godless sunday school teacher

[brawltogethernow]

Tumblr’s tagging is such a valuable social media tool, because it offers an…indoor voice. A way to talk on content without throwing a rock through the creator’s window.

[heartshapedbasil]

I’ve had enough, this is me now

[imahashtagloser]

isn’t that the dad from kung fu panda 

[heartshapedbasil]

I was gonna block you but this is actually really funny

[writing-prompt-s]

At 18, everyone receive a superpower. Your childhood friend got a power-absorption, your best friends got time control, and they quickly rise into top 100 most powerful superheroes. You got a mediocre superpower, but somehow got into the top 10. Today they visit you asking how you did it.

[inkskinned]

“Power absorption?” you ask him over your pasta, which you are currently absorbing powerfully. in the background, a tv is reading out what the Phoenix extremeist group has done recently. bodies, stacking.

tim nods, pushing his salad around. “it’s kind of annoying.” he’s gone vegan ever since he could talk to animals. his cheeks are sallow. “yesterday i absorbed static and i can’t stop shocking myself.”

“you don’t know what from,” shay is detangling her hair at the table, even though it’s not polite. about a second ago, her hair was perfect, which implies she’s been somewhere in the inbetween. “try millions of multiverses that your powers conflict with.” 

“did we die in the last one?” you grin and she grins and tim grins but nobody answers the question.

now she has a cut over her left eye and her hair is shorter. she looks tired and tim looks tired and you look down at your 18-year-old hands, which are nothing. 

they ship out tomorrow. they go out to the frontlines or wherever it is that superheroes go to fight supervillains; the cream of the crop. the starlight banner kids. 

“you both are trying too hard,” you tell them, “couldn’t you have been, like, really good at surfing?”

“god,” shay groans, “what i’d give to only be in the olympics.”

xxx in the night, tim is asleep. on the way home, he absorbed telekinesis, and hates it too. 

shay looks at you. “i’m scared,” she says.

you must not have died recently, because she looks the same she did at dinner, cut healing slowly over her eye the way it’s supposed to, not the hyper-quickness of a timejump. just shay, living in the moment when the moment is something everyone lives in. her eyes are wide and dark the way brown eyes can be, that swelling fullness that feels so familiar and warm, that piercing darkness that feels like a stone at the back of your tongue.

“you should be,” you say.

her nose wrinkles, she opens her mouth, but you plow on.

“they’re going to take one look at you and be like, ‘gross, shay? no thanks. you’re too pretty. it’s bringing down like, morale, and things’. then they’ll kick you out and i’ll live with you in a box and we’ll sell stolen cans of ravioli.”

she’s grinning. “like chef boyardee or like store brand?”

“store brand but we print out chef boyardee labels and tape them over the can so we can mark up the price.”

“where do we get the tape?” 

“we, uh,” you look into those endless dark eyes, so much like the night, so much like a good hot chocolate, so much like every sleepover you’ve had with the two of your best friends, and you say, “it’s actually just your hair. i tie your hair around the cans to keep the label on.”

she throws a pillow at you. 

you both spend a night planning what you’ll do in the morning when shay is kicked out of Squadron 8, Division 1; top rankers that are all young. you’ll both run away to the beach and tim will be your intel and you’ll burn down the whole thing. you’re both going to open a bakery where you will do the baking and she’ll use her time abilities to just, like, speed things up so you don’t have to wake up at dawn. you’re both going to become wedding planners that only do really extreme weddings.

she falls asleep on your shoulder. you do not sleep at all.

in the morning, they are gone.

xxx

squadron 434678, Division 23467 is basically “civilian status.” you still have to know what to expect and all that stuff. you’re glad that you’re taking extra classes at college; you’re kind of bored re-learning the stuff you were already taught in high school. there are a lot of people who need help, and you’re good at that, so you help them. 

tim and shay check in from time to time, but they’re busy saving the world, so you don’t fault them for it. in the meantime, you put your head down and work, and when your work is done, you help the people who can’t finish their work. and it kind of feels good. kind of.

xxx

at twenty, squadron 340067, division 2346 feels like a good fit. tim and you go out for ice cream in a new place that rebuilt after the Phoenix group burned it down. you’ve chosen nurse-practitioner as your civilian job, because it seems to fit, but you’re not released for full status as civilian until you’re thirty, so it’s been a lot of office work.

tim’s been on the fritz a lot lately, overloading. you’re worried they’ll try to force him out on the field. he’s so young to be like this.

