20s | Everything's been deleted as of Sept. 16
â Writings
âšÂ Gintama masterlist
âšÂ The Witcher masterlist
âšÂ WIPs & Updates
âšÂ Archived Posts
â Social Media Platforms / Misc.
âšÂ AO3
âš Ko-fi
Three Goblin Art
trying on a metaphor

Andulka
macklin celebrini has autism

Kiana Khansmith

No title available
Keni
KIROKAZE

Discoholic đȘ©

â

Love Begins
Jules of Nature
d e v o n
tumblr dot com
let's talk about Bridgerton tea, my ask is open

Kaledo Art

blake kathryn

tannertan36
Stranger Things

JVL
seen from Malaysia
seen from Germany
seen from Malaysia
seen from TĂŒrkiye
seen from Chile

seen from Belgium

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Pakistan

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@itsautumnherefriend
20s | Everything's been deleted as of Sept. 16
â Writings
âšÂ Gintama masterlist
âšÂ The Witcher masterlist
âšÂ WIPs & Updates
âšÂ Archived Posts
â Social Media Platforms / Misc.
âšÂ AO3
âš Ko-fi
Helloo! I have a question about the illustration "Yuji/Mahito's hands, Megumi/Sukuna's hands". Do you know any meaning about the positions of the hands? or any theory? I know about the relationships between the characters but I'm curious if there is any meaning in the hands. Take care Lele! Bye Bye!
Hi, hello!
My idea about that cover page is mostly the same as others. It draws the main adversaries and conflicts, Mahito to Itadori and Sukuna to Fushiguro. We have passed and closed the struggle of Itadori against Mahito, now we're entering the adversary between Fushiguro and Sukuna. I feel like this is the direction the story is going to since Fushiguro is at the center of the new arc. Him wanting to save his sister so he asks all the people to help him.
LOVE THIS ARTICLE!!!Â
I think what hit me the most about this is how the story of jujutsu kaisen is largely seen through Megumiâs morality or âgoodnessâ. Morality, justice - everything are subjective. While it does tell a story of Yuujiâs life and hardship, how we see âgoodâ and âbadâ in the story is very much aligned with Megumiâs morality which puts humanity as first priority, because fundamentally Megumi is someone who is very compassionate. And thatâs what makes Megumi as the main driving force of the story, and reflects all the âgoodnessâ in their world.Â
i hope you write, i hope we both write
Hand in keyboard-cramping hand
Reminder
18+ means 18+, not âIâm 14 but I donât get offended by your postsâ or âIâm 16 but Iâm mature for my ageâ
// If youâre a minor, get off my page, this isnât for you //
Dream is generally found in a shonen manga. You will find it spoken a lot by the main characters.
However, in jjk only few speaks of having a dream. Sure a lot characters have motivations, or ambition that drives them. But the only ones who actually hold onto a dream is Gojo and the special-grade curse spirits. Gojo wants to reset the jujutsu world, while the special-grade curses want to make a world with curse spirits replacing humans
Dream reflects an idealism wanted to be realized. In a world where dying is something realistic that can happen anytime, idealism is a privilege. So speaking of, or having a dream is something can only be afforded by the strongest of the strongest.
Itadori also have a dream, albeit a very humble but difficult one: to die without regret, surrounded by people. And this dream of his can only happen if he grows to be strong enough to win against any enemies he faces. Strong enough so he can decide his own ending
gintoki is a good dad actually. a really good dad
the hills - the weeknd: "I only call you when it's half past five | The only time that I'll be by your side" + tengen THERE YOU GO FUHEWIFHUEWFEW
Tengen oppa drip
Prompt: I only call you when itâs half past five, the only time that Iâll be by your side
Character: idol!Tengen
A/N: I want to strangle you for Tengen in combination with a The Weeknd song but I guess I brought it on myself aDHASDHASDDo not test me <3Anyway, hereâs the most cursed shit I have ever written, done and looked at
Thanks to my co-writer @aceilora, love you bby girl â„
Keep reading
@itsautumnherefriendâ meal served, i will be disappearing nowâŠ.
please im going hystericAL
this is as cursed as i thought it would be and it's magnificent.
iebdjdvrjdh "Tengen Drip sama" im gone!!! I'm just gone!!!
This is in fact a fic rec. Read this!! None of you will be disappointed :) It's a solid 11/10
Stop following people who repost art. Stop liking art that has been reposted. If credit is even given: find the original source and support the actual artist from their actual website/account
This is what Gojo looks like with his blindfold on
Today's Eijun's birthday and I can't believe I forgot. Best boi, sunshine boi!! Happy birthday to this precious guy!!
This has been on my mind since the first episode, but as soon as Gojo spoke I swore his voice actor was going to be Miyuki Kazuya's from Daiya no Ace (Takahiro Sakurai). But then I heard Geto.
please remember that itâs okay to use popular tropes and clichĂ©s in your writing. just remember to make them your own, and put your own kinda spin on them.Â
donât let yourself be stopped by what other people say you can or canât do when it comes to writing. you are allowed to write about whatever you want, regardless of how popular it is in mainstream media.Â
Ok so, this is something I care about quite a lot actually. Please use what ideas come to you as interesting to write. Thatâll help you enjoy the development and writing process!
Tropes and cliches do not arise from a vacuum though. There are reasons why things connect in our world. Human society and human thought have patterns to them, as do the laws of action and consequence. Browsing through TvTropes will give you the names of general ideas that pop up in media, itâll also feed the part of the brain that wants to identify and categorize things. It will not teach you how to use those ideas, and it wonât show you how other writers developed those ideas in their own work. Tropes and cliches are fun! Theyâre great for picking out what appeals to you, both as a writer and a reader.
They arenât shortcuts though. You canât just namecheck the Magnificent Bastard trope, you have to show your character both devious and successful in their trickery. You canât just hand wave your Crapsack World as existing before you dive into the plot, you have to develop the flaws that make it a terrible place to live, and then build the society that would find ways to overcome or at least work around those flaws. You canât just namecheck Dark and Troubled Past, you have to examine how the specific trauma you put the character through in their backstory would develop them, and how that trauma fits into the tone of your setting and plot, and why other people present on the world didnât help them - and what that means about the society this character lives in.Â
