I'm 25, female. I have a BA in counseling, no I don't plan on getting a masters. I'm in debt as it is.
So far, I mainly write/talk about COD, Animal Kingdom, The Pitt, Stranger Things and how great it is that everyone is happy together and nothing is wrong đ!
I'll really write about anyone as long as I can get some type of idea, or it'll be kinda like head cannons.
Currently in : my Animal Kingdom, The Pitt, A Knight of The Seven Kingdoms
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Azriel
Cassian
Fourth Wing (It's kinda just me talking ideas right now...)
Tags ⢠post-Dance, grief/mourning, arranged marriage/political marriage, enemies to lovers, falling in love, eventual romance, eventual smut, angst with a happy ending
Wordcount ⢠3,515
Summary ⢠Jacaerys is crowned king as his mother perishes from her wounds shortly after retaking the Iron Throne. He makes a match with you, the last daughter of King Viserys and Alicent Hightower, to secure peace and rebuild the Targaryen dynasty.
Jacaerys Masterlist
Chapter One ⢠King of the Ashes
The Great Hall had once been a symbol of power, of the supremacy of the House of the Dragon, however now it felt as though it carried the weight of a dynasty in ruins.
On the day after the morrow they would burn two enemies side by side, returning them to the ashes in which dragons made their nests, as was appropriate for two children of House TargaryenâRhaenyra and Aegon would rest underground in the Sept, a symbol of what war could bring.
While the prospect of his mother sleeping her eternal sleep under the same floor as her treacherous brother enraged Jacaerys, he knew it was a show of honor the like was expected of a true, wise king.
Never in his ten and nine years of life had Jacaerys thought much about the sort of king he would make. After all, he had thought the crown was decades away, a lifetime, when his own children would have been grown and his mother would have been trembling and frail, passing into the mercy of the Gods.Â
Instead the Stranger had taken her in her prime, through dragon fire that had burned her flesh and rotted her core until she had eventually succumbed to it. Or perhaps it was the grief of losing another son, that in the end had been too much to bear. Many in the Red Keep suspected that the loss of Queen Helaena and their youngest son had been what had driven Aegon to madness, until his own men had taken pity.Â
Only the Gods knew the truth of it, now all there was for Jacaerys to understand was that the two rulers, legitimate and usurping, who had sat the throne after Viserys were now dead, and the crown had landed on his head.Â
Under the looming presence of the Iron Throne, Jacaerys paced the marble floors, attempting to make sense of the utter devastation around him. The high ceilings now felt suffocating, as though the very sky was crumbling over his head.Â
âI should not be there,â he said outloud, almost to himself, or perhaps to the Gods, but his faithful friend Cregan Stark still answered his call of anguish.Â
Wrists resting atop the pommel of Ice, which he carried at his waist these days, the young lord was watching over him as Kingsguard would, with the sort of silent presence that reminded Jacaerys that he was not alone in carrying his grief.Â
âThis is your rightful place, my prince,â he reminded him with the steadfastness he had come to expect from the northerner.Â
âNo it is not. It shouldnât be, not by decades at least,â he resisted, and Cregan knew him to be right.Â
Upon answering the call of the Dragon Queen, never would he have imagined that he would see a great dynasty fall to its knees in such a short time. Dragon riders had risen and fallen as quickly as the tide and as unpredictably, and he feared that it was only through sheer fate that one legitimate heir remained.
While it was not in his character to contemplate potential ruin, he knew the face of the crown could have been a child not even a decade old, would Jacaerys have drowned along with his dragon at the Gullet.
âWhy have the Gods allowed it? Why allow my mother to die but me to survive?â Jacaerys lamented, the healed wound in his shoulder throbbing then, a pulsing burn from an arrow that had scarcely missed his heartâin that instant he almost wished it had not, and had allowed him to rest at the bottom of the sea with Vermax, instead of standing to inherit ruins.
âIt is not for us to know,â Cregan replied, knowing it was no comfort. Then he cleared his throat, meaning to lead the young king to where he was expected. âThey are waiting for you.â
Jacaerys turned to him then, his eyes rimmed with red and his face gaunter than a man of his age should be, the face of a man who had seen the Stranger many a time. âI cannot rule.â
Cregan stepped forward and put a heavy hand on his shoulderâstill, the touch felt like the comfort of a brother, the sort Jacaerys sorely missed, and he leaned into it for support. âThen allow me to counsel you. We have been friends, havenât we?â
Jacaerys nodded, swallowing heavilyâthe battlefield forged strong friendships, bonds of brotherhood the like he would have never imagined beforehand. âWe have,â he confirmed. âThere is no one else I trust.â
âThen believe me when I say, you will be a fine king,â Cregan replied, and it planted the seed of an idea in him, that perhaps not all of it was a curseâperhaps this was the call of destiny, no matter how painful, and he only had to answer it. âOne I will gladly bend the knee to.â
The Red Keep had been your birth place, and now you were certain it would be your resting place. It had now been a fortnight since Rhaenyra had taken the Iron Throne once more, returning to Kingâs Landing with an army several thousands strong, made of Rivermen and Northerners, only to find that the revenge she sought had already been taken from her. Aegon laid cold in his bed, and she followed mere days later.Â
You had been confined to Maegor's Holdfast, kept under close watch in your rooms most days, as though you were more than you were, more than a woman and instead a danger to the unlikely king now wearing the crown. You had never had to think of yourself as a political pawn until your brother Aegon, having taken the throne once more, had summoned you to the capital. You had obeyed your king, but in the span of a few weeks, he had perished and left you and your mother to face the consequences of his actions.
You loathed him as much as you loathed Rhaenyra and her brood. It was a cruel turn of fate, almost a cruel sort of poetry, that both pretenders to the throne had perished in the pursuit of it, leaving their heirs to scrub their blood from the stone floors and rebuild the dynasty they had destroyed, or pay the price of their pride in their own blood.Â
All those that had betrayed Rhaenyraâs faction were now facing justice, and you feared you were only waiting for the executionerâs blade. You wondered whether your nephewâs own sword would do it, or if he would entrust the task to his most loyal man, Cregan Stark. Perhaps they would show mercy and send you into exile, to become a Silent Sister.Â
Death or eternal silence,you knew what you would rather endure.Â
Thus you waited for the Stranger in the room that had seen your childhood and little else, as you had been sent to Oldtown for your education once the first spring of your womanhood had bloomed. The Faith of the Seven now rooted you and guided you, and you clung to prayers as not to fall into madness.
On the third night of his reign, it was not the hand nor the blade of justice that came to you, but Jacaerys himself, and you wondered whether the following morrow would be the last dawn you would see.Â
You stood abruptly as he entered, glancing towards the guard at the door with dread. âRest easy, you have nothing to fear from me,â Jacaerys assured you. He was dressed in regal clothing made of black, the velvet layer on the inside of his cape a deep red. His hair fell to his shoulders in dark curls, nearly black in the low light of the candles.Â
âDonât I?â you asked, openly weary and hostile. âWhere are my niece, and my mother?â
âConfined to their own rooms,â the young man replied with what seemed to you as regret.Â
You noticed that he was not wearing the crown, but his head was bowed as though it was weighing on his neck, a constant presence. âMight I see them?â you inquired, but it sounded more like an order you were giving him.
âYour niece, yes,â Jacaerys conceded.Â
âSheâs a motherless child. Surely you would not have her be confined alone,â you insisted, and it seemed to convince him.
âYou will be escorted to see her,â he offered, but it did little to appease you.
You approached him in careful steps until he could see the unshed tears glimmer in your eyes, your brow furrowed in concealed anger. You were trembling, ever so slightly, and when he searched your face for any familiar flicker, he found noneâyou were his blood, and yet nothing tied the two of you together but hatred.
âWhat will happen to us, now?â you inquired, gauging him. Standing face to face, you were reminded then of the years of your childhood, and you wondered whether the boy you had known then was still within reach, or if he had perished alongside his kin, replaced by a man you did not know.
âNothing, for the time being. You are to be confined until trials have been run,â he explained.
Hope burst in your chest then, a starving dragon freed from its chains taking to the skies, ready to burn the lands around it. âAnd after that?â
Jacaerys looked pained then, a frown between his brows. âI do not know,â was all he answered, and he looked like a child, frightened by his own crown and unable to yield the power he possessed, and you hated him for it.Â
âWhy have you come, then, if you do not know of my fate?â you accused, your burning tears pearling at the corners of your eyes, your simmering rage like a silent sob caught in your chest, and he did not have any more answers for you.
Once Jacaerys had left, leaving more doubts and fears behind, you realized you had only addressed him in questions. There was a rage inside of you, and a primal fear that was no doubt similar to that of a beast caught in a trap, forced to eat through its own leg to free itself.Â
You only had blunt teeth, but you still hoped you could sharpen them in due time.
Over the last pair of years, Jacaerys had sat at many a council of war, at the Painted Table in Dragonstone, but always as a councilor himself, advising his motherâit was only now that he realized how comfortable such a position was, making the decisions without having to enforce them, or without having to consider their consequences.
Now he was the one standing at the head of the table, leading men that sat in front of their marble ball as though they had paid a price for it and ought to claim them with pride, when in truth they had been named because they were alive and breathing.Â
Corlys Velaryon was still abed from his wounds, but the men who had advised his mother during her last days were now serving him, waiting for him to name his council as he wished. All of them were taking their orders from a king young enough to be their son or grandson, one or two failing to conceal their contempt for that fact, and Jace wondered if such was the fate of all the kings that had preceded him.Â
However what Jace lacked in years lived, he made up for in the devastation he had seen. In many ways grief was his experience, more so than strategy and governance, and he supposed it forged a man just as well.
Before the war he had never realized what came with being kingâthe grief, knowing the crown had only been passed on because the previous monarch had perished. It was all the more burdensome knowing his mother had barely reigned, and never over peace.
Since Creganâs declaration of devotion, he had had the time to contemplate the sort of king he would want to be, the sort of legacy he would want to leave behind, whether his reign would be long or short. What mattered to him most was not to assert his authority or to be admiredâhe needed to rebuild and to leave the crown strong for his heirs. His reign would not be for himself, but for those who come after.Â
With such a conclusion he sat before his council that morning, Cregan at his right where the Hand would usually be.
Roland Westerling, an older man with a calm disposition, handed a roll of parchment to Jacaerys, the seal of which had already been broken, a golden stag. âLady Elenda Baratheon has accepted your terms of peace,â he informed the council as soon as they were all seated.Â
âNearly half of the great houses in the land are now ruled by babes and their mothers as regents,â Unwin Peake commented, as though this simple fact held an inherent flaw.
âI will gladly deal with these women. They might make wiser rulers than their husbands, who took to arm against my mother,â he said, unrolling the parchment and reading it over quickly before passing it along to Cregan. âLord Roland, your daughter Joanna now rules House Lannister, does she not?â
âIndeed,â Roland answered with a slight smile of pride. âLoreon is a boy of barely five.â
Once great, powerful houses with proud men at their helm, the Lannisters and the Baratheons were now led by women, mothers of their heirs who would now lead the very men that had marched to war refusing to bow to a queen, and Jacaerys would laugh at their fate if he could summon the mirth.Â
âThere is still unrest in the Reach, Iâm afraid,â Thaddeus Rowan said. âThose who remain loyal to the Greens are loath to settle, however the Hightowers are now ruled by a boy of seven and ten. He might easily be reasoned with.â
âSummon him to Kingâs Landing. I will receive him,â Jacaerys decided, to which Roland took note.
âHe has made a rather unusual request to the High Septon,â Thaddeus continued with an appalled expression on his face. âHe has asked for permission to wed his own fatherâs second wife, Lady Samantha Tarly.â
Jacaerys frownedâwhile there was no blood between a boy and his step-mother, it was still highly unusual and perhaps distasteful, especially since Oldtown was the cradle of the Faith. âHow do you know of this, my lord?â
âLady Sam is my niece, by my sister,â Thaddeus supplied.Â
Without a word, Cregan gave Jacaerys a slow tilt of his head. âThe Tarlys supported my mother, as did your house, did they not?â Jacaerys asked Lord Roland. âDid Lady Samâs loyalties lie with my mother?â
Thaddeus observed Jacaerys for a moment. âIndeed.â
âWrite to the High Septon in my name,â Jacaerys then decided. âHave him grant the marriage.â
As soon had he given the order, barely breathing after his words, that Unwin Peake cleared his throat. âWhile we are speaking of marriage, your grace, there is a matter we must discuss,â the man said, sharing a look with the other lords that spoke of a preceding agreement. âI loathe to be the one to say it, but a young king shall need a queen and heirs.â
âMy brothers are my heirs,â Jacaerys protested.Â
âThe future of the realm partly rests on you securing a long-lasting peace,â Roland said. âWhile we have come to understand that an informal betrothal was made in childhood between yourself and Lady Baela Velaryon, she might not be the wisest match.â
Baela and himself had been children together, and while the expectation had been for them to marry, he cherished her friendship and had rarely considered the prospect. âA marriage is an alliance, a political calculation,â he continued.
Cregan crossed his hands atop the table and leaned forward. âWhat do you suggest?â he asked, but Jace could tell he already knew what point they were about to make, and he braced himself.
âThe breach between the two branches of House Targaryen may be mended,â Thaddeus offered carefully. âWere his grace to wed the remaining child of King Viserys and Alicent Hightower.â
Horror rose from the pit of his stomach, settled only when he caught eyes with Cregan, whose gaze was calm and directâwithout a word needed between them, the northerner gave him a slow nod, and with that, his fate was sealed.
Evening was falling, a heavy veil over the Red Keep, made of darkness and cold wind. Winter was settling and the days were darker and shorter, plunging the castle in a grim atmosphere that lasted from the end of the afternoon to the late morrow.
Supper was still an hour away when you were summoned to the kingâs quarters. The room was brightly lit with candles and a fire, perhaps even more than was comfortable, as though Jacaerys was attempting to keep the darkness at bay. You stood near the threshold while he remained further into the room, arms clasped behind his back like a soldier at attention.
âI have asked you here to present to you a proposal I hope you will agree to,â he announced, the words sounding rehearsed, empty of all sincerity. âThe realm is shattered and House Targaryen is in ruins, but together we might unite it.â
As soon as the words had left his mouth, you knew you had come to hear. âWill you wed me, and put an end to this bloodshed once and for all?â
Your answer came like the crack of a whip. âI may not.â
âI understand that this is not what you would have wanted, howeverââ Jacaerys prepared his arguments, but you did not let him speak.
With a raised hand, you silenced him. âYou misunderstand me. This has nothing to do with what I want, but what I can do,â you explained, your face contorting in anguish.
âI donât understand,â he said, cutting you off as though he suspected what was coming and desperately wanted to keep it at bay, but he could not have known, you thought.
Rage rose in your throat, acrid and burning, but you swallowed it down. You wanted to curse your brother out for putting you in such a vulnerable position, but damning the dead would do you no good, and you did not wish to betray your kingâs memory in front of the man who had replaced him.
âA few days before Aegon died, he took me to wife in a secret ceremony,â you admitted, tears clouding your eyes, and Jaceâs heart ached in sudden pity. âAsk the Septon and he shall confirm.â
âAegon is dead, a widow is permitted to remarry,â he countered, and he could tell from your face how impatient you were becoming with him.
âI have not bled since,â you clarified. It had been two moons now, but the Maester could not say with certainty until the quickening, and your morrows remained without any sickness, yet you doubted, dreading the child that might be inside of you.
Jacaerys blamed his naiveness. âAre you implyingââ
You looked upon him severely. âI may be carrying Aegonâs child, yes,â you said, and this simple but devastating truth rang loud in the roomâit could be your salvation, as much as your downfall.Â
âThis changes everything,â Jacaerys whispered, and upon noticing the subtle way you were trembling, once more inhabited by fear in his presence, quickly made his promise. âNo harm will come to you, you have my word. I shall keep your secret until you are certain either way.â
You knew you should have been grateful, but you hated the mere thought of owing him any sort of gratitude. It was just as well that he ignored your tears, much as he had done the day prior, as though he sought you out not to converse with you, but to shout into a void that echoed back to him.Â
Jacaerys waved you away, crumbling once the doors shut and he was alone once more. He might have been young and uncertain of himself, but he knew what would happen if you were to birth a son.
Aegonâs supporters were still many, and his reign was still too fragile. Power often turned loyal men into self-serving traitors ; he could still easily be toppled, be murdered in this very room as Aegon had, and a babe placed upon the throne in his stead.Â
Unable to bear the storm inside of him he took hold of the crown resting atop the mantle of the hearth and threw it at the wall, wailing until his voice broke.Â
Grief held him by the throat, an invisible hand that felt like that of the Stranger choking his breath from his very neck. The wounds on his shoulders ached and throbbed anew, as fresh in his mind as the day they had been inflicted.
âWhat should I do, mother?â he pleaded to the night. âWhat would you have me do?â
Alone and broken, the young king wept.Â
Author's Note ⢠Dividers by @zaldritzosrose. Feedback is always appreciated. Ask in the comments if you want to be tagged in the next chapters. Chapter two will be posted next Saturday, July 11th.
pairing: bobby franklin x f!reader x entity!bobby(bb)
wc: 16.3k đŹ
contents/warnings: emotional manipulation, emotional neglect in a past relationship, internalised self-blame, discussions of infidelity, grief and loss, emotional dependency, body horror, strong violence, psychological horror, fear of abandonment, existential/cosmic horror, angstttttt.
notes: Strap in. This one is gonna be uh... fun! (thank you so much for your ongoing support btw, love you guys lots!!!).
đš better bobby series masterlist.
You move before the thought finishes forming.
Your arms lock around BB from behind, tight around his waist, your hands fisting in the torn fabric of his shirt. Your face presses into the space between his shoulder blades, breathing hard. His body stands rigid under your grip, every muscle locked, the whole of him vibrating with a fury so potent you can feel it sinking into your own body.
He's burning hot for once. Hotter than you've ever felt him before, the cool skin scorched away by whatever he's become in the last however-many-hours, and the heat radiates through his tattered shirt and into your cheek, your palms, and the insides of your wrists where your pulse hammers against his spine.
âStop,â you plead into his back. Into the ruined fabric, that hum that's pouring off him like radiation. âBB, stop. Don't hurt him.â
Bobby is kicking, his feet scrabbling against the wall behind him, his sneakers leaving black marks on the plaster, hands clawing at BB's wrist with a frantic, oxygen-starved desperation.
His face is darkening now, the veins in his neck standing out like cords. The sounds coming from his throat are wet and crushed. Because they're sounds of a body being denied the thing it needs most, but BB's hand doesn't loosen. Itâs a closed system, a vice with a pulse rate of zero.
âHe doesn't belong here.â BB's voice is gravel and sub-bass, the human register shredded, the words coming from somewhere beneath his chest. âThis is my territory. Youâre myââ
âYou promised me.â
Your voice breaks on the word. Cracks open, raw and wet, and you press your forehead harder into his back, feeling the vibration of him against your skull and your arms tighten around his waist further. You hold on the way you held on in the meadow, in the nest youâve shared.
âYou promised you wouldn't hurt me, BB. And thisââ Your voice drops, shaking. âThis would.â
BB goes still.
The fury doesn't leave. You can still feel it, coiled, massive, a thing with its own gravity sitting inside his ribcage, pressing outward against the seams of him. But the stillness settles over it like a lid over a flame. His breathingâthe breathing he doesn't need, the breathing that's been coming in ragged, animal burstsâslows. His shoulders drop by a degree, and the heat recedes, fractionally, from scalding to merely unbearable.
His hand opens.
Bobby drops down.
He hits the floor hard, knees first, then hands. Then he's on all fours, gasping, dragging air into his lungs in long, shuddering, tearing inhales that sound like they're being pulled through a crushed straw. The colour rushes back into his face all at once, from white to red, the blood flooding back into tissue that was seconds from permanent damage.
Kat is on the floor beside him in an instant, her hands frantic on his shoulders, his face, checking his throat, his pulse, and she's saying his name (Bobby, Bobby, breathe, look at me, breathe) and Bobby is coughing and gasping, his eyes streaming. The red marks on his throat are already darkening into bruises that will look, by tomorrow, like a handprint painted in purple and black.
You let go of BB, stepping back.
One step. Two. Putting distance between your body and his, and BB turns to face you, his hand lifting instinctively, reaching for your face, any part of you he can touch to confirm you're whole, and you step back again.
His hand halts mid-air.
You've seen BB confused many times before. You've seen him curious, amused, predatory, ancient, tender, wrecked with wanting. But youâve never seen BB wounded.
His hand hangs in the space between you, reaching for a face that pulled away, and his eyesâstill black around the edges, the warmth fighting its way back to the surface through the damage and the furyâregistering the distance you've put between your bodies. Reading the enormity of your retreat with a precision that leaves no room for misunderstanding.
You stepped back from him.
You. The person who named him. The person who leaned into his forehead kisses and fell asleep against his cool chest and taught him to dance in a kitchen he built for you. You stepped back, and the distance is a sentence he can read, and the sentence says I don't trust you right now.
His hand drops to his side.
âWhat the fuck.â
Bobby. On the floor. Coughing, gasping, one hand on his throat and the other braced against the floorboards, and he's staring up at BB with an expression thatâs blown past fear and into something else.
Incomprehension, horror, the cognitive whiteout of a man looking at his own face on a body that just tried to kill him.
âWhat the actual fuck,â Bobby says again, louder this time.
The choking has left his voice shredded, hoarse, each word dragged across damaged vocal cords. He gets to his knees. Kat's hand grips his arm, trying to hold him down, but he shakes her off and gets to his feet, his legs unsteady but his eyes are locked on BB. His jaw pulses, hands fisted at his sides, and heâs staring at his own face and finding a stranger peering back.
âThat's me.â Bobby's voice is climbing, ragged with disbelief. âThat'sâthat's my face. That's my face. Why does it have my face?â
BB's jaw tightens. The ancient thing flickers behind his eyes. A flash of contempt, of possessiveness, of the territorial fury that just had Bobby pinned three feet off the ground.
He looks at Bobby the way you'd look at a counterfeit of yourself. A draft. A rough sketch someone made before the final version.
âAnswer me!â Bobby surges forward even as Kat scrambles to grab his arm. He shakes her off again without looking. âWhat are you? What the fuck are you?â
âBB.â You say it before you can stop yourself, before the anger and the hurt and the betrayal can seal your throat. The instinct to name him, to give him the dignity of the identity he let you choose for him, is still there underneath everything else. âHis name is BB.â
Bobby stares at you both. The information moves across his face in parts. Confusion first, then processing, then a slow, horrible understanding that reorganises his features into something you've never seen on him. An emotion beyond anger, beyond hurt.
âBB. That BB? What kind of name even is that?â Bobby demands.
BBâs nostrils flare. âIt stands for Better Bobby.â
Suffocating silence folds over the room. Katâs mouth pops open in your peripheral, and you suck in a breath of your own.
âBetter Bobby.â The real Bobby laughs. A short, ugly sound that's closer to a bark than a laugh, the kind of noise a person makes when the absurdity of their situation has exceeded their capacity for rational response. He barks out another laugh, then, âBetter Bobby. Are you kidding me?â
BB's lip curls, a flash of teeth appearing. âI didn't choose the name for your benefit.â
âNo, you just chose my face. You stole my face and myâand myââ
Bobby's gaze cuts to you, then back to BB. The calculation happening behind his eyes is visible, mechanical, each variable slotting into place with an almost audible click, and you can see the exact moment the picture completes because Bobbyâs expression doesn't crumble; it hardens. Sets. His jaw locks and his eyes go bright and hot, the hurt underneath the anger so vast it makes the anger look like a puddle on an ocean.
âYou've been down here,â Bobby begins, his voice pitching quiet. The dangerous quiet. The one that comes right before the blade. âThis whole time. Down here with that.â He points at BB accusingly without looking at him. âWith some thing wearing my face. A cheap copyââ
BB snarls. Low. A sound that makes the fractured windows rattle. âI'm not a copyââ
ââwhile I sat in a basement for seven months talking to a fucking wall, thinking you were dead." Bobby's voice cracks open, choking. "While the cops thought I killed you. The tapes went blank, and your face disappeared, and everyone forgot you existed. I thought I was going crazy because I was the only person left who remembered what you looked likeââ
He's shaking. Full body vibration.
His hands tremble at his sides, and his jaw is trembling, and the chain at his throat is shimmering with movement. Heâs a man coming apart at every joint because the grief and the fury are feeding each other in a loop that's spinning too fast to control, only amplifying the hurt beneath.
Each word comes out hotter than the last, each breath shorter, and Kat is standing behind him with her hand over her mouth and her eyes wide like sheâs never seen Bobby like this because Bobby doesn't do this.
Bobby deflects; he bites. Bobby is the one who turns his pain into a joke or a weapon. But Bobby doesn't break. Except he's breaking. Right now. In a pink house on Level 974, looking at his own face on a monster and the woman he loves standing between them.
âTerrence forgot you.â Bobby's voice cracks on the name. Pure pain that sinks between your ribs. âTerrence. Our best friend, remember him? The only person who believed me when the whole neighbourhood decided I was a killer. He sat with me in bars and told people to back off and drove me home when I couldn't drive, and he was the last oneâthe last person besides me who still said your name. And then one day I said it, and he looked at me like I was speaking a different language. Like the word didn't mean anything. Like you wereâlike you'd neverââ
He presses the heel of his hand into his eye. The old gesture. The grinding-the-tears-back gesture, brutal and effective. âI watched him forget you. In real time. I said your name and I watched it fall out of his head and he looked at me with thisâthis pity, like I was talking about someone who never existed. And I wanted to grab him and shake him. Scream she was real, she was REAL, I loved her, and she was realââ
Bobby sucks in a breath so hard his whole body jerks with it.
âEighteen months,â Bobby croaks out hoarsely, the shaking getting worse. âI nearly died waiting for you. I stopped eating, stopped sleeping. I sat in that basement until my back seized up and I couldn't stand straight, and even then I went back. I kept going back, and you're here. You've been here this whole time. Completely fine. With him. Letting himâwearing my face while heââ
Bobby can't finish the sentence. His hand comes up and covers his mouth, his eyes squeezing shut, and the sound Bobby makes behind his palm is tiny and wrecked. You shouldn't be hearing it, but you can't stop hearing it.
âBobbyââ Kat whispers, reaching for him.
âDon't touch me.â He shakes his head, opening his eyes.
And the expression on his face is the one from the doorway, the one you never saw because you were the one walking away. The expression of a man watching the person he loves leave and being unable to say the thing that would make them stay. Except now it's worse because you didn't leave. You were taken. And what took you gave you a version of him that does all the things he couldn't.
Then, in a dazed whisper, âDid you fuck him?â
The question lands like a grenade. Kat visibly flinches. BB goes rigid in your line of sight, and you feel numb shock slacken your expression.
âBobby,â Kat says sharply. âThis isnât the timeââ
âDid you fuck him?â Bobby's voice cracks, splitting, the words coming out jagged and shaky because he can't control himself. âThis thing that stole my faceâdid you let it touch you? Did you let itââ He gestures at BB, at you, at the space between your bodies. âWere you playing Barbie and Ken down here with myâwith a goddamn copy of me while everyone back home thought you wereââ
He stops, pressing both hands over his face. His shoulders heave. Once. Twice. The sound he's holding back is massive, and he still won't let it out. He won't. Because heâs Bobby Franklin, and he doesnât cry in front of people, not even now, not even here, when the girl he spent seven months talking to through concrete is standing five feet away next to the thing that kept her.
âThey all thought I killed you. Our neighbours. Our friends. Clark. Strangers on the street. They'd look at me, and I could see it. He did it. The boyfriend did it.â Through his hands. Muffled, reedy, barely controlled. âMonths of that. Of carrying that and going to the store every night, sitting on the floor and talking to you because it was the only thingâthe only thingâthat kept meââ His hands drop. His face is red and wet, ruined. âAnd you were here. Did you even try to go home?â
The room vibrates. The hum, the tension, the emotional charge of three people and two entities standing in a space too small for the volume of pain it generates.
You stare at Bobby's wrecked face, those bright, glassy eyes, his shaking hands. The man who loved you and couldn't say it and sat on concrete for seven months saying it to a wall instead. The man who grunted at your goodbye. The man who let you stand in a doorway feeling invisible. The man who came through the wall to find you.
âYou moved on too,â you say lastly.
Quiet. Cold. The voice the Backrooms gifted to you. The flat, unmoved, survival-voice, the one that doesn't shake because it can't afford to do so.
Bobby's mouth opens. Closes. His features spasm like youâve struck him despite the distance between you.
âYou moved on too, Bobby. You're standing here with herââ you gesture at Kat, who shrinks backâ âshielding her with your body, doing all the things you stopped doing for me. And I'm supposed toâwhat? Feel guilty? Because I survived? Because I found something down here that you couldn't be bothered to give me up there?â
âThat's notââ
âYou left first.â The words tear out of you before you can weigh them, before the part of you that knows this isn't entirely fair either can catch up to the part of you thatâs been carrying this for months and is finally, finally letting it spill. âYou left me in that apartment, Bobby. You left me standing in doorways waiting for you to look up. You left me lying next to you in bed wondering if I was still visible. And I don't know why. I've never known why. I loved you more than anything I've everââ
Your voice fractures, words catching in your windpipe. You press your knuckle against your mouth, mouth wobbling, try your hardest to breathe through it.
âI loved you,â you repeat, steadier, lower. Your anger holding the grief upright the way a spine holds a body. âMore than anything. And I didn't need to hear it. I never needed you to say the words, thatâs the thing. But I used to feel it. In how you touched me and kissed me and held me. In how you looked at me in the morning. And then you stopped. You just⌠stopped. And it wasn't sudden. It was slow. So slow I didn't even notice it happening until I was already standing in it. Thisâthis absence. Where you used to be. And I tried to talk to you about it, and you said don't be dramatic, and we're fine. I tried again, and you turned up the TV. I stood there in the kitchen watching the back of your head, and I thoughtââ
You choke on the words. Your eyes burn, but the tears won't come because the anger has dried them at the source.
âI thought maybe this is what love becomes. Maybe this is normal. Maybe I'm asking for too much. And I made myself smaller and smaller and smaller to fit inside whatever you were still willing to give me, and it was never enough. I didn't know why and you wouldn't tell meââ
âI was scared.â Bobby. Raw. Stripped to the bone. âI was so scared of how much Iââ
âI don't care.â Flat. Final. Your voice hardens despite the thickness of your voice. âI don't care that you were scared. I was scared too. I was scared every single day that you were going to wake up and decide you didn't want me anymore and instead of telling me that. Instead of saying I'm terrified and I don't know how to love you without losing myself⌠you just stopped. You made me feel so alone. I used to talk to the walls at Clark's store because the walls were better company than you were.â
You suck in a ragged breath. It shakes on the way in, steadies on the way out. Bobbyâs peering at you wide-eyed, his mouth parted, tension between you thrumming. You exhale, chuckling shakily, pained.
âAnd the worst part, Bobby?â you pose, not waiting for a response. âThe worst part is it took me disappearing for you to care. It took me falling through a wall and vanishing from the face of the earth for you to sit down and say the things you should have said when I was standing right in front of you. You had me. I was right there. Every day. For years. And you couldn't be brave enough to tell me you loved me or hold me like you needed me. But the second I'm goneâthe second you can't have me anymoreâsuddenly you're on a concrete floor pouring your heart out to a wall. Suddenly you remember how to feel.â
Bobby flinches. Full body, his blue eyes bright and shining. Like you've hit him again.