“i feel,” he says, “like it all comes down to this puzzle. like i’m never my own. i steal from other people’s boxes.”

you wrap your hand around his. “sometimes,” you say, “we love a river because it is a reflection.”

he’s quiet a long time after that. a spurt of flame licks from under his eyes.

“i wish,” he says, “i could believe that.”

xxx

twenty three has you in squad 4637, division 18. really you’ve just gotten here because you’re good at making connections. you know someone who knows someone who knows you as a good kid. you helped a woman onto a bus and she told her neighbor who told his friend. you’re mostly in the filing department, but you like watching the real superheroes come in, get to know some of them. at this level, people have good powers but not dangerous ones. you learn how to help an 18 year old who is a loaded weapon by shifting him into a non-violent front. you get those with pstd home where they belong. you put your head down and work, which is what you’re good at. 

long nights and long days and no vacations is fine until everyone is out of the office for candlenights eve. you’re the only one who didn’t mind staying, just in case someone showed up needing something. 

the door blows open. when you look up, he’s bleeding. you jump to your feet. 

“oh,” you say, because you recognize the burning bird insignia on his chest, “I think you have the wrong office.”

“i just need,” he spits onto the ground, sways, collapses. 

well, okay. so, that’s, not, like. great. “uh,” you say, and you miss shay desperately, “okay.”

you find the source of the bleeding, stabilize him for when the shock sets in, get him set up on a desk, sew him shut. two hours later, you’ve gotten him a candlenights present and stabilized his vitals. you’ve also filed him into a separate folder (it’s good to be organized) and found him a home, far from the warfront.

when he wakes up, you give him hot chocolate (god, how you miss shay), and he doesn’t smile. he doesn’t smile at the gift you’ve gotten him (a better bulletproof vest, one without the Phoenix on it), or the stitches. that’s okay. you tell him to take the right medications, hand them over to him, suggest a doctor’s input. and then you hand over his folder with a new identity in it and a new house and civilian status. you take a deep breath. 

he opens it and bursts into tears. he doesn’t say anything. he just leaves and you have to clean up the blood, which isn’t very nice of him. but it’s candlenights. so whatever. hopefully he’ll learn to like his gift.

xxx

squadron 3046, division 2356 is incredibly high for a person like you to fit. but still, you fit, because you’re good at organization and at hard work, and at knowing how to hold on when other people don’t see a handhold.

shay is home. you’re still close, the two of you, even though she feels like she exists on another planet. the more security you’re privy to, the more she can tell you. 

you brush her hair as she speaks about the endless man who never dies, and how they had to split him up and hide him throughout the planet. she cries when she talks about how much pain he must be in.

“can you imagine?” she whispers, “i mean, i know he’s phoenix, but can you imagine?” 

“one time i had to work retail on black friday,” you say.

she sniffles.

“one time my boss put his butt directly on my hand by accident and i couldn’t say anything so i spent a whole meeting with my hand directly up his ass,” you say.

her eyes are so brown, and filling, and there are scars on her you’ve never noticed that might be new or very, very, very old; and neither of you know exactly how much time she’s actually been alive for. 

“i mean,” you say, “yeah that might hurt but one time i said goodbye to someone but they were walking in the same direction. i mean can you imagine.”

she laughs, finally, even though it’s weakly, and says, “one time even though i can manipulate time i slept in and forgot to go to work even though i was leading a presentation and i had to look them in the face later to tell them that.”