Your narrative requires you to make conscious and informed decisions as you build it. If you donât do that, youâre essentially writing madlibbed gobbledegook. My best recommendation is to compile the plot beats or tropes youâre interested in, and dig in and find the underlying logic and real world parallels. Relying on how other authors used tropes you enjoy means that you are borrowing their own narrativeâs internal logic and structure - and you may or may not see the gaps in that logic they didnât fill in for their plot. Your own world ends up underdeveloped, without purposeful and planned internal logic and structure. Tropes are the tips of built icebergs, sticking above the narrative. Take time to develop the rest of the iceberg - donât mistake the trope name for the entire thing itself.Â
A Horror Beat Sheet
There are no hard-and-fast rules in writing fiction. There are, however, some established patterns and expectations, and once you know them, youâll be able to work within those patterns and deviate from the path as you see fit.
What is a Beat Sheet?
Popularized by Blake Snyderâs book Save The Cat, beat sheets are an outlining method often used for screenwriting that some authors have started to use for books as well. Basically, a beat sheet lays out the story âbeatsâ or necessary plot points that make up the essential story structure. The Heroâs Journey is, essentially, a beat sheet. You can see more beat sheet information here: https://timstout.wordpress.com/story-structure/blake-snyders-beat-sheet/
Horror has a slightly different structure than other stories, and for that reason I donât think a classic beat sheet works quite right for it. So with that in mind, here is my somewhat adapted version, drawn from my studies of horror media. Various beats can be reorganized somewhat, and will vary a bit depending on sub-genre and other considerations. But if you need help in establishing a horror plotâŠthis beat sheet should help guide the way.
Horror Story Beat Sheet
Act One (The Setup):
1 - The World is Not What it Seems
(The reader catches an early glimpse of the monster, or a hint that the monster exists. This is optional, and may occur right away â often as a prologue â or after the main characters have been introduced.)
2 - Putting the Players in Action
(You introduce the important characters and the primary internal conflict)
3 - Setting them on the Path
(The characters make a choice that inadvertently isolates them or places them on a collision course with the monster)
4 - The Warning
(The characters are given an opportunity to turn back, but choose not to; could occur before or after The First Contact With The Monster.)
5 - The First Contact with the Monster
(The characters have their initial contact with the monster, but are unaware of the true threat it poses.)
Act Two (The Turn): 6 - Shit Gets Real (May be the first death or when seriously spooky activity begins; regardless, this is when the danger becomes evident and unavoidable)
7 - The Chase (The monster pursues the characters, who lack the skills to fight it; one or more people may die here)
8 - Failed Confrontation (The main character attempts to destroy the monster, but does not yet possess the ability to do so)
9 - The Darkest Hour (Hope appears lost. Perhaps someone very important has died, or the hero has tried everything they can think of. Â The link between the internal conflict and monster may become clear to the character here)
Act Three (The Prestige): 10 - A Different Solution (The hero gains new information on how to defeat the monster. Â This may be delivered by someone they seek out for help, or may come through soul searching and observation.)
11 - Seeking Out the Beast (For the first time, the hero approaches the monster, rather than fleeing it. Â They intend to enact their solution)
12 - The True Cost is Revealed (In the process of confronting the monster, the hero realizes that to overcome it, the internal conflict must be encountered and defeated. Â That is the hidden cost; the hero will be irrevocably changed)
13 - Sacrifices Are Made (or not) (Faced with the ultimate choice, the hero either succeeds in defeating their internal conflict and  winning against the monster, or fails and ultimately succumbs to their weakness)
14 - The Inevitable Fall Out (Show the consequences of whichever choice is made)
15 - Evil Cannot Be Conquered, Only Delayed (If the hero failed #13, show the monster relishing its victory in a changed world. Â If the hero succeeded, show a hint that the monster may yet return. )
â- I think you will find that if you compare many, many, many horror stories against this beat sheet, you will see versions of this structure/pattern. Â I encourage you to try it. Â Iâll post some plot studies of my own to show you later.
There is no single ârightâ way to write a story, and I certainly donât think you must follow this structure in order to be successful. Â But I can guarantee you that following this structure will give you the framework necessary for a complete and emotionally satisfying horror story.
Caveat: this beat sheet is meant for long-form stories such as novels and films. Â Short stories follow a very different structure. Â We can talk about that in a later chapter.
If you like this type of content and would like to see more, please consider leaving a tip in my Tip Jar!
if all of the snakes were actual snakes:
Big Boss:
Boa Constrictor
-verr strong
-100% camo index
-will strangle and eat literally anything
Venom:
Blood Python
-c h o n k
-reputation for being mean but actually a big sweetie with proper handling
-seriously tho look at that chonk. lorge boi.
Solid:
Ball Python
- leave me alone
- srsly pls just let me hide
- also agile sneaky boi sometimes i guess
Liquid:
Hognose
-massive drama queen
-angry hissy baby
-hooding up is snake equivalent of fabulous hair, change my mind
Raiden:
Legless Lizard
-not actually a snake
-beautiful and slender
-prefers personal space
Solidus:
ah yes. my apologies. here:
so about that satosugu break up
AND YET A TRACE OF THE TRUE SELF EXISTS IN THE FALSE SELF
this post is about plastic dinosaurs