âAnd you want to know the thing that really kills me?â Your voice is shaking now, the anger fracturing, the grief bleeding through the cracks again. âI was working the late shift alone. In that basement. Alone, Bobby. Because you stopped coming. You used to come keep me company, and you stopped. I was down there by myself, sorting inventory, and that's where it happened. That's where the wall took me. And if you'd been there⌠if you'd just walked through that door one more time, if you'd come to the store instead of staying on that couchâŚâ
You shake your head, glancing down. BB jerks, like heâs fighting an urge to reach for you, to comfort you somehow. âI wouldn't have been alone when it happened,â you go on, lifting your head again. âI might not have been standing in front of that wall at all. You want to know who's to blame for me being here? It's not the Backrooms. It's not BB. It's the fact that the man I loved couldn't be bothered to keep me company like he used to.â
The silence that follows is absolute. Suffocating. The hum drops to its lowest register.
Bobby stares at you. His face is open in a way you've never seen before. No armour, no grin, no deflection. Just Bobby. The raw, messy human underneath all the performance. And the expression on that face is not anger. It's devastation.
Because heâs just heard the exact truth he's been telling himself for eighteen months spoken aloud by the person he failed, confirmed, verified, stamped and sealed.
Kat stands behind him, her arms heavy at her sides, face tight with an attempt to hold her composure. Sheâs just learned the full dimensions of the wound she's been dressing for over a year and finally understands it goes deeper than she knew.
BB watches you with an expression you can't read. His black-edged eyes roam over your face, cataloguing the anger, the grief, the terrible release of words held back for so long. His hand twitches at his side again. The instinctâto reach, to touch, to sootheâstill running underneath the barrier you imposed.
âCome with me,â BB urges, his words low. His hand lifts again, reaching for your elbow. âYou don't have to stay here. Let me take youââ
âDon't touch me.â
BB's hand freezes midair.
âYou're no better.â
You watch the impact of your words jolt through him. The way BBâs whole body registers it, a flinch that travels from his face through his shoulders to his hands. He absorbs it the way Entity X absorbs damage, except this doesn't regenerate. This is a cut that stays.
âYouââ BB starts, his brows furrowing. His confusion is genuine, nothing performed in it. Thereâs no curious tilt he does when encountering new concepts, but real confusion, the bewildered processing of a being trying to understand what went wrong.
âDid you know?â you bite out.
You ask it quietly, peering at his face. Bobby's face. The face that heard you through a wall and chose to want you, that built you a kitchen and kissed your forehead and promised you things and held you while you cried.
âDid you know Bobby was out there? For months. Did you know he was looking for me? Sitting in that basement, talking through the wall. Did you hear him, BB? Did you hear him saying he loved me while you were holding me and telling me it was all his fault?â
BB's expression goes smooth.
The warmth and confusion drain, followed by wounded bewilderment. What's left is closed. Perfectly, terribly closed. The face flattening into something that's neither Bobby nor BB but something older, something that predates both of them.
You laugh. A short, bitter sound, no joy in it.
âYeah,â you exhale. Shaking now, because anger can't hold your grief forever, the frame is buckling, and you can feel the tears starting to press against the backs of your eyes like a tide against a wall. âThat's exactly what I thought.â
The room is quiet.
Bobby is on the floor with Kat's hand on his shoulder and bruises darkening on his throat. BB stands in front of you with a closed-off face and a frozen hand, the ruins of every tender moment you've shared settling around him like a ring of ash. Mr Kitty lingers in the corner, his dark shape motionless, his blank face oriented toward the centre of the room with the patient, unhurried attention.
âI need time,â you say, your voice thin. âI need⌠to think. I can'tâI can't be in this room right now.â
You spin on your heels, walking toward the staircase, your bare feet on the floorboards. You clutch your notebook against your chest, your shoulders set in a rigid line, your chin up, and your eyes burning, but you donât cry.
You will not cry. Youâll walk through this door and find a corner of this level that doesn't contain Bobby or BB or Kat or anyone else, and youâll sit down and breathe.
Youâll figure out what is left of you underneath all of this wreckage.
BB moves after you. You hear it more so than see it. The shift in air pressure, the displacement, his body orienting toward yours the way it always does, the magnetic pull that has governed his movements since the first day. His footstep on the floorboard behind you.
Mr. Kitty steps into his path.
The tall dark shape moves from the corner to the centre of the room in a single fluid motion, interposing itself between BB and the door, between BB and you. Mr Kitty doesn't speak. Simply stands there. Immense, faceless, filling the doorway with the calm, absolute certainty that informs everyone, silently, that no one is getting past him.
BB snarls.
The sound fills the room, saturating it. Harsh, emotional, stripped of the controlled fury from earlier. This isn't the predator defending his territory. But something hurt and desperate, unable to reach the only thing that makes the hurt bearable, and the snarl carries all of itâthe confusion, the desperation, the agony of watching you walk away from him and being told he doesnât get to follow.
âGet out of my way.â
BB's voice is low. Vibrating. The hum in the walls responding to him, the floorboards creaking around you, the cracked windows rattling in their frames. The power coming off him is palpable. A pressure change, a density in the air, the room bending around the force of an entity thatâs existed for longer than these walls have stood.
Mr. Kitty doesn't move.
The house begins to vibrate.
A deep, foundational tremor that runs through the floor and up through the walls and into the ceiling. The scones on the counter rattle. A crack appears in the plaster above the kitchen doorway. Two forces pressing against each other. BB's vast, ancient fury and Mr. Kitty's quiet, absolute sovereignty over this level, this house, this ground.
Mr. Kitty may not be as old. May not carry the same raw, limitless power that BB channels from the Backrooms itself, but Level 974 is his. The pink walls and the Hello Kitty figurines and the golden light.
His domain, his territory, his rules.
And in this space, on this ground, Mr Kitty doesnât yield.
The vibration deepens. The figurines on the shelf chatter against each other. Bobby grabs Kat and pulls her toward the corner, away from the two entities locked in their silent standoff.
âEnough.â
Your voice. From the doorway, looking over your shoulder at the room. At BB, rigid and his mouth snarling, at Mr Kitty, immovable and calm, at the house shaking around them.
âStop it. Both of you. Right now.â
BB's eyes are black, wild, fixed on Mr. Kitty's faceless head with a fury that has nowhere to go.
You look at BB.
It's the look that stops him. Your eyes on him, meeting his, and the expression in themâcold, hurt, closed, the warmth he's spent months earning withdrawn behind a wall he can't charm or claw his way through. You look at him the way you looked at Bobby in Santa Clara, in the doorway, in the kitchen, during all those conversations he refused to have.
âLeave me alone,â you say coldly. âI mean it, BB. Leave me alone.â
The vibration cuts out.
The house settles around you into eerie silence, the figurines stilling. The crack in the plaster stays but doesn't spread further.
BB's snarl dies in his throat, not released but swallowed, pushed down into whatever deep place he stores the things he can't process. His fury collapses inward, his features rearranging not into Bobby's easy mask but into something fragile and deeply, fundamentally lost.
Because heâs just been told by the only person who matters to him that heâs not wanted here.
Mr. Kitty steps aside.
You walk through the door, up the stairs that donât make a single creak, and donât look back.
BB does not follow.
The bedroom is pink.
Every surface of it. The walls, the ceiling, the bedframe, even the dresser with its rows of small ceramic figurines. All Hello Kitty, some with bows, others with tiny painted expressions of vacant, cheerful contentment that feel deeply wrong in a place where nothing should be cheerful.
The bed is covered with a pink duvet and pink pillows, a stuffed Hello Kitty the size of a small child propped against the headboard. Youâre sitting on the edge of said bed in this aggressively pink room, clutching a pillow to your chest and crying so quietly your body barely moves.
You washed your face in the bathroom with shaking hands. The soap smelled like strawberries, which is either a kindness or a coincidence and in the Backrooms you've stopped trying to tell the difference. You scrubbed the tear-tracks and the grime and the black residue of Entity X's blood from your skin, and you looked at yourself in the mirror, but the face peering back at you was thinner than you remembered. Sharper. Older in a way that has nothing to do with age and everything to do with the kind of living you've been doing down here.
You looked at your own face, and you didn't recognise the expression on it, and then you did, and that was somehow worse.
You press the pillow into your chest, tears soaking into the fabric, leaving dark spots as you wipe them with the back of your hand.
A plate appears on the bedside table.
Cookies. Round, golden, slightly uneven. Arranged in a careful circle on a pink ceramic plate with a Hello Kitty border.
You didn't hear Mr. Kitty enter. You never do.
He's simply there, filling the corner of the room, his dark shape folded into a crouch that brings his smooth, featureless head level with the top of the dresser. His long arms drape over his knees. The posture is oddly casual for something that nearly went to war with a fellow ancient entity an hour ago.
You glance at the cookies. A wet, exhausted laugh escapes you. Because there's a faceless being the height of a doorframe crouched in a pink bedroom offering you baked goods, and this is your life now, apparently.
Are you feeling better, little one?
His voice settles into your skull with that warm, furred pressure, gentle and unhurried. Little one. He's been calling you that since the third time BB brought you to 974, and the tenderness of it used to make you bristle. You're not little, not a child, not something to be diminished with a pet name, but you've come to understand that little is relative.
To Mr. Kitty, everything is little. The Backrooms are little. Time is little. The enormous, life-destroying pain you're feeling right now is little. Not because it doesn't matter but because it exists within a framework so vast that even devastation is a passing thing for him.
âNo,â you answer honestly. âI feel awful.â
Mr Kitty's head inclines. A slow, measured tilt that you've learned to read as acknowledgement. He doesn't offer comfort. He doesn't say it'll be okay or this too shall pass or any of the empty phrases that people deploy when they can see someone hurting and don't know what else to do.
âHave you ever experienced anything like this?â you ask, wiping your eyes with the heel of your hand. âThis mess. This kind ofââ
You gesture vaguely at the room, at yourself.
No.
A pause.
I'm not human.
You stare at him. His blank face gives nothing back. The delivery is so flat, so matter-of-fact, so completely devoid of inflection that it takes your exhausted brain a second to register that the seven-foot faceless entity crouched in a bedroom full of Hello Kitty memorabilia has just delivered the driest possible response to your question.
You snort wetly despite yourself, wiping your nose.
âIs everyone okay? Out there?â
The humans are safe. They've eaten. I've provided almond water. It helps with the psychological effects of prolonged exposure. The mind frays here. Theirs will fray faster than yours did. A pause. The blank head angles slightly, as if consulting a source of information you can't perceive. The older man⌠he was located. But he refused to come with my guidance. He's making his way back toward the entry point on Level 2. Alive, as far as I'm aware. Frightened. But alive.
âThank you.â The words come out thin. Insufficient. You're thanking a being older than human civilisation for babysitting your kinda-boyfriend and his new girlfriend while tracking down your former employer through an interdimensional nightmare. âFor all of this. For letting usââ
You're welcome in this house. You've always been welcome.
Your fingers dig into the pillow. âWhat about BB?â
Mr. Kitty's head tilts again. The angle is different this time, sharper, more deliberate.
The Backrooms are in disarray. An observation, not a complaint. Entity X's presence has had an unusual cascading effect. Smilers are ranging further. Skin-stealers have been reported on levels they typically avoid. Another pause. His faceless head angles toward the window, toward the levels that stretch below and above and in every impossible direction. Your boy is clearing up the mess.
Your boy. Indulgent, slightly bemused. You donât correct him, not even now.
Entity X seems to have an unusual ability to affect other entities. Amplifying their aggression. Destabilising their territorial patterns. As if its presence is contagious. An emotional frequency that spreads through the hum, agitating everything it touches.
You think about Entity X. About the burning yellow eyes that never looked away. About the argument it played through the walls to lure you out. Why that conversation? Why your argument, specifically?
Why did it know what Bobby sounded like when he was shutting you out? The questions stack up in your head the way the entries stack in your notebook. Pattern without explanation. You can feel the shape of it, the edges pressing against the inside of your skull, but the centre won't resolve.
âWhy me?â you ask, peering at Mr Kitty. âWhy does it want me?â
Mr Kitty is silent for a long moment. His blank head angles toward you with that sharper tilt. As if he's reading something written on you in a frequency only he can perceive.
I have a theory. Measured. Careful. But theories without sufficient evidence are just stories. And stories can be dangerous in a place that listens and can make them a reality.
âTell me.â
When you're ready to hear it, little one. When the answer won't do more harm than the question.
The deflection is gentle but absolute, and you know better than to push. Mr Kitty doesn't withhold out of cruelty. If he's not telling you, it's because the telling carries a weight he doesn't think you can hold right now.
You file it away. Another entry in the private section of the notebook. Another question with no answer.
âHas itâis it gone?â
Retreated. Very suddenly. For reasons I can't determine. Mr Kitty's face tilts back toward you. That concerns me more than its presence did. An entity of that power doesn't retreat without cause. It either ran into an unexpected problem, or it decided to wait for a better opportunity.
The words settle on your shoulders.
You sit for a moment longer. The pink room. The cookies. The faceless being in the corner, patient and still. The faint sound of voices from the living room floats over. Low, murmured, too indistinct to make out words. Bobby's voice. Kat's voice. Talking about you, probably. Talking about what comes next. Discussing whatever people do when the world has ended, and they're sitting in a pink house eating scones and trying to pretend their worldview hasnât just shattered.
You reach for a cookie. Bite into it. It's good. Buttery, slightly sweet, with a texture that's almost right. The Backrooms' version of homemade, close enough that your tongue can't argue.
âI can't hide here forever,â you mumble, chewing. Your voice is scraped raw, and the cookie is doing nothing to fix that, but it's doing something for the rest of you. The simple, animal act of eating, of taking a thing and putting it in your body, of fuelling the machine. âEven though I want to.â
Mr Kitty says nothing. His blank face radiates with the particular silence that means I agree, and I'm glad you arrived there yourself.
You stand, pressing your palms against your eyes. Breathe in through your nose, out through your mouth. In. Out. The way you breathe before entering a new level, before turning a corner in an unmapped corridor, or opening a door whose other side you can't predict.
The survival breath. The steadying edge you didnât have back in the real world and only developed here. The willingness not to run away and hide.
You wipe your face one final time. Set the pillow down. Pick up the notebook from the bedside table where you placed it beside the cookies, pressing it against your chest. The weight of it is familiar, grounding, the only possession you have that still feels like yours.
âThank you, Mr. Kitty.â
Eat another cookie before you go. Youâll need it.
You do as he instructs, then open the bedroom door. You walk down the short hallway of Mr. Kitty's house, past the framed Hello Kitty prints and down the stairs, stepping into the living room.
Bobby and Kat are sitting at the kitchen table.
Their heads are bowed. Close together. Kat's hand is on Bobby's forearm, and Bobby's other hand is pressed flat against the table, fingers splayed, bracing himself.
They're speaking in low voices. You catch the edge of a word. Your name, maybe. Or something that used to be your name before it became something else.
Bobby spots you first.
He stands immediately, like the sight of you alone gave him an electric shock. The chair scrapes the floor. His face is a mess of competing expressions: relief, tension, the careful, wary hope as eh drinks you in. The bruises on his throat have deepened. Dark purple against his tanned skin, four finger-marks and a thumb-mark, BB's handprint developing like a collar on his neck.
You catch the flicker across Kat's face, brief and involuntary. The subtle tightening around her eyes, the tiny pull at the corner of her mouth.
She was saying something to Bobby, and you interrupted it, and the hurt of being interrupted is tangled up with the hurt of being here at all, of sitting in a nightmare for a man whoâs looking at another woman with that expression. That searching, desperate, is-she-okay expression that Kat has probably been working for months to earn, and you just walked in and collected without trying.
You see it. You look away from it.
You wrap your arms around yourself. One hand on each elbow, holding yourself together.
âYou need to leave,â you tell them flatly. âBoth of you. Right now. The Backrooms aren't safe for humans. They were never safe, but right now they're worse. Entity X destabilised everything. Every entity on every level is more aggressive than it should be and you don't have the training or the knowledge to survive that.â
âI'm not leavin' without you.â Bobby. Immediate. Jaw set, chin up, the Bobby-stubbornness that looks like courage and has always been, underneath, a different kind of fear. âI didn't come through a wall, walk through hell and get choked out by my own doppelganger to leave you down here alone. No way in hell.â
You level him with a flat look. The one you learned living here. A part of you wants to remind Bobby that he tore into you less than an hour ago, but he's calmer now. Past the initial, ugly shock.
Bobby surprises you by holding that look.
For a moment that stretches into two, then three. Then his jaw flutters, his gaze dropping, and you see it: the fight leaving him. Not because he agrees, or wants to, but because the woman standing in front of him is not the woman he lost.
The woman he lost was standing in a doorway with her keys and her heart in her eyes, waiting to be seen. The woman standing in front of him now has a notebook and a survival instinct, and she's not waiting for anything.
âBB,â you call out.
The air shifts. Between one breath and the next, thereâs a displacement, and the pressure changes in your sinuses.
BB stands at the edge of the living room like he's been there the whole time, like he materialised from the wall, which he probably did. He's more put together than the last time you saw him. His face reset, the fissures sealed, the eyes back to Bobby's blue with only a thin ring of darkness at the outer edges. The black blood is gone. The torn shirt is the same, but he's cleaned the rest, reassembled the human costume with great care.
He looks at you and his whole body orients again. That magnetic pull, that compass-needle pivot, his weight shifting forward onto the balls of his feet, his chin lifting, his eyes searching your face with a hope so raw it makes your heart ache.
Because you called him. And the part of BB that lives underneath the fury and the ancient power and the territorial instinctâthe part that learned to kiss you in a kitchen and asked am I doing it right and pressed his lips to your forehead because you taught him that tendernessâthat part heard his name in your voice and came running. And heâs standing in front of you now, practically vibrating with a desperate, transparent hope that calling means forgiving.
It doesn't. He can see that too. The hope flickers. Dims. Holds, just barely, at the edges.
âI need you to take Bobby and Kat out,â you tell him calmly. The survival voice. âBack to the real world. Through the wall in Clark's basement.â
BB's expression morphs. A crease appears between his brows, a tightening at the corners of his mouth. He glances at Bobby, at Kat, and the glance carries a weight that isn't quite hostility. Closer to resignation.
âI can't,â he says.
âBBââ
âThe path is gone.â He says it plainly, without the smooth, closed expression he wore when you asked if he knew Bobby was looking for you. âEntity X destroyed sections of Level 0 during the fight. The corridors between here and the adjacent entry point to the storage basement on Level 0 are collapsed. The hum no longer reaches those sections. They've been severed from the level entirely.â
You can feel everyone staring at BB as you absorb his words.
âThen find another way,â you say. âThere are other exits. Other entry points. You've saidââ
âThe only feasible exit I can guarantee right now is the M.E.G. outpost.â BB's eyes are on you. Only you. Bobby might as well be furniture. âThe one on the far side of Level 4. But the direct path from here is gone. We'll have to go through the Poolrooms, and cut across to Level 4 through the threshold at the deep end. From there it's a straight corridor to the outpost, but that corridor runs through a section of Level 4 that's been unstable since the cascade.â He pauses, weighing his words. âThe Poolrooms should be passable. Level 4 is the risk. Entities might shelter there because the layout gives them cover. Under normal conditions it's manageable. Right now, with the aggression spike, it'll be hostile.â
You run the route in your head.
Level 974 to the transitional stairwell. Through the Poolrooms, warm chlorinated water and blue tile, a level you've mapped partially, three pages of the notebook dedicated to its spanning layout and the way sound carries across the surface.
You know the Poolrooms. BB took you there multiple times. You used them in the past for hygiene and a change of scenery both.
The water was warm, and the light was washed-out blue, and nothing lived in it that wanted to hurt you, at least not then.
From the deep end threshold into Level 4. The endless office complex, the one that looks like every corporate building you've ever been in hollowed out and stretched to infinity. Dark. Echoing. Full of cubicles and conference rooms and hallways that dead-end without warning.
You've only been there once, briefly, and your notes on it are thin at best.
Half a page, a rough sketch, a warning symbol in the margin.
âHow far?â you ask.
âThrough the Poolrooms, it's distance without danger. Level 4 is the gauntlet. Maybe an hour on foot, if the path holds without shifting and nothing's nesting in the corridor.â BB's expression goes tense, focused. âI'll clear what I can ahead of you. You navigate.â
âWait, who's M.E.G.? Whatâs Poolrooms?â Katâs voice floats over from the table, cautious but steady. âWhat even is that?â
âResearch group,â you reply, turning to her. It's the first time you've spoken to her directly without anger in your voice, and you can feel the shift, the effort of treating her like a person instead of a scapegoat to your jealousy. âExplorers. They study this place. Map it. They've been operating down here for⌠I don't know how long. But they're organised. They have resources.â You pause. âI think they can be trusted. It might be the safest option.â
Kat nods, quick and decisive. The relief on her face is visible. Not at the thought of leaving you behind, or at winning some unspoken competition, but at the prospect of a plan. A structure. An exit with a name and a direction and people on the other side who might know what they're doing.
Kat is a practical woman in an impractical situation; you can tell as much, and the offer of practicality is the first solid ground she's stood on since she climbed through a wall in Clark's basement.
âFine,â Bobby says quickly, his voice rough. âM.E.G. Great. Let's go.â He pushes off the table. âAll of us.â
You inhale deeply. âBobby.â
âI said I'm not leaving without you.â Louder. More determined. The Bobby-edge again, the blade under the casual, except there's no casual left. It's all blade now, all sharp. âI'll go with Kat. But I'm not walking through someâsome exit and leaving you in this place. I'm not.â
BB's lips peel back. A flash of teeth behind the Bobby-mask, involuntary, predatory, the territorial snarl surfacing before he can catch it.
The sight of Bobby refusing to leave you, refusing to relinquish, insisting on staying close to the thing BB considers his triggers something primal in the entity underneath.
He catches it at once, swallowing over it. His lips close over his teeth, jaw clenching painfully. He doesn't speak. Just stares at Bobby with the flat, unblinking intensity that tells you heâs choosing, with considerable effort, not to put Bobby through another wall.
Bobby, to his credit, ignores him. Pointedly and aggressively, with that specific brand of human stubbornness. Bobby will not look at BB. Will not address BB. Only pretend that the thing wearing his face is not standing six feet away radiating enough barely-contained fury to crack plaster.
This is Bobby's version of control: the refused glance, the turned shoulder, the full-body declaration that you do not exist to me deployed by a man whoâs terrified and is handling it the only way he knows how.
BB turns to you.
His expression changes immediately. The snarl evaporates. The territorial fury, banked. What replaces it is⌠you haven't seen this expression on him before. Grim. Drawn.
âThe Backrooms are more dangerous than they've been inââ He pauses, choosing a unit of measurement you'll understand. âA very long time. Entity X's effect on the other entities hasn't fully dissipated. Level 4 will be a problem. The interior section between the threshold and the outpost is normally dead space. Empty offices, dead lights, nothing worth hunting in. Right now it's contested. Things are sheltering in the cubicle rows and conference rooms because the layout gives them cover, and they're angrier than they should be.â He twists his head, and you hear a crack follow the near reptile movement. âI'll move ahead. Clear what I can. You bring them through behind me. Move only when youâre certain, and stay together.â
You look at him. Really look, for the first time since earlier. Past the anger, and the betrayal, past the closed-off face and the too smooth expression and the omission that restructured everything between you. You look at BB, and you seeâ
He's thinner somehow.
The word isn't right, but it's the closest you have.
The Bobby-suit fits differently. Looser. The cheekbones more prominent, the jaw more defined, the chain at his rebuilt throat sitting lower against collarbones that press closer to the surface than they used to. He looks worn in a way that has nothing to do with clothing and everything to do with consumption.
And you understand, then, that the fight with Entity X and the sustained lockdown and the perimeter patrols and all the emotional turmoil earlier have been drawing from a reserve that isn't infinite.
As if even ancient things have a fuel line and his is running lower than you've ever seen it.
You choke the worry back. Push it down. Below the anger and the hurt, into a place where the things you can't afford to feel right now go to wait.
âFine,â you say. âThe M.E.G. outpost. Through the Poolrooms, across Level 4.â
You turn to Bobby and Kat. Bobby is standing by the table with his arms crossed and his jaw clenched rigid, staring at a random spot just past BBâs shoulder.
âGrab anything useful,â you instruct. âThe almond water Mr. Kitty gave you if there's any left. Take that, don't spill it. Anything you can carry that isn't too heavy.â You glance at Bobby, stopping him in his tracks when he tries to approach you, his mouth open. âWe're leaving right now. Not in ten minutes. Not after another argument. Now. Every second we stay is a second Entity X might come back and cause more damage.â
Bobby sucks in a breath, but the argument dies on his tongue. You watch it happen. He could spit back a thousand arguments, but youâre the one speaking and he hears the authority earned through months of exploration, notebooks, and close calls.
He doesn't trust the Backrooms. He doesn't trust BB. But somewhere underneath the hurt and the anger and a thousand unspoken things, Bobby Franklin still trusts you.
He grabs the water from the table without a word, shoving it in his jean pocket. His camera is goneâleft on the floor in the junction room on Level 0, the first camera Bobby has ever abandonedâand his hands look wrong without it. Empty. Painfully exposed. Like a man missing a limb he didn't know was prosthetic until it was gone.
Kat gathers the remaining almond water, tucking what food she can into her hoodie pockets. Practical. Quick.
âLet's go,â you say.
You don't look at BB or at Bobby when you say it. You look at the door, at the path beyond it, at the route in your head that threads from 974 through the transitional stairwells to the Poolrooms and across Level 4 to the outpost, and you start walking.
They follow.
âStay close to me at all times. Don't touch the walls and donât trust any voices you might hear.â
Your voice rings flat. Instructional. Bobby and Kat fall into step behind you. Bobby first, Kat behind him, the formation you established at the threshold of Level 974 and haven't had to explain because the hierarchy asserted itself the moment you started walking.
You lead. They follow.
The notebook is open in your hand, a pen gripped in your other, and you're annotating as you move. Small marks in the margins, corrections, new landmarks added to half-finished maps.
The stairwell between 974 and the Poolrooms is narrower than you remember. The lights are different. Dimmer. The hum is carrying a frequency you've never heard before. A low, dissonant undertone, like a second voice buried beneath the first, and you don't like it.
Something skitters in the walls.
The sound is dry and rapid, claws or teeth or something with too many joints moving through a space between surfaces, and it tracks your group for three corridors before fading into the deeper dark.
Bobby's breathing changes behind you. Faster. Controlled, but faster. He's holding it together for now, jaw locked, hands fisted, the physical performance of calm layered over a body that is screaming at him to run.
Kat grabs the back of his shirt, her knuckles blanching from how hard she grips. He doesn't shake her off.
The stairwell descends, the air changing the lower you go. Warmer, carrying a chemical sweetness that prickles in your nose and coats the back of your throat. Chlorine.
The smell of it hits your chest like a memory: public pools in the valley, summer afternoons, the way the chemical tang used to cling to your hair for days. Except this chlorine is wrong. Too sweet, too warm. Like the Backrooms took the concept of a swimming pool and replicated it from the smell up, getting the details slightly off.
âWhat is that?â Kat wonders from behind Bobby, her voice raspy.
âChlorine,â you answer. âWe're close to the Poolrooms.â
âRight. The Poolrooms."
You don't answer. The stairwell opens up, and Level 37 unfolds in front of you.
Water. Everywhere. Still, warm, impossibly blue; a type of blue that doesn't exist in nature, that sits somewhere between swimming pool and bioluminescence, casting its light upward onto tiled walls and low ceilings and pillars that descend into the water at regular intervals.
The room is vast, the ceiling dipping low. The combination creates a sort of compression. Intimate and infinite at the same time, the sense of a space that goes on forever in a room you can almost touch the top of. The water is clear to the bottom. The tiles beneath it are white, clean, pristine, stretching into a distance that the blue light eventually swallows.
No sound except the dripping water. The gentlest possible lapping against tile, rhythmic, hypnotic, the sound of a surface that is barely being disturbed by something you can't see. The hum is different here. Softer, rounded, the dissonant undertone from the stairwell dissolved into sound almost musical.
The Poolrooms absorb aggression the way water absorbs heat. BB was right. Nothing agitated shelters here.
âJesus Christ,â Bobby says quietly, staring at the water with wide-eyed awe.
You wade in first, and the water is mercifully warm. Body temperature, lapping at your ankles, then your calves, then your knees as the floor descends in a gentle gradient. Your bare feet find purchase on the tiles below.
You've been here before and know the depth map. Thereâs shallow sections that hug the walls, and the deeper channels between the pillars which intercut with the point near the centre. Thatâs where the floor drops and the water reaches your waist, the blue light intensifying until the whole room looks like the inside of a sapphire.
Bobby and Kat follow behind you. Slower, less sure.
Kat gasps when the water reaches her thighs. Bobby is silent, wading after you without a word. He scans the surface, the pillars, the low ceiling, and you can see him searching for threats the way you used to. With that raw, untrained hypervigilance you had in the beginning when you could tell something was wrong but didnât have the vocabulary to describe what.
You navigate by the pillars. Third from the left, then straight, then angled right toward the far wall where the tiles change colour. White to grey to a faint, barely-visible green that marks the deep-end threshold.
BB showed you this path. BB walked it with you, his hand at your back, his cool skin a contrast to the warm water.
And BB's presence now is a pressure at the edges.
You can't see him. Haven't seen him since you left 974. But you can feel the evidence of his passage all the same. A corridor that should have been obstructed, clear. A sound in the distance that starts hostile and cuts out abruptly.
Then a silence that follows when something deadly, fast and ancient has moved through a space and left nothing alive behind it.
He's ahead of you, running interference, clearing the route the way he said he would. And even through the hurt, the reliability of itâthe kept promise, the maintained commitment to your safetyâswells a lump in your throat you canât quite swallow over.
Behind you, Kat mumbles something, a joke maybe, chuckling weakly even when Bobby doesnât join in. His reply is swallowed by water churning around your waist.
âHow long did it take?â
You say it without turning around. Your voice carries across the water, bouncing gently off the tiled walls, and the acoustics of the Poolrooms give it a quality that sounds almost peaceful, almost conversational.
Bobby's wading pauses. A half-step. Then he catches up. âWhat?â
âBefore you slept with her.â
Behind Bobby, Kat makes a small, indignant sound, an inhale that she catches in her throat, and then silence again. Just the three of you wading through water in a room that shouldn't exist.
You wait for the usual: the blade, the joke, the easy redirect, maybe even anger. But he surprises you again.
âFifteen months.â The damaged vocal cords give the words a rough, scraped quality. âAfter you disappeared. Not afterânot after the store. Not after Clark kicked me out. Months after that. She'd been...â He trails off, water sloshing around his hips. âKat was just there. Every day. And I wasâI wasn't okay. I wasn't anything close to okay, and I thought Iâd never see you again. And one night I justââ He pauses, breath catching in his chest, refusing to look at you or at Kat while he speaks. âFifteen months. It took fifteen months.â
Your stomach turns. A slow, visceral roll, nausea that has nothing to do with the chlorine and everything to do with the number.
Fifteen months of absence before the body you loved pressed itself against someone else.
Fifteen months of grief before the hands that used to find the small of your back in a crowd found someone else's waist in the dark.
You do the math. You can't help it. The inventory brain, the cataloguing brain, calculating: he thought you were dead. Everyone had forgotten you. The tapes were blank. Fifteen months is a long time when grieving. Fifteen months of believing the person you love is gone is a long time.
The math doesn't help. Not even a little bit. The pain blooming in your chest is too blinding and too scalding to lean on logic right now.