“you’re a compete animal,” you tell her, and look into those eyes, so sad and full of timelines you’ll never witness, “you should be kicked out completely.”

she wipes her face. “find me in a box,” she croaks, “selling discount ravioli.”

xxx

you don’t know how it happens. but you guess the word gets around. you don’t think you like being known to them as someone they can go to, but it’s not like they’ve got a lot of options. many of them just want to be out of it, so you get them out, you guess.

you explain to them multiple times you haven’t done a residency yet and you really only know what an emt would, but they still swing by. every time they show up at your office, you feel your heart in your chest: this is it, this is how you die, this is how it ends. 

“so, like, this group” you say, trying to work the system’s loopholes to find her a way out of it, “from ashes come all things, or whatever?”

she shrugs. you can tell by looking at her that she’s dangerous. “it’s corny,” she says. another shrug. “i didn’t mean to wind up a criminal.”

you don’t tell her that you sort of don’t know how one accidentally becomes a criminal, since you kind-of-sort-of help criminals out, accidentally. 

“i don’t believe any of that stuff,” she tells you, “none of that whole… burn it down to start it over.” she swallows. “stuff just happens. and happens. and you wake up and it’s still happening, even though you wish it wasn’t.”

you think about shay, and how she’s covered in scars, and her crying late at night because of things nobody else ever saw.

“yeah,” you say, and print out a form, “i get that.”

and you find a dangerous woman a normal home.

xxx

“you’re squadron 905?” 

“division 34754,” you tell him. watch him look down at your ID and certification and read your superpower on the card and then look back up to you and then back down to the card and then back up at you, and so on. he licks his chapped lips and stands in the cold.

this happens a lot. but you smile. the gatekeeper is frowning, but then hanson walks by. “oh shit,” he says, “it’s you! come right on in!” he gives you a hug through your rolled-down window.

the gatekeeper is in a stiff salute now. gulping in terror. hanson is one of the strongest people in this sector, and he just hugged you.

the gate opens. hanson swaggers through. you shrug to the gatekeeper. “i helped him out one time.” 

inside they’re debriefing. someone has shifted sides, someone powerful, someone wild. it’s not something you’re allowed to know about, but you know it’s bad. so you put your head down, and you work, because that’s what you’re good at, after all. you find out the gatekeeper’s name and send him a thank-you card and also handmade chapstick and some good earmuffs.

shay messages you that night. i have to go somewhere, she says, i can’t explain it, but there’s a mission and i might be gone a long time.

you stare at the screen for a long time. your fingers type out three words. you erase them. you instead write where could possibly better than stealing chef boyardee with me?

she doesn’t read it. you close the tab. 

and you put your head down. and work.

xxx

it’s in a chili’s. like, you don’t even like chili’s? chili’s sucks, but the boss ordered it so you’re here to pick it up, wondering if he gave you enough money to cover. things have been bad recently. thousands dying. whoever switched sides is too powerful to stop. they destroy anyone and anything, no matter the cost.

the phoenix fire smells like pistachios, you realize. you feel at once part of yourself and very far. it happens so quickly, but you feel it slowly. you wonder if shay is involved, but know she is not.

the doors burst in. there’s screaming. those in the area try their powers to defend themselves, but everyone is civilian division. the smell of pistachios is cloying. 

then they see you. and you see them. and you put your hands on your hips.

“excuse me, tris,” you say, “what are you doing?”

there’s tears in her eyes. “i need the money,” she croaks.

“From a chili’s?” you want to know, “who in their right mind robs a chili’s? what are you going to do, steal their mozzarella sticks?”

