까마귀는 자신의 머리가 땅을 향한 줄도 모른 채 날갯짓했지.
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Today's Document

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까마귀는 자신의 머리가 땅을 향한 줄도 모른 채 날갯짓했지.
Opal and glass gold-mounted pendant by René Lalique, c. 1900.
When writing fictional languages, people tend to either have fairly standardized languages (everyone who speaks Language A speaks basically the same version of it, everyone who speaks Language B speaks basically the same version of it) or there are some regional/class-based accents, but there are a lot of other opportunities to do fun and interesting things with language in spec fic:
Word usage that differs by language, class, region, religion, etc. Think: pop vs soda or lift vs elevator
Differing homophones by accent. Think: Mary-merry-marry merger, pin-pen merger
Mutual unintelligibly of dialects. Think: regional dialects of Arabic
Mutual intelligibility of spoken languages/dialects but unintelligibly of signed languages (or vice versa). Think: American vs British English and ASL vs BSL
Divergent languages in former colonies or geographically separate areas. Think: Brazilian Portuguese vs Portuguese in Portugal
Pidgins, creoles, and hybrid languages. Think: Spanglish, Singlish, Nigerian Pidgin
i'm sorry but a lot of you guys need to be writing short stories.
"[x story type] but what if-" short story. come on man you should know that if your story is easily blurbed down to "interesting thing happens" that is not going to sustain a reader for 400-600 pages. a book is where you write an actual narrative, not a cool idea that came to you in the shower last night.
there's nothing wrong with writing a short story! there are lots of good short stories that revolve around Interesting Ideas. What if I was my own mother. What if fish people were real and also (evil) living in massachusetts. What if you were your own worst enemy, literally. lots of good short stories there, all at just the right length for a cool idea. no one is going to go see the feature-length adaptation of William Wilson though, because that's it. unless you add in a tragic backstory and a love interest and so on and unfortunately there are a lot of novels and movies running around out there that clearly were meant to be a short story before someone took them and stretched them to a silly length.
your short story doesn't even have to be short! herman melville wrote over 100 pages of a guy who hated his job so much he died of being a hater the end. good show, herman. thank you
novellas exist. you can write one. please. it's necessary for the land to survive
@justaflyintooka "The Shadow Over Innsmouth", by H.P. Lovecraft
You guys should also be reading short stories, they're like a lovely cool bottle of mineral water if mineral water was concentrated fucked-uppedness.
if you’re not meant to be a writer then what are all the ideas in your head for
Okay I JUST realized I never posted these on here—- BUT BASICALLY, about a year and a half ago I started doing these experimental black hairstyle posts that were threads long on Twitter, to give artists a source of inspo for their black ocs whose hair they wanted to try something new with! There’s more to black hair than just the selected styles portrayed in media, and I thought it would be fun to show people how much texture, shape, fades, length, and style can be combined when drawing black hair—-cause it’s a kind of manipulation our hair can do irl! The OG thread from when I made these a year ago were lost with the hacking of my original Twitter account (@/bagels_donuts) but I’ve since reuploaded the whole thread to my new Twitter (@/ItsDonutsFR)! I hope artists on tumblr find these useful, sorry it took me so long to post them here😭🙏🏾 I’ll upload them all in parts!
Part 1: Long masc hairstyles + playing with fades
💬 2 🔁 715 ❤️ 1008 · Part 2: shape, style, and length with femme styles!
I hate I when I get an idea for a novel. Like oh no here starts the slow sad slip n’ slide to dissapointment again.
You ever been 30,000 words and hundreds of research hours into a project when you realize hey wait a minute. I don’t like this. This is bad.
Ok adding to this though that even though it is extremely relatable, this is a KNOWN thing with professional writing. 10k is often referred to as "having a pot boiling" or "having a stew" - it's the point where you often see an idea coming together and it's exciting! But THEN... 30k-50k is the point where that fun has to start coming together. In theatre, it's usually week 3 of a 5 week rehearsal period where you have to stop talking about the play and really get it all up on its feet and cohesive. In art, it's committing to what are going to be the final visible layers of colour and texture, in sculpture the moment where you're truly at the point of no return with carving out the shape.
