Misplaced Lens Cap
we're not kids anymore.
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH
titsay
i don't do bad sauce passes
@theartofmadeline
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shark vs the universe
Alisa U Zemlji Chuda
hello vonnie
Cosmic Funnies
wallacepolsom
let's talk about Bridgerton tea, my ask is open
Keni
noise dept.
JBB: An Artblog!
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trying on a metaphor
Kaledo Art
seen from Australia
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@inksoulia
“Yeah I figure I could whack all three of these out in a day if I just focus really hard.” -me like a week ago
a tomboy female character she must be TRANS
she’s literally just a woman with short hair in this picture you dumb fuck
JJBA: Buccellati’s gang anime height chart, do you believe this bullshit?
Because I don’t. +theory of Diavolo’s height (bonus)
Also known as: The Golden Wind anime ruins Vento Aureo (read: manga)’s canon.
Okay, here’s the anime height chart I’m talking about:
A continuation of my previous post: JJBA Canon Height Chart. Is it trustable?
Anime only watchers, I’m so sorry if you get confused, especially with so many fanarts already depicting them with different height difference. Maybe some are just headcanons, but it shouldn’t be for Buccellati’s gang, because a long time ago, in the late 90s when Vento Aureo (Golden Wind) manga was almost finished, their height had already been decided by Araki.
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I swear I just wanted to talk about how much I love Tsubomi and then it turned into a 4,000+ word dissertation on her, Mob and why I think Tsubomi is so important to mp100’s narrative despite, or maybe because of, being a very minor character.
I haven’t counted, but I think Tsubomi shows up in less than 30 pages throughout the entire comic, plus a single omake. That’s really not much, especially considering half of those appearances are just to point out that she’s present in the given scene.
In other words we never get to know much about her and she has no character development to speak of (unless you want to call her remembering that Mob exists character development). Normally that would annoy me to no end - Love interests that only exist to be love interests and the “guy gets the girl in the end (as a reward)” trope is boring at best and offensive at worst.
I was apprehensive while first reading through the comic because right off the bat it looks like mp100 sets itself up to follow the “guy gets the girl” narrative. However, ONE did a pretty clever thing with the trope by both taking advantage of the expectations we have for it and completely discarding them.
“Middle school boy tries to impress the girl he’s in love with” isn’t exactly an adequate description of mp100’s plot. Anyone can see from very early on that that isn’t what the story is about at all. But to Mob? To Mob that’s exactly what it’s about. Everything Mob does that doesn’t involve people being in immediate danger, everything Mob wants to change about himself, is to some degree motivated by Tsubomi. In his mind Tsubomi is the end goal and he’s doing his best to make his life a “guy gets the girl” kind of story.
But, by thinking like that, even after years of never actually talking to her, he has put her on a pedestal where she has become an ideal and no longer a person. Mob never really talks about Tsubomi or gives any explanation as to why he likes her so much, and I guess because she’s the school idol and lots of boys are interested in her, no one really questions it either. Of course he would like Tsubomi, right? Everyone likes Tsubomi.
Tsubomi gets to stay on her pedestal, silent and with almost no sign of a personality, for almost the entire comic. It isn’t until chapter 94 that we get to see her as an actual person, because that’s when Mob, for the first time within the comic’s timeframe, treats her as an actual person by doing something as mundane as handing her a paper tissue because she sneezed. Even Takane Tsubomi sneezes you know.
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A friend of mine asked me once how I could tell the difference between experiencing romantic and platonic attraction. I'd like to restate my thoughts here, since I think they could be useful for some people!
First of all, Intensity =/= Romance. Platonic feelings can be just as strong as romantic ones, although the amatonormativity we live in pretends otherwise. Because of that, I used to often wonder if my squishes are actually crushes. Nowadays, I just go through a series of questions and feel much more at peace afterwards!
"Do I have a crush on this person?"
Ask yourself:
Do I want to kiss them?
