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@internationaldebris
Middlemarch - Angels (Off Land Remix)
07 April 2016
Collaboration with International Debris.
28 June 2017
Collaboration with International Debris.
MYOSPHERE IS FINALLY OUT.Ā
On the wonderful No Problema Tapes.
Listen. Purchase. Enjoy.
Hereās a video I made with The Future Sound of London for a song from their new album.
Seltrac is now available to purchase from Third Kind.
Also, I have a proper website now, and I'll be doing more updates over there, so go have a look and such
.
International Memories spellbinds you to yr mobile device, into a self that you didnāt think youād become. Itās like a witchās elixir: slushy with a coy aura; funky & office-like; emergent & bitter. For example, what will the sunset over this city be a metaphor of? Can you see it, digest it, be empathetic to it, or even embody it there, in that thatness, like that? You canāt, which means youāve come a long way. The musicās imaginary circumst
I did a mix and interview for Processed on CJSW. You can have a listen at the link above! I talk a lot about why I make music, things that have influenced me and drive me to be creative and the role that plays in my life. I also play a few tracks from FSOL, Huerco S., 2814 and myself, including an alternate unreleased version ofĀ āPrimerā from Ambifauna.
13th September 2016
I find myself endlessly fascinated with musicians - and music - that I donāt like. In fact I often find myself more interested in them than in music I do like. While a lot of Wikipedia users will end up down some strange wormhole after continually opening new tabs that piqued their interest, I use it in a much more focused manner: I find a musical artist who Iām familiar with, and then read absolutely everything about them. I go through their discography chronologically. But more often than not, itās an artist Iām not interested in, or even dislike.Ā
Perhaps because I donāt have much knowledge about them, so they seem far more unusual and fascinating. After a while, the type of artists Iām familiar with become potentially predictable. But then I suddenly find myself thinking:Ā āI wonder what the full discography of Yes is like.ā Iāve read the Wikipedia entry for every Yes album. I might do a Yes YouTube session one day (IāveĀ listened to a huge slab of terribleĀ ā90s andĀ ā00s Simple Minds material on YouTube on more than one occasion, just from a fascination as to why this music was even made).
I once read about Limp Bizkit on Wikipedia. Every album. I really enjoyed reading about it. I never went through a nu-metal phase as a teen so Iāve never gained any pleasure from their music.Ā
This probably ties in with why my own music can be hard to categorise. My record collection is surprisingly light on related artists. I have an absurdly large number of Tangerine Dream albums and a handful of Jarre ones, which is probably why I donāt own any Klaus Schulze, Ashra, or indeed any of the other Kosmiche/new age artists of the time. I donāt like getting an album that sounds too much like stuff I already own. Whenever I get obsessively into a sub-genre or a movement/scene, I end up selling two thirds of the albums Iāve bought six months down the line. I like every album I listen to be a completely unique experience, and if I own other albums that are very similar, it takes away from that. Iām the same when it comes to releasing albums: I hate putting out a record thatās very similar to a previous one. Thereās no point.
The main thing I seek when Iām listening out for new music is: does this sound new to me (or: is this a really fucking good pop song?, but thatās a story for another day). Iām fascinated by music that seems new and different to me. Which is probably why I like reading about music I donāt like. Thereās loads more to take in and learn, stuff about music and scenes and inspirations that Iām not already over-familiar with.
It doesnāt mean I end up liking the music any more, of course. But I feel like Iāve learned something and experienced something new.
6th September 2016
It was my 32nd birthday yesterday. Not a significant age, although in this digital world we live I suppose 32 is a more notable number than it once was. And by some coincidence, my online presence will be changing somewhat in the near future. More news on that soon!
In terms of releases, Curtain Moon will be finallyĀ getting its release, on No Problema Tapes, at the end of the year. The album has been renamed Myosphere. Iām super happy to be on No Problema, who are one of my favourite labels operating at the moment.
Before that will be a newly recorded work entitled Opaline, which will be out on 10th September on BLCR (the label who put out the reworked version of Bathe in the Lights of Distant Cities earlier in the year). This is an album of longform dream acid pieces. There may be a physical version of that coming at some point, but itās just a digital release for the moment.
And Genderqueer Synth DiariesĀ will be coming along at some point this year at last, as the artwork is now entering its final stages.
This will clear the backlog of stuff - typically for me itās been 14 months since my last proper album and now there are three coming along all at once (thereās a bus analogy here somewhere). Itās been a relatively quiet year for me in terms of recording - Opaline was done over the space of a week, and those other two were completed last year - but I do have a few things down as starting points for my next full length. Iāve spent a few months playing with ideas but also getting involved in some online stuff, and recently reassessing my past. Iāve reached a point where I feel happier with the last few years of my work than I have ever done, and I feel very positive going forward to my next album. I have the same sense of focus that I havenāt really had for a very long time. Iād imagine the next album will unfold over a long period of time, but hopefully itās something thatāll be out next year.
Iāve recently been listening to the new album from David Tibet and Youth as Hypnopazuzu which is excellent, and the last School of Seven Bells album. Also a wonderful tape on the Tekres label by Somnus called Sleep, which comes highly recommended.
So there are a few completed things lined up for release. Curtain Moon, the long-awaited follow up to Ambifauna, will be out on Bedlam Digital in July. That album is a fairly dense mix of ambient techno, vaporwave and new age stuff that is the culmination of everything Iāve been doing for the last couple of years. Itās the album Iāve wanted to make for ages and Iām incredibly proud of it. Thatās just a digital release at the minute, although Iām hoping to arrange a physical version for some time later in the year.
Around the same time, thereāll be a collection of pieces I made using hardware, recorded to 4-track tape, called Genderqueer Synth Diaries. Thatāll be coming out as a tape on Third Kind Records, just waiting on a release date confirmation for that.Ā
Thereās also new music from Winter of the World and Middlemarch due this year at some point.
From now on Iām trying to focus on one project at a time as much as possible. The next thing Iāll be working on is a collaboration with my Five Minutes AloneĀ (aka my Middlemarch bandmate Dimitris) which Iām really excited to get started. And then later in the year Iāll start work on new International Debris material.
Voyage of discovery
Finished the structure on this, now for the details
With jam in