It usually feels really bad. Because this is the point it becomes real craft. It's so, so difficult to really be able to identify if it's truly not going to be anything or you're just in the hardest part of the process, and really the only way to know is to... write through it. Write it badly. Or, if you really can't, put it in a drawer and come back to it after a few months of breathing space. Remember, you can fix so much in the edit, but you can't fix nothing!
(I say, fully looking at my latest draft of my book and considering throwing it in the bin. But my editor said exactly this to me, so I'm passing it along.)
this is 100% true. I've written 6 complete novels at this point and every single time around the 40k mark I feel lost in the woods. Nothing seems to be working. I feel awful; I can't sleep. I keep going even though I'm convinced I'm going to fail. And then... It's like leaving a tunnel and getting back out in the sunshine. Stuff starts coalescing. Things that weren't working have obvious fixes. I "can write" again, except I was writing the whole time. It just felt hopeless in the moment. It's not. You just gotta get out of the woods.
Ah yes the Slough of Desponds. Professional author with 13 books, and this is normal for me as well. (Checking for tension issues usually helps!)
my fave writing reminder
honestly, this phrase has been on my mind more times than i can count. i've kidnapped it, taken it as a hostage with no ransom money because i need it to live permanently in my head.
@desired-misery
The devastating difference between how much time it takes to write something vs how fast people read it lol
you're falling in the trap!! it will be read by many people, many times, and it will live on in their memories. and maybe no single other human will match you in time spent dedicated to your story, but as a collective we will outlast you. acts of creation only grow when they are shared
This. Writing is not like dinner. It can be consumed many times
Crazy how many people want characters in fiction to speak and act like they’ve had 20 hours of intensive therapy. Could NOT be me I want these bitches fucked up insane
my friend briar and i lovingly call this one ‘therapy speak joker’ and it almost caused her to drop biological samples one time
This is why shit like THIS is important.
Characters, like us, often have "filters" that they speak information even IF they are a little more self aware than the average guy. Therapy speak only works if the character has been shown to speak like that, (which is rare) but this is what "Show Dont Tell" and "Subtext" has been trying to teach you.
i don’t want characters with healthy coping mechanisms, actually. i want them to yearn and weep and suffer and have their brutal worldviews informed and/ or altered exclusively by their unyielding love for like. one other person. sorry
Writing agent Jonny Geller gives advice to young writers.
The advice, to those who can’t read the images, is as follows:
Here’s a thread on what we look for in debut novels. Hope it helps.
1/6 don’t let us feel we are beginning a story with you. Start as though in the middle, finish the novel as though it’s a new beginning.
2/6 plot is key, but not at the expense of character. We’ll go anywhere with a full character but question every move with a thin one.
3/6 how a story makes you feel is as important as how it makes you think.
4/6 love writing your book, but don’t expect to love reading it.
5/6 We read to learn, experience & feel something new. Comfortable is anathema to a writer and readers can sense complacency instantly.
6/6 take your characters to the limit. Easier to withdraw from a cliff’s edge than keep pushing them up a hill.
Understanding Internal Conflict in Storytelling
Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.
Introduction to Internal Conflict
Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.
Purpose: It adds depth to characters, making them more relatable and complex.
Types of Internal Conflict
Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.
Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.
Identity Crises: Moments when characters question who they are or what they believe in.
Conflicting Desires: When a character's wants or needs are at odds with each other.
Examples of Internal Conflict
Classic Literature: Hamlet's indecision about avenging his father's death.
Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".
Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".
Importance of Internal Conflict
Character Development: Drives growth and transformation, showing how characters evolve.
Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.
Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.
Crafting Internal Conflict
Believability: Ensure the conflict is realistic and relatable to the audience.
Depth: Give characters more than one internal conflict to make them richer and more interesting.
Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.
Questions to Consider
What is the character’s main internal struggle?
How does this conflict affect their decisions and actions?
In what ways does the internal conflict drive the story forward?
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
Thank you so much for this!