You nod. Once. Keep wading, your teeth sunk into your cheek to stop yourself from being petty, trying your hardest to understand.
âDid you?â Bobby asks. His voice is different now, quieter, stripped of the combative edge from earlier, carrying instead a fragility that doesn't suit his face. âBB. Did youâwith him?â
âNo.â
Bobby exhales. A breath he's been holding since Mr Kittyâs house, maybe longer, released through his nose in a long, shuddering stream. The relief on his face is naked and immediate, and you can see it from the corner of your eye even without turning to look at him.
âI taught him to kiss,â you admit, still staring straight ahead. At the pillars, at the blue, at the threshold approaching in the distance. âBut it took months. He didn't⌠he'd never touched anyone. Never been touched. I taught him to dance first. Then the kiss.â
Bobby lets out a soft, bitten scoff. Air pushed through his teeth, his head turning away, and you brace for the quip, for Bobby's deflection mechanism deploying against the image of his own face learning to kiss from the woman he loves.
But the scoff dies without becoming a sentence. It lacks heat., and it lacks edge. It's just a sound a man makes when he's hearing something that hurts in a way his defences can't react against.
When you glance at him, Bobby's face is sad. Not angry like earlier, just sad.
The anger burned out somewhere in the Poolrooms, extinguished by the tranquil water and the washed light, and what's left is just Bobby. Heartbroken. Worn to the bone by grief and stress. Looking at you in the blue glow with his eyes full and his jaw loose, his whole face creased with emotion Bobby Franklin has spent his entire adult life refusing to let sit on his features unchecked.
He opens his mouth. His lips form the beginning of a wordâyour name, maybe, or something else, something that's been sitting behind his teeth for eighteen months waiting for you to be close enough to hear itâbut you turn away. Keep walking.
The water parts around your waist and the threshold is ten metres ahead, and you keep walking because if you stop, if you let Bobby say whatever he's about to say with that face in this blue light, you will not be able to handle it.
You're not going to have this talk with him now, while Kat is right there.
âWe're close,â you say instead. âThe threshold is at the deep end. Keep your heads up.â
Level 4 is wrong.
The threshold deposits you in a corridor that looks like every office building you've ever been in.
Fluorescent-lit, drop-ceiling, grey carpet, cubicle partitions stretching into a distance that the lights don't fully reach. It should be mundane. It should be the most boring level in the Backrooms. An infinite corporate complex, all right angles and fire exits that don't actually exit and conference rooms with whiteboards still carrying the ghosts of meetings that never happened.
You've seen it before. Your notes describe it as low-threat, low-entity, dead space.
Your notes are wrong.
The lights flicker. Every third tube is dead, creating pockets of darkness between the lit sections, and the darkness is too deep. A dense, weighted thing. The cubicle rows stretch to the left and right, and the partitions are higher than you remember. Head-height, blocking sightlines, creating corridors within corridors, and the air smells like old paper and burnt plastic.
âStay behind me,â you whisper, your heart rate picking up even as you fight to keep your tone level. âSingle file. Donât speak above a whisper.â
Your feet carry you through the cubicle rows. Past desks with dead monitors and phones with their receivers off the hook, and coffee cups with something growing in them that you don't look at closely. The carpet muffles your steps. Bobby and Kat are ghosts behind you. Silent, moving when you move, stopping when you stop, their breathing controlled, shallow, and terrified.
Thereâs sudden movement in the cubicle row to your left.
You freeze. Hand up, the signal you developed on Level 1 with BB, palm flat, fingers spread, stop now. Bobby and Kat stop at once.
The movement continues, a shape passing behind the partition, visible through the gap between the top of the cubicle wall and the drop ceiling. Tall. Hunched. Moving with a liquid, boneless gait that doesn't match any anatomy you've catalogued. It passes through the row parallel to yours, separated by one partition, close enough that you can hear the sound it makes. A wet, clicking respiration, each breath accompanied by a small pop, like a joint dislocating and relocating with every inhale.
It passes, the clicking fading into the background as it goes. You count to thirty before you move again.
Two more corridors follow. You pass a conference room with the door ajar, and inside you spot something that looks like skin draped over a chair. Smooth, pale, and gently rising and falling with a respiration you can see from the doorway. You steer them around it. Wide. Bobby's eyes find it through the gap, and his face goes grey while Kat presses her face into his shoulder and doesn't look.
The evidence of BB is everywhere.
A corridor that ends in a smear of black against the wall. Fresh, wet, still dripping. A fire exit door buckled inward from a force applied on the other side, the metal warped around a handprint that's too large to be human. A section of cubicles reduced to kindling, the partitions shattered, the desks overturned, and in the centre of the wreckage a shape. Crumpled and motionless, its limbs arranged at angles that suggest it was alive when it was rearranged and is not alive now.
You don't let Bobby and Kat see this one. You route them around the long way, through a break room with a vending machine that hums with a frequency that makes your ears ring.
The M.E.G. outpost is close. You can feel it.
A shift in the hum, a thinning of the air that means a threshold is near. The levels get permeable around outposts, BB told you once. The boundaries soften.
You round the corner into a wider corridorâopen-plan, the cubicles giving way to a broad hallway with glass-walled offices on either sideâand you see the equipment. Monitors. Cables. A mounted camera fixed to the wall at head height, its red recording light blinking steadily. Sensor arrays bolted to the ceiling tiles. Data collection equipment arranged along the corridor walls with the organised, labelled precision of people whoâve been here a long time and plan to stay.
âM.E.G.,â you say, exhaling. The relief that pangs your chest is almost physical. A loosening in your shoulders, a softening in the grip of your hand on the notebook. âWe made it. This is their monitoring station. The outpost should be just ahead. We just need toââ
The hands come from behind you.
Three sets. Gloved. They grab your arms, your shoulders, the back of your neck, practised and coordinated.
You're yanked backwards off your feet, and the notebook hits the floor, your spine slamming against a body wearing tactical gear, a muffled voice barking something clipped into a radio, and the hands are everywhere. On your wrists, pinning your arms, dragging you sideways toward a section of corridor you haven't mapped.
These aren't M.E.G.
The gear is different. Same black from the first attack, not yellow. No patches, no insignia, no identification. The faces behind the balaclavas are blank and professional, and they are not studying you. Theyâre collecting you, the way you'd collect a sample they failed to collect the first time around.
Bobby's scream rips through the corridor.
âGET YOUR HANDS OFF HERâGET OFFââ
He's fighting. You can hear it behind you, the sounds of a man throwing himself at something larger and better-armed, the crack of a fist against body armour, the grunt of impact. Bobby's voice, raw and shredded and operating on pure adrenaline, screaming obscenities that echo off the walls while someone restrains him.
âLeave them,â one of the agents says into the radio, his voice clipped, indifferent. âThe woman is the objective. Leave the other two for the others, itâll buy us some time.â
For the others. The words register with a cold, clinical clarity. Leave Bobby and Kat in a Level 4 corridor swarming with agitated entities and walk away. Leave them to die. Leave them as discarded variables in whatever equation these people are solving, the irrelevant remainder, the human wreckage.
Your rage swells to near blinding.
A sudden, massive, tidal expansion in your chest, filling every cavity, pressing against your ribs and your throat and the backs of your eyes.
The agent's hand is on your arm, and the grip is iron and Bobby is screaming. Kat is somewhere behind you shouting, and these people are going to leave them here to die. And the anger is so total, so complete, so enormous that it bypasses your brain entirely and becomes a physical thing, a vibration, a frequencyâ
The hands holding you fall off.
You stumble forward. The grip just⌠released. You spin, expecting to see BB, expecting the displaced air and the black eyes and the sound of the humâ
The agent who was holding you is staring at his hands. What's left of them anyway. His gloves end at the wrist, and below the wrist there is nothing. Smooth and cauterised, the flesh sealed as if the hands were never there to begin with.
He hasn't started screaming yet. The shock is still travelling from his eyes to his brain to his vocal cords.
You turn.
Entity X is standing in the corridor behind you.
The fluorescent lights are red again. That deep, arterial crimson that transforms the office corridor into a living organism. Red light pulses, filling the hallway from floor to ceiling, its matte, leathery skin absorbing the crimson until it looks like the corridor itself has grown a body. The featureless face is smooth and wrong, but then the eyes peel open again at your presence, and the burning yellow fixes on you at once.
On you. Only you. As always.
You stumble backwards, your heel catching a cable on the floor. You barely keep your feet.
Entity X is three metres away, and it reaches for youâthe arm extending, elongating, the joints clicking with a sound like knuckles cracking in an empty roomâand its chest produces a noise.
Low. Gurgling. A wet, clicking sound that lives somewhere between a purr and the settling of bones, repetitive and rhythmic and deeply, fundamentally wrong in a way that your brain canât place.
It's a sound without analogue. A sound that a body makes when it has no face to express what it's feeling and must channel everything through the mechanics of its torso, and the sound is fixated. Directed at you.
The audio equivalent of the eyes that never leave.
âGet away from me.â Your voice comes out harder than you expect. Sharper. The fear is there. Your heart is slamming, your palms are slick with sweat, your legs trembling beneath you, but your anger is louder. The rage that swelled in your chest hasn't receded. It's sitting right behind your teeth, and when you speak it comes out as a command, not a plea. âLeave me the fuck alone.â
Entity X cocks its head.
The motion is slow. Curious. The massive featureless head tilts to one side with an almost canine quality. Itâs almost the same tilt BB does, just wrong, and for one terrible second the gesture looks interested. Like it heard you. Understood what you meant. Like your anger registered as something other than a feeble attempt at resistance, and the fury in your voice is a thing it recognises, that it wants.
The agents regroup behind you. Three of them. The handless one is on the floor, in shock. The others raise weapons. Compact and military-grade, and open fire.
Entity X doesn't look at them.
The bullets hit its torso and sink into the matte skin like stones into mud, and Entity X's arm sweeps sideways, casual and unhurried, the way you'd brush a fly, and the agent closest to it comes apart.
Messily. The one behind him fares worse. The sounds are wet, almost mechanical and over very quickly, leaving nothing but puddles of gore on the floor.
Entity X does all of it without moving its eyes from you once. Bored. Performing violence with the same disinterested efficiency that a human swats insects. The agents are not a threat, not an obstacle, not even a distraction.
Entity X silences them and returns its full focus on you, and the clicking sound continues in its chest, steady, rhythmic, almost gentle.
BB arrives like a thunder crack.
The air splits around you, the pressure wave alone knocking you sideways. Kat hits the floor rolling, and Bobby staggers into the glass wall of an office.
BB hits Entity X at full force, and the two of them crash through the corridor wall and into the space beyond. Cubicles disintegrate around them, ceiling tiles raining down, and the fluorescent tubes shatter in cascading waves as two things too large for this hallway tear it apart around each other.
BB's hand finds your shoulder. Between one collision and the next, between heartbeats. He's there, beside you, in front of you, his black eyes wild and his damaged face cracking, his grip on your shoulder bruising.
âThe outpost. Go. Now.â
You run, reaching for Bobby blindly.
Bobby is already moving, Kat's hand in his, pulling her along, his legs unsteady but functional, his face a mask of focused terror.
You grab the notebook from the floor as you pass it, scrambling on your hands and knees. The three of you sprint down the corridor toward the monitoring equipment, toward the thinning in the air that means exit.
You spot them in the distance first.
Yellow suits and masks on. Four of them, clustered at the far end of the corridor around a section of wall that looks slightly different. Smoother, carrying a faint shimmer that you recognise as the visual signature of a no-clip point.
M.E.G. operatives. Real ones, in their trademark gear, and they're waving at you, frantic, urgent, beckoning you forward with the full-body gestures as the fight behind you intensifies.
Bobby's hand closes around your wrist, pulling you forward, and you're running together, his callused fingers locked on your pulse point.
For about three seconds, it's the parking lot at Clark's store, it's the apartment doorway, it's every moment he should have reached for you and didn't. Except now he's reaching, his hand is on you, now he's pulling you toward safety with a bruising grip that says Iâm not letting goâ
Entity X's hand closes around Bobby's torso.
The grab is sudden and massive, an arm extending from the wreckage of the corridor behind you, reaching over your head, the joints clicking in rapid succession as it unfolds to its full, telescoping length.
The clawed fingers close around Bobby's ribcage and lift. His hand tears from your wrist. His feet leave the ground. His body risesâup, up, Entity X hoisting him like he weighs nothing, his legs kicking, arms flailing, his face contorted with a terror so complete it erases everything else.
Entity X holds Bobby in the air and looks at you.
The burning yellow eyes, fixed. The clicking purr in its chest, steady. Holding Bobby in one hand the way you'd hold up a lantern, displaying him, presenting him, showing you the man in its grip and watching your face to see what you'll do.
âLet him go!â You slam your fists against Entity X's armâthe matte skin fever-hot and yielding and horrifyingly close to organicâand the contact sends a jolt through your system that feels like recognition, like touching a live wire, like something in Entity X's body responding to something in yours. âLet him go, put him downââ
Entity X peers down at you, his head tilting. Curious. Reading. The same interested quality from before. Your hands are on its arm, and it's letting you hit it, absorbing the blows with the patient stillness of a thing that wants to see how far the anger goes.
It throws Bobby.
A casual, underhanded toss, its wrist flicking, the arm releasing, Bobby's body sailing through the air of the corridor and hitting the wall near the no-clip point with a sound that empties your lungs. He crumples. Slides down the wall. You lurch towards him, but Entity Xâs clawed hand closes over your throat, yanking you back toward it.
Kat's scream is a bright, piercing thing that cuts through the red light and the clicking, and the M.E.G. operatives move. Two of them grab Bobby under the arms, a third seizing Kat, who was running toward him, dragging them toward the shimmer in the wall.
Bobby is dazed.
His head rolls to one side, his eyes unfocused, blood from a gash above his eyebrow streaming down the side of his face. But he's fighting.
Even concussed, even barely conscious, his hands are grabbing at the M.E.G. operative's jacket, his body lurching back toward the corridor, back toward you, and his mouth is forming your name.
You can see it, can read it on his lips, the shape of the word you taught him to say in a hallway in high school in your junior year, and his eyes find yours through the blood and the chaos and the red light and for one second the corridor contracts to the width of that gaze.
You and Bobby. Looking at each other across a distance that is about to become permanent.
The M.E.G. operatives haul him through. Bobby's reaching handâthe same hand that dropped a camera for you, that grabbed your wrist, that used to find the small of your back in a crowd and cup your face before he kissed youâdisappears through the shimmer, still reaching. Kat follows, and the wall smooths over again. The no-clip point seals.
They're gone.
Entity X stands behind you. The clicking sound in its chest shifts, lowering, a frequency that almost sounds satisfied. It adjusts its grip on you.
BB's fist connects with the side of Entity X's torso.
The impact sends the massive red body sideways, slamming into the corridor wall with enough force to buckle the drywall and shatter every remaining light tube within a fifty-foot radius.
The red light dies, plunging the space into darkness lit only by Entity X's yellow eyes and the faint, colourless glow leaking through the cracks in BB's ruined face.
BB's hand finds your shoulder.
The world folds.
The displacement dumps you onto the grass of Level 14, and the impact is soft, yielding, the earth absorbing you the way the Poolrooms absorb sound.
You land on your hands and knees, and the grass is cool and damp against your palms, and you gasp. Pull air in through your teeth. Your lungs are burning. Your ribs ache from the displacement, from the running, from the screaming, from the hours or minutes or however long it's been since you ate a cookie in the pink bedroom and walked into the worst day of your life.
BB is beside you. On his knees. His hands on your arms, your shoulders, running over you with that focused, diagnostic urgency. Heâs checking for injuries, for broken things he can fix with his hands, because the broken things he can't fix are piling up faster than he can count.
His fingers press against your ribs. Your wrists. His eyes search your face with a desperation thatâs stripped away the last of the Bobby-mask. What's looking at you is BB, just BB, the cracks in his face leaking that pale light, his jaw pulsing, his mouth pressed into a tight line.
âYou're not hurt,â he says. Half-statement, half-question, his hands lingering on your shoulders. âTell me you're not hurt.â
You shake your head because you can't speak yet.
The breath is still caught somewhere between your diaphragm and your throat, snagged on the adrenaline. On the afterimage of Bobby's reaching hand disappearing through the wall, and the sound of Entity X's clicking purr.
You fall back onto the grass, press your palms over your eyes, and breathe. In. Out. In. Out. The stream somewhere behind you moves over its stones with the gentle, trickling sound while golden light drips over your shaking hands.
It takes minutes. Several.
The shaking subsides in stages. Hands first, then arms, then the deep tremor in your core that's been running since since the red light, since the first time you heard Entity X's clicking in the corridor and knew, with a certainty that bypassed logic, that it was coming for you.
The shaking stops, your breathing evening out. Your hands drop from your face, and the meadow is still there. All of it. The tall grass, the fallen log, the amber sky that never changes. BB sits across from you with his knees drawn up and his forearms resting on them and his face wearing the careful, watchful expression.
You rub your face. Drag your fingers across your eyes, your cheekbones, the tight muscles at your jaw. Working off the edge. Pressing the panic down into the place where it can be stored and processed later, when BB isn't watching, when the aftershocks have enough room to shake without an audience.
âEntity X is gone,â BB says quietly after another moment, testing. His voice is low and rough, stripped of its usual easy warmth. âThey retreated. Again. Whatever he wantedââ He looks troubled, genuinely so. âBobby and Kat are through. The M.E.G. have them. They're out of the Backrooms.â
You nod, staring blankly at the grass between your knees.
âYou did it.â Softer now. Almost gentle. The voice from the kitchen, from the dance, from the mornings he'd say hey, baby and the world would shrink to the width of his full mouth. âYou got them through. They're safe because of you. And I canâI'll rebuild. The apartment. The sublevel. I'll find Entity X and after I've dealt with it, we canââ
âWhy didn't you tell me?â
BB falls silent.
A bird, the same small brown bird, or one just like it, lands on the branch above the fallen log and tips its head and watches you with one bright black eye.
âAbout Bobby.â Your voice is calm. Scraped clean of anger, clean of accusation. Just the question, unadorned, sitting in the air between you. âYou heard him. Through the wall, same as me. For months. You heard him looking for me. You knew he loved me. You knew he was sitting three inches away from the entry point, saying the things I needed to hear.â You look at BB. His face, Bobby's face, the face you touched and kissed and studied in firelight and fluorescent light and the blue glow of the Poolrooms. âWhy didn't you tell me, BB?â
BB is quiet for a long time. The bird chirps a few times in the tree above. The amber light paints his cracked and healing face, and the tense silence between you fills with the full weight of every answer he could give and the inadequacy of all of them.
âI heard how lonely you were.â Picking through the words the way you'd pick through wreckage, testing each one before putting weight on it. âBefore you came through. When you were alone in the basement, on the late shifts. I heard what loneliness sounded like in your voice. And when you were hereâwhen you cried, when you talked about him, when you said he stopped seeing meâI thoughtââ He falters, shifting in such an shy, human way you almost soften. âI thought we were the same. That our loneliness was the same. Mine and yours. And that I couldââ
âThat's not what I asked,â you intone coolly.
BB flinches. His fingers curl against his forearms, pressing into the fabric of his ruined shirt as he ducks his head lower.
âBB. Tell me the truth.â
BB's face visibly contorts with pain, his features rearranging around an admission he's been carrying for months the way you carried your anger. Not smoothing over. Not closing off. Just hurting.
âI knew you still loved him,â he admits, barely above a whisper. His eyes fix on the grass, unable to look at you. âI could hear it. Every time you said his name. Every time you cried about him. Every time you talked about the apartment, the mornings you shared, the way he used to look at you. You never stopped loving him. And Iââ His voice thins, fraying. âI thought if you knew he was looking, if you knew he was right there, you'd leave. You'd go back through the wall and I'dââ
He stops, swallowing thickly. The sound is audible. The borrowed mechanism of a throat that doesn't need to swallow performing the gesture anyway because the emotion behind it is real even if the body isn't.
âI know it was selfish,â he adds in a hushed whisper.
You gaze at him blankly for what feels like a small eternity.
âYou didn't just withhold it.â Your voice is steady, but your hands are shaking again. Anger and grief coiling together so tightly you can't separate them, can't feel where one ends and the other begins. âYou used my loneliness. You heard me at my lowest, and you leaned into it. You built a life around my isolation because as long as I was isolated, as long as I didn't know there was something to go back to, I'd stay. With you. That's not love, BB. That's keeping.â
BB's head snaps up. His eyes are bright and wounded, but the expression on his face is gutted. Sheer hollowed-out devastation of hearing the worst possible interpretation of the best thing he ever did and recognising, with a clarity that makes his whole face crumble, that the interpretation isn't wrong.
âBut it's what you did.â Quiet. Final. âRegardless of what you meant. Regardless of how well you meant it. That is exactly what you did. You heard a woman crying about being invisible, and instead of telling her she was being looked for, you made yourself the only thing she could see.â
The amber light falls on his struck face, and the cracks in it have stopped leaking, the damage from the fight slowly closing, and the face that's left is Bobby's, wearing an expression he never wore.
Raw and open, and so deeply, completely sorry that the air around it seems to bend.
âYou were happy,â he says quietly. Almost to himself. Like he's testing the memory against the accusation, holding them up side by side to see if they can coexist. âYou started smiling again. Laughing. When we walked through the Poolrooms the first time, you laughed at something I said and the soundââ His voice catches. âThe sound was the most beautiful thing I'd ever heard. I thoughtâI thought I was fixing it. The loneliness. The pain. I thought if I could justâkeep you safe, keep you close, give you everything he didn'tâyou wouldn't need to go back. You wouldn't want to. And that would be enough.â
Your eyes burn, tears pressing forward, hot and insistent, and you clench your jaw against them.
Because you can hear his sincerity. The genuine, unperformed, unhuman sincerity. He heard you cry through concrete and decided, with the full weight of its ancient and limited understanding, that the solution to your pain was its presence.Â
BB didn't think he was trapping you. BB thought he was saving you.
The distinction doesn't make it okay. The distinction makes it worse because it means the thing that hurt you was trying, with every tool it had, to love you well. And its best tool was deception.
âYou should have told me.â Tears are falling now, and you don't wipe them. âYou should have given me the information. All of it. And then you should have let me choose. Even if the choice was leaving. Even if the choice was him. You should have let it be my choice, BB. That's what love does. It doesn't decide for the other person. It doesn't curate the options to guarantee the outcome you want. It gives them everything, and it lets them choose, and it survives the choosing, even if the choice breaks it.â
BB says nothing. His eyes fix on yours, and his expression is accepting. Terrible, slow, grinding acceptance. The kind that arrives not all at once but in layers, each one heavier than the last, pressing down on whatever passes for his heart.
âI didn't want to lose you,â he whispers, his voice catching. âI'm sorry. IâI didn't want to lose you.â
You sit across from the being who built you a kitchen and taught itself to kiss and pressed its mouth to your forehead every morning so it could lie to you with every tender gesture because the truth would have set you free and freedom was the one thing it couldn't give.
You breathe in, glancing up at the sky. At those breathtaking gradients of gold and amber, laced with violet at the edges. The sky that never changes, the eternal late afternoon of a level called Paradise that exists inside a place that shouldn't exist at all.
You look back at BB.
âDo you know why I stayed?â you ask softly. âIn the beginning. When I found out you weren't actually Bobby. Do you know why I didn't run?â
BB's face tightens, and the pain that crosses it is visible, bright hot.
âBecause of the face,â he says, low and pained. The words dragged out of him like splinters from beneath the skin. âBecause I look like him. Because you love him. Because you wanted himâalways him, always Bobbyâand I was close enough.â
Your eyes fill. The tears spill over fresh, tracking down your cheeks, and you stand. Cross the distance between you. Close it. Three feet. Two. One. Until you're standing in front of him and he's looking up at you from the grass with Bobby's blue eyes and BB's anguish and the meadow light on both of you.
You touch his face.
Your fingertips on his cheekbone. The line of his jaw. The scar from the cabinet door that happened to someone else's body. Your thumb traces the corner of his mouth. That corner where the grin starts, the lopsided one, the one that's his and not Bobby's.
BB makes a sound. Low. Wounded.
A vibration that starts in his chest and comes through his throat as something between a sigh and a moan. His eyes close and his head turns into your palm, nuzzling closer. Desperate, pressing his face into your hand the way he did the first time you touched him. The sound he's making is continuous, a keening that he can't seem to stop, and his hand comes up and covers yours on his cheek and holds it there, feeling him shake.
âIt was never about the face,â you choke out, your voice breaking. The tears fall freely now, and you let them. âIt was you. Just you, BB. The way you listened. The way you learned me. The way you held me like I was the first thing you'd ever wanted to hold. The way you asked am I doing it right after kissing me, and the answer was always yes. It was always just you.â
BB's eyes crack open. Wet. Bobby's blue, glassy with a moisture that shouldn't be there, that his body doesn't produce, that has no biological mechanism to explain it⌠and yet. His lashes are dark and clumped, his eyes full and the expression in them is so devastated, so completely and utterly undone, that you have to look away.
You pull your hand back.
BB makes another sound. Louder. A moan that cracks open midway through and becomes something raw and guttural, a noise that comes from the place beneath the face, beneath the voice, from whatever vast and ancient thing lives at the core of him and is now experiencing, for the first time in its incomprehensible existence, the human agony of being left by the person it loves.
âNo,â he breathes. âPlease. No, no.â
You lower your head. âTake me to the M.E.G. outpost.â
âPlease.â His hand reaches for yours but catches only air. You've stepped back and his fingers close on nothing and his faceâBobby's face, BB's face, the face that learned to smile because you smiled firstâcontorts. âDon't. Don't leave. You can'tâI'll fix it. I'll tell you everything, I'll never keep anything from you again, I'llââ
âBB.â
ââthe apartment, I'll make it better. I'll find Entity X and end it, and you'll be safe. You'll be safe forever, I can keep you safe, please, I canââ
You can barely speak. âBB. Stop.â
He stops, his mouth trembling. The word he was forming dies on his tongue. His eyes rest on you, wide and wet, terrified.
âAll that's waiting out there is a life that hurt you,â he blurts out, desperate. The words tumble, tripping over each other. BB, who is rarely inarticulate, is now struggling to assemble sentences fast enough to change the outcome. âIllness and old age and people who forgot you andâand a man who didn't see you until you were gone. That's what's on the other side of the wall. Youâll d-die. I⌠no. Please, no. Not you, not you.â
Your heart is ripping apart. A physical sensation of something in your chest being torn in two directions at once, the fibres separating, the tissue rending.
He's right. He's right about all of it. The world on the other side of the wall is the one that hurt you. The one that made you invisible. The one that let you stand in doorways waiting to be loved and answered with grunts and cold sheets and blank tapes that erased your face. There is nothing on the other side of the wall that is gentle the way BB is gentle, nothing that listens the way he listens, nothing that will press its mouth to your forehead every morning and hold you through the night and learn your name syllable by syllable.
But it's your life. The miserable, broken, painful, mortal thing. Yours.
âIf you love me,â you say in a quiet rasp, each word costing a piece of your heart you can feel being subtracted from the centre of your chest. âIf you love me the way you say you do. If that promise you made me meant anything at all, or the name I gave you meant anything... then you'll let me leave.â
BB stares at you. The tearsâhis tears, not Bobby's, the moisture that has no biological origin and exists only because the grief demanded a vesselâtracking down his cheeks, and where they fall the skin glows. Faint. Luminescent. A soft, shimmering iridescence that blooms along the tracks of the tears like bioluminescence, like foxfire, a visible signature of an inhuman emotion marking inhuman skin.
His agony written on his face in light.
BB reaches for your shoulder slowly. His hand is gentle, his touch almost absent.
The meadow folds around you, your stomach lurching. The golden light compresses, narrows, and when the world straightens again, you're standing in the corridor on Level 4.
The monitoring equipment. The cameras. The wall with the shimmer. The remains from operatives are mostly gone. Absorbed by the Backrooms, consumed by the level itself, the corridor healing over the evidence of violence the way skin heals over a wound. A few remain. Dark shapes at the periphery that you don't look at.
The no-clip wall is there. The shimmer and behind it the real world. A place where it rains, and people eat hotdogs and phone calls go unanswered. Where love atrophies through neglect and everyone you've ever known has forgotten your face.
And BB's hand rests on your shoulder, trembling openly. A hand that was built to hold on, that heard you, chose you, kept you, loved you and lied to you, and is now standing in a corridor doing the one thing it has never done.
Letting go.
His hand lifts from your shoulder.
You feel the absence instantly. The place where his palm was goes cold, the last physical connection between your bodies dissolving into air.
âPlease,â he rasps behind you, low and shaking, stripped of everything. The charm, the cockiness, the ancient resonance, the hum's harmonic, all of it gone, the voice of a thing that has been reduced to its simplest possible setting: a being, in a hallway, begging. âPlease stay. Please don't leave me alone again. Please.â
You turn, walking toward the wall. Your notebook tight against your chest.
âPlease.â Louder, more frantic, the word cracking. âI'll be better. I'll tell you everything. I'll never lie to you again. I'llâI can change. I can learn. You taught me how to dance and how to kiss. How to hold you. Teach me this too, teach me how to let you be angry and still stay, teach me how toââ
You keep walking. The shimmer is close now. Five metres. Four.
âPlease don't go.â His voice is climbing. Not in volume, in pitch. In frequency. The human register giving way to something else, something that vibrates in the walls and the floor, fillings in your teeth. âPlease. I can'tâI'll be alone. I'll be alone again. I was alone for so long, and then you were there, and I heard you. You were the first voice inâinââ
The sound fractures. Becomes a keening. A high, sustained, inhuman wail that has no words left in it, just the raw frequency of loss, a being older than language grieving in the only language it has left. Sound itself, vibration itself, the hum turned inside out and made to carry a weight it was never designed to hold.
You stop.
Your composure breaks. Silent tears pour down your face, and your mouth contorts, your chest heaving and you press the notebook against your sternum until it hurts. The keening behind you is the worst sound youâve ever heard. Worse than the Smiler, worse than Entity X, worse than Bobby's voice saying baby? in a yellow corridor, because this sound has your name in it.
This sound is the noise a heart makes when it's too old and too vast and too full to survive what's happening to it.
You turn and look behind you.
The corridor is empty.
The shimmer on the wall pulses gently, waiting. And the space where BB stoodâthree metres back, in the corridor, where his voice wasâis vacant. Just the flat, beige, infinite emptiness of a level that's been suddenly abandoned.
He's gone.
For all his power. For all the corridors he owns and the entities he's unmade and the levels he moves through like blood through a vein. For all the ancient, vast, immeasurable force that lives inside the Bobby-suit and behind the borrowed eyes and underneath the face he chose because he heard a woman crying and wanted to be the thing that made her stop.
The one thing BB couldn't do was watch you leave him.
You press your hands over your face, and you sob. Hard. A sound that comes from the bottom of your gut and fills the corridor and bounces off the walls and comes back to you changed, louder.
You scrub your face. The heels of your hands grinding against your eyes until white spots swim in your vision. You breathe wetly, straightening, and look toward the wall. The shimmering exit.
You step through.
an: in which everyone has a no good, very bad day ÂŻ\_(ă)_/ÂŻ
pairing: bobby franklin x f!reader x entity!bobby(bb)
wc: 16.3k đŹ
contents/warnings: emotional manipulation, emotional neglect in a past relationship, internalised self-blame, discussions of infidelity, grief and loss, emotional dependency, body horror, strong violence, psychological horror, fear of abandonment, existential/cosmic horror, angstttttt.
notes: Strap in. This one is gonna be uh... fun! (thank you so much for your ongoing support btw, love you guys lots!!!).