On the mouth? With tongue?
Do I want them to kiss me?
Do I want to go on dates with them?
Alone? Would I like it more or less in a group setting with other friends?
Do I like the idea of being seen as a "pair?"
Do I want to live with them?
Forever?
Do I want to marry them?
What does an ideal wedding look like, in my head?
Do I like the idea of them confessing to me?
If I have any interest in children, am I interested in raising children alongside them?
Do I want to exchange gifts with them annually on dates like Valentine's and/or an anniversary?
Do I (in general) enjoy traditional romantic gifts like flowers or jewelry?
Would I enjoy receiving those gifts from the person in question?
If they told me they just got a new partner, would I feel negatively about that?
Do I feel that same negativity when other people I'd never be interested in romantically (family members, etc.) announce they have new partners? Or is it just the person in question?
If sex is a romantic thing for me, do I want to have sex with them?
Answering "yes" to a single one of these questions doesn't mean I have a crush. But answering "yes" to many of them would indicate romantic feelings.
For me, this is a relief, because when I apply these questions to my friends and squishes, I typically react with disgust and RESOUNDING "no"s. Kissing, dating, annual gift obligations, marriage, and co-parenting all squick me out and make me recoil.
A lot of aros (especially baby or questioning ones) might also answer "yes" to a hypothetical they haven't experienced themselves, but then change their answer to "no" later. I know I used to think being confessed to would be flattering (even by someone I didn't reciprocate), but now that it's happened to me a few times, I know how awkward and awful it is. Same with kissing; I thought I'd like it because everyone in media likes it, but actually trying it (with girls and boys) has firmly cemented me in the reality that I just hate mouth kissing.
But, I still thought it might be useful for some aros who struggle with their identity due to all the arophobia and amatonormativity trying to make them question their feelings!
(It might also be helpful for someone trying to figure out if they're gay/bi and have a crush on someone, idk)
How old are all the Rugrats exactly? I can't seem to place if Tommy is older or younger than Phil and Lil, and I remember Angelica having a birthday episode.
Tommy is eternally one-year-old (the first episode of the series is about his first birthday), as are Phil and Lil.
Chuckie is supposed to be 2 years old. My concept was that he had a little more knowledge of the world, which is why he’s so terrified by it.
Angelica is supposed to be 3 years old - older and bigger and meaner than the others. My concept was that she is the only Rugrat who can speak both to the adults and to the other kids, which is also a source of her power.
It’s possible that the kids got older in the episodes made after the mid-90′s, after I left the show. I personally would never have permitted them to age.
- Paul
Conbini!
Ghibli x Zelda collection, available for print!
after practice 🐱🏐
barbiez
BLEACH X Divine Gate Collab
I want to make this absolutely clear to kids: children didn’t used to be stuck inside the house like you are today. There used to be public places you could hang out. It used to be fairly safe to walk around because trucks weren’t designed to kill children. You didn’t need a car to go anywhere so kids without a license weren’t trapped. There weren’t 24/7 cable news networks constantly scaring parents with anecdotes even as crime was at all time lows and the biggest danger comes from adults kids know not strangers.
It’s easy to ignore old people talking about “the good ol’ days” because a lot of the people saying that shit are racist assholes, but the way society treats kids today really is objectively worse than how kids used to be treated. You deserve better, and you should know that better things are possible. We just need to kill the suburbs and for-profit news.
Haikyuu wallpaper reformatted to fit 1920x1080
Why Ron/Hermione Argue
As some people might already know about me, I’ve never been one to shy away from a good debate. That’s a trait that I share with Hermione.
There are some people who don’t particularly like arguing or disagreeing. Some people genuinely do. Hermione falls into the second category, and since I do as well, I wanted to try to explain what’s up with all of the arguing between her and Ron.
