Art by johnx

JVL
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ellievsbear

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
trying on a metaphor
Xuebing Du
Three Goblin Art
Claire Keane
2025 on Tumblr: Trends That Defined the Year
official daine visual archive

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#extradirty
Fai_Ryy
cherry valley forever
Today's Document
Peter Solarz
todays bird
🩵 avery cochrane 🩵
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from South Korea

seen from Germany
seen from United States
seen from United Kingdom

seen from United Kingdom
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seen from Poland
seen from Nepal
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seen from Singapore

seen from Türkiye

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seen from United Kingdom
@insomniacamoeba
Art by johnx
Bauhaus performing "Bela Lugosi’s Dead" in The Hunger (1983)
the decline of practical effects in horror movies is one of the greatest tragedies of our time. we need to make horror wetter and more organic again.
a good horror film used to look like you could crawl into it and fuck it. they took that from us.
That one cover art for the reanimator vs evil dead comic haunts me
Japanese horror movie posters
soft and warm
But I’m a Cheerleader (1999) dir. Jamie Babbit
THE COLORS OF THE RAINBOW WITH PRIDE & PREJUDICE
Another layer to this sequence is the moment when the son [Ki-woo] (Choi Woo-shik) instructs his father [Ki-taek] (Bong’s longtime collaborator Song Kang-ho) how to act out the script they had written. “When they rehearse it looks like filmmaking,” Bong remarks. “It’s a humorous scene. In reality, the father is played by one of the most renowned actors and the son is an up-and-coming actor. It’s as if Ansel Elgort is teaching acting to Al Pacino. It’s funnier for the Korean audience.”
breaking down a scene in Parasite (2019)
Emma, you should not make matches, or foretell things. Whatever you say, always comes to pass! You must not make any more.
Emma. (2020) dir. Autumn de Wilde
Secret Lovers by Mahdieh Farhadkiaei
i wanna thénk my määäāāam,,, and my daaæd
As Harga takes, so Harga also gives. MIDSOMMAR (2019) dir. Ari Aster
writer: *has a female character start undressing in front of men to show how ‘naïve’ she is*
me:
writer: *gives a female character with little or no understanding of expected ‘normal’ human behavior only one guide to learn from, who is the man who has a sexual interest in her, making her totally dependent on him*
me:
writer: *makes a female character naïve and/or childish in order to sexualize her*
me:
Blessings
Hi I still don’t have this game