No title available
2025 on Tumblr: Trends That Defined the Year
Interview Vampire Daily
ojovivo
Sade Olutola

#extradirty
The Stonewall Inn
Today's Document
"I'm Dorothy Gale from Kansas"
$LAYYYTER
Color Me Curious
untitled

pixel skylines
almost home
Lint Roller? I Barely Know Her
EXPECTATIONS
cherry valley forever
Noah Kahan

tannertan36
Fieri Frames

seen from United States

seen from United States

seen from United States
seen from United States

seen from Canada
seen from Armenia
seen from United States

seen from Belgium

seen from Canada

seen from Brazil
seen from Türkiye
seen from T1
seen from Netherlands
seen from United States
seen from Brazil

seen from United States
seen from Canada

seen from United States

seen from Canada
seen from United States
@iofisweak1
August 1, 2026 - Every morning in Gaza, the search for water begins.
Video journalist Bisan Owda follows children carrying heavy water containers, families waiting for water trucks, and the people working to keep one of the few desalination plants still running.
Along the way, Bisan reveals what has been destroyed, why clean water has become so hard to find, and what it now takes to provide water for millions of people in Gaza. [video]
You can donate to help people in Gaza get access to clean water! If you have any money to spare at all, please donate to this Bisan-recommended org, Ele Elna Elak: https://eleelnaelak.org/ Or to the Gaza municipality directly, so they can pay fheir local engineers, rebuild infrastructure that was destroyed by Israel, and keep the desalination plants running: https://gaza-city.ensany.com/campaign/6737?lang=en
Kim Dunstan @kimosaka
La collectionneuse (Eric Rohmer, 1967)
Sátántangó (1994), dir. Béla Tarr
Stan Brakhage, {1998} "…" REEL FIVE
Clouds at Sunset (1967) dir. Masahiro Shinoda
Bondage Skin Ryuji Ochiai
Aya Kunimai Photo Kishin Shinoyama
à Luigi Nono
Le son naissant, reproduit ailleurs pour ne pas retomber, le maintenir de peur qu'il ne se perde, le son comme un grand courage au seuil de la perception.
--
The sound as it is born, echoed elsewhere so it will not fall back, sustained for fear it might be lost; sound as a great courage at the threshold of perception.
--
Il suono nascente, riprodotto altrove perché non ricada, sostenuto per timore che si perda; il suono come un grande coraggio sulla soglia della percezione.
.
(Le corps portant, extrait)
© Pierre Cressant
(samedi 27 janvier 2007)
To simply imagine Palestine without settlers, to simply imagine a sky without drones—that, in the Zionist imagination, is genocidal. If you stick with the “want” of the charge, the notion that Palestinians want to kill all Jews, you find that Zionism is at war with our future. It is at war with our ability to articulate, even if only through poems and protest chants, a future in which Zionism does not reign.
Mohammed El-Kurd
Basically we've got two choices: we either aggressively denormalize Israel or we watch our society become more and more Israeli.
We either collectively reject Israel, or we watch western militaries fuse inseparably with the IDF.
We either turn support for Israel into political campaign poison, or we watch politicians obliterate our right to criticize Israel while backing increasingly evil Israeli military agendas.
We either ferociously oppose our government's involvement in middle eastern wars, or we watch Israeli leaders grow more and more ecstatic as more and more western blood and treasure flows into the war machine.
We either normalize viewing Israel as a freakish abomination, or we sit passively watching authoritarian Zionist operations like Palantir get inseparably interwoven into every level of western power institutions.
We either stand together to oppose Israel for the racist apartheid state that it is, or we watch our Muslim neighbors suffer increasing discrimination and abuse at home while our governments help massacre our Muslim brothers and sisters using high-tech war machinery abroad.
The west's growing collective rejection of Israel is the growth of the western conscience. The burgeoning pro-Palestine movement. The disgust with the Iran war. Young people's cultural cringe around all things Israeli. The increasingly unapologetic eye-rolling every time "antisemitism" is used as an excuse to shut down criticism of Israel.
These are signs that we are growing morally healthier. That's a good thing. The more we unite around a red hot "NO" to Israel and Zionism, the harder it will be for those in power to normalize the increasing Israelification of our society.
Caitlin Johnstone
The leftist was involved in the deadly 1972 attack on Lod Airport in Israel, in which 26 people died
24 july 2026 (okamoto's death was announced 23 july)
Kozo Okamoto, a Japanese leftist who took part in a deadly attack on Lod Airport in Israel in 1972 and spent much of his life in Lebanon, has died in Beirut aged 78. [...] Okamoto joined two other members of the Japanese Red Army in an attack on Lod Airport, now Ben Gurion Airport, near Tel Aviv on 30 May 1972. The three men arrived on a flight from Europe before retrieving rifles and grenades from their luggage and opening fire. Okamoto’s two comrades died, while Israeli forces wounded and captured him. The attack, organised with the PFLP, killed 26 people, including 17 Christian pilgrims from Puerto Rico, and eight Israelis. The PFLP said the operation came in response to Israel’s 1968 assault on Beirut International Airport, during which Israeli commandos destroyed more than a dozen civilian aircraft resulting in widespread international condemnation. An Israeli court sentenced Okamoto to life imprisonment. Israel released him in 1985 after 12 years as part of a prisoner exchange with Palestinian resistance groups. While in prison, Okamoto spent much of his sentence in solitary confinement and was forced to “eat from the ground like a dog, with his hands cuffed behind his back,” according to the PFLP. He later reached Lebanon and received political asylum. Lebanese authorities arrested him and four other Japanese nationals in 1997 over their immigration status. Beirut returned the other four to Japan in 2000 but allowed Okamoto to remain, repeatedly rejecting Japanese demands for his extradition. During his Lebanese trial, Okamoto described himself as “an Arab resistance fighter”. He made a rare public appearance in May 2022 at a Beirut cemetery containing the graves of Palestinian resistance figures, marking 50 years since the airport attack. The Japanese Red Army emerged in 1971 as an internationalist, far-left group closely connected to the Palestinian struggle. It carried out several overseas operations before eventually disbanding. Okamoto remained in Lebanon until his death, remembered by supporters across the region as a figure who left his homeland to stand with Palestinians confronting occupation.
Edvard Munch, The Flower of Pain, 1897