“it’s connected to a bank on the east wall,” she explains, “but i thought it was stupid too.”

you shake your head. you pull out your personal checkbook. you ask her how much she needs, and you see her crying. you promise her the rest when you get your paycheck.

someone bursts into the room. shouts things. demands they start killing. 

but you’re standing in the way, and none of them will kill you or hurt you, because they all know you, and you helped them at some point or another, or helped their friend, or helped their children.

tris takes the money, everyone leaves. by the time the heroes show up, you’ve gotten everyone out of the building.

the next time you see tris, she’s marrying a beautiful woman, and living happily, having sent her cancer running. you’re a bridesmaid at the wedding.

xxx

“you just,” the director wants to know now, “sent them running?” 

hanson stands between her and you, although you don’t need the protection.

“no,” you say again, for the millionth time, “i just gave her the money she needed and told her to stop it.”

“the phoenix group,” the director of squadron 300 has a vein showing, “does not just stop it.”

you don’t mention the social issues which confound to make criminal activity a necessity for some people, or how certain stereotypes forced people into negative roles to begin with, or how an uneven balance of power punished those with any neurodivergence. instead you say, “yeah, they do.”

“i’m telling you,” hanson says, “we brought her out a few times. it happens every time. they won’t hurt her. we need her on our team.”

your spine is stiff. “i don’t do well as a weapon,” you say, voice low, knowing these two people could obliterate you if they wished. but you won’t use people’s trust against them, not for anything. besides, it’s not like trust is your superpower. you’re just a normal person.

hanson snorts. “no,” he says, “but i like that when you show up, the fighting just… stops. that’s pretty nice, kid.”

“do you know… what we are dealing with…. since agent 25… shifted….?” the director’s voice is thin.

“yeah,” hanson says, “that’s why i think she’d be useful, you know? add some peace to things.”

the director sits down. sighs. waves her hand. “whatever,” she croaks, “do what you want. reassign her.”

hanson leads you out. over your shoulder, you see her put her head in her hands. later, you get her a homemade spa kit, and make sure to help her out by making her a real dinner from time to time, something she’s too busy for, mostly.

at night, you write shay messages you don’t send. telling her things you cannot manage.

one morning you wake up to a terrible message: shay is gone. never to be seen again.

xxx

you’re eating ice cream when you find him.

behind you, the city is burning. hundreds dead, if not thousands.

he’s staring at the river. maybe half-crying. it’s hard to tell, his body is shifting, seemingly caught between all things and being nothing.

“ooh buddy,” you say, passing him a cone-in-a-cup, the way he likes it, “talk about a night on the town.”

the bench is burning beside him, so you put your jacket down and snuff it out. it’s hard sitting next to him. he emits so much.

“hey tim?” you say. 

“yeah?” his voice is a million voices, a million powers, a terrible curse. 

“can i help?” you ask.

he eats a spoonful of ice cream. 

“yeah,” he says eventually. “i think i give up.”

xxx

later, when they praise you for defeating him, you won’t smile. they try to put you in the media; an all-time hero. you decline every interview and press conference. you attend his funeral with a veil over your head.

the box goes into the ground. you can’t stop crying.

you’re the only one left at the site. it’s dark now, the subtle night.

you feel her at your side and something in your heart stops hurting. a healing you didn’t know you needed. her hands find yours.

“they wanted me to kill him,” she says, “they thought i’d be the only one who could.” her hands are warm. you aren’t breathing.

“beat you to it,” you say. 

“i see that,” she tells you. 

you both stand there. crickets nestle the silence.

“you know,” she says eventually, “i have no idea which side is the good one.”

“i think that’s the point of a good metaphor about power and control,” you say, “it reflects the human spirit. no tool or talent is good or bad.”

“just useful,” she whispers. after a long time, she wonders, “so what does that make us?”

xxx

it’s a long trek up into the mountains. shay seems better every day. more solid. less like she’s on another plane.

“heard you’re a top ten,” she tells me, her breath coming out in a fog. you’ve reclassed her to civilian. it took calling in a few favors, but you’ve got a lot. 

“yeah,” you say, “invulnerable.”

“oh, is that your superpower?” she laughs. she knows it’s not.

“that’s what they’re calling it,” you tell her, out of breath the way she is not, “it’s how they explain a person like me at the top.”