đš better bobby series masterlist.
You move before the thought finishes forming.
Your arms lock around BB from behind, tight around his waist, your hands fisting in the torn fabric of his shirt. Your face presses into the space between his shoulder blades, breathing hard. His body stands rigid under your grip, every muscle locked, the whole of him vibrating with a fury so potent you can feel it sinking into your own body.
He's burning hot for once. Hotter than you've ever felt him before, the cool skin scorched away by whatever he's become in the last however-many-hours, and the heat radiates through his tattered shirt and into your cheek, your palms, and the insides of your wrists where your pulse hammers against his spine.
âStop,â you plead into his back. Into the ruined fabric, that hum that's pouring off him like radiation. âBB, stop. Don't hurt him.â
Bobby is kicking, his feet scrabbling against the wall behind him, his sneakers leaving black marks on the plaster, hands clawing at BB's wrist with a frantic, oxygen-starved desperation.
His face is darkening now, the veins in his neck standing out like cords. The sounds coming from his throat are wet and crushed. Because they're sounds of a body being denied the thing it needs most, but BB's hand doesn't loosen. Itâs a closed system, a vice with a pulse rate of zero.
âHe doesn't belong here.â BB's voice is gravel and sub-bass, the human register shredded, the words coming from somewhere beneath his chest. âThis is my territory. Youâre myââ
âYou promised me.â
Your voice breaks on the word. Cracks open, raw and wet, and you press your forehead harder into his back, feeling the vibration of him against your skull and your arms tighten around his waist further. You hold on the way you held on in the meadow, in the nest youâve shared.
âYou promised you wouldn't hurt me, BB. And thisââ Your voice drops, shaking. âThis would.â
BB goes still.
The fury doesn't leave. You can still feel it, coiled, massive, a thing with its own gravity sitting inside his ribcage, pressing outward against the seams of him. But the stillness settles over it like a lid over a flame. His breathingâthe breathing he doesn't need, the breathing that's been coming in ragged, animal burstsâslows. His shoulders drop by a degree, and the heat recedes, fractionally, from scalding to merely unbearable.
His hand opens.
Bobby drops down.
He hits the floor hard, knees first, then hands. Then he's on all fours, gasping, dragging air into his lungs in long, shuddering, tearing inhales that sound like they're being pulled through a crushed straw. The colour rushes back into his face all at once, from white to red, the blood flooding back into tissue that was seconds from permanent damage.
Kat is on the floor beside him in an instant, her hands frantic on his shoulders, his face, checking his throat, his pulse, and she's saying his name (Bobby, Bobby, breathe, look at me, breathe) and Bobby is coughing and gasping, his eyes streaming. The red marks on his throat are already darkening into bruises that will look, by tomorrow, like a handprint painted in purple and black.
You let go of BB, stepping back.
One step. Two. Putting distance between your body and his, and BB turns to face you, his hand lifting instinctively, reaching for your face, any part of you he can touch to confirm you're whole, and you step back again.
His hand halts mid-air.
You've seen BB confused many times before. You've seen him curious, amused, predatory, ancient, tender, wrecked with wanting. But youâve never seen BB wounded.
His hand hangs in the space between you, reaching for a face that pulled away, and his eyesâstill black around the edges, the warmth fighting its way back to the surface through the damage and the furyâregistering the distance you've put between your bodies. Reading the enormity of your retreat with a precision that leaves no room for misunderstanding.
You stepped back from him.
You. The person who named him. The person who leaned into his forehead kisses and fell asleep against his cool chest and taught him to dance in a kitchen he built for you. You stepped back, and the distance is a sentence he can read, and the sentence says I don't trust you right now.
His hand drops to his side.
âWhat the fuck.â
Bobby. On the floor. Coughing, gasping, one hand on his throat and the other braced against the floorboards, and he's staring up at BB with an expression thatâs blown past fear and into something else.
Incomprehension, horror, the cognitive whiteout of a man looking at his own face on a body that just tried to kill him.
âWhat the actual fuck,â Bobby says again, louder this time.
The choking has left his voice shredded, hoarse, each word dragged across damaged vocal cords. He gets to his knees. Kat's hand grips his arm, trying to hold him down, but he shakes her off and gets to his feet, his legs unsteady but his eyes are locked on BB. His jaw pulses, hands fisted at his sides, and heâs staring at his own face and finding a stranger peering back.
âThat's me.â Bobby's voice is climbing, ragged with disbelief. âThat'sâthat's my face. That's my face. Why does it have my face?â
BB's jaw tightens. The ancient thing flickers behind his eyes. A flash of contempt, of possessiveness, of the territorial fury that just had Bobby pinned three feet off the ground.
He looks at Bobby the way you'd look at a counterfeit of yourself. A draft. A rough sketch someone made before the final version.
âAnswer me!â Bobby surges forward even as Kat scrambles to grab his arm. He shakes her off again without looking. âWhat are you? What the fuck are you?â
âBB.â You say it before you can stop yourself, before the anger and the hurt and the betrayal can seal your throat. The instinct to name him, to give him the dignity of the identity he let you choose for him, is still there underneath everything else. âHis name is BB.â
Bobby stares at you both. The information moves across his face in parts. Confusion first, then processing, then a slow, horrible understanding that reorganises his features into something you've never seen on him. An emotion beyond anger, beyond hurt.
âBB. That BB? What kind of name even is that?â Bobby demands.
BBâs nostrils flare. âIt stands for Better Bobby.â
Suffocating silence folds over the room. Katâs mouth pops open in your peripheral, and you suck in a breath of your own.
âBetter Bobby.â The real Bobby laughs. A short, ugly sound that's closer to a bark than a laugh, the kind of noise a person makes when the absurdity of their situation has exceeded their capacity for rational response. He barks out another laugh, then, âBetter Bobby. Are you kidding me?â
BB's lip curls, a flash of teeth appearing. âI didn't choose the name for your benefit.â
âNo, you just chose my face. You stole my face and myâand myââ
Bobby's gaze cuts to you, then back to BB. The calculation happening behind his eyes is visible, mechanical, each variable slotting into place with an almost audible click, and you can see the exact moment the picture completes because Bobbyâs expression doesn't crumble; it hardens. Sets. His jaw locks and his eyes go bright and hot, the hurt underneath the anger so vast it makes the anger look like a puddle on an ocean.
âYou've been down here,â Bobby begins, his voice pitching quiet. The dangerous quiet. The one that comes right before the blade. âThis whole time. Down here with that.â He points at BB accusingly without looking at him. âWith some thing wearing my face. A cheap copyââ
BB snarls. Low. A sound that makes the fractured windows rattle. âI'm not a copyââ
ââwhile I sat in a basement for seven months talking to a fucking wall, thinking you were dead." Bobby's voice cracks open, choking. "While the cops thought I killed you. The tapes went blank, and your face disappeared, and everyone forgot you existed. I thought I was going crazy because I was the only person left who remembered what you looked likeââ
He's shaking. Full body vibration.
His hands tremble at his sides, and his jaw is trembling, and the chain at his throat is shimmering with movement. Heâs a man coming apart at every joint because the grief and the fury are feeding each other in a loop that's spinning too fast to control, only amplifying the hurt beneath.
Each word comes out hotter than the last, each breath shorter, and Kat is standing behind him with her hand over her mouth and her eyes wide like sheâs never seen Bobby like this because Bobby doesn't do this.
Bobby deflects; he bites. Bobby is the one who turns his pain into a joke or a weapon. But Bobby doesn't break. Except he's breaking. Right now. In a pink house on Level 974, looking at his own face on a monster and the woman he loves standing between them.
âTerrence forgot you.â Bobby's voice cracks on the name. Pure pain that sinks between your ribs. âTerrence. Our best friend, remember him? The only person who believed me when the whole neighbourhood decided I was a killer. He sat with me in bars and told people to back off and drove me home when I couldn't drive, and he was the last oneâthe last person besides me who still said your name. And then one day I said it, and he looked at me like I was speaking a different language. Like the word didn't mean anything. Like you wereâlike you'd neverââ
He presses the heel of his hand into his eye. The old gesture. The grinding-the-tears-back gesture, brutal and effective. âI watched him forget you. In real time. I said your name and I watched it fall out of his head and he looked at me with thisâthis pity, like I was talking about someone who never existed. And I wanted to grab him and shake him. Scream she was real, she was REAL, I loved her, and she was realââ
Bobby sucks in a breath so hard his whole body jerks with it.
âEighteen months,â Bobby croaks out hoarsely, the shaking getting worse. âI nearly died waiting for you. I stopped eating, stopped sleeping. I sat in that basement until my back seized up and I couldn't stand straight, and even then I went back. I kept going back, and you're here. You've been here this whole time. Completely fine. With him. Letting himâwearing my face while heââ
Bobby can't finish the sentence. His hand comes up and covers his mouth, his eyes squeezing shut, and the sound Bobby makes behind his palm is tiny and wrecked. You shouldn't be hearing it, but you can't stop hearing it.
âBobbyââ Kat whispers, reaching for him.
âDon't touch me.â He shakes his head, opening his eyes.
And the expression on his face is the one from the doorway, the one you never saw because you were the one walking away. The expression of a man watching the person he loves leave and being unable to say the thing that would make them stay. Except now it's worse because you didn't leave. You were taken. And what took you gave you a version of him that does all the things he couldn't.
Then, in a dazed whisper, âDid you fuck him?â
The question lands like a grenade. Kat visibly flinches. BB goes rigid in your line of sight, and you feel numb shock slacken your expression.
âBobby,â Kat says sharply. âThis isnât the timeââ
âDid you fuck him?â Bobby's voice cracks, splitting, the words coming out jagged and shaky because he can't control himself. âThis thing that stole my faceâdid you let it touch you? Did you let itââ He gestures at BB, at you, at the space between your bodies. âWere you playing Barbie and Ken down here with myâwith a goddamn copy of me while everyone back home thought you wereââ
He stops, pressing both hands over his face. His shoulders heave. Once. Twice. The sound he's holding back is massive, and he still won't let it out. He won't. Because heâs Bobby Franklin, and he doesnât cry in front of people, not even now, not even here, when the girl he spent seven months talking to through concrete is standing five feet away next to the thing that kept her.
âThey all thought I killed you. Our neighbours. Our friends. Clark. Strangers on the street. They'd look at me, and I could see it. He did it. The boyfriend did it.â Through his hands. Muffled, reedy, barely controlled. âMonths of that. Of carrying that and going to the store every night, sitting on the floor and talking to you because it was the only thingâthe only thingâthat kept meââ His hands drop. His face is red and wet, ruined. âAnd you were here. Did you even try to go home?â
The room vibrates. The hum, the tension, the emotional charge of three people and two entities standing in a space too small for the volume of pain it generates.
You stare at Bobby's wrecked face, those bright, glassy eyes, his shaking hands. The man who loved you and couldn't say it and sat on concrete for seven months saying it to a wall instead. The man who grunted at your goodbye. The man who let you stand in a doorway feeling invisible. The man who came through the wall to find you.
âYou moved on too,â you say lastly.
Quiet. Cold. The voice the Backrooms gifted to you. The flat, unmoved, survival-voice, the one that doesn't shake because it can't afford to do so.
Bobby's mouth opens. Closes. His features spasm like youâve struck him despite the distance between you.
âYou moved on too, Bobby. You're standing here with herââ you gesture at Kat, who shrinks backâ âshielding her with your body, doing all the things you stopped doing for me. And I'm supposed toâwhat? Feel guilty? Because I survived? Because I found something down here that you couldn't be bothered to give me up there?â
âThat's notââ
âYou left first.â The words tear out of you before you can weigh them, before the part of you that knows this isn't entirely fair either can catch up to the part of you thatâs been carrying this for months and is finally, finally letting it spill. âYou left me in that apartment, Bobby. You left me standing in doorways waiting for you to look up. You left me lying next to you in bed wondering if I was still visible. And I don't know why. I've never known why. I loved you more than anything I've everââ
Your voice fractures, words catching in your windpipe. You press your knuckle against your mouth, mouth wobbling, try your hardest to breathe through it.
âI loved you,â you repeat, steadier, lower. Your anger holding the grief upright the way a spine holds a body. âMore than anything. And I didn't need to hear it. I never needed you to say the words, thatâs the thing. But I used to feel it. In how you touched me and kissed me and held me. In how you looked at me in the morning. And then you stopped. You just⌠stopped. And it wasn't sudden. It was slow. So slow I didn't even notice it happening until I was already standing in it. Thisâthis absence. Where you used to be. And I tried to talk to you about it, and you said don't be dramatic, and we're fine. I tried again, and you turned up the TV. I stood there in the kitchen watching the back of your head, and I thoughtââ
You choke on the words. Your eyes burn, but the tears won't come because the anger has dried them at the source.
âI thought maybe this is what love becomes. Maybe this is normal. Maybe I'm asking for too much. And I made myself smaller and smaller and smaller to fit inside whatever you were still willing to give me, and it was never enough. I didn't know why and you wouldn't tell meââ
âI was scared.â Bobby. Raw. Stripped to the bone. âI was so scared of how much Iââ
âI don't care.â Flat. Final. Your voice hardens despite the thickness of your voice. âI don't care that you were scared. I was scared too. I was scared every single day that you were going to wake up and decide you didn't want me anymore and instead of telling me that. Instead of saying I'm terrified and I don't know how to love you without losing myself⌠you just stopped. You made me feel so alone. I used to talk to the walls at Clark's store because the walls were better company than you were.â
You suck in a ragged breath. It shakes on the way in, steadies on the way out. Bobbyâs peering at you wide-eyed, his mouth parted, tension between you thrumming. You exhale, chuckling shakily, pained.
âAnd the worst part, Bobby?â you pose, not waiting for a response. âThe worst part is it took me disappearing for you to care. It took me falling through a wall and vanishing from the face of the earth for you to sit down and say the things you should have said when I was standing right in front of you. You had me. I was right there. Every day. For years. And you couldn't be brave enough to tell me you loved me or hold me like you needed me. But the second I'm goneâthe second you can't have me anymoreâsuddenly you're on a concrete floor pouring your heart out to a wall. Suddenly you remember how to feel.â
Bobby flinches. Full body, his blue eyes bright and shining. Like you've hit him again.
âAnd you want to know the thing that really kills me?â Your voice is shaking now, the anger fracturing, the grief bleeding through the cracks again. âI was working the late shift alone. In that basement. Alone, Bobby. Because you stopped coming. You used to come keep me company, and you stopped. I was down there by myself, sorting inventory, and that's where it happened. That's where the wall took me. And if you'd been there⌠if you'd just walked through that door one more time, if you'd come to the store instead of staying on that couchâŚâ
You shake your head, glancing down. BB jerks, like heâs fighting an urge to reach for you, to comfort you somehow. âI wouldn't have been alone when it happened,â you go on, lifting your head again. âI might not have been standing in front of that wall at all. You want to know who's to blame for me being here? It's not the Backrooms. It's not BB. It's the fact that the man I loved couldn't be bothered to keep me company like he used to.â
The silence that follows is absolute. Suffocating. The hum drops to its lowest register.
Bobby stares at you. His face is open in a way you've never seen before. No armour, no grin, no deflection. Just Bobby. The raw, messy human underneath all the performance. And the expression on that face is not anger. It's devastation.
Because heâs just heard the exact truth he's been telling himself for eighteen months spoken aloud by the person he failed, confirmed, verified, stamped and sealed.
Kat stands behind him, her arms heavy at her sides, face tight with an attempt to hold her composure. Sheâs just learned the full dimensions of the wound she's been dressing for over a year and finally understands it goes deeper than she knew.
BB watches you with an expression you can't read. His black-edged eyes roam over your face, cataloguing the anger, the grief, the terrible release of words held back for so long. His hand twitches at his side again. The instinctâto reach, to touch, to sootheâstill running underneath the barrier you imposed.
âCome with me,â BB urges, his words low. His hand lifts again, reaching for your elbow. âYou don't have to stay here. Let me take youââ
âDon't touch me.â
BB's hand freezes midair.
âYou're no better.â
You watch the impact of your words jolt through him. The way BBâs whole body registers it, a flinch that travels from his face through his shoulders to his hands. He absorbs it the way Entity X absorbs damage, except this doesn't regenerate. This is a cut that stays.
âYouââ BB starts, his brows furrowing. His confusion is genuine, nothing performed in it. Thereâs no curious tilt he does when encountering new concepts, but real confusion, the bewildered processing of a being trying to understand what went wrong.
âDid you know?â you bite out.
You ask it quietly, peering at his face. Bobby's face. The face that heard you through a wall and chose to want you, that built you a kitchen and kissed your forehead and promised you things and held you while you cried.
âDid you know Bobby was out there? For months. Did you know he was looking for me? Sitting in that basement, talking through the wall. Did you hear him, BB? Did you hear him saying he loved me while you were holding me and telling me it was all his fault?â
BB's expression goes smooth.
The warmth and confusion drain, followed by wounded bewilderment. What's left is closed. Perfectly, terribly closed. The face flattening into something that's neither Bobby nor BB but something older, something that predates both of them.
You laugh. A short, bitter sound, no joy in it.
âYeah,â you exhale. Shaking now, because anger can't hold your grief forever, the frame is buckling, and you can feel the tears starting to press against the backs of your eyes like a tide against a wall. âThat's exactly what I thought.â
The room is quiet.
Bobby is on the floor with Kat's hand on his shoulder and bruises darkening on his throat. BB stands in front of you with a closed-off face and a frozen hand, the ruins of every tender moment you've shared settling around him like a ring of ash. Mr Kitty lingers in the corner, his dark shape motionless, his blank face oriented toward the centre of the room with the patient, unhurried attention.
âI need time,â you say, your voice thin. âI need⌠to think. I can'tâI can't be in this room right now.â
You spin on your heels, walking toward the staircase, your bare feet on the floorboards. You clutch your notebook against your chest, your shoulders set in a rigid line, your chin up, and your eyes burning, but you donât cry.
You will not cry. Youâll walk through this door and find a corner of this level that doesn't contain Bobby or BB or Kat or anyone else, and youâll sit down and breathe.
Youâll figure out what is left of you underneath all of this wreckage.
BB moves after you. You hear it more so than see it. The shift in air pressure, the displacement, his body orienting toward yours the way it always does, the magnetic pull that has governed his movements since the first day. His footstep on the floorboard behind you.
Mr. Kitty steps into his path.
The tall dark shape moves from the corner to the centre of the room in a single fluid motion, interposing itself between BB and the door, between BB and you. Mr Kitty doesn't speak. Simply stands there. Immense, faceless, filling the doorway with the calm, absolute certainty that informs everyone, silently, that no one is getting past him.
BB snarls.
The sound fills the room, saturating it. Harsh, emotional, stripped of the controlled fury from earlier. This isn't the predator defending his territory. But something hurt and desperate, unable to reach the only thing that makes the hurt bearable, and the snarl carries all of itâthe confusion, the desperation, the agony of watching you walk away from him and being told he doesnât get to follow.
âGet out of my way.â
BB's voice is low. Vibrating. The hum in the walls responding to him, the floorboards creaking around you, the cracked windows rattling in their frames. The power coming off him is palpable. A pressure change, a density in the air, the room bending around the force of an entity thatâs existed for longer than these walls have stood.
Mr. Kitty doesn't move.
The house begins to vibrate.
A deep, foundational tremor that runs through the floor and up through the walls and into the ceiling. The scones on the counter rattle. A crack appears in the plaster above the kitchen doorway. Two forces pressing against each other. BB's vast, ancient fury and Mr. Kitty's quiet, absolute sovereignty over this level, this house, this ground.
Mr. Kitty may not be as old. May not carry the same raw, limitless power that BB channels from the Backrooms itself, but Level 974 is his. The pink walls and the Hello Kitty figurines and the golden light.
His domain, his territory, his rules.
And in this space, on this ground, Mr Kitty doesnât yield.
The vibration deepens. The figurines on the shelf chatter against each other. Bobby grabs Kat and pulls her toward the corner, away from the two entities locked in their silent standoff.
âEnough.â
Your voice. From the doorway, looking over your shoulder at the room. At BB, rigid and his mouth snarling, at Mr Kitty, immovable and calm, at the house shaking around them.
âStop it. Both of you. Right now.â
BB's eyes are black, wild, fixed on Mr. Kitty's faceless head with a fury that has nowhere to go.
You look at BB.
It's the look that stops him. Your eyes on him, meeting his, and the expression in themâcold, hurt, closed, the warmth he's spent months earning withdrawn behind a wall he can't charm or claw his way through. You look at him the way you looked at Bobby in Santa Clara, in the doorway, in the kitchen, during all those conversations he refused to have.
âLeave me alone,â you say coldly. âI mean it, BB. Leave me alone.â
The vibration cuts out.
The house settles around you into eerie silence, the figurines stilling. The crack in the plaster stays but doesn't spread further.
BB's snarl dies in his throat, not released but swallowed, pushed down into whatever deep place he stores the things he can't process. His fury collapses inward, his features rearranging not into Bobby's easy mask but into something fragile and deeply, fundamentally lost.
Because heâs just been told by the only person who matters to him that heâs not wanted here.
Mr. Kitty steps aside.
You walk through the door, up the stairs that donât make a single creak, and donât look back.
BB does not follow.
The bedroom is pink.
Every surface of it. The walls, the ceiling, the bedframe, even the dresser with its rows of small ceramic figurines. All Hello Kitty, some with bows, others with tiny painted expressions of vacant, cheerful contentment that feel deeply wrong in a place where nothing should be cheerful.
The bed is covered with a pink duvet and pink pillows, a stuffed Hello Kitty the size of a small child propped against the headboard. Youâre sitting on the edge of said bed in this aggressively pink room, clutching a pillow to your chest and crying so quietly your body barely moves.
You washed your face in the bathroom with shaking hands. The soap smelled like strawberries, which is either a kindness or a coincidence and in the Backrooms you've stopped trying to tell the difference. You scrubbed the tear-tracks and the grime and the black residue of Entity X's blood from your skin, and you looked at yourself in the mirror, but the face peering back at you was thinner than you remembered. Sharper. Older in a way that has nothing to do with age and everything to do with the kind of living you've been doing down here.
You looked at your own face, and you didn't recognise the expression on it, and then you did, and that was somehow worse.
You press the pillow into your chest, tears soaking into the fabric, leaving dark spots as you wipe them with the back of your hand.
A plate appears on the bedside table.
Cookies. Round, golden, slightly uneven. Arranged in a careful circle on a pink ceramic plate with a Hello Kitty border.
You didn't hear Mr. Kitty enter. You never do.
He's simply there, filling the corner of the room, his dark shape folded into a crouch that brings his smooth, featureless head level with the top of the dresser. His long arms drape over his knees. The posture is oddly casual for something that nearly went to war with a fellow ancient entity an hour ago.
You glance at the cookies. A wet, exhausted laugh escapes you. Because there's a faceless being the height of a doorframe crouched in a pink bedroom offering you baked goods, and this is your life now, apparently.
Are you feeling better, little one?
His voice settles into your skull with that warm, furred pressure, gentle and unhurried. Little one. He's been calling you that since the third time BB brought you to 974, and the tenderness of it used to make you bristle. You're not little, not a child, not something to be diminished with a pet name, but you've come to understand that little is relative.
To Mr. Kitty, everything is little. The Backrooms are little. Time is little. The enormous, life-destroying pain you're feeling right now is little. Not because it doesn't matter but because it exists within a framework so vast that even devastation is a passing thing for him.
âNo,â you answer honestly. âI feel awful.â
Mr Kitty's head inclines. A slow, measured tilt that you've learned to read as acknowledgement. He doesn't offer comfort. He doesn't say it'll be okay or this too shall pass or any of the empty phrases that people deploy when they can see someone hurting and don't know what else to do.
âHave you ever experienced anything like this?â you ask, wiping your eyes with the heel of your hand. âThis mess. This kind ofââ
You gesture vaguely at the room, at yourself.
No.
A pause.
I'm not human.
You stare at him. His blank face gives nothing back. The delivery is so flat, so matter-of-fact, so completely devoid of inflection that it takes your exhausted brain a second to register that the seven-foot faceless entity crouched in a bedroom full of Hello Kitty memorabilia has just delivered the driest possible response to your question.
You snort wetly despite yourself, wiping your nose.
âIs everyone okay? Out there?â
The humans are safe. They've eaten. I've provided almond water. It helps with the psychological effects of prolonged exposure. The mind frays here. Theirs will fray faster than yours did. A pause. The blank head angles slightly, as if consulting a source of information you can't perceive. The older man⌠he was located. But he refused to come with my guidance. He's making his way back toward the entry point on Level 2. Alive, as far as I'm aware. Frightened. But alive.
âThank you.â The words come out thin. Insufficient. You're thanking a being older than human civilisation for babysitting your kinda-boyfriend and his new girlfriend while tracking down your former employer through an interdimensional nightmare. âFor all of this. For letting usââ
You're welcome in this house. You've always been welcome.
Your fingers dig into the pillow. âWhat about BB?â
Mr. Kitty's head tilts again. The angle is different this time, sharper, more deliberate.
The Backrooms are in disarray. An observation, not a complaint. Entity X's presence has had an unusual cascading effect. Smilers are ranging further. Skin-stealers have been reported on levels they typically avoid. Another pause. His faceless head angles toward the window, toward the levels that stretch below and above and in every impossible direction. Your boy is clearing up the mess.
Your boy. Indulgent, slightly bemused. You donât correct him, not even now.
Entity X seems to have an unusual ability to affect other entities. Amplifying their aggression. Destabilising their territorial patterns. As if its presence is contagious. An emotional frequency that spreads through the hum, agitating everything it touches.
You think about Entity X. About the burning yellow eyes that never looked away. About the argument it played through the walls to lure you out. Why that conversation? Why your argument, specifically?
Why did it know what Bobby sounded like when he was shutting you out? The questions stack up in your head the way the entries stack in your notebook. Pattern without explanation. You can feel the shape of it, the edges pressing against the inside of your skull, but the centre won't resolve.
âWhy me?â you ask, peering at Mr Kitty. âWhy does it want me?â
Mr Kitty is silent for a long moment. His blank head angles toward you with that sharper tilt. As if he's reading something written on you in a frequency only he can perceive.
I have a theory. Measured. Careful. But theories without sufficient evidence are just stories. And stories can be dangerous in a place that listens and can make them a reality.
âTell me.â
When you're ready to hear it, little one. When the answer won't do more harm than the question.
The deflection is gentle but absolute, and you know better than to push. Mr Kitty doesn't withhold out of cruelty. If he's not telling you, it's because the telling carries a weight he doesn't think you can hold right now.
You file it away. Another entry in the private section of the notebook. Another question with no answer.
âHas itâis it gone?â
Retreated. Very suddenly. For reasons I can't determine. Mr Kitty's face tilts back toward you. That concerns me more than its presence did. An entity of that power doesn't retreat without cause. It either ran into an unexpected problem, or it decided to wait for a better opportunity.
The words settle on your shoulders.
You sit for a moment longer. The pink room. The cookies. The faceless being in the corner, patient and still. The faint sound of voices from the living room floats over. Low, murmured, too indistinct to make out words. Bobby's voice. Kat's voice. Talking about you, probably. Talking about what comes next. Discussing whatever people do when the world has ended, and they're sitting in a pink house eating scones and trying to pretend their worldview hasnât just shattered.
You reach for a cookie. Bite into it. It's good. Buttery, slightly sweet, with a texture that's almost right. The Backrooms' version of homemade, close enough that your tongue can't argue.
âI can't hide here forever,â you mumble, chewing. Your voice is scraped raw, and the cookie is doing nothing to fix that, but it's doing something for the rest of you. The simple, animal act of eating, of taking a thing and putting it in your body, of fuelling the machine. âEven though I want to.â
Mr Kitty says nothing. His blank face radiates with the particular silence that means I agree, and I'm glad you arrived there yourself.
You stand, pressing your palms against your eyes. Breathe in through your nose, out through your mouth. In. Out. The way you breathe before entering a new level, before turning a corner in an unmapped corridor, or opening a door whose other side you can't predict.
The survival breath. The steadying edge you didnât have back in the real world and only developed here. The willingness not to run away and hide.
You wipe your face one final time. Set the pillow down. Pick up the notebook from the bedside table where you placed it beside the cookies, pressing it against your chest. The weight of it is familiar, grounding, the only possession you have that still feels like yours.
âThank you, Mr. Kitty.â
Eat another cookie before you go. Youâll need it.
You do as he instructs, then open the bedroom door. You walk down the short hallway of Mr. Kitty's house, past the framed Hello Kitty prints and down the stairs, stepping into the living room.
Bobby and Kat are sitting at the kitchen table.
Their heads are bowed. Close together. Kat's hand is on Bobby's forearm, and Bobby's other hand is pressed flat against the table, fingers splayed, bracing himself.
They're speaking in low voices. You catch the edge of a word. Your name, maybe. Or something that used to be your name before it became something else.
Bobby spots you first.
He stands immediately, like the sight of you alone gave him an electric shock. The chair scrapes the floor. His face is a mess of competing expressions: relief, tension, the careful, wary hope as eh drinks you in. The bruises on his throat have deepened. Dark purple against his tanned skin, four finger-marks and a thumb-mark, BB's handprint developing like a collar on his neck.
You catch the flicker across Kat's face, brief and involuntary. The subtle tightening around her eyes, the tiny pull at the corner of her mouth.
She was saying something to Bobby, and you interrupted it, and the hurt of being interrupted is tangled up with the hurt of being here at all, of sitting in a nightmare for a man whoâs looking at another woman with that expression. That searching, desperate, is-she-okay expression that Kat has probably been working for months to earn, and you just walked in and collected without trying.
You see it. You look away from it.
You wrap your arms around yourself. One hand on each elbow, holding yourself together.
âYou need to leave,â you tell them flatly. âBoth of you. Right now. The Backrooms aren't safe for humans. They were never safe, but right now they're worse. Entity X destabilised everything. Every entity on every level is more aggressive than it should be and you don't have the training or the knowledge to survive that.â
âI'm not leavin' without you.â Bobby. Immediate. Jaw set, chin up, the Bobby-stubbornness that looks like courage and has always been, underneath, a different kind of fear. âI didn't come through a wall, walk through hell and get choked out by my own doppelganger to leave you down here alone. No way in hell.â
You level him with a flat look. The one you learned living here. A part of you wants to remind Bobby that he tore into you less than an hour ago, but he's calmer now. Past the initial, ugly shock.
Bobby surprises you by holding that look.
For a moment that stretches into two, then three. Then his jaw flutters, his gaze dropping, and you see it: the fight leaving him. Not because he agrees, or wants to, but because the woman standing in front of him is not the woman he lost.
The woman he lost was standing in a doorway with her keys and her heart in her eyes, waiting to be seen. The woman standing in front of him now has a notebook and a survival instinct, and she's not waiting for anything.
âBB,â you call out.
The air shifts. Between one breath and the next, thereâs a displacement, and the pressure changes in your sinuses.
BB stands at the edge of the living room like he's been there the whole time, like he materialised from the wall, which he probably did. He's more put together than the last time you saw him. His face reset, the fissures sealed, the eyes back to Bobby's blue with only a thin ring of darkness at the outer edges. The black blood is gone. The torn shirt is the same, but he's cleaned the rest, reassembled the human costume with great care.
He looks at you and his whole body orients again. That magnetic pull, that compass-needle pivot, his weight shifting forward onto the balls of his feet, his chin lifting, his eyes searching your face with a hope so raw it makes your heart ache.
