Francesca Woodman

No title available
Interview Vampire Daily

Game Changer & Make Some Noise
occasionally subtle
Cosimo Galluzzi
h

oozey mess

if i look back, i am lost
The Stonewall Inn
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
Game of Thrones Daily
Jules of Nature
Noah Kahan
untitled
Fai_Ryy
The Bowery Presents
RMH
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap

seen from United States

seen from United States

seen from Canada

seen from United States

seen from Tunisia
seen from Iraq
seen from United Kingdom
seen from Russia

seen from Canada
seen from United Kingdom
seen from Türkiye

seen from Russia

seen from South Korea

seen from United States
seen from Singapore
seen from Singapore
seen from Singapore
seen from Brazil

seen from Canada
seen from Romania
@intransigenteintransitivo
Francesca Woodman
Francis Bacon
Man in Blue IV, 1954
Oil on canvas.
Francis Bacon, Sea, 1953
Robert Rauschenberg
American, 1925-2008
Collection
1954
Oil, paper, fabric, wood, and metal on canvas
Gift of Harry W. and Mary Margaret Anderson, 1972
"A pair of socks," Rauschenberg said, "is no less suitable to make a painting with than wood, nails, turpentine, oil, and fabric." Aptly titled, Collection presents an array of fabric scraps, newspaper clippings, wood blocks, and paint drips that Rauschenberg layered and collaged together in one vibrant composition. This work is among the first to be designated as a "Combine," a term the artist invented to describe the synthesis of painting and sculpture.
Rauschenberg's egalitarian inclusion of comic strips, cigar boxes, and other urban detritus elevates the mundane to the realm of art, anticipating Pop artists' incorporation of everyday objects, such as Andy Warhol's soup cans, and mass-production techniques, such as Roy Lichtenstein's benday dots.
JASPER JOHNS
Untitled, 1972
📍Ludwig Museum, Cologne, Germany
ROBERT RAUSCHENBERG
Wall Street, 1961
📍Ludwig Museum, Cologne, Germany
Francis Bacon, Water from a Running Tap, 1982
Chaim Soutine, Portrait of a Young Girl, 1937
Room Service from Airport Suite by Robert Rauschenberg
Francesca Woodman Untitled New York 1979
Happy 96th, Jasper Johns.
1962 photo by Hans Namuth.
By Francesca Woodman, c. 1970s
Robert Rauschenberg and Susan Weil Untitled, 1950 Cyanotype 82 ½ × 36 ¼ in
Jasper Johns, Dayton's Poster, Smithsonian American Art Museum, Gift of the Woodward Foundation, 1976.108.65
Robert Rauchenberg, Bed, 1955