“if that means ‘nobody wants to kill me’, i think i’m the opposite.” but she’s laughing, in a light way, a way that’s been missing from her.

the cabin is around the corner. the lights are already on. 

“somebody’s home,” i grin.

tim, just tim, tim who isn’t forced into war and a million reflections, opens the door. “come on in.” xxx squadron one, division three. a picture of shay in a wedding dress is on my desk. she looks radiant, even though she’s marrying little old me.

what do i do? just what i’m best at. what’s not a superpower. what anyone is capable of: just plain old helping.

[hornyjail23]

Written art. Beautiful. Better than most movies. Please read and share.

[eightmonkeys-deactivated2022090]

eats a grape and a slice of cheese simultaneously: ratatouille

[soracities]

maybe this is all that love is. the stray eyelash plucked so softly off their cheek, collars adjusted mid-sentence, the ladle passing back and forth as the sauce simmers (and how you blow it gently before they taste and still – ’it’s hot, careful’ – and then – ’more salt? more ginger? five more minutes? yes, five more minutes’) and voices humming in the next room, happily distracted, and no one there to hear it, to know about it, but you and you listen, stopped in the middle of whatever you were doing, to listen without saying anything, without walking in because it is a moment entirely theirs, not for anything but listening to, knowing that your place is to just be there, to hold that moment, because it is a gift beyond words that you’re lucky enough to be there to hear it, until the humming stops, and the world comes back and all you can do is go back to your task, aware suddenly of how delicate, how fragile all of it is.

[philosophybits]

Someone has said that it requires less mental effort to condemn than to think. The widespread mental indolence, so prevalent in society, proves this to be only too true. Rather than to go to the bottom of any given idea, to examine into its origin and meaning, most people will either condemn it altogether, or rely on some superficial or prejudicial definition of non-essentials.

Emma Goldman, “Anarchism, What it Really Stands For”, Anarchism and Other Essays (via philosophybits)

[fatehbaz]

—

—–

—–

—-

—

[inkskinned]

You know it is unreciprocated, but she holds so much space in your ribs. She is folding a napkin to tuck under her plate. She has a habit of pushing her hair back behind one ear, only for it to slip back in front of her face the next second. The sun hits her like a halo. Her artist hands skip over silverware.

You want to say: you make me feel like temple, like holy ground.

Two weeks ago while box-wine drunk, she lay down next to you on your ugly rug and wrapped her hands in yours and whispered "it must be an honor, being yours"

you want to say: being around you sets embers under my tongue. Being around you is a snakebite.

Last Tuesday she waltzed with you in the kitchen & slid her hands over yours and spun you and kissed you on the cheek.

You want to say: I cannot come to you if I don't know how much you're calling. I know you are used to less gentle desires. But I am not hunting.

You say: "How's it going?"

She tells you about her life and you listen because you love her voice and you want to be there and you want her in your arms. You will not act first. You don't want to hurt her. You are probably imagining all of her affection. She is probably just always flirty with friends.

You eat instead of confessing. She draws one finger over your cheek to catch a fleck of pepper. You feign snapping at her finger, she cackles. She tells the waiter - yes more wine! we are on a date!

It isn't the feeling that is snapping your spine in tiny jaws. It's the almost of it all. Does she even know? Are you just her problem? She is a soft space to you. Your first and last thought. Are you reading it all wrong. (Of course you are).

You make her laugh because you'd eat your whole hand to make her laugh and you can't make eye contact because her eyes are so lovely they render you inert and close your throat. You nod about her boyfriend and don't tell her to leave him, to pick up and go. You try fries off her plate and she smacks your hand, just a little, and starts a tiny food fight - she steals one of your onion rings every time you take a fry.

You say - hang on lemme get a picture of you. This is how you make an excuse to stare at her, and her hair, and the smirk she is always wearing. You want to say - just kill me. I have spent so long aching for you that it would be easier, the dying.

