INDUSTRIAL LUNCH NUMBER FIVE IS HERE
A THIRD YEAR OF GLORIOUS JUNK! POETRY | ART | OBSCENE GESTURES | ROLLICKING GOOD TIMES
GET RIGHT WITH INDUSTRIAL LUNCH NOW! THE END MAY BE NIGH!
Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism

oozey mess
h
Cosimo Galluzzi

Kiana Khansmith
Lint Roller? I Barely Know Her
No title available
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
No title available
let's talk about Bridgerton tea, my ask is open
seen from United States
seen from Kenya
seen from United States

seen from Venezuela

seen from United States
seen from Ghana
seen from Singapore

seen from Iraq
seen from Argentina
seen from Oman
seen from Philippines

seen from Ecuador
seen from Saudi Arabia

seen from Poland

seen from Netherlands

seen from Ukraine

seen from Jamaica
seen from United States

seen from Bangladesh
seen from Azerbaijan
@industriallunch
INDUSTRIAL LUNCH NUMBER FIVE IS HERE
A THIRD YEAR OF GLORIOUS JUNK! POETRY | ART | OBSCENE GESTURES | ROLLICKING GOOD TIMES
GET RIGHT WITH INDUSTRIAL LUNCH NOW! THE END MAY BE NIGH!
/!\INDUSTRIAL LUNCH EXCLUSIVE PREMIUM CHAPBOOK ANNOUNCEMENT/!\
INDUSTRIAL LUNCH IS BACK and we’re pleased to announce the release of our very own A. B. Robinson’s chapbook 36 Stop Motion Films of the Summer, in a stately run of fifty (50) hand-numbered editions!
GET YOURS HERE AND NOW WHILE SUPPLIES EXIST!
/!\ INDUSTRIAL LUNCH ISSUE NO. 5: CALL FOR NO SUBMISSIONS /!\
INDUSTRIAL LUNCH, a magazine of poetry and visual art, is now open for submissions!
DO NOT submit your poetry and visual art to INDUSTRIAL LUNCH!
We DO NOT want to consider your glorious junk for publication!
We DO NOT have a theme!
We DO NOT have a project!
We DO NOT have a program!
We DO NOT have an anthem!
We DO NOT have time to tell you what to do!
We DO NOT want you to send all submissions to [email protected]!
For writing, we DO NOT want you to send 1-3 poems in a Word document (.doc or .docx), or with an accompanying PDF if you are doing something that relies heavily on a visual “field” for a poem!
For translation, we DO NOT want you to provide a copy of the translated text(s) in their original language(s), in addition to your translations!
For visual art, we DO NOT want you to send your work (in high quality scans or photographs) to us in TIFF or JPEG format (no PDFs), at least 150 dpi, in an email that indicates the medium of your piece–painting, mixed media, illustration, photography, etc.– as well as the title and date if applicable!
We DO NOT want you to include the name(s) of the author(s) in their file names (for example: RichardNixon_PoemSubmission)!
We DO NOT want you to include a brief statement in the body of your email submission as to why you have deigned submit your work to us even though we have asked you to do the opposite of that!
We DO NOT think you need to know that your submissions need to be in by November 20!
We DO NOT want you to hesitate to contact us if you have any questions!
DO NOT find us on Facebook!
INDUSTRIAL LUNCH NO. 4 IS HERE!
BEAUTY | POETRY | PROBLEMS | A SECOND YEAR OF GLORIOUS JUNK
GET YOURS BEFORE ANYONE ELSE EVEN HAS THE OPPORTUNITY (NOW)
/!\ INDUSTRIAL LUNCH ISSUE 4 goes LIVE tomorrow /!\
Check back here for more details. Tell all your friends, and have them tell their friends, and be prepared to HOP TO THE BLUES.
Industrial Lunch’s first ever print chapbook release, MORE FRESH AIR by Greg Purcell and David W. Pritchard, is now available to order online! Our run of 100 hand-numbered copies is already limited, so act fast!
(Chapbooks are also available for purchase in person at Amherst Books.)
Get yours immediately!
TOMORROW: Industrial Lunch's first-ever print chapbook, MORE FRESH AIR by Greg Purcell and David W. Pritchard, will become available to the public, hot off the presses in a limited run of 100 copies! Chapbooks will be available tomorrow night at our reading at Amherst Books featuring Greg Purcell, Ish Klein, Alice E. Hall, and A. B. Robinson. Get yours then, or stay tuned for more information on how else to obtain your copy!
/!\ Industrial Lunch Live Reading Event /!\
We know you are busy getting your submissions together for INDUSTRIAL LUNCH NO. 4, but we invite you to take a short break and join us for a LIVE POETRY READING hosted by INDUSTRIAL LUNCH!
Who: Alice E. Hall, A. B. Robinson, Greg Purcell, Ish Klein
When: March 27, 2015 at 7:00 pm
Where: Amherst Books
What: An evening of poetry and glorious junk!
Why: It’s time to hop to the blues, of course.
The Facebook event for this reading can be found here. We hope to see you there!
INDUSTRIAL LUNCH NO. 4
A poet walks through the woods, as poets do constantly. But what’s that sound? Where is it leading the poet? Slowly a clearing appears, full of faint echoes. It’s the blues––and it’s time to start hopping again!
Industrial Lunch, a magazine of poetry and visual art, is now open for submissions for our fourth issue! This time around there will be no governing theme for submissions. All we ask for is work selfish enough to call itself poetry, and that you tell us a little bit about your poetics. Should you feel adrift without a theme, consider taking a walk in the woods. Failing that, we remind you that to write poetry, one must plunge into the glorious junk of one’s time. If you are unsure where to look for glorious junk, consider the following:
Poured concrete
Insects/crustaceans
The woods (different woods from the ones you failed to go for a walk in)
A photograph of Richard Nixon and Leonid Brezhnev hanging out on a boat
That one smell
Windsurfing
Limpid pools
Various parasites
The glibbest moon
How to make ice (or get it cheap)
Cars––who owns all these cars?
Yes, salmonella
What else there will be at the company picnic
Carpets you have known
Chairs you have only heard of
Acceptable ragweed
Peat bogs, but as an allegory for social democracy, and so on
