tony hawk
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Today's Document
Jules of Nature

pixel skylines
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Xuebing Du
noise dept.
Three Goblin Art
styofa doing anything
Peter Solarz
tumblr dot com

#extradirty
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KIROKAZE

blake kathryn
wallacepolsom

Andulka
DEAR READER
i don't do bad sauce passes

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@illustrasia
tony hawk
Benjamin birb. He can be a weird one. Benjamin is in love with bean sprouts and basically all green plants, but instead of munching on them, he gets all happy and sings to them instead. Anyone else’s birb do this? :)
:) What a precious baby! Zen ‘tiel also likes to sing to random things! Especially cloth items and feet!
please let me help you.
a bunch of Undertale doodlings from a couple weeks ago - finally got around to filter this stuff from the godforsaken mess that is my fanart folders B’ I
cat on bed: [sneezes] cat on floor: [jumps in surprise]
it’s that time of year
Oh thank goodness there’s still time for this.
Oh who am I kidding it’s always time for this.
Cause temmie believes in you
10 min doodle of Blooky listening to tunes :)
I've spent more than enough time on this to realize just how little I want to invest time into this. But I'm still glad I made it.
Quick question
what is the name of that amateaur/badly drawn anime opening where there’s a slomo scene of a guy and a girl about to kiss and then the guy goes into some sort of rad guitar solo??? I can’t find it and I don’t know the name of it :[
Found it!! https://www.youtube.com/watch?v=tw5Nvrb1ayg
arsamandica replied to your post: Quick question
beck mongolian chop squad?
nah, it's not for a real anime. I think it's just a made up one because someone wanted to create an anime opening?
thanks anyway uvu
Quick question
what is the name of that amateaur/badly drawn anime opening where there's a slomo scene of a guy and a girl about to kiss and then the guy goes into some sort of rad guitar solo??? I can't find it and I don't know the name of it :[
interning….
Poppies for the Dead. ballpoint pen, marker, photoshop color.
March is time for me to do self-indulgent drawings and it’s nearly over! Here’s a drawing of Dhio.
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
BRUSHES
Pencil I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes. Ink Pen Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles. Round Brush The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without. Flat Brush A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Watercolor Best used for smooth blending, washes, gradients, and smoky atmospheric effects. Cloud Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
TEXTURE OVERLAY
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
-L
The fandom conference LeakyCon is hosting its Fandom Madness tournament this week!
Reblog this image to show your support for Welcome to Night Vale!
Click here to download a bracket and play along!