I don’t think there are that many people who would say that she isn’t an argumentative person by nature. In addition to Ron/Harry, Hermione clashes with Lavender over her rabbit, Luna over her theories, Umbridge over Ministry rules, Snape over the lesson plans for Lupin’s DADA class, Professor Trelawney over Divination, Parvati over Divination, Draco over Hagrid/Buckbeak, etc. And she argues with everyone about house-elves. Hermione is argumentative, and that’s how she prefers it.
Hermione finds it intellectually stimulating to argue, and needs someone who’s going to argue right back.
Genuine Friendship
Hermione is not the sort of person who’s afraid of being the person reading the book while everyone else is having fun. When she fights with Harry/Ron in PA, she doesn’t buddy up with Lavender/Parvati or apologize to the boys just to have someone to sit with at lunch. She sits by herself in the common room and goes it alone. In other words, Hermione is not the kind of person who chooses a bad friend over no friend at all.
If she did not enjoy spending time with Ron, she would have no problem sitting on the other side of the common room reading a book while waiting for Harry to return. And yet, we constantly see her in Ron’s company, even when Harry’s not around.
In every book after CS, she arrives the Burrow/Leaky Cauldron/Number 12 before Harry does. Harry takes it for granted that Ron and Hermione will be sitting together when he shows up in the common room, but that’s not a small thing. In PA, the two of them return from Hogsmeade “looking as though they’ve had the time of their lives.”
Despite how much they fight, it’s very clear that Hermione genuinely enjoys spending time with Ron.
Comfort with Conflict
Harry was raised by the Dursleys, and sees arguing and conflict as associated with strife. He also doesn’t feel comfortable expressing his emotions, so he tends to bottle things up until they explode.
Hermione frequently nags Harry, which Harry does not particularly appreciate. He basically has three strategies when being nagged by Hermione. The first is avoiding/ignoring her, the second is lying to her, and the third is exploding at her. Examples of the first and second include occulmency, sneaking into Hogsmeade, his doubts over Dumbledore’s past, the egg clue, his homework, his feelings about Ron’s absence, Voldemort’s visions in DH, his grades, etc.
When he can’t lie/avoid/ignore, Harry will explode at Hermione. At which point the balance of power tilts sharply toward Harry. When Harry explodes, Hermione crumples. She will cry, shrink back, speak “in a small voice,” etc.
Nagging is simply Hermione’s style, and while she might learn to tone it down, it’s always going to be part of who she is.
The problem is that Hermione needs feedback. Because Harry doesn’t engage with Hermione’s nagging, it’s hard for her to know when she’s entering the danger zone.
Like Hermione, Ron is pretty comfortable with the idea of conflict. He was raised in a house where such behavior was acceptable. He knew that just because his mother shouts or his brothers tease doesn’t mean that they don’t love him. He might be insecure about his worth, but he never has to worry that his family will simply stop loving him if he crosses some kind of invisible line.
Both Hermione and Ron wear their emotions on their sleeves and give each other instant feedback. If Hermione is upset with the boys, she tells them exactly why. Ron is the same way. Even when Ron fights with Harry, he chooses to immediately engage with him that night rather than giving him the cold shoulder and forcing Harry to work it out on his own.
The conflicts over each other’s romantic partners (or potential romantic partners) are a good example as well. When Ron sees something developing with Hermione/Krum, he immediately reacts and Hermione reacts right back.
When Hermione sees that Ron has a crush on Fleur, she wastes no time talking about how Fleur “really thinks a lot of herself” and “scowls” when Fleur gives Ron attention. Hermione reacts to Ron kissing Lavender not by sulking but by sending a flock of birds flying at his head. Neither of them are great at hiding how they feel.
There is a brief period in HBP where Ron decides to give Hermione the cold shoulder after finding out that she kissed Krum. Hermione is quite visibly rattled and upset by this behavior, saying she “doesn’t know what she’s supposed to have done.” Because normally when Ron is upset at Hermione, he tells her why.