A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!
The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free.
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight! However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
"I CANT THINK"
If you write, I assure you you have thought that.
Fear no more child, for I have found a solution.
it's called Rapid writing
something we learned when I was in 9th grade drama class and I cannot emphasize enough just how effective it is. Its actually what gave me the idea for my first book.
Stop what you are doing and do what I tell you
go grab either a pencil and paper (or open an empty document)
set a timer for 2 minutes
ask a friend to give you a random sentence. I have a few examples that I myself rapid wrote to: a) I looked around and saw b) the old lady hung from the ceiling and laughed c) purple paint dripped from her long purple fingernails d) there is a hole in my ceiling. e) when I am sad I... f) When you close the door, I... g) there is a wooden door with a gold doorknob
Now the most important thing is not to think of this sentence before you start writing. as soon as you decide which one if you are choosing from my examples (or as soon as you hear it if you are getting if from a friend), start the timer.
start writing the sentence and without hesitating just keep writing. the #1 rule here is to not stop or hesitate for a single second until the 2 minutes are over. you can write nonsense if you want and if you REALLY can't continue then write some random words for a couple of seconds then continue AS LONG AS YOU ARE STILL WRITING.
another rule is that you are not allowed to delete. even if its a spelling error, just ignore it.
after the timer is done, I promise you will have something to work with. now copy the paragraph you wrote and paste it below, here you can start fixing spelling errors and adding things at your own pace because now the creative side of your brain has opened.
don't think about the way you are writing or the words you use, think about the story you are telling. the idea.
Sometimes you will get something beautiful and deep like I did here:
When I am sad I go to my blanket, not many people know about it, all they think is happening is that a child likes to cuddle in a blanket, but no. my blanket has a special thing about it, it is a magical blanket, well, not the blanket itself but the embroidery on the blanket, it simply takes my sadness away but it adds the story of my emotions to the embroidery, my blanket is a very pretty one, it is a pastel blue color and it has so much silk embroideries that you just think its patterns, but it isn't, if you look deeper you will find stories every one of those stories came from someones tears... my tears. whenever i cry, i wipe my tears with my blanket and my pain goes but my story stays.
or
there is a wooden door with a gold doorknob on the door there is a painting of you, and there are many locks on the door from top to bottom, when you open the door, there is a mirror. this door is the door to self discovery, from the outside there is a painting of how people think you look like but when you open the door, you get to see what you really are in detail and look at yourself they way you want to, you can smile or cry and the refection on the mirror will change but on the painting, it doesn't show ur emotions, just how people see you usually.
or you can get something so stupid like i did here:
there is a hole in the ceiling in my classroom. everyday a dinosaur would a pear and eat my lunch and i keep coming home hungry but my mom dsays she packed me enough food. so she didn't feed me. i told her a dinasour was eating my lunch but she said that disasours only live in Norway! so i went into the school vents looking for that idino and revenge my food, we met at last, held our weapons, i was holding a subway sandwich and the dino was holding a bana na MY BANANA i lost it, so i attacked him one hit on the head and the whole species were extinct , people thousand of years from now said dinos got extinct because of a meteorite but i know better, also i am still alive because whoever kills a dino becomes immortal, also i killed my mom for not believing me and let her starve in her grave just like she let made me starve. and then i killed everyone who was a flat earther because i hate them and now i can kill anyone once i tap them with my super subway sandwich
(by the way, ignore the horrible spelling, the examples i gave were from the unedited version.)
THE POINT IS ITS ACTUALLY SO HELPFUL. you can use it for a new story idea (i used the blanket one as an element in one of my WIPs and it helped the story a lot) or if you get something stupid like the dino one I wrote THATS GOOD THATS FINE because now you have your creativity going.
I challenge you to actually try this and PLEASE share it with me I LOVE reading other peoples rapid writings. have fun <3
tagging @cosmosandcapybaras24 @ajsbookshelf @gloryofdawn, @chaoticharmony93 @deception-united and anyone else who's interested to try this out and share with me!
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
in case you are building a REALLY big minecraft city