Because you called him. And the part of BB that lives underneath the fury and the ancient power and the territorial instinctâthe part that learned to kiss you in a kitchen and asked am I doing it right and pressed his lips to your forehead because you taught him that tendernessâthat part heard his name in your voice and came running. And heâs standing in front of you now, practically vibrating with a desperate, transparent hope that calling means forgiving.
It doesn't. He can see that too. The hope flickers. Dims. Holds, just barely, at the edges.
âI need you to take Bobby and Kat out,â you tell him calmly. The survival voice. âBack to the real world. Through the wall in Clark's basement.â
BB's expression morphs. A crease appears between his brows, a tightening at the corners of his mouth. He glances at Bobby, at Kat, and the glance carries a weight that isn't quite hostility. Closer to resignation.
âI can't,â he says.
âBBââ
âThe path is gone.â He says it plainly, without the smooth, closed expression he wore when you asked if he knew Bobby was looking for you. âEntity X destroyed sections of Level 0 during the fight. The corridors between here and the adjacent entry point to the storage basement on Level 0 are collapsed. The hum no longer reaches those sections. They've been severed from the level entirely.â
You can feel everyone staring at BB as you absorb his words.
âThen find another way,â you say. âThere are other exits. Other entry points. You've saidââ
âThe only feasible exit I can guarantee right now is the M.E.G. outpost.â BB's eyes are on you. Only you. Bobby might as well be furniture. âThe one on the far side of Level 4. But the direct path from here is gone. We'll have to go through the Poolrooms, and cut across to Level 4 through the threshold at the deep end. From there it's a straight corridor to the outpost, but that corridor runs through a section of Level 4 that's been unstable since the cascade.â He pauses, weighing his words. âThe Poolrooms should be passable. Level 4 is the risk. Entities might shelter there because the layout gives them cover. Under normal conditions it's manageable. Right now, with the aggression spike, it'll be hostile.â
You run the route in your head.
Level 974 to the transitional stairwell. Through the Poolrooms, warm chlorinated water and blue tile, a level you've mapped partially, three pages of the notebook dedicated to its spanning layout and the way sound carries across the surface.
You know the Poolrooms. BB took you there multiple times. You used them in the past for hygiene and a change of scenery both.
The water was warm, and the light was washed-out blue, and nothing lived in it that wanted to hurt you, at least not then.
From the deep end threshold into Level 4. The endless office complex, the one that looks like every corporate building you've ever been in hollowed out and stretched to infinity. Dark. Echoing. Full of cubicles and conference rooms and hallways that dead-end without warning.
You've only been there once, briefly, and your notes on it are thin at best.
Half a page, a rough sketch, a warning symbol in the margin.
âHow far?â you ask.
âThrough the Poolrooms, it's distance without danger. Level 4 is the gauntlet. Maybe an hour on foot, if the path holds without shifting and nothing's nesting in the corridor.â BB's expression goes tense, focused. âI'll clear what I can ahead of you. You navigate.â
âWait, who's M.E.G.? Whatâs Poolrooms?â Katâs voice floats over from the table, cautious but steady. âWhat even is that?â
âResearch group,â you reply, turning to her. It's the first time you've spoken to her directly without anger in your voice, and you can feel the shift, the effort of treating her like a person instead of a scapegoat to your jealousy. âExplorers. They study this place. Map it. They've been operating down here for⌠I don't know how long. But they're organised. They have resources.â You pause. âI think they can be trusted. It might be the safest option.â
Kat nods, quick and decisive. The relief on her face is visible. Not at the thought of leaving you behind, or at winning some unspoken competition, but at the prospect of a plan. A structure. An exit with a name and a direction and people on the other side who might know what they're doing.
Kat is a practical woman in an impractical situation; you can tell as much, and the offer of practicality is the first solid ground she's stood on since she climbed through a wall in Clark's basement.
âFine,â Bobby says quickly, his voice rough. âM.E.G. Great. Let's go.â He pushes off the table. âAll of us.â
You inhale deeply. âBobby.â
âI said I'm not leaving without you.â Louder. More determined. The Bobby-edge again, the blade under the casual, except there's no casual left. It's all blade now, all sharp. âI'll go with Kat. But I'm not walking through someâsome exit and leaving you in this place. I'm not.â
BB's lips peel back. A flash of teeth behind the Bobby-mask, involuntary, predatory, the territorial snarl surfacing before he can catch it.
The sight of Bobby refusing to leave you, refusing to relinquish, insisting on staying close to the thing BB considers his triggers something primal in the entity underneath.
He catches it at once, swallowing over it. His lips close over his teeth, jaw clenching painfully. He doesn't speak. Just stares at Bobby with the flat, unblinking intensity that tells you heâs choosing, with considerable effort, not to put Bobby through another wall.
Bobby, to his credit, ignores him. Pointedly and aggressively, with that specific brand of human stubbornness. Bobby will not look at BB. Will not address BB. Only pretend that the thing wearing his face is not standing six feet away radiating enough barely-contained fury to crack plaster.
This is Bobby's version of control: the refused glance, the turned shoulder, the full-body declaration that you do not exist to me deployed by a man whoâs terrified and is handling it the only way he knows how.
BB turns to you.
His expression changes immediately. The snarl evaporates. The territorial fury, banked. What replaces it is⌠you haven't seen this expression on him before. Grim. Drawn.
âThe Backrooms are more dangerous than they've been inââ He pauses, choosing a unit of measurement you'll understand. âA very long time. Entity X's effect on the other entities hasn't fully dissipated. Level 4 will be a problem. The interior section between the threshold and the outpost is normally dead space. Empty offices, dead lights, nothing worth hunting in. Right now it's contested. Things are sheltering in the cubicle rows and conference rooms because the layout gives them cover, and they're angrier than they should be.â He twists his head, and you hear a crack follow the near reptile movement. âI'll move ahead. Clear what I can. You bring them through behind me. Move only when youâre certain, and stay together.â
You look at him. Really look, for the first time since earlier. Past the anger, and the betrayal, past the closed-off face and the too smooth expression and the omission that restructured everything between you. You look at BB, and you seeâ
He's thinner somehow.
The word isn't right, but it's the closest you have.
The Bobby-suit fits differently. Looser. The cheekbones more prominent, the jaw more defined, the chain at his rebuilt throat sitting lower against collarbones that press closer to the surface than they used to. He looks worn in a way that has nothing to do with clothing and everything to do with consumption.
And you understand, then, that the fight with Entity X and the sustained lockdown and the perimeter patrols and all the emotional turmoil earlier have been drawing from a reserve that isn't infinite.
As if even ancient things have a fuel line and his is running lower than you've ever seen it.
You choke the worry back. Push it down. Below the anger and the hurt, into a place where the things you can't afford to feel right now go to wait.
âFine,â you say. âThe M.E.G. outpost. Through the Poolrooms, across Level 4.â
You turn to Bobby and Kat. Bobby is standing by the table with his arms crossed and his jaw clenched rigid, staring at a random spot just past BBâs shoulder.
âGrab anything useful,â you instruct. âThe almond water Mr. Kitty gave you if there's any left. Take that, don't spill it. Anything you can carry that isn't too heavy.â You glance at Bobby, stopping him in his tracks when he tries to approach you, his mouth open. âWe're leaving right now. Not in ten minutes. Not after another argument. Now. Every second we stay is a second Entity X might come back and cause more damage.â
Bobby sucks in a breath, but the argument dies on his tongue. You watch it happen. He could spit back a thousand arguments, but youâre the one speaking and he hears the authority earned through months of exploration, notebooks, and close calls.
He doesn't trust the Backrooms. He doesn't trust BB. But somewhere underneath the hurt and the anger and a thousand unspoken things, Bobby Franklin still trusts you.
He grabs the water from the table without a word, shoving it in his jean pocket. His camera is goneâleft on the floor in the junction room on Level 0, the first camera Bobby has ever abandonedâand his hands look wrong without it. Empty. Painfully exposed. Like a man missing a limb he didn't know was prosthetic until it was gone.
Kat gathers the remaining almond water, tucking what food she can into her hoodie pockets. Practical. Quick.
âLet's go,â you say.
You don't look at BB or at Bobby when you say it. You look at the door, at the path beyond it, at the route in your head that threads from 974 through the transitional stairwells to the Poolrooms and across Level 4 to the outpost, and you start walking.
They follow.
âStay close to me at all times. Don't touch the walls and donât trust any voices you might hear.â
Your voice rings flat. Instructional. Bobby and Kat fall into step behind you. Bobby first, Kat behind him, the formation you established at the threshold of Level 974 and haven't had to explain because the hierarchy asserted itself the moment you started walking.
You lead. They follow.
The notebook is open in your hand, a pen gripped in your other, and you're annotating as you move. Small marks in the margins, corrections, new landmarks added to half-finished maps.
The stairwell between 974 and the Poolrooms is narrower than you remember. The lights are different. Dimmer. The hum is carrying a frequency you've never heard before. A low, dissonant undertone, like a second voice buried beneath the first, and you don't like it.
Something skitters in the walls.
The sound is dry and rapid, claws or teeth or something with too many joints moving through a space between surfaces, and it tracks your group for three corridors before fading into the deeper dark.
Bobby's breathing changes behind you. Faster. Controlled, but faster. He's holding it together for now, jaw locked, hands fisted, the physical performance of calm layered over a body that is screaming at him to run.
Kat grabs the back of his shirt, her knuckles blanching from how hard she grips. He doesn't shake her off.
The stairwell descends, the air changing the lower you go. Warmer, carrying a chemical sweetness that prickles in your nose and coats the back of your throat. Chlorine.
The smell of it hits your chest like a memory: public pools in the valley, summer afternoons, the way the chemical tang used to cling to your hair for days. Except this chlorine is wrong. Too sweet, too warm. Like the Backrooms took the concept of a swimming pool and replicated it from the smell up, getting the details slightly off.
âWhat is that?â Kat wonders from behind Bobby, her voice raspy.
âChlorine,â you answer. âWe're close to the Poolrooms.â
âRight. The Poolrooms."
You don't answer. The stairwell opens up, and Level 37 unfolds in front of you.
Water. Everywhere. Still, warm, impossibly blue; a type of blue that doesn't exist in nature, that sits somewhere between swimming pool and bioluminescence, casting its light upward onto tiled walls and low ceilings and pillars that descend into the water at regular intervals.
The room is vast, the ceiling dipping low. The combination creates a sort of compression. Intimate and infinite at the same time, the sense of a space that goes on forever in a room you can almost touch the top of. The water is clear to the bottom. The tiles beneath it are white, clean, pristine, stretching into a distance that the blue light eventually swallows.
No sound except the dripping water. The gentlest possible lapping against tile, rhythmic, hypnotic, the sound of a surface that is barely being disturbed by something you can't see. The hum is different here. Softer, rounded, the dissonant undertone from the stairwell dissolved into sound almost musical.
The Poolrooms absorb aggression the way water absorbs heat. BB was right. Nothing agitated shelters here.
âJesus Christ,â Bobby says quietly, staring at the water with wide-eyed awe.
You wade in first, and the water is mercifully warm. Body temperature, lapping at your ankles, then your calves, then your knees as the floor descends in a gentle gradient. Your bare feet find purchase on the tiles below.
You've been here before and know the depth map. Thereâs shallow sections that hug the walls, and the deeper channels between the pillars which intercut with the point near the centre. Thatâs where the floor drops and the water reaches your waist, the blue light intensifying until the whole room looks like the inside of a sapphire.
Bobby and Kat follow behind you. Slower, less sure.
Kat gasps when the water reaches her thighs. Bobby is silent, wading after you without a word. He scans the surface, the pillars, the low ceiling, and you can see him searching for threats the way you used to. With that raw, untrained hypervigilance you had in the beginning when you could tell something was wrong but didnât have the vocabulary to describe what.
You navigate by the pillars. Third from the left, then straight, then angled right toward the far wall where the tiles change colour. White to grey to a faint, barely-visible green that marks the deep-end threshold.
BB showed you this path. BB walked it with you, his hand at your back, his cool skin a contrast to the warm water.
And BB's presence now is a pressure at the edges.
You can't see him. Haven't seen him since you left 974. But you can feel the evidence of his passage all the same. A corridor that should have been obstructed, clear. A sound in the distance that starts hostile and cuts out abruptly.
Then a silence that follows when something deadly, fast and ancient has moved through a space and left nothing alive behind it.
He's ahead of you, running interference, clearing the route the way he said he would. And even through the hurt, the reliability of itâthe kept promise, the maintained commitment to your safetyâswells a lump in your throat you canât quite swallow over.
Behind you, Kat mumbles something, a joke maybe, chuckling weakly even when Bobby doesnât join in. His reply is swallowed by water churning around your waist.
âHow long did it take?â
You say it without turning around. Your voice carries across the water, bouncing gently off the tiled walls, and the acoustics of the Poolrooms give it a quality that sounds almost peaceful, almost conversational.
Bobby's wading pauses. A half-step. Then he catches up. âWhat?â
âBefore you slept with her.â
Behind Bobby, Kat makes a small, indignant sound, an inhale that she catches in her throat, and then silence again. Just the three of you wading through water in a room that shouldn't exist.
You wait for the usual: the blade, the joke, the easy redirect, maybe even anger. But he surprises you again.
âFifteen months.â The damaged vocal cords give the words a rough, scraped quality. âAfter you disappeared. Not afterânot after the store. Not after Clark kicked me out. Months after that. She'd been...â He trails off, water sloshing around his hips. âKat was just there. Every day. And I wasâI wasn't okay. I wasn't anything close to okay, and I thought Iâd never see you again. And one night I justââ He pauses, breath catching in his chest, refusing to look at you or at Kat while he speaks. âFifteen months. It took fifteen months.â
Your stomach turns. A slow, visceral roll, nausea that has nothing to do with the chlorine and everything to do with the number.
Fifteen months of absence before the body you loved pressed itself against someone else.
Fifteen months of grief before the hands that used to find the small of your back in a crowd found someone else's waist in the dark.
You do the math. You can't help it. The inventory brain, the cataloguing brain, calculating: he thought you were dead. Everyone had forgotten you. The tapes were blank. Fifteen months is a long time when grieving. Fifteen months of believing the person you love is gone is a long time.
The math doesn't help. Not even a little bit. The pain blooming in your chest is too blinding and too scalding to lean on logic right now.
You nod. Once. Keep wading, your teeth sunk into your cheek to stop yourself from being petty, trying your hardest to understand.
âDid you?â Bobby asks. His voice is different now, quieter, stripped of the combative edge from earlier, carrying instead a fragility that doesn't suit his face. âBB. Did youâwith him?â
âNo.â
Bobby exhales. A breath he's been holding since Mr Kittyâs house, maybe longer, released through his nose in a long, shuddering stream. The relief on his face is naked and immediate, and you can see it from the corner of your eye even without turning to look at him.
âI taught him to kiss,â you admit, still staring straight ahead. At the pillars, at the blue, at the threshold approaching in the distance. âBut it took months. He didn't⌠he'd never touched anyone. Never been touched. I taught him to dance first. Then the kiss.â
Bobby lets out a soft, bitten scoff. Air pushed through his teeth, his head turning away, and you brace for the quip, for Bobby's deflection mechanism deploying against the image of his own face learning to kiss from the woman he loves.
But the scoff dies without becoming a sentence. It lacks heat., and it lacks edge. It's just a sound a man makes when he's hearing something that hurts in a way his defences can't react against.
When you glance at him, Bobby's face is sad. Not angry like earlier, just sad.
The anger burned out somewhere in the Poolrooms, extinguished by the tranquil water and the washed light, and what's left is just Bobby. Heartbroken. Worn to the bone by grief and stress. Looking at you in the blue glow with his eyes full and his jaw loose, his whole face creased with emotion Bobby Franklin has spent his entire adult life refusing to let sit on his features unchecked.
He opens his mouth. His lips form the beginning of a wordâyour name, maybe, or something else, something that's been sitting behind his teeth for eighteen months waiting for you to be close enough to hear itâbut you turn away. Keep walking.
The water parts around your waist and the threshold is ten metres ahead, and you keep walking because if you stop, if you let Bobby say whatever he's about to say with that face in this blue light, you will not be able to handle it.
You're not going to have this talk with him now, while Kat is right there.
âWe're close,â you say instead. âThe threshold is at the deep end. Keep your heads up.â
Level 4 is wrong.
The threshold deposits you in a corridor that looks like every office building you've ever been in.
Fluorescent-lit, drop-ceiling, grey carpet, cubicle partitions stretching into a distance that the lights don't fully reach. It should be mundane. It should be the most boring level in the Backrooms. An infinite corporate complex, all right angles and fire exits that don't actually exit and conference rooms with whiteboards still carrying the ghosts of meetings that never happened.
You've seen it before. Your notes describe it as low-threat, low-entity, dead space.
Your notes are wrong.
The lights flicker. Every third tube is dead, creating pockets of darkness between the lit sections, and the darkness is too deep. A dense, weighted thing. The cubicle rows stretch to the left and right, and the partitions are higher than you remember. Head-height, blocking sightlines, creating corridors within corridors, and the air smells like old paper and burnt plastic.
âStay behind me,â you whisper, your heart rate picking up even as you fight to keep your tone level. âSingle file. Donât speak above a whisper.â
Your feet carry you through the cubicle rows. Past desks with dead monitors and phones with their receivers off the hook, and coffee cups with something growing in them that you don't look at closely. The carpet muffles your steps. Bobby and Kat are ghosts behind you. Silent, moving when you move, stopping when you stop, their breathing controlled, shallow, and terrified.
Thereâs sudden movement in the cubicle row to your left.
You freeze. Hand up, the signal you developed on Level 1 with BB, palm flat, fingers spread, stop now. Bobby and Kat stop at once.
The movement continues, a shape passing behind the partition, visible through the gap between the top of the cubicle wall and the drop ceiling. Tall. Hunched. Moving with a liquid, boneless gait that doesn't match any anatomy you've catalogued. It passes through the row parallel to yours, separated by one partition, close enough that you can hear the sound it makes. A wet, clicking respiration, each breath accompanied by a small pop, like a joint dislocating and relocating with every inhale.
It passes, the clicking fading into the background as it goes. You count to thirty before you move again.
Two more corridors follow. You pass a conference room with the door ajar, and inside you spot something that looks like skin draped over a chair. Smooth, pale, and gently rising and falling with a respiration you can see from the doorway. You steer them around it. Wide. Bobby's eyes find it through the gap, and his face goes grey while Kat presses her face into his shoulder and doesn't look.
The evidence of BB is everywhere.
A corridor that ends in a smear of black against the wall. Fresh, wet, still dripping. A fire exit door buckled inward from a force applied on the other side, the metal warped around a handprint that's too large to be human. A section of cubicles reduced to kindling, the partitions shattered, the desks overturned, and in the centre of the wreckage a shape. Crumpled and motionless, its limbs arranged at angles that suggest it was alive when it was rearranged and is not alive now.
You don't let Bobby and Kat see this one. You route them around the long way, through a break room with a vending machine that hums with a frequency that makes your ears ring.
The M.E.G. outpost is close. You can feel it.
A shift in the hum, a thinning of the air that means a threshold is near. The levels get permeable around outposts, BB told you once. The boundaries soften.
You round the corner into a wider corridorâopen-plan, the cubicles giving way to a broad hallway with glass-walled offices on either sideâand you see the equipment. Monitors. Cables. A mounted camera fixed to the wall at head height, its red recording light blinking steadily. Sensor arrays bolted to the ceiling tiles. Data collection equipment arranged along the corridor walls with the organised, labelled precision of people whoâve been here a long time and plan to stay.
âM.E.G.,â you say, exhaling. The relief that pangs your chest is almost physical. A loosening in your shoulders, a softening in the grip of your hand on the notebook. âWe made it. This is their monitoring station. The outpost should be just ahead. We just need toââ
The hands come from behind you.
Three sets. Gloved. They grab your arms, your shoulders, the back of your neck, practised and coordinated.
You're yanked backwards off your feet, and the notebook hits the floor, your spine slamming against a body wearing tactical gear, a muffled voice barking something clipped into a radio, and the hands are everywhere. On your wrists, pinning your arms, dragging you sideways toward a section of corridor you haven't mapped.
These aren't M.E.G.
The gear is different. Same black from the first attack, not yellow. No patches, no insignia, no identification. The faces behind the balaclavas are blank and professional, and they are not studying you. Theyâre collecting you, the way you'd collect a sample they failed to collect the first time around.
Bobby's scream rips through the corridor.
âGET YOUR HANDS OFF HERâGET OFFââ
He's fighting. You can hear it behind you, the sounds of a man throwing himself at something larger and better-armed, the crack of a fist against body armour, the grunt of impact. Bobby's voice, raw and shredded and operating on pure adrenaline, screaming obscenities that echo off the walls while someone restrains him.
âLeave them,â one of the agents says into the radio, his voice clipped, indifferent. âThe woman is the objective. Leave the other two for the others, itâll buy us some time.â
For the others. The words register with a cold, clinical clarity. Leave Bobby and Kat in a Level 4 corridor swarming with agitated entities and walk away. Leave them to die. Leave them as discarded variables in whatever equation these people are solving, the irrelevant remainder, the human wreckage.
Your rage swells to near blinding.
A sudden, massive, tidal expansion in your chest, filling every cavity, pressing against your ribs and your throat and the backs of your eyes.
The agent's hand is on your arm, and the grip is iron and Bobby is screaming. Kat is somewhere behind you shouting, and these people are going to leave them here to die. And the anger is so total, so complete, so enormous that it bypasses your brain entirely and becomes a physical thing, a vibration, a frequencyâ
The hands holding you fall off.
You stumble forward. The grip just⌠released. You spin, expecting to see BB, expecting the displaced air and the black eyes and the sound of the humâ
The agent who was holding you is staring at his hands. What's left of them anyway. His gloves end at the wrist, and below the wrist there is nothing. Smooth and cauterised, the flesh sealed as if the hands were never there to begin with.
He hasn't started screaming yet. The shock is still travelling from his eyes to his brain to his vocal cords.
You turn.
Entity X is standing in the corridor behind you.
The fluorescent lights are red again. That deep, arterial crimson that transforms the office corridor into a living organism. Red light pulses, filling the hallway from floor to ceiling, its matte, leathery skin absorbing the crimson until it looks like the corridor itself has grown a body. The featureless face is smooth and wrong, but then the eyes peel open again at your presence, and the burning yellow fixes on you at once.
On you. Only you. As always.
You stumble backwards, your heel catching a cable on the floor. You barely keep your feet.
Entity X is three metres away, and it reaches for youâthe arm extending, elongating, the joints clicking with a sound like knuckles cracking in an empty roomâand its chest produces a noise.
Low. Gurgling. A wet, clicking sound that lives somewhere between a purr and the settling of bones, repetitive and rhythmic and deeply, fundamentally wrong in a way that your brain canât place.
It's a sound without analogue. A sound that a body makes when it has no face to express what it's feeling and must channel everything through the mechanics of its torso, and the sound is fixated. Directed at you.
The audio equivalent of the eyes that never leave.
âGet away from me.â Your voice comes out harder than you expect. Sharper. The fear is there. Your heart is slamming, your palms are slick with sweat, your legs trembling beneath you, but your anger is louder. The rage that swelled in your chest hasn't receded. It's sitting right behind your teeth, and when you speak it comes out as a command, not a plea. âLeave me the fuck alone.â
Entity X cocks its head.
The motion is slow. Curious. The massive featureless head tilts to one side with an almost canine quality. Itâs almost the same tilt BB does, just wrong, and for one terrible second the gesture looks interested. Like it heard you. Understood what you meant. Like your anger registered as something other than a feeble attempt at resistance, and the fury in your voice is a thing it recognises, that it wants.
The agents regroup behind you. Three of them. The handless one is on the floor, in shock. The others raise weapons. Compact and military-grade, and open fire.
Entity X doesn't look at them.
The bullets hit its torso and sink into the matte skin like stones into mud, and Entity X's arm sweeps sideways, casual and unhurried, the way you'd brush a fly, and the agent closest to it comes apart.
Messily. The one behind him fares worse. The sounds are wet, almost mechanical and over very quickly, leaving nothing but puddles of gore on the floor.
Entity X does all of it without moving its eyes from you once. Bored. Performing violence with the same disinterested efficiency that a human swats insects. The agents are not a threat, not an obstacle, not even a distraction.
Entity X silences them and returns its full focus on you, and the clicking sound continues in its chest, steady, rhythmic, almost gentle.
BB arrives like a thunder crack.
The air splits around you, the pressure wave alone knocking you sideways. Kat hits the floor rolling, and Bobby staggers into the glass wall of an office.
BB hits Entity X at full force, and the two of them crash through the corridor wall and into the space beyond. Cubicles disintegrate around them, ceiling tiles raining down, and the fluorescent tubes shatter in cascading waves as two things too large for this hallway tear it apart around each other.
BB's hand finds your shoulder. Between one collision and the next, between heartbeats. He's there, beside you, in front of you, his black eyes wild and his damaged face cracking, his grip on your shoulder bruising.
âThe outpost. Go. Now.â
You run, reaching for Bobby blindly.
Bobby is already moving, Kat's hand in his, pulling her along, his legs unsteady but functional, his face a mask of focused terror.
You grab the notebook from the floor as you pass it, scrambling on your hands and knees. The three of you sprint down the corridor toward the monitoring equipment, toward the thinning in the air that means exit.
You spot them in the distance first.
Yellow suits and masks on. Four of them, clustered at the far end of the corridor around a section of wall that looks slightly different. Smoother, carrying a faint shimmer that you recognise as the visual signature of a no-clip point.
M.E.G. operatives. Real ones, in their trademark gear, and they're waving at you, frantic, urgent, beckoning you forward with the full-body gestures as the fight behind you intensifies.
Bobby's hand closes around your wrist, pulling you forward, and you're running together, his callused fingers locked on your pulse point.
For about three seconds, it's the parking lot at Clark's store, it's the apartment doorway, it's every moment he should have reached for you and didn't. Except now he's reaching, his hand is on you, now he's pulling you toward safety with a bruising grip that says Iâm not letting goâ
Entity X's hand closes around Bobby's torso.
The grab is sudden and massive, an arm extending from the wreckage of the corridor behind you, reaching over your head, the joints clicking in rapid succession as it unfolds to its full, telescoping length.
The clawed fingers close around Bobby's ribcage and lift. His hand tears from your wrist. His feet leave the ground. His body risesâup, up, Entity X hoisting him like he weighs nothing, his legs kicking, arms flailing, his face contorted with a terror so complete it erases everything else.
Entity X holds Bobby in the air and looks at you.
The burning yellow eyes, fixed. The clicking purr in its chest, steady. Holding Bobby in one hand the way you'd hold up a lantern, displaying him, presenting him, showing you the man in its grip and watching your face to see what you'll do.
âLet him go!â You slam your fists against Entity X's armâthe matte skin fever-hot and yielding and horrifyingly close to organicâand the contact sends a jolt through your system that feels like recognition, like touching a live wire, like something in Entity X's body responding to something in yours. âLet him go, put him downââ
Entity X peers down at you, his head tilting. Curious. Reading. The same interested quality from before. Your hands are on its arm, and it's letting you hit it, absorbing the blows with the patient stillness of a thing that wants to see how far the anger goes.
It throws Bobby.
A casual, underhanded toss, its wrist flicking, the arm releasing, Bobby's body sailing through the air of the corridor and hitting the wall near the no-clip point with a sound that empties your lungs. He crumples. Slides down the wall. You lurch towards him, but Entity Xâs clawed hand closes over your throat, yanking you back toward it.
Kat's scream is a bright, piercing thing that cuts through the red light and the clicking, and the M.E.G. operatives move. Two of them grab Bobby under the arms, a third seizing Kat, who was running toward him, dragging them toward the shimmer in the wall.
Bobby is dazed.
His head rolls to one side, his eyes unfocused, blood from a gash above his eyebrow streaming down the side of his face. But he's fighting.
Even concussed, even barely conscious, his hands are grabbing at the M.E.G. operative's jacket, his body lurching back toward the corridor, back toward you, and his mouth is forming your name.
You can see it, can read it on his lips, the shape of the word you taught him to say in a hallway in high school in your junior year, and his eyes find yours through the blood and the chaos and the red light and for one second the corridor contracts to the width of that gaze.
You and Bobby. Looking at each other across a distance that is about to become permanent.
The M.E.G. operatives haul him through. Bobby's reaching handâthe same hand that dropped a camera for you, that grabbed your wrist, that used to find the small of your back in a crowd and cup your face before he kissed youâdisappears through the shimmer, still reaching. Kat follows, and the wall smooths over again. The no-clip point seals.
They're gone.
Entity X stands behind you. The clicking sound in its chest shifts, lowering, a frequency that almost sounds satisfied. It adjusts its grip on you.
BB's fist connects with the side of Entity X's torso.
The impact sends the massive red body sideways, slamming into the corridor wall with enough force to buckle the drywall and shatter every remaining light tube within a fifty-foot radius.
The red light dies, plunging the space into darkness lit only by Entity X's yellow eyes and the faint, colourless glow leaking through the cracks in BB's ruined face.
BB's hand finds your shoulder.
The world folds.
The displacement dumps you onto the grass of Level 14, and the impact is soft, yielding, the earth absorbing you the way the Poolrooms absorb sound.
You land on your hands and knees, and the grass is cool and damp against your palms, and you gasp. Pull air in through your teeth. Your lungs are burning. Your ribs ache from the displacement, from the running, from the screaming, from the hours or minutes or however long it's been since you ate a cookie in the pink bedroom and walked into the worst day of your life.
BB is beside you. On his knees. His hands on your arms, your shoulders, running over you with that focused, diagnostic urgency. Heâs checking for injuries, for broken things he can fix with his hands, because the broken things he can't fix are piling up faster than he can count.
His fingers press against your ribs. Your wrists. His eyes search your face with a desperation thatâs stripped away the last of the Bobby-mask. What's looking at you is BB, just BB, the cracks in his face leaking that pale light, his jaw pulsing, his mouth pressed into a tight line.
âYou're not hurt,â he says. Half-statement, half-question, his hands lingering on your shoulders. âTell me you're not hurt.â
You shake your head because you can't speak yet.
The breath is still caught somewhere between your diaphragm and your throat, snagged on the adrenaline. On the afterimage of Bobby's reaching hand disappearing through the wall, and the sound of Entity X's clicking purr.
You fall back onto the grass, press your palms over your eyes, and breathe. In. Out. In. Out. The stream somewhere behind you moves over its stones with the gentle, trickling sound while golden light drips over your shaking hands.
It takes minutes. Several.
The shaking subsides in stages. Hands first, then arms, then the deep tremor in your core that's been running since since the red light, since the first time you heard Entity X's clicking in the corridor and knew, with a certainty that bypassed logic, that it was coming for you.
The shaking stops, your breathing evening out. Your hands drop from your face, and the meadow is still there. All of it. The tall grass, the fallen log, the amber sky that never changes. BB sits across from you with his knees drawn up and his forearms resting on them and his face wearing the careful, watchful expression.
You rub your face. Drag your fingers across your eyes, your cheekbones, the tight muscles at your jaw. Working off the edge. Pressing the panic down into the place where it can be stored and processed later, when BB isn't watching, when the aftershocks have enough room to shake without an audience.
âEntity X is gone,â BB says quietly after another moment, testing. His voice is low and rough, stripped of its usual easy warmth. âThey retreated. Again. Whatever he wantedââ He looks troubled, genuinely so. âBobby and Kat are through. The M.E.G. have them. They're out of the Backrooms.â
You nod, staring blankly at the grass between your knees.