A lot of the problems in the later books regarding their romantic lives stem from the same thing. They’re unable to conceal their feelings, but for the first time, they’re also unable to be 100% upfront with one another. Which creates a comedy of misunderstandings and poor decision-making.
Arguing as Conversation
There’s not really anger between Ron/Hermione’s arguments. I know that sounds odd, but to them it’s a cross between a rational discussion and intellectual exercise. Ron presents an idea, Hermione counters, Ron counters, and so on and so forth. It’s basically just a way to pass the time and exchange perspectives.
The morning after Ron/Hermione’s heated argument about Krum after the Yule Ball, Harry notes that they were being “quite friendly to each other, though oddly formal.”
In other words, they’re bending over backwards to be polite to one another and it’s making things weird. It’s totally different from their normal behavior.
There are many times in canon where they will segue from an argument to a normal conversation with no visible ill-will.
Even with Scabbers and the Firebolt, when an argument is finished, it’s finished.
PA:
Hermione flung her arms around Ron’s neck and broke down completely.
Ron, looking quite terrified, patted her very awkwardly on the top of the head.
Finally, Hermione drew away.
“Ron, I’m really, really sorry about Scabbers…” she sobbed.
“Oh — well — he was old,” said Ron, looking thoroughly relieved that she had let go of him. “And he was a bit useless. You never know, Mum and Dad might get me an owl now.”
They’re perfectly capable of stopping in their tracks in order to focus on Harry or something else that’s just happened.
For another example, look at OP:
“I think Dumbledore’s probably got plenty of evidence, even if he doesn’t share it with you, Ron,” snapped Hermione.
“Oh, shut up, the pair of you,” said Harry heavily, as Ron opened his mouth to argue back.
Hermione and Ron both froze, looking angry and offended.
“Can’t you give it a rest?” said Harry. “You’re always having a go at each other, it’s driving me mad.” […] The vision of Ron and Hermione’s shocked faces afforded him a sense of deep satisfaction.
Ron/Hermione are shocked, offended, and angry at Harry’s remark, because they don’t see anything wrong with their behavior. This is just how they communicate.
Harry leaves the table and goes straight up to Divination, and Ron joins him a few minutes later:
“Hermione and me have stopped arguing,” [Ron] said, sitting down beside Harry.
“Good,” grunted Harry.
“But Hermione says she thinks it would be nice if you stopped taking out your temper on us,” said Ron.
“I’m not -”
“I’m just passing on the message,” said Ron, talking over him. “But I reckon she’s right. It’s not our fault how Seamus and Snape treat you.”
So in a matter of minutes, Ron and Hermione resolved their argument and discussed the best way to handle Harry. Notice that Ron doesn’t actually apologize for arguing with Hermione, he just tells Harry they’ve stopped.
An Expression of Trust
When you get to know someone, you learn that there are certain things they’re sensitive about, and you try to steer away from those topics. This is no different with Hermione/Ron. They both know what’s safe and what’s off-limits.
Hermione can call Ron tactless numerous times and nag him to do his homework, but she’s not going to take a shot at his family’s finances. Ron will tell Hermione to stop nagging and call her a know-it-all, but he would never insult her appearance.
That’s how they operate. And Hermione knows that if she accidentally strays into the danger zone, Ron will let her know. And vice versa.
Keeping Things Balanced
The movies turn Hermione into this perfect superwoman and Ron into a cowardly idiot who’s the butt of the joke, but the truth is that both characters are flawed in their own way.
One of Hermione’s more abrasive qualities is her tendency to be a bit of a know-it-all.
To be clear, being a know-it-all is not the same as being smart. Being smart is knowing the answer. Being a know-it-all is being unable to resist telling everyone else the answer. Essentially the way that Hermione and Ron negotiate a balanced relationship is by Ron engaging her when she nags him or acts like a know-it-all.