None of these should be taken as mandatory or even necessary topics, but as suggestions for those of us jonesing for the specifics of “theme” where we refuse to provide one. Above all, we are looking for great work.
SUBMISSIONS GUIDELINES
Please send all submissions to [email protected]. For writing, please send 1-3 poems in a Word document (.doc or .docx). If you are doing something that relies heavily on a visual “field” for the poem, a PDF in addition to the Word doc is recommended). If you are interested in submitting a translation, we ask that you provide a copy of the translated text(s) in their original language, in addition to your translations.
For visual art, please send your work (in high quality scans or photographs) to us in TIFF or JPEG format (no PDFs), at least 150 dpi. In the body of your email please indicate your medium––painting, mixed media, illustration, photography, etc.––as well as title and date if applicable.
Documents & visual art should have the name(s) of the author(s) in their file names (for example: RichardNixon_PoemSubmission).
For this issue, your submission emails should include a short note in which you describe your poetics to us a bit. How you approach this is up to you--we want to hear about your process! For examples of what others have written in the past, you may consult our previous issues.
Submissions will be open until April 15. We can also be found on Facebook. If you have any questions, don’t hesitate to ask us. Thanks so much!
INDUSTRIAL LUNCH NO. 3 IS AVAILABLE NOW
POETRY | ART | ULTRA
GET YOURS BEFORE DOING ANYTHING ELSE
SMALL COLORS, a chapbook of new and strange poems by Zachary L. Pearse, is available now!
Get yours immediately!
Industrial Lunch is pleased to announce the second installment in its limited-run chapbook series:
Small Colors, by editor Zachary L. Pearse, is a chapbook about the pursuit of impossible commitments––political, collective, interpersonal.
Make sure to return Saturday Dec. 6 for this exclusive release!
ONE MILLION NUDE WOMEN, a chapbook of poems by ALICE E. HALL, is available now!
MUSICAL | GROSS | FUNNY | SAD | ALL SAINTS' DAY
Get your copy today!
INDUSTRIAL LUNCH is thrilled to announce its first ever poetry chapbook!
ONE MILLION NUDE WOMEN is by our very own poet and editor Alice E. Hall! It is a book of short love poems dealing with intimacy, bodies, and feeling outside of the body in those intimate moments. We think it is musical, gross, funny, and sad—and on All Saints’ Day, it will be yours for the reading.
Make sure to return tomorrow!
While we all hope you're dutifully working on your submissions to NO. 3: THE ULTRA ISSUE, the Central Committee does have a few surprises lined up before then...
Tune in to Industrial Lunch on November 1st for a very special ALL SAINTS' DAY PUBLICATION ANNOUNCEMENT!
INDUSTRIAL LUNCH NO. 3: THE ULTRA ISSUE
Industrial Lunch, despite everything you’ve heard, is back! And we are more committed than ever before to bringing together work selfish enough to call itself “poetry” in the pages of our fine publication. We want excitement. We want adventure. If there’s thrills to be had, we’ll seek them! If there’s rabble to be roused, we’ll rouse it! Once more, we are ready to fish in the age of elegance for some glorious junk.
AND YET. We are sensitive to the plight of the modern experience. We have sought comfort in the nostalgia for an innocent past, with Charlton Heston at the end of time. We are stirring up needless mystery wherever we can have it. So much casting about, such a sense of being adrift, so much is familiar, but it’s too much money…AND SO for the next issue of Industrial Lunch we would like to shake things up and make our theme the total opposition to theme. This cuts deeper than mere “absence” of theme: we are interested in work that can set itself up against a unifying aesthetic “theme,” or at least against something, somehow, and we want to hear about how you construe that antagonism, how you thematize the resistance to having a “theme” (see below for details). We want to go beyond theme.
This is not to say we are changing our ways, or that we have developed a taste for the anarchic; you can rest assured we still love mediation and you too much for that. That’s all we can really tell you, except that in principle we’re all the group hold-out, nothing ever happens. It’s time to hop to the blues.
SUBMISSIONS GUIDELINES
Please send all submissions to [email protected]. For writing, please send 1-3 poems in a Word document (.doc or .docx) or a PDF (if you are doing something that relies heavily on a visual “field” for the poem, PDF is recommended). If you are interested in submitting a translation, we ask that you provide a copy of the translated text(s) in their original language, in addition to your translations.
For visual art, please send your work (in high quality scans or photographs) to us in TIFF or JPEG format (no PDFs), at least 150 dpi. In the body of your email please indicate your medium––painting, mixed media, illustration, photography, etc.––as well as title and date if applicable.
For this issue, your submission emails should include a short missive about how you see your work fitting into the scheme of an “anti-theme”-themed issue of a poetry magazine. This can be as literal or as figurative as you want, as note-like or as manifesto-y as you please, so long as it conveys to us some sense of what you see your work doing in relation to our theme.
Submissions will be open until November 15. We can also be found on Facebook. If you have any questions, don’t hesitate to ask us. Thanks so much!
from “Whistlers: or, Manyvain Reports: or, A Criminal Translation of John Dee’s Peace: or, Bonner’s Household” by Christopher Schaeffer in INDUSTRIAL LUNCH NO. 2 (available for download here)