âYou did it.â Softer now. Almost gentle. The voice from the kitchen, from the dance, from the mornings he'd say hey, baby and the world would shrink to the width of his full mouth. âYou got them through. They're safe because of you. And I canâI'll rebuild. The apartment. The sublevel. I'll find Entity X and after I've dealt with it, we canââ
âWhy didn't you tell me?â
BB falls silent.
A bird, the same small brown bird, or one just like it, lands on the branch above the fallen log and tips its head and watches you with one bright black eye.
âAbout Bobby.â Your voice is calm. Scraped clean of anger, clean of accusation. Just the question, unadorned, sitting in the air between you. âYou heard him. Through the wall, same as me. For months. You heard him looking for me. You knew he loved me. You knew he was sitting three inches away from the entry point, saying the things I needed to hear.â You look at BB. His face, Bobby's face, the face you touched and kissed and studied in firelight and fluorescent light and the blue glow of the Poolrooms. âWhy didn't you tell me, BB?â
BB is quiet for a long time. The bird chirps a few times in the tree above. The amber light paints his cracked and healing face, and the tense silence between you fills with the full weight of every answer he could give and the inadequacy of all of them.
âI heard how lonely you were.â Picking through the words the way you'd pick through wreckage, testing each one before putting weight on it. âBefore you came through. When you were alone in the basement, on the late shifts. I heard what loneliness sounded like in your voice. And when you were hereâwhen you cried, when you talked about him, when you said he stopped seeing meâI thoughtââ He falters, shifting in such an shy, human way you almost soften. âI thought we were the same. That our loneliness was the same. Mine and yours. And that I couldââ
âThat's not what I asked,â you intone coolly.
BB flinches. His fingers curl against his forearms, pressing into the fabric of his ruined shirt as he ducks his head lower.
âBB. Tell me the truth.â
BB's face visibly contorts with pain, his features rearranging around an admission he's been carrying for months the way you carried your anger. Not smoothing over. Not closing off. Just hurting.
âI knew you still loved him,â he admits, barely above a whisper. His eyes fix on the grass, unable to look at you. âI could hear it. Every time you said his name. Every time you cried about him. Every time you talked about the apartment, the mornings you shared, the way he used to look at you. You never stopped loving him. And Iââ His voice thins, fraying. âI thought if you knew he was looking, if you knew he was right there, you'd leave. You'd go back through the wall and I'dââ
He stops, swallowing thickly. The sound is audible. The borrowed mechanism of a throat that doesn't need to swallow performing the gesture anyway because the emotion behind it is real even if the body isn't.
âI know it was selfish,â he adds in a hushed whisper.
You gaze at him blankly for what feels like a small eternity.
âYou didn't just withhold it.â Your voice is steady, but your hands are shaking again. Anger and grief coiling together so tightly you can't separate them, can't feel where one ends and the other begins. âYou used my loneliness. You heard me at my lowest, and you leaned into it. You built a life around my isolation because as long as I was isolated, as long as I didn't know there was something to go back to, I'd stay. With you. That's not love, BB. That's keeping.â
BB's head snaps up. His eyes are bright and wounded, but the expression on his face is gutted. Sheer hollowed-out devastation of hearing the worst possible interpretation of the best thing he ever did and recognising, with a clarity that makes his whole face crumble, that the interpretation isn't wrong.
âBut it's what you did.â Quiet. Final. âRegardless of what you meant. Regardless of how well you meant it. That is exactly what you did. You heard a woman crying about being invisible, and instead of telling her she was being looked for, you made yourself the only thing she could see.â
The amber light falls on his struck face, and the cracks in it have stopped leaking, the damage from the fight slowly closing, and the face that's left is Bobby's, wearing an expression he never wore.
Raw and open, and so deeply, completely sorry that the air around it seems to bend.
âYou were happy,â he says quietly. Almost to himself. Like he's testing the memory against the accusation, holding them up side by side to see if they can coexist. âYou started smiling again. Laughing. When we walked through the Poolrooms the first time, you laughed at something I said and the soundââ His voice catches. âThe sound was the most beautiful thing I'd ever heard. I thoughtâI thought I was fixing it. The loneliness. The pain. I thought if I could justâkeep you safe, keep you close, give you everything he didn'tâyou wouldn't need to go back. You wouldn't want to. And that would be enough.â
Your eyes burn, tears pressing forward, hot and insistent, and you clench your jaw against them.
Because you can hear his sincerity. The genuine, unperformed, unhuman sincerity. He heard you cry through concrete and decided, with the full weight of its ancient and limited understanding, that the solution to your pain was its presence.Â
BB didn't think he was trapping you. BB thought he was saving you.
The distinction doesn't make it okay. The distinction makes it worse because it means the thing that hurt you was trying, with every tool it had, to love you well. And its best tool was deception.
âYou should have told me.â Tears are falling now, and you don't wipe them. âYou should have given me the information. All of it. And then you should have let me choose. Even if the choice was leaving. Even if the choice was him. You should have let it be my choice, BB. That's what love does. It doesn't decide for the other person. It doesn't curate the options to guarantee the outcome you want. It gives them everything, and it lets them choose, and it survives the choosing, even if the choice breaks it.â
BB says nothing. His eyes fix on yours, and his expression is accepting. Terrible, slow, grinding acceptance. The kind that arrives not all at once but in layers, each one heavier than the last, pressing down on whatever passes for his heart.
âI didn't want to lose you,â he whispers, his voice catching. âI'm sorry. IâI didn't want to lose you.â
You sit across from the being who built you a kitchen and taught itself to kiss and pressed its mouth to your forehead every morning so it could lie to you with every tender gesture because the truth would have set you free and freedom was the one thing it couldn't give.
You breathe in, glancing up at the sky. At those breathtaking gradients of gold and amber, laced with violet at the edges. The sky that never changes, the eternal late afternoon of a level called Paradise that exists inside a place that shouldn't exist at all.
You look back at BB.
âDo you know why I stayed?â you ask softly. âIn the beginning. When I found out you weren't actually Bobby. Do you know why I didn't run?â
BB's face tightens, and the pain that crosses it is visible, bright hot.
âBecause of the face,â he says, low and pained. The words dragged out of him like splinters from beneath the skin. âBecause I look like him. Because you love him. Because you wanted himâalways him, always Bobbyâand I was close enough.â
Your eyes fill. The tears spill over fresh, tracking down your cheeks, and you stand. Cross the distance between you. Close it. Three feet. Two. One. Until you're standing in front of him and he's looking up at you from the grass with Bobby's blue eyes and BB's anguish and the meadow light on both of you.
You touch his face.
Your fingertips on his cheekbone. The line of his jaw. The scar from the cabinet door that happened to someone else's body. Your thumb traces the corner of his mouth. That corner where the grin starts, the lopsided one, the one that's his and not Bobby's.
BB makes a sound. Low. Wounded.
A vibration that starts in his chest and comes through his throat as something between a sigh and a moan. His eyes close and his head turns into your palm, nuzzling closer. Desperate, pressing his face into your hand the way he did the first time you touched him. The sound he's making is continuous, a keening that he can't seem to stop, and his hand comes up and covers yours on his cheek and holds it there, feeling him shake.
âIt was never about the face,â you choke out, your voice breaking. The tears fall freely now, and you let them. âIt was you. Just you, BB. The way you listened. The way you learned me. The way you held me like I was the first thing you'd ever wanted to hold. The way you asked am I doing it right after kissing me, and the answer was always yes. It was always just you.â
BB's eyes crack open. Wet. Bobby's blue, glassy with a moisture that shouldn't be there, that his body doesn't produce, that has no biological mechanism to explain it⌠and yet. His lashes are dark and clumped, his eyes full and the expression in them is so devastated, so completely and utterly undone, that you have to look away.
You pull your hand back.
BB makes another sound. Louder. A moan that cracks open midway through and becomes something raw and guttural, a noise that comes from the place beneath the face, beneath the voice, from whatever vast and ancient thing lives at the core of him and is now experiencing, for the first time in its incomprehensible existence, the human agony of being left by the person it loves.
âNo,â he breathes. âPlease. No, no.â
You lower your head. âTake me to the M.E.G. outpost.â
âPlease.â His hand reaches for yours but catches only air. You've stepped back and his fingers close on nothing and his faceâBobby's face, BB's face, the face that learned to smile because you smiled firstâcontorts. âDon't. Don't leave. You can'tâI'll fix it. I'll tell you everything, I'll never keep anything from you again, I'llââ
âBB.â
ââthe apartment, I'll make it better. I'll find Entity X and end it, and you'll be safe. You'll be safe forever, I can keep you safe, please, I canââ
You can barely speak. âBB. Stop.â
He stops, his mouth trembling. The word he was forming dies on his tongue. His eyes rest on you, wide and wet, terrified.
âAll that's waiting out there is a life that hurt you,â he blurts out, desperate. The words tumble, tripping over each other. BB, who is rarely inarticulate, is now struggling to assemble sentences fast enough to change the outcome. âIllness and old age and people who forgot you andâand a man who didn't see you until you were gone. That's what's on the other side of the wall. Youâll d-die. I⌠no. Please, no. Not you, not you.â
Your heart is ripping apart. A physical sensation of something in your chest being torn in two directions at once, the fibres separating, the tissue rending.
He's right. He's right about all of it. The world on the other side of the wall is the one that hurt you. The one that made you invisible. The one that let you stand in doorways waiting to be loved and answered with grunts and cold sheets and blank tapes that erased your face. There is nothing on the other side of the wall that is gentle the way BB is gentle, nothing that listens the way he listens, nothing that will press its mouth to your forehead every morning and hold you through the night and learn your name syllable by syllable.
But it's your life. The miserable, broken, painful, mortal thing. Yours.
âIf you love me,â you say in a quiet rasp, each word costing a piece of your heart you can feel being subtracted from the centre of your chest. âIf you love me the way you say you do. If that promise you made me meant anything at all, or the name I gave you meant anything... then you'll let me leave.â
BB stares at you. The tearsâhis tears, not Bobby's, the moisture that has no biological origin and exists only because the grief demanded a vesselâtracking down his cheeks, and where they fall the skin glows. Faint. Luminescent. A soft, shimmering iridescence that blooms along the tracks of the tears like bioluminescence, like foxfire, a visible signature of an inhuman emotion marking inhuman skin.
His agony written on his face in light.
BB reaches for your shoulder slowly. His hand is gentle, his touch almost absent.
The meadow folds around you, your stomach lurching. The golden light compresses, narrows, and when the world straightens again, you're standing in the corridor on Level 4.
The monitoring equipment. The cameras. The wall with the shimmer. The remains from operatives are mostly gone. Absorbed by the Backrooms, consumed by the level itself, the corridor healing over the evidence of violence the way skin heals over a wound. A few remain. Dark shapes at the periphery that you don't look at.
The no-clip wall is there. The shimmer and behind it the real world. A place where it rains, and people eat hotdogs and phone calls go unanswered. Where love atrophies through neglect and everyone you've ever known has forgotten your face.
And BB's hand rests on your shoulder, trembling openly. A hand that was built to hold on, that heard you, chose you, kept you, loved you and lied to you, and is now standing in a corridor doing the one thing it has never done.
Letting go.
His hand lifts from your shoulder.
You feel the absence instantly. The place where his palm was goes cold, the last physical connection between your bodies dissolving into air.
âPlease,â he rasps behind you, low and shaking, stripped of everything. The charm, the cockiness, the ancient resonance, the hum's harmonic, all of it gone, the voice of a thing that has been reduced to its simplest possible setting: a being, in a hallway, begging. âPlease stay. Please don't leave me alone again. Please.â
You turn, walking toward the wall. Your notebook tight against your chest.
âPlease.â Louder, more frantic, the word cracking. âI'll be better. I'll tell you everything. I'll never lie to you again. I'llâI can change. I can learn. You taught me how to dance and how to kiss. How to hold you. Teach me this too, teach me how to let you be angry and still stay, teach me how toââ
You keep walking. The shimmer is close now. Five metres. Four.
âPlease don't go.â His voice is climbing. Not in volume, in pitch. In frequency. The human register giving way to something else, something that vibrates in the walls and the floor, fillings in your teeth. âPlease. I can'tâI'll be alone. I'll be alone again. I was alone for so long, and then you were there, and I heard you. You were the first voice inâinââ
The sound fractures. Becomes a keening. A high, sustained, inhuman wail that has no words left in it, just the raw frequency of loss, a being older than language grieving in the only language it has left. Sound itself, vibration itself, the hum turned inside out and made to carry a weight it was never designed to hold.
You stop.
Your composure breaks. Silent tears pour down your face, and your mouth contorts, your chest heaving and you press the notebook against your sternum until it hurts. The keening behind you is the worst sound youâve ever heard. Worse than the Smiler, worse than Entity X, worse than Bobby's voice saying baby? in a yellow corridor, because this sound has your name in it.
This sound is the noise a heart makes when it's too old and too vast and too full to survive what's happening to it.
You turn and look behind you.
The corridor is empty.
The shimmer on the wall pulses gently, waiting. And the space where BB stoodâthree metres back, in the corridor, where his voice wasâis vacant. Just the flat, beige, infinite emptiness of a level that's been suddenly abandoned.
He's gone.
For all his power. For all the corridors he owns and the entities he's unmade and the levels he moves through like blood through a vein. For all the ancient, vast, immeasurable force that lives inside the Bobby-suit and behind the borrowed eyes and underneath the face he chose because he heard a woman crying and wanted to be the thing that made her stop.
The one thing BB couldn't do was watch you leave him.
You press your hands over your face, and you sob. Hard. A sound that comes from the bottom of your gut and fills the corridor and bounces off the walls and comes back to you changed, louder.
You scrub your face. The heels of your hands grinding against your eyes until white spots swim in your vision. You breathe wetly, straightening, and look toward the wall. The shimmering exit.
You step through.
an: in which everyone has a no good, very bad day ÂŻ\_(ă)_/ÂŻ
Warnings: angst, talks of pregnancy and post complications.
The key turned in the lock with a sound that had always meant home. Aerion Targaryen pushed open the door to the apartment, his shoulders tight from the flight, his mind already three steps ahead: to the shower he desperately needed, to the way youâd wrinkle your nose at the stale airplane air clinging to his clothes, to the warm weight of his son settling against his chest.
The apartment was quiet.
Not the quiet of naptime, carefully curated with white noise machines and blackout curtains. This was a hollow quiet, a still quiet. The kind that pressed against his eardrums.
He set his leather duffel down by the door. âIâm back,â he called, keeping his voice low in case Maekar was sleeping. Eight months old now, his son had finally started sleeping through the night, a victory hard-won and still precarious. Every sound in the apartment had been weaponized in those first few months: the creak of a floorboard, the rush of water through pipes. Aerion had learned to move like a ghost through his own home.
No response came. Not even the shift of weight on the floorboards above.
He moved through the foyer into the living room. Everything was in its place. The grey sectional, the glass coffee table wiped clean, the stack of baby books on the end table - The Whole-Brain Child, Precious Little Sleep, the one about French parenting youâd bought ironically and then read cover to cover, muttering under your breath the whole time. The play mat was neatly rolled and propped against the wall, the dangling felt stars and clouds motionless.
Something cold traced its way down his spine.
âDarling?â He used the name sparingly, a private thing, something that had once made you roll your eyes and smile at the same time. Youâd called it his period-drama name. Who says darling in real life, Aerion? Him, apparently. He couldnât seem to stop.
The kitchen was empty. Clean. The bottle warmer was still on the counter, a single clean bottle beside it. He touched the warmer with the back of his hand. Cold.
He took the stairs two at a time.
The nursery door was open a crack. He pushed it wider, his heart beginning to slam against his ribs in a rhythm that had nothing to do with exertion. The crib stood against the far wall, the mobile of silver dragons turning slowly in the draft from the vent. And inside, on his back, one arm flung out to the side, was Maekar.
Asleep. Recently fed, from the look of him: milk-drunk, lips slightly parted, the fine silver-gold hair damp at the temples. His small chest rose and fell with the steadiness that had taken months to achieve.
Aerion stood there for a long moment, one hand braced against the doorframe, waiting for his pulse to slow. The baby was fine. The baby was here. The baby was...
Where were you?
He checked the bedroom next. The door was open. The bed was made. Not the careless pull-up-the-duvet made that he did on his mornings, but properly made, hospital corners and all, the way youâd learned from some YouTube video during your nesting phase. The decorative pillows arranged. The closet door was ajar.
Your side of the closet was empty.
Not messy-empty, not the aftermath of a frantic packing job. Empty like a showroom. Empty like nobody had ever lived there at all. The hangers were evenly spaced. The shoe rack held only dust. The drawer where you kept your pajamas, the soft worn-in things youâd had since university, was bare.
Aerion pulled his phone from his pocket and called you. It rang once, twice, then clicked to voicemail. Your voice, bright and professional: Hello! Leave a message and Iâll get back to you. Not your personal voice, the one you used with him, soft and a little scratchy in the mornings. Your work voice. He hadnât even noticed when youâd changed the recording.
He ended the call without speaking. Called again. Voicemail. Again. Voicemail.
He stood in the middle of the bedroom, phone pressed to his ear, listening to your recorded voice over and over like it was a lifeline and he was already drowning.
It wasnât until he went back downstairs, intending to grab his keys and drive to every hotel in the city if he had to, that he saw the note.
It was on the kitchen island, anchored under the weighted base of the baby monitor. The monitorâs screen was on, showing the grainy night-vision image of Maekar still sleeping peacefully. And on a sheet of paper torn from the magnetic notepad stuck to the fridge, the one you used for grocery lists, for pediatrician appointment reminders, was your handwriting.
Iâve taken a project abroad. I donât know when Iâll be back. The baby is fed. Iâm sorry.
No signature. No love. Just four sentences, the last two practical, the first one a lie.
A project abroad.
You hadnât worked in over a year. Youâd been forced to quit your job at eight weeks pregnant, laid flat by hyperemesis so severe youâd lost fifteen pounds before the second trimester. Youâd cried when you submitted your resignation, not because you loved the work - fintech compliance, a job you described as âsoul-crushingly boring but mineâ, but because it was yours. Your career. Your independence. The thing youâd built while he was being handed vice presidencies in the family empire like party favors.
Heâd offered, so many times, to help. To make calls. His father could have had you in a C-suite by Monday, his sister had connections at every major bank, there were strings he could pull with a single text message. And every time, youâd refused.
I donât want it to be a holdover, youâd said, curled on the bathroom floor between bouts of vomiting, your voice raw. I donât want my entire life to be a footnote in the Targaryen family ledger.
Heâd argued, of course. He was a Targaryen; arguing was constitutional. But youâd held firm, the way you held firm about everything that mattered. The apartment. Your own apartment, a modest two-bedroom in a neighborhood his father had never heard of, paid for with your own money before the wedding. I need a place thatâs mine, youâd said. Not an escape hatch. JustâŚmine.
Heâd thought it was romantic at the time, this fierce independence, this refusal to be subsumed. Heâd loved it about you. Loved that you werenât impressed by the family name, that you called his father âMr. Targaryenâ with just enough irony to make Aerion grin, that youâd once described the Iron Throne, the actual multi-billion-dollar corporate headquarters he was supposed to inherit one day, as âaggressively phallic architecture.â
Heâd loved it.
Heâd loved it, and heâd missed every warning sign it was turning into something else.
The baby monitor let out a soft crackle as Maekar shifted in his sleep. Aerion looked at the screen, then at the note, then at the empty space on the kitchen counter where your laptop used to live.
He called your apartment. The one youâd kept, the one heâd teased you about, calling it the worldâs most expensive storage unit. It rang until the buildingâs generic voicemail picked up. He hung up and called your mother.
âAerion?â Her voice was surprised but warm. âIs everything alright? Itâs late.â
He opened his mouth to ask if sheâd heard from you, and then closed it. Because if you hadnât told her, he didnât want to be the one to frame this narrative. His wife left him. Left their son. Packed her things and disappeared while he was in another country, shaking hands and making deals, sending you texts you hadnât answered for the last day of his trip. Heâd thought you were tired. Heâd thought you needed rest.
Heâd known, on some level he was still too cowardly to examine, that you were not alright. Had known it for months. Maybe longer. The way your smiles had become performances, the way you flinched when he touched your shoulder unexpectedly, the way youâd started asking for the precise time his flights would land, the exact minute heâd walk through the door. Heâd thought it was love, that meticulous accounting of his time. Heâd thought it meant you missed him.
âAerion?â your mother prompted.
âSorry,â he said, and his voice came out steady, because heâd been trained since childhood to sound steady even when the ground was liquifying beneath his feet. âWrong number. So sorry to disturb you.â
He ended the call before she could respond.
The first week was the hardest, and not for the reasons heâd expected.
Heâd expected fury. Rage was a familiar landscape; heâd grown up in its shadow and its light, the Targaryen temper that burned hot and fast and left ash in its wake. But fury never came. What came instead was a hollow, scooping emptiness, like someone had reached into his chest and removed something vital, leaving the rest of his organs to shift around the space where it had been.
He didnât tell his family.
He called his office and said there was a family matter, heâd be working remotely for the foreseeable future. His assistant, a terrifyingly efficient woman who had been with the company longer than Aerion had been alive, said âOf course, Mr. Targaryenâ in a tone that suggested she knew more than she was saying and would take it to her grave.
He stayed in the apartment. Your apartment. Yours, not his, though heâd lived there for three years now. Heâd never really thought about that distinction before, the way the space was yours even when he occupied it, the way the deed had your name on it in clean black ink. Not his. Never his. He was a guest here, and now he was a guest alone with an eight-month-old baby who didnât understand why his mother had stopped existing.
The nanny came. Her name was Elena, a soft-handed woman in her fifties who had raised four children of her own and never flinched at anything, not even the day Maekar had a blowout so spectacular it had required a bath, a change of clothes, and the complete sanitization of the changing table. Aerion had asked her to come more often that first week, and she had, her dark eyes flicking around the apartment without comment, taking in the absence of you without asking a single question. He was pathetically grateful for that.
But he didnât leave Maekar with her entirely. He couldnât. Some part of him was terrified that if he let the baby out of his sight, he would disappear too, would vanish into whatever void had swallowed you. So he learned.
He learned how to mix formula at three in the morning, squinting at the instructions under the dim light of the range hood. The first few nights, he got the ratio wrong, and Maekar screamed with a fury disproportionate to his tiny body, and Aerion stood in the kitchen holding a bottle that was slightly too warm, slightly too watery, and felt like the most incompetent person who had ever lived.
He learned the difference between a hungry cry and a tired cry and the particular shriek that meant I have a wet diaper and I am personally offended by this. He learned that Maekar liked to be held facing outward, one tiny fist gripping Aerionâs thumb, so he could survey his kingdom with the imperious expression all Targaryens seemed to be born with. He learned the exact bounce-and-sway rhythm that would coax his son from fussing into sleep, a movement that made his lower back ache and his heart do something complicated.
He talked to the baby constantly. It started as a way to fill the silence, which otherwise threatened to swallow him whole.
âYour mother,â he said one night, pacing the nursery with Maekar drowsy against his shoulder, âis the most stubborn person I have ever met. And I grew up with my sister Daella, so that is a competitive field.â
Maekar made a soft sound, somewhere between a coo and a sigh.
âShe once refused to speak to me for three days because I suggested she might enjoy a position at a hedge fund. Three days. We were already engaged at that point. I had to grovel. Me. Groveling.â He shifted the baby to his other shoulder. âI was terrible at it. Not enough practice. You should learn to grovel early, itâs a useful skill. Iâll teach you. Provided you donât disappear on me too.â
The words came out rawer than heâd intended. Maekar, oblivious, drooled onto the collar of his shirt.
âSheâll come back,â Aerion said, to the baby, to the night, to the empty apartment. âShe just needs space. A break. Sheâs beenâŚtired. Youâre a lot of work, you know. Worth it, but a lot of work. And she carried you for nine months, and she was so sick, and I donât think she ever reallyâŚâ He trailed off.
I donât think she ever really recovered, he didnât say. Because that would be an admission. That would be saying aloud that heâd watched his wife drowning and hadnât thrown a life preserver, just stood on the shore and assumed sheâd remember how to swim.
The second week, he found the folder.
He was looking for the pediatricianâs number, Elena had asked, and heâd realized he had no idea where you kept the medical records, when he came across a manila folder tucked between the baby books on the shelf. Inside were printouts. Articles about postpartum depression. Postpartum anxiety. Postpartum psychosis. A checklist of symptoms, some of them circled in your handwriting: persistent sadness, loss of interest, difficulty bonding, intrusive thoughts, feeling overwhelmed, feeling like youâre not yourself.
At the bottom of the folder was a brochure for a maternal mental health clinic. The appointment date on the back was three months ago.
He stared at it for a long time.
He thought about you at three in the morning, nursing a baby who wouldnât latch, your face exhausted. He thought about how youâd stopped laughing at his jokes. He thought about how youâd flinched when he touched you, and how heâd stopped touching you, and how that distance had become a chasm neither of you seemed able to cross. He thought about the business trip heâd taken when Maekar was three weeks old, and the one at two months, and the one at five months, and how youâd asked each time for his exact itinerary, his flight numbers, the moment heâd be back.
Heâd thought you were being thorough, organized. The same way youâd been organized about the engagement party seating chart and the wedding guest list and the nursery color scheme.
Heâd been so, so stupid.
âI found your folder,â he said to the empty apartment. He was standing in the kitchen, the brochure in his hand. Outside, the city hummed with the sound of early evening traffic, everyone going home to their families, their lives intact. âThe one about postpartum depression. You had an appointment. Did you go?â
Silence.
âDid you go, and it didnât help? Or did you not go at all? Were you scared? I would have come with you. I would haveâŚâ He stopped. His voice had cracked.
He was a Targaryen. Targaryens did not crack.
He sat down on the kitchen floor, his back against the cabinets, and called you again. Voicemail. Your voice, still bright, still professional, still so perfectly fine. He hung up and called again just to hear it.
âIâm sorry,â he said after the beep. âI donât know what I did, or didnât do, but Iâm sorry. Please. Just call me. Just tell me youâre alive. I donât need you to come back, I donât need you toâŚjust tell me youâre okay. Please.â
He didnât send it. He deleted the message and recorded another one.
âItâs me. Iâm home. The babyâs fine. Heâs started doing this thing where he scrunches up his face before he sneezes, itâsâŚyouâd laugh. I hope youâd laugh. I hope youâre somewhere safe.â A pause. âIâm not coming after you. I wonât. If you needed to leave, if you needed to get away fromâŚfrom me, from this, from everything, I wonât hunt you down. JustâŚa sign. A text. Anything. So I know youâre breathing.â
He sent that one. Then he sat on the kitchen floor until his legs went numb and Maekar woke up crying for his midnight bottle.
The third week, he took the baby to the park.
It seemed like the kind of thing a competent parent would do. Elena had the day off, heâd insisted, sheâd argued, heâd won, or maybe sheâd let him win because she could see he was two bad nights away from a complete breakdown, and the apartment walls were closing in.
He strapped Maekar into the stroller, a contraption that cost more than some peopleâs monthly rent and that you had spent three weeks researching before purchasing. If Iâm going to push a tiny human around for the next three years, I want it to have good suspension, youâd said, and heâd laughed and kissed your forehead and said you could have whatever stroller you wanted, whatever made you happy, whatever you needed.
Heâd thought that was enough. Saying yes. Giving you whatever you asked for.
He hadnât noticed youâd stopped asking.
The park was crowded with families, children shrieking on the playground, parents slumped on benches clutching coffee cups. Aerion felt spectacularly out of place in his cashmere sweater and Italian leather shoes, pushing a stroller that probably cost more than the playground equipment. A woman with a toddler on her hip gave him a curious look, and he realized he was muttering.
âSorry,â he said, and then didnât know why he was apologizing.
He found a bench in a quiet corner, near a patch of flowers that had seen better days, and lifted Maekar out of the stroller. The baby blinked in the sunlight, his eyes the pale almost-purple that ran in the family, and grabbed for Aerionâs nose.
âNo, thatâs attached,â Aerion said, gently detaching the tiny fingers. âHow about we look at the flowers instead?â
Maekar was not interested in the flowers. He was interested in Aerionâs watch, which he grabbed with both hands and attempted to shove into his mouth.
âThatâs worth more than your nannyâs annual salary, do not put it in your mouth.â Aerion extracted the watch. Maekarâs face crumpled. âNo, donât...here, here, take my finger. Chew on my finger. Everyone chews on my finger lately.â
The baby gnawed contentedly on his index finger, and Aerion felt something shift in his chest. Something painful and warm. He was holding his son in a public park, alone, with no idea where his wife was or when she was coming back or if she was coming back, and he was somehow, improbably, doing okay.
Not well. Not good. JustâŚokay. The okay of a man who had learned to function on four hours of sleep. The okay of someone holding himself together with sheer force of will and the desperate, pathetic hope that if he just kept going, if he just stayed here, if he didnât go back to the family estate and admit defeat, you might come home.
âYour mother has an apartment,â he told Maekar, who was not listening. âDid I ever tell you that? She bought it before we were married. Said she needed somewhere that was hers. I didnât understand it at first. I grew up with everything handed to me, and anything I didnât have, I justâŚtook or asked for or demanded.â He shifted the baby on his lap. âBut your mother, she needed to make things. Build them. Her career, her home, her life. She didnât want to be a Targaryen acquisition. She needed to be her own person before she could be mine.â
He thought about the empty closet. The carefully made bed. The note, which heâd folded and put in his wallet like some kind of tragic token.
âI think I might have been suffocating her,â he said quietly. âWithout meaning to. Without noticing. I think sheâs been drowning for a long time, and I didnât see it, because I was too busyâŚI donât know. Being a Targaryen. Being busy. Being important.â He said the word like it tasted bad. âAnd now sheâs gone and Iâm here, and Iâm coming to the deeply uncomfortable realization that I donât actually know how to be a person without her. She was the one who did that. Made me a person. Made me someone who sat on the floor and changed diapers and worried about things that werenât quarterly reports.â
Maekar pulled his finger out of his mouth and made a questioning sound.
âAnd before you ask, no, Iâm not angry at her. I should be. My father would be apoplectic. Disappearance is not an acceptable exit strategy in the Targaryen family. We prefer dramatic confrontations, ideally in public, ideally with witnesses.â He paused. âBut Iâm not angry. Iâm just...I miss her. Thatâs it. I miss her so much I canât breathe, and I donât know if missing her is enough.â
He didnât go back to the Targaryen residence. His father called, twice, and Aerion let it go to voicemail. His sister Daella texted: Rumors are flying. Are you both okay? He texted back: Weâre fine. Just taking some time. Daella, who had always been able to see through him like glass, sent back a single question mark. He didnât answer.
Because going back to the estate would mean admitting something had gone wrong. That his wife had left. That the perfect Targaryen heir, the golden son, the one who was supposed to carry the family legacy into the next generation, couldnât even keep his marriage together. Was it about the marriage? He didnât know anymore. Maybe it was about something deeper, something that had started before the wedding, before the pregnancy, before the illness that had hollowed you out and left something brittle in its wake.
Youâd always been so careful to maintain yourself. Your boundaries. Your space. Heâd admired it, that unbreachable core of you that remained yours no matter how close he got. And then the pregnancy had stripped everything away. Your body. Your career. Your energy. Your control. And all heâd done was offer to fix it, offer to pull strings, offer solutions that were really just more ways of absorbing you into the Targaryen machine.
I donât want it to be a holdover.
He hadnât understood. He was beginning to.
