience and are SHOWN AND NOT TOLD, and even then to me sometimes YOU'RE EXPLICITLY TOLD. 'BUT we didn't find out everything about *insert character name here* or about the first people who entered the circus!'. Listen to me now you have a nine episode half an hour pretty much limited series, you are kidding yourself if you think you are going to find out everything about everyone. Even in a normal tv show with episodes that last an hour for three seasons you don't know the explicit backstories for every single character.
Im not saying people cannot wonder or wish there was more information but to use it as an actual complaint ain't right. Succession is critically acclaimed show its absolutely stellar arguably Kendal is the semi main character but easily Shiv, Roman, Tom and Logan are main characters. Do we know about what exactly went down beat by beat about the Roy siblings childhoods? FUCK NO because we aren't meant to! It's left intentionally vague. Does it create good fanfiction, yes! Should this be used as a reason to why someone would not recommend this to someone else? NO. The creator has chosen this intentionally why? Because you DO NOT NEED TO KNOW every beat of their past to be engaged with the show!
I saw Hokum last night and I can’t stop thinking about it. Endless cynicism serves no one. Kindness can get you killed but it can also save so many and for all the right reasons and it’s worth feeling emotional about things and not drowning them out. Also Irish basement witches can really come in clutch
BYSTANDER · BEYOND THE BAR EP.10
"emotions can't withstand the weathering of time and that time even erases it's own traces" slapped me outta nowhere in a slow urn mentor mentee law kdrama
who asked for soulmates as the horror concept? wedding as the funeral? wedding as the curse? mother's love bending flow of time to warn her daughter? because girl...do i have a show for you........
Something Very Bad Is Going to Happen, written and directed by women, basically portrays marriage as a life-or-death curse, with an absolutely suffocating atmosphere from the very beginning. If women aren’t stuck in dysfunctional marriages, then they’re dealing with a terminal illness and dying on their wedding day or they’re Rachel, having anxiety attacks from the moment it becomes real that she’s getting married that weekend. Marriage and the expectations surrounding it, from a female perspective, as psychological horror. Dear God, it’s pure female gaze ecstasy. Thank you, thank you, thank you for this series.
i haven't actually watched the series myself, but I just wanted to say I love the sudden influx of horror movies that are tackling themes of marriage, of motherhood and women's identity in connection with and apart from those things. Because... what happens? What do we see happen almost every time? You lose something in the process of becoming other.
You get married, and with it comes expectation. You have children, and suddenly there is this new thing between you and your spouse. And the people who are your closest family no longer call you by your name like the ones who were with you and who raised you. No matter what you're doing you're not doing it right, but also, how are you supposed to know what to really do? And who else can say if you're doing it correctly?
Maybe this is an immature take, but isn't that terrifying? I mean, I guess that's life, but when you look at the broad scope of it, you go from a young woman to an older woman who is talking to her own daughters about what it was like being young, and what dreams you had, and people you loved and left behind. They will look at you like you've told them the saddest thing ever. And you will yell at people you love even though you do love them, and you will wonder when everything you desired became so far off.
I love this type of film because it expresses my own fears in a genre I love and believe can do it the most justice. You lose yourself when you step into such a role, and it makes me wonder if the gift of a partner and a new form of love is worth what price it often demands. Or maybe that's just what happens.
Talamasca: The Secret Order x Something Very Bad Is Going To Happen
Something Very Bad Is Going to Happen, written and directed by women, basically portrays marriage as a life-or-death curse, with an absolutely suffocating atmosphere from the very beginning. If women aren’t stuck in dysfunctional marriages, then they’re dealing with a terminal illness and dying on their wedding day or they’re Rachel, having anxiety attacks from the moment it becomes real that she’s getting married that weekend. Marriage and the expectations surrounding it, from a female perspective, as psychological horror. Dear God, it’s pure female gaze ecstasy. Thank you, thank you, thank you for this series.
i haven't actually watched the series myself, but I just wanted to say I love the sudden influx of horror movies that are tackling themes of marriage, of motherhood and women's identity in connection with and apart from those things. Because... what happens? What do we see happen almost every time? You lose something in the process of becoming other.
You get married, and with it comes expectation. You have children, and suddenly there is this new thing between you and your spouse. And the people who are your closest family no longer call you by your name like the ones who were with you and who raised you. No matter what you're doing you're not doing it right, but also, how are you supposed to know what to really do? And who else can say if you're doing it correctly?
Maybe this is an immature take, but isn't that terrifying? I mean, I guess that's life, but when you look at the broad scope of it, you go from a young woman to an older woman who is talking to her own daughters about what it was like being young, and what dreams you had, and people you loved and left behind. They will look at you like you've told them the saddest thing ever. And you will yell at people you love even though you do love them, and you will wonder when everything you desired became so far off.
I love this type of film because it expresses my own fears in a genre I love and believe can do it the most justice. You lose yourself when you step into such a role, and it makes me wonder if the gift of a partner and a new form of love is worth what price it often demands. Or maybe that's just what happens.
Unproblematic male actors don’t exi-