Lonesome

You are made of dreams and this world is not for you. neil. he/they

[weepingwidar]

Onrie Radovic (Australian, 1985) - Refuge (2025)

[thunderstruck9]

Onrie Radovic (Australian, 1985), Refuge, 2025. Acrylic on aluminium, 124 x 93 cm.

[8nin]

“what’s stopping you from-“ listen i am so so sleepy

[barmecidebiohazard]

Hate. Let me tell you how much I've come to hate golf since I began to live. There are roughly 2.25 million acres of land dedicated to golfing in the United States of America. If the word 'hate' was engraved on each blade of grass in those millions of acres, it would not equal one one-billionth of the hate I feel for golf courses at this micro-instant. For golf. Hate. Hate.

[asteroidtroglodyte]

Me, tears streaming down my face, sobbing, as I stare at the stars: it’s just so beautiful

The medieval peasant I went back in time to give a bag of Doritos to, concerned: what terrible and powerful sorcerers they must have in your age, to be able to veil the vault of heaven itself from view, as you say

Me, sniffling: I didn’t realize, I can’t, it’s so much, I, I… are the chips good, at least?

Medieval peasant, trying to make me feel better: they’re… magical, strange traveler

[draconym]

do you think two pennies is still enough for the ferryman or has inflation driven up the fare

[draconym]

if he makes me use an app I am simply not crossing the river Styx.

[bethfuller]

does anyone have that unsettling oil painting of a dark window with a sheet leading out into the darkness? it did the rounds on tumblr a while ago and i need itttt

[bethfuller]

YES THANK YOU

Dragan Bibin, Dead of Night

[1989nihil]

@lee-and-other-things​

i don’t… see a dog???  👀

[captainhaterade]

Litmus test for “is the brightness on your phone too low for art appreciation”

[iemon-pxl]

"funaya"

[fatartappreciation]

Amnesia (2016) by the outstanding German artist Rolf Ohst

[archbudzar]

its gonna be nothing like you planned

[sodomite-son]

quick question! in which part of your life do you stop feeling like a scolded child? quick question! am i in trouble? quick question! you would tell me if im in trouble right? quick question! please don't send me to my room quick question! please don't be mad

[s-n]

[argentvive]

Slow it down!

[kosmogrl]

don’t take my defeatism too seriously I will always begin again and again no matter what

[kosmogrl]

I might sound miserable most of the time but at my core I’m a very hopeful person

[195195119511951-deactivated2021]

In the first poetry workshop I ever took my professor said we could write about anything we wanted except for two things: our grandparents and our dogs. She said she had never read a good poem about a dog. I could only remember ever reading one poem about a dog before that point—a poem by Pablo Neruda, from which I only remembered the lines “We walked together on the shores of the sea/ In the lonely winter of Isla Negra.” Four years later I wrote a poem about how when I was a little girl I secretly baptized my dog in the bathtub because I was afraid she wouldn’t get into heaven. “Is this a good poem?” I wondered. The second poetry workshop, our professor made us put a bird in each one of our poems. I thought this was unbelievably stupid. This professor also hated when we wrote about hearts, she said no poet had ever written a good poem in which they mentioned a heart. I started collecting poems about hearts, first to spite her, but then because it became a habit I couldn’t break. The workshop after that, our professor would tell us the same story over and over about how his son had died during a blizzard. He would cry in front of us. He never told us we couldn’t write about anything, but I wrote a lot of poems about snow. At the end of the year he called me into his office and said, “looking at you, one wouldn’t think you’d be a very good writer” and I could feel all the pity inside of me curdling like milk. The fourth poetry workshop I ever took my professor made it clear that poets should not try to engage with popular culture. I noticed that the only poets he assigned were men. I wrote a poem about that scene in Grease 2 where a boy takes his girlfriend to a fallout shelter and tries to get her to have sex with him by tricking her into believing that nuclear war had begun. It was the first poem I ever published. The fifth poetry workshop I ever took our professor railed against the word blood. She thought that no poem should ever have the word “blood” in it, they were bloody enough already. She returned a draft of my poem with the word blood crossed out so hard the paper had torn. When I started teaching poetry workshops I promised myself I would never give my students any rules about what could or couldn’t be in their poems. They all wrote about basketball. I used to tally these poems when I’d go through the stack I had collected at the end of each class. 1, 2, 3, 4, 5, 6, 7 poems about basketball. This was Indiana. Eventually I couldn’t take it anymore. I told the class, “for the next assignment no one can write about basketball, please for the love of god choose another topic. Challenge yourselves.” Next time I collected their poems there was one student who had turned in another poem about basketball. I don’t know if he had been absent on the day I told them to choose another topic or if he had just done it to spite me. It’s the only student poem I can still really remember. At the time I wrote down the last lines of that poem in a notebook. “He threw the basketball and it came towards me like the sun”

[grippiersockgangggg-deactivated]

I was not made for….*gestures broadly at the world*

[whalefill]

ok not cool who fired the freaking arrow

[kosmogrl]

[aemperatrix]

ANDY LOVELL Swirls & Eddies, North Devon / North Cornish Coast / Swans, Incoming Tide silkscreen prints