He spent the fourth week in a strange limbo. Elena came three days a week, and Aerion did conference calls from the kitchen table, Maekar in a bouncer at his feet. The baby had started babbling, a stream of consonants that seemed to contain the secrets of the universe. Aerion talked back. He talked about everything. He talked about how heâd met you at a terrible bar near campus, both of you too overdressed for the venue, how youâd argued about the role of regulation in financial markets and heâd fallen in love with you by the end of the first hour. He talked about the wedding, a small thing that had driven his father to tears of frustration: a Targaryen wedding with only forty guests, Aerion, what will people think, and how youâd worn a suit instead of a dress and looked like the most beautiful thing heâd ever seen.
He talked about the day Maekar was born. How youâd labored for eighteen hours and then needed an emergency C-section, and how the sight of your face, gray with exhaustion and terror, had undone something in him he hadnât known could be undone.
âI should have been there,â he told the baby one night, rocking him in the dark. âAfter. I should have stayed home. I should have noticed. She was asking for my flight times because she was terrified. Not because she missed me. Because she was clinging to the schedule, the predictability, the one thing she could control. And I justâŚleft. Every time. Business trip after business trip. I thought I was providing. I thought thatâs what a good husband did.â
Maekar was asleep, his mouth slightly open, his head a warm weight against Aerionâs chest.
âI am not a good husband,â Aerion said to the ceiling. âIâm trying to be a good father. I donât know if Iâm succeeding. But Iâm trying.â
The message came on a Tuesday, six weeks and two days after heâd found the note on the kitchen counter.
He was making coffee, Maekar propped on his hip, when his phone buzzed. An email. From you.
He almost dropped the baby.
He fumbled the phone open, his heart hammering, and read:
Aerion. Iâm alive. Iâm safe. Iâm getting help. I canât explain everything yet. I needed to leave before I broke something I couldnât fix. I didnât want to break you. I didnât want to break our son. Iâm sorry. I donât know when Iâll be ready. But I wanted you to know Iâm not dead. Please donât look for me. Please donât send anyone. I need this. I need to get better. I need to know I can be a person again before I can be a mother or a wife. I know this isnât fair. I know. Iâm sorry.
Donât let anyone call me a bad mother. Iâm not a bad mother. Iâm just sick. Iâm trying to get well.
Tell Maekar I love him. Tell him every day. Even if he canât understand it. Especially because he canât understand it. Tell him his mother loves him, and sheâs coming back, she just doesnât know when.
He read it five times. Then he sat down heavily on the kitchen floor, his back against the cabinets again, Maekar balanced on his lap and reaching for the phone with grabby hands.
âThatâs your mother,â Aerion said, his voice strange and cracked. âThatâs your mother. Sheâs alive. Sheâs getting help. Sheâs...â He had to stop. His throat had closed up.
Maekar grabbed the phone and tried to put it in his mouth.
Aerion let him. It was waterproof. Supposedly. Then he remembered how you always worried about germs and had to extract it back.
He sat there for a long time, holding his son, the phone getting progressively slimier against his thigh. He thought about calling your mother. He thought about calling his father. He thought about getting in the car and driving to every hotel in the city until he found you, because youâd emailed him, youâd broken your silence, and he could trace the IP, he could hire someone, he could find you in a heartbeat if he wanted.
But youâd asked him not to. Youâd said please. And heâd spent too long not listening to what you were actually asking for.
So he didnât.
He replied instead.
Thank you for telling me youâre alive. Iâve been terrified. Maekar is fine. Heâs perfect. He looks like you when heâs about to cry. I tell him about you every day. Iâll keep telling him. I wonât look for you. I wonât send anyone. Iâll be here when youâre ready. Iâll be here. However long it takes. I love you. Iâm sorry I didnât see how much you were hurting. Iâm sorry I didnât help. Iâm sorry I left. Iâm going to do better. I donât know how yet. But Iâm going to figure it out. Stay safe. Get well. I love you.
He sent it before he could second-guess himself. Then he picked his son up under the armpits and held him at eye level.
âYour mother is coming back,â he said. âI donât know when. But sheâs coming back. And until then, you and I are going to hold down the fort. Can you do that? Can you hold down the fort with me?â
Maekar drooled. It was, Aerion decided, probably an affirmative.
The months that followed were not easy. Nothing about them was easy. There were nights when Maekar woke up every forty minutes for no discernible reason, and Aerion paced the nursery with bloodshot eyes and a running monologue of despair. There were days when the emptiness of the apartment was pressing down on him until he could barely breathe. There were moments when he almost called his father, almost packed up the baby and the bags and retreated to the estate where nannies and housekeepers and family fixers would descend and make everything smooth and easy and wrong.
But he didnât.
Because this apartment was yours. This was the place youâd built with him, your own stubbornness, your own need to be something more than a Targaryen footnote. And if he left it, if he gave up and went home, it would be like admitting you were never coming back. It would be like closing the door on something that wasnât finished yet.
So he stayed.
He learned to cook, badly. He learned to do laundry, and turned half of Maekarâs onesies pink before he figured out the whole separating-colors concept. He learned the names of every pediatrician in a ten-mile radius and the exact temperature at which a babyâs fever required an emergency room visit. He learned that the vacuum cleaner could soothe Maekar to sleep in under five minutes, a discovery that changed his life and also his electricity bill.
He talked to the baby constantly, a stream of consciousness narration that covered everything from stock market fluctuations to the plot of the book he was reading to whatever he remembered of his own childhood, which was mostly cold rooms and colder expectations.
âYour grandfather is not a bad man,â he said one afternoon, sitting on the floor of the nursery while Maekar did tummy time on the play mat. âHeâs justâŚa product of a particular system. Targaryens have been running things for a long time, and weâve gotten very good at it, and weâve also gotten very bad at being people. I didnât realize how bad until I met your mother. She looked at the whole thing: the money, the power, the legacy, and justâŚwasnât impressed. It drove me insane. I wanted her to be impressed. I wanted her to think I was worth something.â
Maekar lifted his head, wobbled, and planted his face directly into the mat.
âExactly my point,â Aerion said. âItâs all just posturing. She saw through it. She always saw through it.â
He thought about the apartment youâd kept, the one that was probably still sitting empty across town, your name on the lease like a declaration of independence. He hadnât been there since you left. He didnât have a key. He wasn't welcome. But sometimes, in the quiet moments between feedings and changings and conference calls, he imagined you there. Curled on a couch heâd never seen. Eating takeout from a container. Slowly, painstakingly, remembering who you were.
He hoped you were. Remembering. He hoped it was working. He hoped, with a desperation that had become as familiar as breathing, that you would come back.
And in the meantime, he waited.
He waited through Maekarâs first word, which was âda,â and which Aerion chose to interpret as âdadâ rather than the more likely ârandom syllable.â He waited through first steps, wobbly and triumphant across the living room floor, captured on video he didnât know if he should send you or not. He waited through the first birthday, a quiet affair with just him and Elena and a cake that Maekar mostly wore rather than ate.
And every night, after he put the baby to bed and the apartment settled into silence, he sat in the kitchen with his phone in his hand and re-read the email youâd sent. Iâm getting help. Iâm trying to get well. Tell Maekar I love him. Heâd memorized it by now, every word, every comma. It was a lifeline. It was a promise.
Iâm coming back, youâd said. I just donât know when.
That was enough. It had to be enough. He would make it be enough, for as long as it took, because you were the one who had taught him how to be a person instead of a Targaryen, and now he was going to be the kind of person who deserved you. Who waited. Who stayed. Who did the work, even when it was hard, even when it was lonely, even when the only witness was an infant who didnât understand a word he said.
He would be here. When you were ready. Whenever that was.
Iâll be here, heâd written back. And he meant it. Every word.
Even the ones he hadnât said out loud yet. Even the ones he whispered to his sleeping son in the dark, a prayer and a plea and a vow all at once: Come home. Come home when you can. Weâll be waiting. Iâll be waiting. I love you. Come home.
a/n: Liked the fic? You can donate on Ko-fi, your support helps me write more: https://ko-fi.com/catbayunthestoryteller <3
summary: you've spent years convincing the bau that your love life is chaotic, casual, and completely detachedâwhile quietly dying every time aaron hotchner looks at you. but when your dating profile attracts the wrong kind of attention and your unit chief is forced to look a little closer, it turns out there are very few things more dangerous than being profiled by the man you're hopelessly in love with.
notes: i've been a little conflicted about posting lately, but... it's my birthday, and i want aaron hotchnerâso here you go! i've been working on this for a while and had a very very smart friend help me with the "profiling" parts (especially reid) so i hope y'all enjoy! i also really wanted to actually write the smut, but this fic hit the block limit so hard and fast it actually hurt. as always, please please let me know what you think!
warnings: swearing / cursing, blushing, italics, reader wears a skirt (and heels), reader has a cat, implied age gap, best friend!reid, some pretentious ranting, horny thoughts, likely incorrect behavioural and psychoanalytical information, likely incorrect technical information (sorry garcia), canon-typical themes (homicide, etc. referred to off page), stalker / stalking behaviour, ambiguous use of "online dating" (because i tried to keep it vaguely around s6/s7 era), kind of rushed ending? and... fade to black / implied sex (iâm so sorry) 18+ only still, mdni.
word count: 19001
MONDAY 9:25AM
Working for the FBI means having secrets is difficult. Working with the BAU makes it downright impossible.
Not because your colleagues are nosyâno, theyâre just⌠perceptive. Which means if you want to keep something to yourself, you need to know how to manipulate their perception. Even if it doesnât work on all of themâyou glance at Reid, already seated at the round table with his nose buried in a bookâat least it works on most of them.
At least, it works on Aaron Hotchner.
Your boss. Your unit chief. The man who absolutely cannot find out about your big, fat, massively inconvenient, deeply inappropriate crush on him.
Reid glances up from his book as you drop into the seat beside him. âYouâre wearing a skirt.â
You cross your legs and lean back. âExcellent observation, Reid.â
âItâs impractical,â he says simply. âEspecially with heels. Your centre of gravity shifts forward by almost fifteen degrees, which shortens your stride length and reduces balance recovery time. Youâre significantly more likely to trip while running.â
You roll your eyes. âGood thing Iâm not planning on fleeing the scene of a crime today.â
âIgnore boy genius, baby girl,â Morgan says as he steps into the room, heading straight for the espresso machine. âYou look good.â
You flash him a grin. âSee? Somebody appreciates me.â
Reid hums as he glances back down at his book. âInteresting how your clothing choices become statistically less practical in direct correlation to Hotchâs proximity.â
Your stomach flips. âSpence.â
He lifts one shoulder. âWhat? Heâs not listening.â
You glance back at Morgan, whose eyes are glued to his phone, brow furrowed just slightly as he waits for the whirring coffee machine to fill his cup.
âThatâs not the point, Spencer,â you mutter, turning back to him. âYou need toââ
The conference room door swings open again and Hotch walks inâfiles tucked under one arm, the rest of the team trailing behind him.
âMorning,â he says, dropping the files on the table. âHope everyone had a good weekend.â
Morgan snorts. âWhat weekend?â
âYeah,â Prentiss mutters, dropping into the seat beside Reid. âI was here until five on Saturday finishing geographical profiles.â
âThatâs because you alphabetise your paperwork,â you point out.
She gives you a look. âI enjoy being proficient.â
âWell,â you say lightly, leaning back in your chair âsome of us managed to finish our paperwork on Friday and still have a very enjoyable weekend.â
Garcia gasps dramatically as she falls into the last empty chair, coffee in hand. âOoh, look at you. Was there a man involved?â
You shrug one shoulder, biting back a smile. âIâm choosing to plead the fifth.â
Morgan points across the table. âThat means yes.â
âOr,â Reid says without looking up from his book, âit means she enjoys making people speculate.â
âAw, Spence,â you tease. âDonât sound so bitter.â
He finally looks up from his book and fixes you with a look so flat it borders on threateningâbecause he knows what youâre doing. Itâs what you always do. Itâs how you manipulate their perception. How you keep your secret.
You perform.
You scroll through dating profiles, talk about men, brag about your weekends without ever being too specific. You flirt with almost everyone on the teamâReid more than the rest, because heâs your scapegoat... and your best friend.
Heâs the only one who can see through the charade. Not because heâs emotionally perceptive, but because he did the math. He noticed the pattern. He realised very quickly that every time Hotch walks into a room or says your name, you react in a way that can only mean one thing:
Hotch is the secret youâre trying so hard to hide.
Because if you give a team of profilers an easy explanationâharmless flirting with a messy dating life and a weakness for attentionâthey wonât notice the way your entire body betrays you whenever your infuriatingly gorgeous boss gets too close.
Hotch clears his throat. âWell, lucky for all of you, itâs a quiet week.â
Reid shuts his book and sets it on the table.
âNo active cases as of this morning,â Hotch continues. âWhich means weâll be catching up on consults, court reports, and the mountain of paperwork everyoneâs apparently been neglecting.â
His eyes meet yours for the briefest second, and your pulse skitters.
âIâm bored already,â Morgan sighs, leaning back in his chair.
Hotch ignores him. âWeâve got two local consult requests from Fairfax County and a follow-up review from the Richardson case. Dave, Iâll need your notes finalised by this afternoon.â
Rossi nods once. âYouâll have them.â
âGarcia,â Hotch continues, âthe Milwaukee office wants that digital forensic review by Wednesday.â
Garcia gasps softly, pressing a hand to her chest. âBut I already colour-coded my entire week. That review wasnât supposed to be due for another fortnight.â
Morgan blinks. âYou colour-code your schedule?â
âObviously,â Garcia says. âHow else would I maintain my sparkling personality under crushing institutional pressure?â
Reid straightens. âTechnically, organising information activates the same reward pathways asââ
âDonât,â Prentiss says immediately.
Reid frowns slightly. âI was just going to say gambling.â
You snort softly before you can stop yourself, covering it quickly with your hand. Reid shoots you a look. Prentiss just shakes her head. And when your eyes finally flick back to the front of the room, Hotch is already watching you.
Not the team. You.
Your stomach twists.
That signature Hotchner scowl should not be as hot as it is. It shouldnât make you cross your legs a little tighter or make your heart race the way it does. You should be used to that scowl by now. Youâre on the receiving end of it often enoughâwhenever you crack a poorly timed joke or flirt a little too hard with Morgan.
Yet somehow, you still feel like you canât breathe until his gaze finally shifts.
âMoving on,â he says evenly, âJJ will forward the consult details after the meeting.â
He spends the next thirty minutes briefing the team on consults and court appearances while you do your best to stay focusedâbut itâs hard. Itâs hard because every time you look at him, your gaze drops to his mouth and your mind fills with all sorts of filthy ideas. Then he starts moving his hands as he explains something and you canât help but wonder what they might feel like wrapped around your waist, your thighs, your throat.
His voice is a low rumble at the back of your mind, warm and firm, but you have no idea what heâs actually saying. All you can do is think about how that voice might sound, wrecked and rough, telling you how pretty you look when youâ
âThe briefing ended three minutes ago,â Reid says.
You blink hard. âWhat?â
He closes his notebook with a sigh. âThe meetingâs over. You can stop internally monologuing now.â
You frown. âIâm notââ
He gives you a look.
âUgh,â you groan. âYouâre so annoying.â
You push up from your chair and walk out of the conference room without waiting for him, but youâre not surprised that heâs right behind you by the time you reach the bullpen. You drop down at your desk with another indignant huff, watching Reid do the same from the corner of your eye.
Everyone else is already settled at their desksâkeyboards clicking, pens scribblingâand thereâs a fresh stack of files next to your computer with a sticky note on top that reads: Fairfax files. Prioritize pages 12â18. â Hotch.
You want to laugh at the little sign-off, as if anyone else would have put these files on your desk. Your fingers trace over the note once before you peel it off and stick it to the bottom corner of your computer screen.
Reid snorts. âYou know most people throw those away, right?â
You glance sideways at him. âI donât want to forget the page numbers.â
He hums. âSure.â
âYou know,â you say, turning your chair to properly face him, âyouâre being particularly judgemental today. Whatâs your problem?â
He stares at you for a moment, then glances back at the sticky note still attached to your monitor.
âIâm experiencing prolonged second-hand embarrassment,â he says plainly. âAnd repeated exposure tends to increase irritability.â
You roll your eyes. âYeah, wellâyouâre increasing my irritability.â
âExactly,â he says, already turning back to his computer.
You glare at the side of his head for a long moment, searching for a comebackâbut your mind is completely blank. So with another irritated sigh, you turn back to your own screen, scoot your chair into the desk a little harder than necessary, and settle in for whatâs shaping up to be a very boring Monday.
The next two hours pass by in a blur of interview transcripts, witness statements, and crime scene photos. The Fairfax County PD files detail the death of a woman in her late thirties who accidentally overdosed in her Reston home early last week. No prior history of substance abuse, financial instability, or high-risk behaviourâuntil forty-eight hours before her death.
In just two days, she withdrew a large amount of money, missed work without explanation, visited several bars sheâd never been to before, and bought herself thousands of dollarsâ worth of expensive jewellery and lingerie.
To anyone else, it might look like some sort of breakdownâan impulsive spiral that led to the kind of recklessness you canât come back from. But to you, the behaviour feels too... artificial. As if someone is trying to construct the narrative of a troubled womanâchecking all the right boxes to give investigators an easy explanation for a tragic overdose.
Only there isnât enough concrete evidence to support your instinct. No stalker. No ex. No clear unsub who could have orchestrated this kind of ruse to cover what might actually be homicide.
You sigh. âReid.â
âHm?â
âTell me if Iâm overthinking this.â
Reid pushes back from his desk and scoots across the narrow stretch of carpet between your workstations. He doesnât stop until his chair bumps the side of your desk, causing your pen cup to topple over and spill across the files youâve got carefully laid out.
âOops,â he says absently, pushing the pens aside.
You roll your eyes and start gathering them while he scans the files.
âThe behavioural shift feels manufactured,â you say, dropping the pens back into their cup. âBut thereâs enough legitimate stressors here that I canât tell if Iâm forcing a pattern because itâs too clean.â
Reid examines the highlighted timeline for another few seconds.
âYouâre focusing too much on the existence of the stressors,â he says. âStress explains escalation. It doesnât explain inconsistency.â
You frown slightly.
âShe suddenly becomes impulsive socially, financially, and sexually, but her organisational habits never change.â He taps the timeline. âShe still pays bills early. Still meal preps. Still attends a dentist appointment two days before her death. Real behavioural deterioration isnât usually selective.â
Your brows lift. âSo, Iâm right?â
Reid nods, leaning back in his chair. âYouâre right.â
âWhatâs she right about?â
You nearly jump at the sound of Hotchâs voiceâlow and even, a little rough around the edges in that way that always makes your stomach tighten.
âShe thinks the behavioural shift is staged,â Reid says. âAnd I agree.â
He scoots back slightly as Hotch leans in, one hand braced on the back of your chair while the other pulls the file closer so he can read it properly. His tie falls forward, brushing lightly against your thighâand suddenly, you canât breathe.
Heâs close. Way too close. You can feel the heat of his breath on your skin. Smell the bitterness of coffee beneath his cologne. Hear the quiet creak of leather from his belt as he leans in further.
âItâs too compartmentalised,â Reid says, his voice more distant than it was just a second ago. âReal behavioural spirals usually bleed into every aspect of a personâs routine. Sleep disruption, missed payments, changes in grooming habits, social withdrawalâsomething.â
Hotch lifts his hand off the desk and presses his thumb to the tip of his tongueâthen flips the page.
Your pulse jumps so hard it almost hurts. Heat crawls up the back of your neck. Your whole body feels too hot, your clothes suddenly too tight, the bullpen too smallâbut you canât move. Not with Hotchâs hand still on the back of your chair.
âBut this is curated,â Reid goes on, tapping the timeline with the end of his pen. âThe impulsive behaviour escalates while the foundational routines stay completely intact, which suggests intentional narrative construction.â
Hotch turns his head just slightly, dark eyes finding yours. âYou caught that?â
You clear your throat. âI just... thought the escalation pattern felt off.â
âHer behavioural analysis is spot on, actually,â Reid says. âI canât find a flaw in it.â
Hotch hums quietly as his eyes move back over the file.
âGood girl,â he says absently.
Your entire nervous system short-circuits.
âKeep it up,â he adds, smoothing his tie as he straightens.
You donât say anything as he turns and walks away. You couldnât even if you wanted to.
Reid just sits there, hands folded in his lap as he watches Hotch disappear into his office before slowly turning back toward you.
âYou know,â he says thoughtfully, âthe age-gap preference is actually more interesting than the authority fixation.â
You finally blink. âWhat?â
âBecause the authority thing makes perfect sense. High-pressure careers tend to reinforce attraction to competence, decisiveness, emotional restraintâespecially in workplace environments where leadership qualities become psychologically linked with safety and stability over long periods of exposure.â
You frown. âWhat are youââ
âBut the older man preference is statistically more complicated because you donât actually display the attachment markers usually associated with paternal absence or instability.â
Your eyes go wide. âSpencerââ
âYou have a healthy relationship with your father, no documented authority issues, and relatively secure interpersonal attachment patterns, which suggests the preference is less psychologically compensatory and more rooted in behavioural reinforcement.â
âReid.â
âFor example,â he goes on, ignoring you completely, âyou spent your formative professional years surrounded almost exclusively by older men in positions of intellectual and behavioural authority. Gideon, Rossi, Hotchâwhich likely created a reinforcement pattern where emotional competence became unconsciously associated with attraction, arousal, and sexual interest.â
You freeze. âReid, I swear toââ
âYou donât react this strongly to older men generally,â he continues. âYou react strongly to Hotch because heâs emotionally controlled, professionally authoritative, intellectually intimidating, andââ
He pauses, tilting his head.
âVery obviously your type.â
You glance frantically around the bullpen, scanning the desks for the rest of your team.
Morgan has his headphones on, completely focused on whatever report heâs typing. JJâs desk is empty, as usualâsheâs probably with Garcia. And Prentiss is only halfway back from the kitchen, still stirring her fresh cup of coffee.
Your gaze cuts back to Reid. âYou are so lucky no one heard that, Spencer.â
He shrugs. âWouldnât matter if they did.â
Your brows pull together. âWhatâs that mean?â
âYouâre good at redirecting attention,â he says, slowly pushing his chair back toward his desk. âYouâre less good at hiding physiological responses.â
Your hand flies up to your cheek, palm pressing flat against the burning skin.
âWhatever,â you mutter. âItâs warm in here.â
Reid glances around the bullpen. âItâs sixty-eight degrees.â
âI hate you.â
âNo you donât.â
You shoot him one last glare before turning back toward your computer, aggressively waking up the monitor with your mouse.
You stay chained to your desk for the next few hours, finishing up the victimology report for the Fairfax files before taking them to Rossi for final review. Then you head out with JJ to grab a late lunch from the deli down the street, and when you get back, thereâs a brand-new stack of files on your deskâonly this time, with a tall takeaway cup of coffee set on top.
âHotch got dragged into some last-minute Section Chief meeting across town,â Morgan says, pushing his headphones down. âSaid he needs those cross-referenced before tomorrow morning.â
âGreat,â you mutter, dropping into your chair.
Morgan chuckles softly as he pulls his headphones back up, turning back to his own pile of reports.
You grab the coffee from the top of the files and find a sticky note stuck beneath itâwritten quickly but still in his unmistakable handwriting: I owe you one. â Hotch.
Your stomach flips.
God. Thatâs pathetic.
You peel the note off and drop it into the top drawer of your desk, not wanting another psychoanalytic lecture from Reid if he were to spot that note stuck to your monitor.
The rest of the day passes the way every other caseless Monday afternoon does. JJâs the first to head outânot long after fiveâtaking advantage of the slow week to spend a little extra time with Henry. Rossi leaves about an hour later, announcing to the bullpen that heâs got a date with a bottle of wine and reruns of his favourite medical drama. Morgan manages to clear the files on his desk before seven, finally putting his headphones away before bidding the rest of the team farewell.
Prentiss and Reid linger until nearly nine, and only when the motion sensor lights blink out does Prentiss finally glance up, realising how late it is. She gathers her things and nudges Reid, whoâs been firmly stuck in hyperfocus mode despite the rest of the world quietly slowing down around him.
âYou coming?â he asks, adjusting the strap of his satchel.
You look up slowly, your brain buffering as it untangles itself from the files spread across your desk.
âNot yet,â you reply, blinking tiredly. âHotch needs these by morning.â
Reid tilts his head. âWant me to wait?â
You wave a hand. âNah, go ahead. Iâll get security to walk me to my car.â
âAlright,â he says, already turning away. âJust remember that positive reinforcement loses effectiveness when the subject becomes emotionally dependent on it.â
You glare at his back. âIâm reporting you to HR.â
âYouâd have to explain the context,â he calls over his shoulder.
You roll your eyes as you turn back to the last file on your desk, taking a deep breath and flipping it open.
With the bullpen almost completely silent and the promise of sleep so close you can taste it, you manage to get through it in record time. You even give it a quick second pass to make sure you didnât miss anything glaringly obvious in your tired stateâbut youâre used to working through sleep deprivation, and by ten p.m., you finally start packing up.
You organise the files back into a neat pile, then open the top drawer of your desk for Hotchâs note. You stick it to the top file and grab a pen, scribbling just below the words he wrote: Dangerous thing to promise me.
And, just as he did, you sign off with your name.
Then you gather the whole stack in your arms and cross the bullpen toward his office. Unlocked, as usual. You nudge the door open with your foot, warm lamplight casting an orange glow over the quiet space. It smells faintly like coffee and his cologneâenough to make your heart start racing the second you step inside.
You set the files neatly on his desk, trying not to linger on the quiet traces of him scattered throughout the room.
Thereâs still half a mug of cold coffee abandoned beside some paperwork, and the cashmere sweater heâd been wearing beneath his jacket this morning is draped haphazardly over the back of his chair. Quiet evidence of just how suddenly heâd been called away.
It makes you feel a little better knowing you really have helped him out.
You adjust the files until theyâre perfectly straight, then take the sweater from the back of his chair and fold it neatly before setting it on the chest of drawers beside his desk. You hesitate for just a second before grabbing the mug of cold coffee and heading out of his office, straight for the break room. You empty it, wash it, dry it, then return to his office, placing it back on his desk exactly where you found it. Then you switch the lamp off on your way out, pulling the door most of the way shut behind youâthe way itâd been before you stepped inside.
It doesnât take long for you to gather your things, head down to security, and badge out. One of the guards escorts you to the parking garage, waiting until youâre safely inside your car with the engine running before he takes the elevator back up.
Once home, you quickly feed the yowling Leiaâyour cat, whoâs very unimpressed by your late arrivalâtake a quick shower, change into your comfiest, threadbare sleep shirt, then crawl into bed with your laptop balanced on your knees. You know you should just try to get some sleep, but youâve been ignoring a few personal messages and emails for a couple days now, and you know that if you donât get to them soon, youâll start to feel guilty.
You open your emails, reply to a couple, then pull up a new browser tab and type in the login address for the dating site Garcia set you up for. Not that you couldnât have set up your own profile if youâd really wanted to.
Noâthis profile is just the unintentional byproduct of your ongoing attempt to redirect attention.
One slow Thursday evening in the bullpen, while youâd been loudly complaining about how impossible it was to meet men with a job like yours, Morgan had the brilliant idea of making you a dating profile. Garcia immediately lit up at the idea, pulling the site up on her computer while Reid launched into a rambling statistical analysis about the probability of finding genuine compatibility online.
Hotch hadnât contributed to the conversation, but youâd known he was listening.
That had been the whole point. You always perform a little harder when Hotch can hear.
The site finally loads and you type in your credentials, waiting a few seconds for your profile to pop up.
Twelve notifications.
You click on the âmessagesâ tab and start scrolling. There are a few old conversations that fizzled out and youâve long since decided not to reply to. There are a couple of messages from people you never intend on starting a conversation with. Then there are two new messagesâones youâd seen pop up on your phone but couldnât be bothered to engage with over the weekend.
After all, youâre not actually looking to date anyone.
But one of the messages catches your eye.
DCRunner00: You seem like the kind of person whoâs either very funny or very mean. Iâm willing to risk it.
You snort, then type out a reply.
You: Unfortunately for you, those traits arenât mutually exclusive.
Just as you hit enter, Leia leaps up onto the bed.
âHey, sassy girl,â you coo, moving your laptop to reach for her.
Your fingers graze her soft coat, and she gives you an incredibly disapproving look.
You roll your eyes. âAlright. Sorry for loving you.â
You settle back against the pillows as she makes her way to the other side of the bed, curling up as far as she can possibly get from you.
Ping! Ping! Two more messages pop up.
DCRunner00: Thatâs probably the best possible answer you couldâve given.
DCRunner00: So whatâs your worst personality trait? I feel like thatâs more interesting than hobbies.
That answer comes a little too easily.
You: Workaholic. You?
DCRunner00: I get bored easily.
DCRunner00: Which usually means I either start running or annoying people for entertainment.
You: Sounds like a public safety issue.
DCRunner00: Depends who you ask.
DCRunner00: You should probably get some sleep, Workaholic. Itâs late.
You glance over at Leia as she rolls onto her side, stretching her front legs, and only then do you realise you were actually smiling at your screen.
You shake your head, typing quickly.
You: Yeah, I should.
You: Night, Running Man.
Then you shut your laptop before he can send another message.
TUESDAY 9:50AM
âMorgan, youâre with me at district court this afternoon,â Hotch says, closing the file in front of him. âThe defence attorneyâs pushing back on the Richardson testimony, so weâll need to review our timeline before the hearing.â
Heâs wearing a grey suit today.
You can never think straight when heâs wearing a grey suit.
Morgan sighs dramatically. âNothing says excitement like four hours in a courthouse basement.â
Hotch ignores him completely.
âJJ, I want the media requests filtered through Straussâs office before lunch. Reid, finish the geographic overlays from the Fairfax case and send them to Rossi when youâre done.â
He glances once around the table.
âIf anything urgent comes in, youâll be notified. Otherwise, continue using this downtime to catch up on reports.â
Then he gathers the files into a neat stack and stands, turning toward the door.
The rest of the room starts moving slowly. Morgan mutters something to JJ about the court hearing, Prentiss turns to Reid, asking something about a case you donât quite catch, and Garcia is already explaining something on her laptop to Rossi, whoâs watching the screen with quiet concentration.
Which leaves you to shamelessly stare at your bossâ ass as he walks out of the room.
âYou should probably blink.â
Your head snaps toward Reid, frown already forming. âIâll blink when I want to blink.â
He presses his lips together to keep from laughing, and you know heâs fighting the urge to launch into some deeply unwanted psychoanalysis of your behaviourâbut thankfully, the rest of the team is still too close for him to risk it.
Eventually, everyone starts filing out of the conference room and back into the bullpen. You end up being the last to leave, behind Reid and Garcia who are chatting animatedly about some new phone app theyâre both obsessed with.
Youâre just about to pass Hotchâs office door whenâyou hear your name.
You turn your head, and he gestures for you to come in.
Reid glances briefly over his shoulder, an irritatingly knowing look on his face as you turn and step into Hotchâs office.
You clear your throat, stopping a few feet from the desk. âSir?â
âHow late were you here last night?â he asks.
You lift a shoulder. âAbout ten.â
His jaw shifts as he leans back in his chair. âThatâs late.â
âMorgan said you needed them done by the morning.â
âI didnât mean first thing,â he says, smoothing the end of his tie. âYou couldâve finished the rest before lunch.â
You blink. âOh.â
His gaze holds yours for a second too long.
âYou donât need to stay late to impress me.â
Your eyes widen slightly before you force out a small, awkward laugh. âOhâuhâgood to know.â
He glances briefly at the navy-blue cashmere sweater still folded neatly on the chest of drawers.
