The dim lighting was Steven Soderbergh's brilliant choice and it was real. This was not an era when you had high wattage light bulbs and everything was lit. It was an era when this was all new and not everything was wired for electricity and we wanted the reality of the darkness and the grit and what life really was like. Technology ironically helped with this because Steven uses the camera called the Red Dragon and it has such an incredibly sensitive light sensor that you can be in a room where two characters are only lit by one candle in the center of the table and you can shoot that scene. It can bring more light or less light. It is extraordinary.
And so Steven really took advantage of that and allowed us to see what the darkness really was back then. And I think it's wonderful. I think it's something you don't see in anything else. Steven also mentioned something that I thought was really interesting - which is that he kept trying to figure out why there was a different quality to the show than anything he'd done before. And when he was editing it he kept looking at it. And what he noticed was that the actor's eyes were different and it was because they weren't in bright light. So instead of dialing down their pupils, they were wide open. And it had a whole different effect and a sense of openness that I don't think many other productions have ever been able to capture.
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