Hello! My name's Isaac and I am currently writing a fantasy novel called The Divine Error. It's set in a ficitonal world called Feigrfold. The action centres around a young woman called Guinnark who is caught up in an ethno-religious war that threatens her way of life. Patreon: http://www.patreon.com/isaacwilcoxauthor IG: https://www.instagram.com/isaacwilcoxauthor/ Twitter: https://twitter.com/thegodgriefsaga Facebook: https://www.facebook.com/isaacwilcoxauthor/
from corrective rape? from mothers who are open and accepting of gay, bi, pan, etc people and still unknowingly tell their asexual children that people who don’t want sex are sick need help? from their closest friends at birthday parties starting conversations about how weird and fake asexuality is? from the fear of being alone forever because no one could want to be with someone like them? from going against sexual and relationship norms in a society that tells them they’re broken and wrong?? from people like you who delegitimize their struggles in the eyes of much of lgbt+ community, some of the only people who you’d think might understand
Guys, if you want to be a good artist and storyteller you need to absorb other media and influences beyond popular comics and movies and video games. Hell, even beyond visual art. Read novels, science articles, history books. Listen to podcasts, watch documentaries. Dip into different disciplines. Explore stuff outside your everyday. What you create and the pool of ideas you can pull out of is expanded by the knowledge you gain. Don’t do yourself a disservice by limiting your library. You never know when some weird shit you read about mushrooms could end up inspiring you or helping you solve a design/story problem.
fun facts about stephenie meyers siblings ft. my escalating levels of distress and concern:
all of her siblings’ names (seth, emily, jacob, paul, and heidi) end up in the twilight saga in one way or another
not all incorporations are made equal
i.e. heidi is a glorified extra who shows up for 2 chapters at the end of the second book whereas jacob is literally the secondary love interest for the entire series
on a scale from jacob to heidi how bad is your relationship with your sister
seth and paul are both werewolves
seth is a sweet, harmless baby brother type in the books and also the name of one of meyer’s sons so im gonna take a leap and say he was steph’s favorite
except for jacob, who got to be the third billing character in the series while everyone else got to be a tertiary character at best
emily gets horribly maimed. so uh. thats fun
on a scale from seth to emily how bad is your relationship with your sister
i cant stop thinking about heidi though like. all of the others have moderate to important roles in the series meanwhile heidi is just some italian chick who eats people and says MAYBE 3 words? she’s like the volturi’s receptionist or something. a fucking receptionist
all of this is just varying degrees of batshit obviously. i cannot imagine my sister writing me as a character in her pulpy vampire romance novel and us ever being on speaking terms again
how do you react to that? how do you have a relationship. how do you roll up to thanksgiving and sit across the table from someone who makes $50 million a year off a YA series where YOU are a speaking character
actually never mind. yeah if my sister made $50 million a year i wouldnt say shit to her about it either
still though
somewhere out there is a man named “jacob meyer” who has never known peace
To all the people in the notes going “but but tragedy is a valid form of…” Yeah, sorry, straights broke it with decades of nothing but tragedy for LGBT characters. This is a moratorium on all such tragedy films with tragic endings for at least the next 50-75 years at which point there will be a review to determine if mainstream media has EARNED it.
From 1922 to 1968 the Motion Picture Production Code (commonly known as the Hays Code) enforced rules regarding the treatment of gay characters in tv and film. Homosexuality and gender nonconformity could be acknowledged, but it had to be punished to show that consequences would come from such “immorality.” Showing these characters as creepy, predatory, unfaithful, etc etc was common, and for decades pretty much every queer or queer coded character was brutally murdered. The homophobic tropes born from the Hays code are pervasive in media today. The sheer amount of tragedy and violence written into queer media in the last century has in the long term damaged people’s perceptions of what queer stories are “supposed” look like.
New Bechdel-like test for gay/lesbian romance films: If your queer piece of media complies with the Hays code, start over.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—'La Belle Dame sans Merci
Hath thee in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
...For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language...