Instead you say - "Perfect."

You know it's unrequited. But how lovely to imagine saying - please. Be mine.

[rabbit-hearted]

Romance died when we stopped calling our significant others things like "little bird" and writing long letters with wax seals to be delivered in secret

[hymnsofheresy]

I can’t believe that the sacredness of shared meals is not well known??? 

Mealtime is an extremely important cultural and social ritual. There are psychological benefits for cooking for other people, and serving a meal stabilizes the emotions between the provider and the receiver. Cooking with your partner, like accomplishing any task together, strengthens relationships. Eating together strengthens communal bonds and helps with mental health. Sharing the same food with someone else builds trust, cooperation, and a sense of connectivity. It’s a shame how in our fast paced society we don’t value the importance of regularly breaking bread with one another

[quasarkisses]

The bond of sharing a meal is so strong that it can be its own kind of relationship.

[dunmeshi]

just stumbled across Francisco Soria Aedo's work and first off: really good painter, super talented. He mainly did portraits and neoclassical but I really like are his expressions, which do show up in his neoclassical work. lots of people smiling and having fun and it's just very cute

this is one of my favorites

[dunmeshi]

heres a couple more examples!

[marvel-leviathan]

...i dont thing I’ve ever seen this style with people smiling...

[vane-sya]

“We all have forests on our minds. Forests unexplored, unending. Each one of us gets lost in the forest, every night, alone.”

— Ursula K. Le Guin, The Wind’s Twelve Quarters (via amy-583)

[sugarsweetcandycorn]

This little lizard jumped on me and started rubbing on my fingers. After some time I realized he was getting rid of his old skin. Mr. Tiny Lizard choosed me to be his “helping-hand” in this important Stage of his life and I feel very honored

[impassioned-heart]

This is so fucking adorable omg

[shannonhale]

We’re Ready

I was presenting an assembly for kids grades 3-8 while on book tour for the third PRINCESS ACADEMY book.

Me: “So many teachers have told me the same thing. They say, ‘When I told my students we were reading a book called PRINCESS ACADEMY, the girls said—’”

I gesture to the kids and wait. They anticipate what I’m expecting, and in unison, the girls scream, “YAY!”

Me: “'And the boys said—”

I gesture and wait. The boys know just what to do. They always do, no matter their age or the state they live in.

In unison, the boys shout, “BOOOOO!”

Me: “And then the teachers tell me that after reading the book, the boys like it as much or sometimes even more than the girls do.”

Audible gasp. They weren’t expecting that.

Me: “So it’s not the story itself boys don’t like, it’s what?” The kids shout, “The name! The title!”

Me: “And why don’t they like the title?”

As usual, kids call out, “Princess!”

But this time, a smallish 3rd grade boy on the first row, who I find out later is named Logan, shouts at me, “Because it’s GIRLY!”

The way Logan said “girly"…so much hatred from someone so small. So much distain. This is my 200-300th assembly, I’ve asked these same questions dozens of times with the same answers, but the way he says “girly” literally makes me take a step back. I am briefly speechless, chilled by his hostility.

Then I pull it together and continue as I usually do.

“Boys, I have to ask you a question. Why are you so afraid of princesses? Did a princess steal your dog? Did a princess kidnap your parents? Does a princess live under your bed and sneak out at night to try to suck your eyeballs out of your skull?”

The kids laugh and shout “No!” and laugh some more. We talk about how girls get to read any book they want but some people try to tell boys that they can only read half the books. I say that this isn’t fair. I can see that they’re thinking about it in their own way.

But little Logan is skeptical. He’s sure he knows why boys won’t read a book about a princess. Because a princess is a girl—a girl to the extreme. And girls are bad. Shameful. A boy should be embarrassed to read a book about a girl. To care about a girl. To empathize with a girl.

Where did Logan learn that? What does believing that do to him? And how will that belief affect all the girls and women he will deal with for the rest of his life?