Hermione cannot help telling Ron that he’s not pronouncing a spell correctly. Plenty of people are offended by that kind of behavior, even when the other person is right. But Ron, instead of ignoring her corrections or acting as though he’s been gravely insulted, just calls her a know-it-all to keep things even. This evens the scales between them and prevents their relationship from becoming Hermione bossing Ron around.
It’s important to understand that Ron does have a huge amount of respect for Hermione’s abilities. He’s not always the best about coming out and saying it, but he takes it for granted that she’s the cleverest person in the room.
PS:
“But we’re not six hundred years old,” Ron reminded her. “Anyway, what are you studying for, you already know it all.”
GoF:
“But Hogwarts is hidden,” said Hermione, in surprise. “Everyone knows that… well, everyone who’s read Hogwarts, A History, anyway.”
“Just you, then,” said Ron. “So go on - how d'you hide a place like Hogwarts?”
When the O.W.L.s arrive and Hermione looks slightly unhappy and says that she did “not bad,” Ron takes the paper and announces that she got 10 Outstandings and 1 Exceeds Expectations and then playfully makes fun of her for being disappointed given how impressive her scores are. When Ron and Hermione take their apparition tests, he tells Harry that Hermione was “perfect, obviously.” Even when he himself fails, he doesn’t seem to bear any ill-will toward Hermione.
Ron’s not threatened by Hermione’s intelligence, and he’s not too prideful to do exactly what Hermione’s told him to do. But his teasing and his unwillingness to automatically agree with Hermione is what creates a balanced relationship between the two.
And Hermione genuinely needs this in a partner. She needs someone who will volley right back when she argues with them. She needs someone who will understand that her tendency to be a know-it-all is an instristic part of her personality. She needs someone who finds it endearing rather than annoying.
Clannad wallpaper edit if the girls had real life hair and eye colors.
#Clannad #Clannad After Story #Wallpaper #Desktop Wallpaper #Nagisa #Kotomi #Fuko #Tomoyo #Kyou #Beautiful #School #Edit #Realistic #Spring #School Uniforms #Official Art
Kazetsuyo Novel Translation: Excerpt from Chapter 9: Sprinting Towards the Other Side
(Pages 497~503)
“Your name, it really suits you.”
Kakeru was puzzled. He didn’t understand why Kiyose would suddenly bring this up.
“My dad also used to be in track and field, but he stopped running after he graduated high school and started working.”
“Was he the one who pushed you to run?”
“No, not really.”
Kakeru only began to sense his father’s expectations of him when he entered high school and immersed himself in track and field. Since quitting the high school track club he had gotten in on a sports-recommendation, he and his dad had barely spoken to each other. Even when they qualified for the Hakone Ekiden, Kakeru had not contacted his father at all.
Just what was Haiji trying to say?
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In other fandom shenanigans, I found something relevant at the local library, oho! Been awhile since I’ve read an actual book in traditional Mandarin so I don’t know the mileage I’ll manage, but given the short loaning period and time constraints I might just end up skimming and jumping into the chapters I’m interested to read more into to save time. (I can always re-borrow it some other time, or if I really get into the novel, spring for my own copy. Would prefer obtaining a copy in simplified Mandarin tho’ since over here we’re schooled in 简体字 not 繁体字, but mighty needs call for desperate reads, ahaha).
But more importantly! I just realized that the cover design itself is a spoiler for the series (as of #17), because it illustrates exactly which position each of the Aotake members will be taking in the final Hakone Ekiden relay! I do think Production IG’s been hinting at it along the way (the most obvious being for Shindo, Kakeru and Haiji), but it’s a bit more fuzzy for the rest of the squad members that I would consider this new information. But once you know of it, suddenly a lot of the stuff starts to make sense, and you also kind of get why they are assigned the positions they are assigned, and how that ties back to their personalities and the hurdles they’ve had to overcome to get to this final race. An interesting thought to muse over for sure.
For anyone who’s interested to know which section each member is running in, spoilers are under the cut below.
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