trying on a metaphor
untitled
Janaina Medeiros
RMH
Origami Around
almost home
🪼
oozey mess
Love Begins
JVL
I'd rather be in outer space 🛸
h
$LAYYYTER
occasionally subtle
if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
titsay
wallacepolsom
Stranger Things
roma★
seen from Malaysia
seen from United States
seen from Brazil
seen from Türkiye
seen from Türkiye
seen from Spain
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
@intrapvrsonal-blog
it’s all success if it’s what you need; do what you like and do it honestly
if i had a chance for another try, i wouldn’t change a thing, it’s made me all who i am inside. and every day i wake, i tell myself a little harmless lie: the whole wide world is mine.
#saved cinematic history
at this stage i have no idea how many times i’ve seen bridesmaids & all i know is that it never fails to crack me up and make me feel better about my stupid life
This is the cutest thing I have ever seen
this is a lot
that baby/young elephant is so cute I love animals
Don’t ignore the baby.
Elephants are so precious ✨
I love him
oh my GOD!!!!!!! AHHHH!!
being bitter is so tiring. i no longer want anything that isnt softhearted
Ekaterina Popova
what time do you need me? i am unavailable whenever that time is
Meptic ; © 2017 wahndur
Instagram - Purchase Prints - Bēhance
Henri-Edmond Cross
The Flight of the Nymphs
(via @lonequixote)
Still no answer
that’s cause u got a garden growin out your phone
Jenny Holzer, Public Art, Times Square, New York, 1982
amalfi, italy
@gennaro_rispoli on IG
i was here like five months ago and i need to be here again
’Crenaia, The Nymph of the Dargle’ by Frederic Leighton, 1880
waking up each day with the knowledge that you’re living in a world on the constant brink of societal and environmental collapse is truly the most unreal and petrifying feeling. i can sense it, seeping in through the dread and the stress and the years of being told i was just a paranoid doomsdayer; that logical whisper in my ear from an unseen spectator. ‘it’s happening, just like we always knew it would.’
French artist, André Lambert (1884–1967).