At the end of my presentation, I read aloud the first few chapters of THE PRINCESS IN BLACK. After, Logan was the only boy who stayed behind while I signed books. He didn’t have a book for me to sign, he had a question, but he didn’t want to ask me in front of others. He waited till everyone but a couple of adults had left. Then, trembling with nervousness, he whispered in my ear, “Do you have a copy of that black princess book?”

He wanted to know what happened next in her story. But he was ashamed to want to know.

Who did this to him? How will this affect how he feels about himself? How will this affect how he treats fellow humans his entire life?

We already know that misogyny is toxic and damaging to women and girls, but often we assume it doesn’t harm boys or mens a lick. We think we’re asking them to go against their best interest in the name of fairness or love. But that hatred, that animosity, that fear in little Logan, that isn’t in his best interest. The oppressor is always damaged by believing and treating others as less than fully human. Always. Nobody wins. Everybody loses. 

We humans have a peculiar tendency to assume either/or scenarios despite all logic. Obviously it’s NOT “either men matter OR women do.” It’s NOT “we can give boys books about boys OR books about girls.” It’s NOT “men are important to this industry OR women are.“ 

It’s not either/or. It’s AND.

We can celebrate boys AND girls. We can read about boys AND girls. We can listen to women AND men. We can honor and respect women AND men. And And And. I know this seems obvious and simplistic, but how often have you assumed that a boy reader would only read a book about boys? I have. Have you preselected books for a boy and only offered him books about boys? I’ve done that in the past. And if not, I’ve caught myself and others kind of apologizing about it. “I think you’ll enjoy this book EVEN THOUGH it’s about a girl!” They hear that even though. They know what we mean. And they absorb it as truth.

I met little Logan at the same assembly where I noticed that all the 7th and 8th graders were girls. Later, a teacher told me that the administration only invited the middle school girls to my assembly. Because I’m a woman. I asked, and when they’d had a male author, all the kids were invited. Again reinforcing the falsehood that what men say is universally important but what women say only applies to girls.

One 8th grade boy was a big fan of one of my books and had wanted to come, so the teacher had gotten special permission for him to attend, but by then he was too embarrassed. Ashamed to want to hear a woman speak. Ashamed to care about the thoughts of a girl.

A few days later, I tweeted about how the school didn’t invite the middle school boys. And to my surprise, twitter responded. Twitter was outraged. I was blown away. I’ve been talking about these issues for over a decade, and to be honest, after a while you feel like no one cares. 

But for whatever reason, this time people were ready. I wrote a post explaining what happened, and tens of thousands of people read it. National media outlets interviewed me. People who hadn’t thought about gendered reading before were talking, comparing notes, questioning what had seemed normal. Finally, finally, finally.

And that’s the other thing that stood out to me about Logan—he was so ready to change. Eager for it. So open that he’d started the hour expressing disgust at all things “girly” and ended it by whispering an anxious hope to be a part of that story after all. 

The girls are ready. Boy howdy, we’ve been ready for a painful long time. But the boys, they’re ready too. Are you?

I’ve spoken with many groups about gendered reading in the last few years. Here are some things that I hear:

A librarian, introducing me before my presentation: “Girls, you’re in for a real treat. You’re going to love Shannon Hale’s books. Boys, I expect you to behave anyway.”

A book festival committee member: “Last week we met to choose a keynote speaker for next year. I suggested you, but another member said, ‘What about the boys?’ so we chose a male author instead.”

A parent: “My son read your book and he ACTUALLY liked it!”

A teacher: “I never noticed before, but for read aloud I tend to choose books about boys because I assume those are the only books the boys will like.”

A mom: “My son asked me to read him The Princess in Black, and I said, ‘No, that’s for your sister,’ without even thinking about it.”

A bookseller: “I’ve stopped asking people if they’re shopping for a boy or a girl and instead asking them what kind of story the child likes.”

Like the bookseller, when I do signings, I frequently ask each kid, “What kind of books do you like?” I hear what you’d expect: funny books, adventure stories, fantasy, graphic novels. I’ve never, ever, EVER had a kid say, “I only like books about boys.” Adults are the ones with the weird bias. We’re the ones with the hangups, because we were raised to believe thinking that way is normal. And we pass it along to the kids in sometimes  overt (“Put that back! That’s a girl book!”) but usually in subtle ways we barely notice ourselves.

But we are ready now. We’re ready to notice and to analyze. We’re ready to be thoughtful. We’re ready for change. The girls are ready, the boys are ready, the non-binary kids are ready. The parents, librarians, booksellers, authors, readers are ready. Time’s up. Let’s make a change.

[sweetgrassbraids-deactivated202]

the tenderness…. 

[bright-eyed]

the whole quote is very heartwarming:

“And we are not the only animal that has to teach our young. Old lobsters show their migration routes to young ones by holding claws, the way we hold hands, and walking the long miles together. A kitten without a mother to teach her may not ever learn to hunt small mammals. Such cats will let mice run all over them—though once they are shown, they never forget. A bee coming home from her first pollen run will be stroked all over by the other bees in praise and encouragement, even though she’s probably carrying only one-tenth of what she will learn to in a few weeks. Beavers held in captivity without flowing water don’t know how to make dams—that knowledge was passed down through the generations until humans interrupted their process of enculturation.”

[firstfullmoon]

chen chen, “song of the anti-sisyphus” / mikko harvey, “for m”

[regularlesbian]

not to be reformist but i just realized requiring employers to treat a commute as time on the job would probably make american cities profoundly more habitable

[geniexo]

this is a good idea but are we really at a point where we’re not allowed to suggest any improvement short of revolution without having to preface it with “not to be reformist” ???

[lesbiantaurus-deactivated202508]

not to comment out of the tags but we were literally just talking about this in my marxist reading group on sunday about how there needs to be incremental changes in the way things are run before revolution comes (co-ops, community gardens, food programs, etc) so that after capitalism is destroyed we have an educated population that knows how to build systems without recreating capitalist hierarchy and we are faced with the difficult task of bolstering those postcapitalist initiatives insteading of the impossible task of education of a whole population that has no idea what a postcapitalist economy and resource distribution could look like and rebuilding society from scratch

The next system project has entire articles ad essays on how this could look in multiple different ways if you want to read on it more!!

[lesbiantaurus-deactivated202508]

The specific essay i’m thinking of is called Community, Democracy, and Mutual Aid! its a long read at 43 pages but its actually a really good one. There are issues with it like anything but it’s one of the first things that really outlined for me what like dual power is and how revolutionary institutions in place before the toppling of capitalist economy are necessary to function in a postcapitalist world might look and function

[la-laborista-republiko]

The Tumblr left has discovered the idea of a transitional program

[canadian-marxist]

https://www.marxists.org/archive/trotsky/1938/tp/

[scottishwobbly]

Dual Power: A Strategy to Build Socialism in Our Time

[wetwareproblem]

My big problem with revolutionaries is that a lot of them are eerily like right wing accelerationists - they’ve got very high acceptable-casualty numbers and just kinda assume the dead will be the Bad People.

One of the more insidious things about the system we live in is that it holds marginalized people hostage. If the revolution were to happen tomorrow, my household would probably not survive two months - we depend on the infrastructure so graciously and generously provided to us by the ruling class to survive, and there simply aren’t sufficient alternative support networks and labour structures to fill that gap. We’re already all hustling as hard as we can using what networks do exist, and working on self-sustainability to the extent we can - this is not theoretical.

So I’m really, really excited to see things like this getting attention. This is what we need our revolution to look like, if we want to make it there together.

[la-laborista-republiko]

^ T h i s

It’s also just outright unrealistic and a recipe for crushing defeat. The structures we will need have to already be in place in order for revolution to be successful, and so we have to start building them now; if we wait until things get any worse, it will be too late for that.