âStill,â he says, lower this time. âI appreciated it. The files, and⌠everything else.â
Your breath catches softly in your throat.
âAnytime, sir,â you manage.
He nods once, then drops his gaze back to the paperwork on his desk.
You donât need any more of a dismissal than that, so you turn quickly and step out, pulling the door shut behind you. He prefers it closed, even if he wonât admit it because he doesnât want the team to think heâs shutting them out. Heâs just more comfortable in privateâit helps him focus.
By the time you get back to your desk, everyone else is already settled and working quietly. Not even Reid glances up or offers a teasing remark.
You drop into your chair and wriggle your mouse, grabbing your phone while you wait for the screen to wake up.
Two new messages from DCRunner00.
DCRunner00: Running Man?
DCRunner00: Great book. Slightly concerning nickname, though.
You canât help yourself, so you type out a quick reply.
You: Better than âWorkaholicâ.
You: You read Stephen King?
âHey, you busy?â
You glance over at Reid. âArenât we all?â
He tilts his head. âYouâre on your phone.â
âI could be working.â
âAre you?â
âNo.â
âGood,â he says, shuffling the files on his desk. âHotch wants us to prep the full geographic and timeline package for the Fairfax files in case it turns into an active investigation.â
You sigh, already pushing back from your desk. âAnd by âusâ you mean...?â
âI could use your help.â
âFine,â you mutter, setting your phone down.
He scoots over as you roll your chair toward his desk, settling in beside him. The files are all laid out, including your victimology report with Rossiâs few annotations. There are crime scene reports, autopsy summaries, witness statements, geographic overlays, and mapsâeverything needed to justify escalating the case into a full BAU investigation.
âWhere do you want to start?â
âIâm trying to rebuild the geographic timeline digitally,â he says, âbut half the field reports were logged out of sequence and now the movement patterns donât align.â
You nod. âOkay, walk me through where it stops making sense.â
Three hours later, you feel like your eyeballs are bleeding. Youâve read the same witness statement at least twenty times now, but with every pass it only makes less sense. How could Annabelle Hutton possibly be placed in two different counties less than forty minutes apart?
âItâs physically impossible,â you mutter, rubbing your eyes.
âWell, depending on traffic conditions, inaccurate timestamp reporting, and the reliability of eyewitness memory retention, there are at least four scenarios where the timeline could still technically work.â
You sigh, leaning back in your chair and staring up at the ceiling. âIf you know so much, then why canât you figure this out?â
He still doesnât turn away from his screen. âI will. Eventually.â
You groan softly, dragging both hands down your face just as a familiar voice cuts through the quiet bullpen.
âNo, listen to me carefully.â
Both you and Reid glance up automatically.
Hotch is walking slowly past the desks with his phone pressed to his ear, expression calm but impossibly stern in a way that immediately makes heat crawl beneath your skin.
âYou donât need to explain the problem again,â he says evenly. âYou need to tell me how youâre fixing it.â
He pauses briefly beside Reidâs desk, listening.
âThen prioritise the transfer first,â he says. âIf the paperwork isnât filed before opposing counsel reviews discovery, the timeline becomes vulnerable and the entire testimony gets picked apart.â
He rests a hand on the partition between the desks, gaze fixed somewhere distant as he listens to the person on the other end.
âNo,â he says after a moment, voice lower now. âIâm not asking you to stay late. Iâm telling you this needs to be finished tonight.â
Your stomach flips.
This absolutely should not be as hot as it is.
âGood,â he says calmly into the phone, straightening again. âCall me when itâs done.â
Then he keeps walking, cutting through the bullpen before turning sharply toward his office.
You stare after him, the thought slipping out before you can stop it. âDo you think he talks you through it?â
âProbably,â Reid says, turning back to his screen. âHigh-control personalities usually prefer maintaining verbal direction in intimate situations because it reinforces predictability and compliance dynamics.â
You go still. You hadnât actually expected an answer.
âSomeone like Hotch would probably place a pretty high psychological value on responsiveness,â Reid continues. âThe immediate compliance aspect reinforces authority, which means verbal direction would likely become part of the overall intimacy dynamic rather than just communication.â
Your face heats.
âEspecially because heâs not impulsive enough to rely on unpredictability. Heâd want constant awareness of how the other person is responding emotionally and physically, so talking them through things would help maintain control of the situation while also reinforcing trust.â
Oh my God.
âAnd honestly,â Reid goes on, âpeople with highly structured leadership personalities usually develop pretty strong positive associations with obedience because it confirms stability, attentiveness, emotional investmentââ He pauses briefly. âWhich means heâd probably find it disproportionately attractive when someone follows instructions immediately or responds well to praise because it validates both the authority dynamic and the emotional trust beneath it, so statistically speaking heâdââ
He stops.
Then slowly turns toward you.
â...I crossed a social boundary somewhere in there, didnât I?â
You nod slowly, your voice coming out unnaturally high. âJust a couple.â
He sighs, dropping his chin slightly as he turns back to his screen.
You huff out a breathless laugh and lean back in your chair again. You need a minute to recover from that, because now youâre hot all over and the only thing you can think about is your boss hovering over you, praising you in that low, steady voice while his hand settles around your throatâ
Fortunately, it doesnât take Reid long to start rambling about geographic overlays again. You do your best to focus on what heâs saying, but after another hour of scrutinising the timeline inconsistencies, you decide you need an actual break.
You grab your phone and your jacket and head out of the office, sending a quick text to the team chat asking if anyone else would like a coffee from the cafe down the road. Itâs a thousand times better than break room coffee.
When you step out of the elevator on the ground floor, you bring up your messages with DCRunner00. Youâre not sure why, because normally you only check your profile when you feel like you need to keep up the act, but something about this guy keeps making you want to reply.
DCRunner00: Iâve read a few.
DCRunner00: What does a workaholic do for fun?
You type your reply as you step out of the building.
You: Work, mostly.
You: And sleep.
By the time you return to the office with a tray of four coffees, you have two new messagesâbut you canât reply to them until you set the tray down at your desk.
âThanks, pretty girl,â Morgan says as he takes one, flashing you a grin.
You smile back. âAnything for you, gorgeous.â
Then you pull your phone out of your pocket and bring up the message thread.
DCRunner00: Whatâs your schedule even like?
DCRunner00: You strike me as an âanswers emails at midnightâ type of person.
You: Nah. Thatâs my boss.
You: My schedule is chaos, though.
âThanks,â Reid says as he takes his coffee, leaving only two.
You set your phone down and take the last two coffees out of the tray, leaving one at your desk before taking the other to Hotchâs office. You can see through the window that heâs not on the phoneâfor onceâso you knock twice on the slightly ajar door before stepping inside.
He glances up, his brows pulling together slightly. âI didnât ask for coffee.â
âI know,â you say quickly. âBut itâs almost three, and you always need another coffee around three, and I figured you probably didnât answer the team message because you still feel bad about me staying so late last night, which you shouldnât, by the way.â
He straightens, brows drawing tighter.
âAnd I know youâve got court with Morgan this afternoon, and youâre going to try to leave early, but someoneâs definitely going to call at the last second and derail that plan, so youâll only have enough time to get to the courthouseânot enough time to stop for coffee.â
You set the cup down in front of him.
âSo,â you tilt your head, âcoffee.â
He leans back in his chair, studying you for a second.
âThatâs some pretty solid profiling, Agent.â
Your face heats instantly.
âWell,â you say, backing slowly toward the door, âmaybe now you owe me two.â
The corner of his mouth lifts, just slightly, but itâs enough for the butterflies in your stomach to explode. You canât help but grin as you turn away, slipping quickly out the door before your lungs forget how to work entirely.
You spend the rest of the day at Reidâs desk, finishing the case package for the Fairfax files and complaining about unreliable witnesses. Hotch and Morgan head off to court just after three, announcing to the rest of the team that they wonât be back. JJ is the first to head home again around five, followed by Prentiss, then Rossiâthen you and Reid finally decide to call it a day just after six.
Which is also when you finally check your messages again.
DCRunner00: Chaos how?
You type a quick reply while you wait for your carâs AC to warm up.
You: Long hours.
You: Weird hours.
You: And a deeply unhealthy relationship with caffeine.
Then you tuck your phone away and head out of the parking garage.
Leia is already yowling by the time you step through your apartment door. Sheâs always hungry, even though she has an automatic feeder for dry foodâbut apparently that isnât good enough. She prefers the wet stuff.
You quickly peel open a packet of fishy-smelling chicken jelly sludge and drop it into her bowl before washing your hands and moving into your bedroom. You flip the ensuite light on and start the shower, pulling your phone out of your pocket while you wait for the water to warm.
DCRunner00: Ah. So youâre one of those people.
You: Rude.
He replies almost immediately.
DCRunner00: Accurate, though?
You: Unfortunately.
You drop your phone on the bed and start undressing.
Ping!
DCRunner00: What do you actually do?
You hesitate. Itâs not like you can just say youâre in the FBI. Contrary to what some people might think, real FBI agents canât just go around bragging about their highly classified work status. Itâs dangerous.
You: Mostly admin.
You: Governmental stuff.
You toss your phone back onto the bed and turn into the steamy ensuite. You shower quickly, dry off, run product through your damp hair, then pull on a shirt and a pair of sweatpants before heading back out into the kitchen.
Youâre not in the mood to cook tonight, so you grab a protein bar out of the cupboard and start boiling the kettle while you check your phone for what feels like the hundredth time.
DCRunner00: Sounds boring.
DCRunner00: Do you get days off, though?
You drop a teabag into your mug before typing out a reply.
You: Sort of.
You: But if my boss calls, I answer.
He replies instantly again.
DCRunner00: Iâm starting to think you secretly enjoy being overworked.
You: I think Iâd get bored otherwise.
You pour the boiling water into your mug and watch his next reply pop up.
DCRunner00: That sounds suspiciously unhealthy.
You: Probably.
What about you? What do you do?
You tuck your phone into your pocket, then grab your tea and protein bar and head to the couch. Thereâs nothing youâre really interested in watchingâsince you donât usually have the time to keep up with any showsâso you turn on the nightly news before grabbing your laptop and pulling up a new browser.
Heâs already replied by the time you log in.
DCRunner00: Run.
DCRunner00: Read.
DCRunner00: Annoy people professionally.
You: That sounds made up.
You open your protein bar.
DCRunner00: It mostly is.
DCRunner00: So your boss actually calls you outside work hours?
You hesitate at the sudden redirection. Most men on dating apps prefer talking about themselves. Their jobs, hobbies, gym routines, childhood dogsâwhatever makes them seem interestingâbut this guy seems far more interested in observing than being observed.
You type out a vague response.
You: Sometimes.
You: Occupational hazard, I guess.
DCRunner00: And you always answer?
You: Pretty much.
You: Heâd only call if it mattered.
His next reply takes almost two minutes to come through.
DCRunner00: Hm.
DCRunner00: Iâm starting to think your boss gets more attention than I do.
You almost choke on your tea.
Thatâs... weird.
Maybe you have mentioned your boss a little more than strictly necessary, but heâs the one asking all the questions about your job. Itâs a little hard not to mention your boss when your life practically revolves around himâin more ways than you care to admit.
You: Jealous already, Running Man?
DCRunner00: Should I be?
You sit up straighter, suddenly a little nauseous.
You: I think youâre spending too much time talking to strangers online.
DCRunner00: Maybe.
DCRunner00: You still replied, though.
âOkay,â you say, startling Leia who was half-asleep on the other end of the couch. âThatâs enough.â
You: Iâm going to sleep.
You: Try not to spiral while Iâm gone.
His last message pops up just before you shut your laptop.
DCRunner00: No promises.
WEDNESDAY 8:10AM
âCome on,â you mutter, mashing the elevator button for the doors to close.
Youâre a whole thirty minutes earlier than usual this morning. You didnât even make a coffee in your travel mug before running out the door. You just woke up, brushed your teeth, checked your messagesâand decided you needed to talk to Garcia immediately.
âHeyâwoah.â Reid steps out of your way as you rush into the bullpen. âYouâre early.â
You drop your bag on your desk and quickly shrug off your jacket.
âIs Garcia in yet?â
He frowns slightly. âI think so. Why?â
You pull your laptop out of your bag.
âI justâI need her.â
Youâre already walking away before he can press any further, moving back through the bullpen with your laptop hugged against your chest. Youâre just about to round the corner toward the elevators whenâ
âHeyââ Hotch stops short just as you nearly run into him. âSlow down. You alright?â
His hand is hovering near your waistânot quite touching, but close enough for you to feel its warmth.
You blink up at him. âSorry. Yeah. Uhâtotally fine. Just going to see Garcia about... a case.â
His brows pull together slightly.
âAlright, well, Garciaâs not going anywhere,â he says evenly. âTake a breath.â
You nod slowly, already stepping around him.
âRight,â you mutter. âBreathing. Got it. Sorry, sir.â
You can almost swear you see the corner of his mouth liftâbut then the elevator dings behind you, and you have to hurry to slip through the doors before they slide shut.
It feels like an eternity before they finally open again, but once they do you practically sprint down the hall to Garciaâs lair and burst through the door without warning.
She startles so hard she nearly drops her coffee. âSweet mother of encryption, knock first!â
âSorry,â you say, breathless. âI need you.â
âWell, obviously,â she mutters, checking her shirt for any spills. âIâm the backbone of this entire operation.â
You drop down into the spare chair and open your laptop, setting it on her desk.
âYou cannot judge me for what Iâm about to show you.â
She glances up, brows lifting. âOh. So this is serious?â
You grimace. âI donât know.â
âOkay,â she says slowly. âSlightly less reassuring than I was hoping for. Tell me whatâs happened.â
You take a deep breath, then let it out in a rush.
âYou remember the dating profile you set up for me?â
She nods.
âAlright, so, I wonât lie, I havenât really met anyone on there yet, but I check the messages occasionally. When Iâve got time, you know? And I donât have a whole lot of ongoing conversations, but this one guy sent me something that was kind of funny, so I responded, and the conversation was pretty normal for the most part. I couldnât reply all that quickly, but he didnât seem to mind.â
You shift awkwardly, scooting your chair closer to her desk.
âNothing really felt out of place untilâwell, he wouldnât talk about himself much, which is strange because most people on dating apps are usually more interested in presenting themselves than gathering information. He kept asking questions about my job, actually. Not that my job is on my profile, but he was really curious about my schedule, orâI guessâlack of schedule.â
You wince.
âSo now that I think about it, that was probably the second sign something might be off. Or maybe he just wanted to meet up, I donât know.â
You hesitate.
âBut then he sent me this message at like... two a.m.â
She squints at the screen.
DCRunner00: Bet you answer your boss faster than you answer anyone else.
âMmm. Nope. Donât love that,â she says, shaking her head. âThat is not a normal amount of emotional investment for a stranger.â
You sink back in your chair. âThatâs what I thought.â
She starts scrolling back through the messages.
âHave you told Hotch?â
âNope.â
She glances at you from the corner of her eye. âYou answered way too fast for that to be a normal response.â
âBecause the answer is no,â you say firmly, leaning forward again.
âMm-hm.â She keeps scrolling. âOkay, well... technically this could still be nothing. He could just be some lonely basement cryptid with Wi-Fi and poor social skills.â
You groan, dragging both hands over your face.
âYou do mention Hotch kind of a lot.â
Your head snaps up. âHeâs my boss.â
Garcia gives you a long look.
âOkay,â she says slowly. âSure.â
âGarcia.â
âIâm just saying, if a man talked about a woman this much online, weâd all be making faces.â
You point at the screen. âFocus.â
âRight. Yes. Creepy internet man. Sorry.â
Her expression settles into something more focused as she turns back toward her array of monitors.
âOkay. Hereâs what weâre going to do. Donât block him yet.â
You sigh. âI donât love that idea.â
âNeither do I, babycakes, but if heâs routing through the website normally, I might be able to pull connection data if we keep him talking long enough.â
You frown. âIn English?â
She gives you another look. âTimestamps, login patterns, regional pings, possible VPN usage, device signatures if he slips upâbasic digital stalking fun.â
âOh, of course,â you say sarcastically. âNormal stuff.â
âFor me, it is normal.â She points toward the laptop. âNow reply to him. Something casual. I want to see if he responds immediately again.â
Your fingers hover over the keys for a second before you type out your reply.
You: I thought I told you not to spiral.
He replies so fast that even Garcia flinches.
DCRunner00: Relax. It was a joke.
DCRunner00: Mostly.
She stares at the screen. âOkay, I officially donât like him.â
You lean back in your chair again, nausea twisting low in your gut. âI feel sick.â
Garciaâs expression softens slightly. âMaybe you should tellââ
âNo.â
She sighs quietly. âOkay. Fine. Can you keep replying from your phone?â
You nod.
âGood. Donât overdo it, just enough to keep him engaged.â Her fingers start flying across the keyboard. âIâll work my magic down here and call you if I find anything.â
You push yourself out of the chair, clutching your phone a little tighter.
âYouâre the best, Pen.â
âI know.â She waves a hand without looking away from her screens. âNow go pretend to be emotionally stable upstairs.â
By the time you get back to your desk, almost everyone is already in the conference room ready for the morning briefing. You drop your phone beside your keyboardâtoo anxious to have it with you during the meetingâthen quickly unpack your things and grab a notebook before making your way up.
Reid nods at you from his usual seat, gesturing to the empty one beside him.
âHey,â you mutter as you drop down next to him.
His brows pull together. âEverything alright?â
You nod. âYeah. Fine. Iâll explain later.â
Hotch keeps the morning briefing quick. He goes over yesterdayâs court hearing, outlines the Fairfax briefing package in case it escalates into an active investigation, then gets JJ to run through the highest priority consultation requests.
You spend most of it toying with a loose thread on the cuff of your blouse. Youâre pretty sure itâs the first briefing in years where you havenât spent at least part of it staring at Hotch instead of your notesâand when the room finally relaxes and everyone starts to filter out, Reid turns to you.
âOkay, now Iâm concerned,â he says.
You glance at him. âWhy?â
âYou didnât look at Hotch once during that entire meeting.â
You roll your eyes. âSpenceââ
âSomething must be seriously wrong.â
You let out a long exhale, glancing briefly around the almost empty room. Only Morgan and Rossi are left, halfway to the door, deep in discussion about something that happened at the court hearing yesterday afternoon.
âOkay,â you say quietly, turning back to Reid. âIâm having some... trouble, I guess, with a guy.â
His brows shoot up. âA guyââ
âOnline,â you add quickly.
He tilts his head. âIâm confused again.â
You sigh. âRemember that dating profile Garcia set up for me?â
âYou mean the profile you allowed Garcia to create as part of your increasingly unsustainable performative dating strategy?â
You glare at him. âYes. That one.â
âThen yes, I remember it very clearly.â
âWell,â you mutter, pinching the bridge of your nose, âI had this guy message me a couple days ago. It was normal at first but now itâs gotten... weird. So, Iâm getting Garcia to look into it.â
His forehead creases. âHave you toldââ
âNo.â
âMaybe you shouldââ
âI said no.â
âAlright.â He raises both hands in surrender. âOkay. Iâm dropping it. Itâs justâŚâ
You narrow your eyes at him.
âWell, statistically speaking, the majority of uncomfortable online interactions donât escalate into actual stalking behaviour. Most people displaying premature emotional fixation online are socially isolated rather than violent.â
You lift a brow, waiting for the punchline.
âHowever,â he adds, âcyberstalking offenders also tend to develop parasocial attachments disproportionately quickly because the perceived emotional intimacy bypasses a lot of normal social barriers, which means escalation patterns can become highly personalised in a very short period of time.â
You stare at him.
âIn cases where the fixation becomes grievance-oriented, the offender is usually highly organised rather than impulsive, so the behaviour tends to be significantly more deliberate and psychologically targeted.â
He pauses, frowning faintly.
âThat was supposed to be reassuring.â
ââŚThanks, Reid,â you mutter, turning away from him slowly. âNow I feel so much better.â
When you get back to your desk, you decide itâs time to reply again. You grab your phone and bring up the messages, taking a minute to think about what to typeâknowing Garcia will be seeing the conversation too.
You type out the only mildly casual response you can think of.
You: Youâre weird.
He replies just as fast as usual.
DCRunner00: You disappear a lot.
You: Workaholic, remember.
You: I told you my schedule was chaos.
Youâre about to turn your phone over on your desk when a different notification pops upâfrom Garcia.
Garcia: If this is your version of flirting, baby girl, I think I just figured out why youâre still single.
You snort softly, typing out a quick reply.
You: Trust me, thatâs not the reason.
Garcia: So there IS a reason?
You: Shh. Iâm working.
Garcia: Boo!
You huff another quiet laugh as you turn your phone over, nudging it toward the edge of your desk in the hopes that you might be able to focus on work rather than creepy internet man for at least a few hours.
It doesnât work.
Barely half an hour later, you lift your phone to check for another notificationâbut thereâs nothing there. You pull up the message thread again and scroll up, checking the timestamps to see if heâs ever gone quiet on you beforeâbut he hasnât. Not really. So you type another message.
You: You went quiet. Should I be concerned?
Itâs a calculated move. If heâs paying attention to response patternsâand at this point youâre pretty sure he isâthen following up first helps maintain the illusion that nothing has changed. No sudden distance. No obvious discomfort. No reason for him to think youâre pulling away.
If he is dangerous, the last thing you want is for him to feel rejected.
An hour later, Rossi drops a legal pad onto your desk, asking you to take another look at a witness timeline that doesnât feel rightâwhich keeps you occupied for a good forty-five minutes. Then Morgan leans over the partition between your desks, asking if you can translate Reid into English. That takes up another hour of your day, and by the time you grab your first afternoon coffee, youâve got three notifications.
One is a missed call from Garcia. The other two are from creepy internet man.
DCRunner00: Depends. Are you worried about me?
DCRunner00: Blue looks good on you, by the way.
Your stomach drops. âOh my God.â
You immediately call Garcia back.
She answers on half a ring. âAre you wearing blue?â
âYou saw me this morning.â
âI canât remember,â she says. âAre you?â
You drag a hand through your hair. âYes.â
âHoly shit,â she whispers. âYouâve got to tellââ
âNo.â
âAre you insane?â
âMaybe, butââ You squeeze your eyes shut for a second. âOkay, justâhear me out. Blue is a statistically safe guess. Itâs a neutral professional colour with high frequency in workplace attire, especially in government buildings.â
Garcia goes quiet for a second.
âAnd does this unsub know you work in a government building?â
âDonât call him that,â you snap. âAndâwell, kind of. I didnât tell him exactly, but I said... government adjacent.â
âI swear to God,â she mutters, âif I have to identify your body next week, Iâm going to kill you.â
You press your free hand against your forehead.
âYou wonât,â you say firmly. âAlright? Weâre getting ahead of ourselves.â
Garcia scoffs loudly.
âSeriously,â you insist. âIt could still be nothing. A weird coincidence, maybe an awkward guy with boundary issues and too much free time. We deal with actual predators every day. I can handle a few creepy messages.â
The line goes quiet againâthen she sighs.
âWhy are you so against telling Hotch?â
âBecause I donât want to bother him,â you say quickly. âWeâve got a quiet week, he finally seems slightly less stressed, and I donât want to cause a whole fuss over something that might turn out to be nothing.â
She sighs again, louder this time. âFine. I wonât go to Hotch.â
Your shoulders sag. âThank you.â
âOn one condition,â she adds. âIâm sleeping over tonight.â
You nearly choke. âWhat?â
âNon-negotiable.â
âPenelope, thatâs insane.â
âNo,â Garcia says firmly, âwhatâs insane is you trying to casually explain away potential stalking behaviour while actively refusing to inform your unit chief.â
âHe is not stalking me,â you protest, keeping your voice low.
âMm-hm.â
âYouâre overreacting.â
âAnd yet,â Garcia says, âif you die, I become morally complicit because I knew about creepy internet man and failed to intervene.â
You frown. ââŚMorally complicit?â
âAccessory to murder-adjacent,â she corrects. âAnd my guilty conscience requires eight hours of sleep minimum, so congratulations. Weâre having a slumber party.â
You let out a long sigh. âOkay. Fine.â
She hums, satisfied.
âI need to reply to him again.â
âWell, donât ask me,â she mutters. âYouâre the one whoâs apparently fluent in creepy internet freak.â
You laugh despite yourself. âThanks, Pen.â
âMm-hm. And just so weâre clear, tonight we are watching wholesome romantic comedies and eating enough sugar to kill a Victorian child.â
âI was actually thinking psychological thriller marathon.â
âAbsolutely not.â
You smile faintly, leaning back in your chair. âFine. Romantic comedies it is.â
âGood,â Garcia says firmly. âNow hang up before I change my mind and march upstairs to Hotchâs office myself.â
You roll your eyes as you hang up, then open the message thread again. You donât have to think too hard about what to type. You donât want to escalate or accuse him, but you need him to stay engaged. You want him to explain himself to see how he reframes the behaviour.
You: Lucky guess.
The next few hours slip by in a strange blur of routine tasks and fragmented conversations.
At about three oâclock, Prentiss drops a file on your desk and asks if you can double-check a victim timeline while sheâs stuck on the phone with Chicago. Then Rossi calls you into his office to sanity-check a profile theory heâs working through out loudâwhich means fifteen minutes of listening to him argue with himself while you sit there trying not to focus on Hotchâs voice through the wall.
When you finally get back to your desk, Reid spends twenty minutes walking you through a probability model nobody asked for but everyone somehow ends up listening to anyway. He only stops when Hotch appears, carrying a stack of files from the Richardson case he wants Morgan to look over before he signs them offâand for the first time in God knows how long, you donât stare shamelessly at his ass as he walks out of the bullpen.
By six p.m., JJ and Rossi are gone, Prentiss is helping Morgan with the Richardson files, and Reid is building a tiny tower out of paperclips while he reads over a file Rossi dropped on his desk before he left.
At exactly six-fifteen, your desk phone rings.
âHello?â
âPack your things, baby girl. Your government-issued sleepover is about to begin.â
You snort softly. âAlright. Iâll see you soon.â
You hang up the phone and start clearing your desk, organising paperwork into piles and packing away stationery while you wait for your computer to shut down.
âSee who soon?â Reid asks.
You glance at him. âGarcia.â
He tilts his head.
âSheâs staying over tonight.â
His brows lift. âBecause of your stalkââ
âGirlâs night,â you interrupt, eyes widening. âThatâs all.â
His gaze narrows. âShould I be worried?â
You scoff. âAbout me? Never.â
You slide your arms into your jacket then finally pick up your phone, finding two new notifications from creepy internet man waiting for you.
âReally?â Reid asks, turning his chair to face you. âBecause youâve spent most of the day staring at your phone like itâs a bomb, you spent most of Rossiâs profile discussion peeling the label off your water bottle instead of contributing, and you reorganised the same stack of paperwork three separate times.â
You pause mid-motion.
âAlso,â he continues, âyou usually correct Morgan when he misquotes case statistics and today you let him do it twice, which honestly might be the most concerningââ
âOkay!â you cut in quickly, slinging your bag over your shoulder. âGood talk. Love the observational skills. Bye.â
He doesnât say anything else as you walk away, murmuring goodbyes to Morgan and Prentiss as you pass, but you can still feel him watching you. Youâre just about to press the button for the elevator whenâ
âAgent.â
You stop automatically, turning to find Hotch with a file tucked under one arm and that signature frown etched between his brows. Only this time it isnât frustrated or disapprovingâitâs curious.
You force a small smile. âSir.â
His eyes move over your face briefly. âYou alright?â
You nod once. âOf course.â
He takes a step forward, his voice dropping lower. âYou sure?â
Your breath catches.
Heâs close now. Too close. You have to tilt your head back to meet his eyes. You can smell his cologne, feel his warmth, count the beauty marks dotted across his cheek.
âYouâve seemed distracted today,â he says.
You swallow hard. âUhâno. No. Sorry, I justâI didnât get much sleep last night.â
His brows draw a little tighter, and he opens his mouth as if heâs about to say something elseâpress harder, maybeâbut then seems to think better of it.
âAlright,â he murmurs. âGet some rest tonight.â
Then he nods once and steps back, his jaw tightening for just a second before he turns away.
You donât move immediately. You canât. Your mind is reeling, your pulse is still hammering, and your breath is caught somewhere between your ribs while your lungs try to remember how to work.
âHello?â Garcia calls from behind you. âI cannot hold these doors forever, babycakes.â
You shake your head. âShit. Sorry.â
You turn and hurry into the elevator, slipping in beside her just before the doors slide shut.
For a moment, neither of you says anything.
Thenâ
âSo, that thing you said earlier about there being a reason youâre still singleâŚâ
You shut your eyes. âPenelope.â
âIâm just saying,â she continues lightly, âunless I hallucinated whatever just happened in that hallway, Iâm starting to develop theories.â
You ignore her, watching the numbers on the elevator slowly descend like counting down the days you have before the entire team figures out your secret. Because if this guy really is a creep, if you do have to tell Hotch, then itâs only a matter of time before the BAU are dissecting your dating life and realising what a ruse it really is.
And you know better than anyone that once these profilers start looking too closely at something, they rarely stop until theyâve pulled it apart completely.
The second you step through the door to your apartment, Garcia rushes past you to sweep the place. Leia startles almost immediately, running from the couch to your bedroom while Garcia complains about the fact that Leia is the only cat sheâs ever met that doesnât like her.
âLeia hates everyone,â you tell her, kicking your shoes off by the door. âEven me.â
Garcia just rolls her eyes, continuing from room to room to check the window locks and balcony doors.
Once sheâs satisfied that everything is secure, she sets her laptop up on your kitchen counter and starts running a program that looks like hieroglyphics to you.
âHave you seen his latest messages?â she asks.
You shake your head, setting your phone on the counter. âNo.â
She opens your laptop and logs into the dating siteâbecause apparently she knows your password now.
DCRunner00: Maybe.
DCRunner00: Or maybe youâre just easier to read than you think.
You type out the first response you can think of, not wanting to seem like youâre overanalysing this.
You: Or maybe Iâm just not trying so hard to be mysterious.
Garcia then spends the next ten minutes trying to explain her process to you in terms that almost make sense. So far sheâs managed to narrow him down to a general region through login patterns and routing behaviour, but she still canât lock onto a direct IP address. Not because she canâtâapparently that part would actually be pretty easyâbut because doing it properly would mean running requests through systems that leave a trail. And right now, this definitely isnât an official investigation.
âThe second I start pulling the fun federal strings,â Garcia says, typing furiously, âthereâs paperwork, access logs, oversight, and approximately twelve thousand ways for this to become a whole thing.â
You lean against the counter. âWe donât want that.â
âNot yet.â Her expression sharpens slightly. âAlso, if creepy internet man is more sophisticated than he seems, thereâs always a chance heâs monitoring for targeted tracing attempts. If he realises someoneâs looking too closely at him before we know who he is, he could disappear completely.â
Your stomach twists. âOr escalate.â
You spend the next couple of hours keeping creepy internet man engaged while Garcia rambles tech jargon that makes less sense the longer the night wears on. At some point, you order pizza, then you migrate to the couch, and eventually you both end up sitting through the credits of Two Weeks Notice while waiting for one last reply in the hopes that he might finally answer something about himself.
DCRunner00: Refreshing
DCRunner00: Most people hide too much.
You: Depends what theyâre trying to hide.
DCRunner00: What are you trying to hide?
You: Besides the fact that Iâm exhausted? Nothing.
DCRunner00: You seem distracted tonight.
You: Long day.
DCRunner00: I noticed.
You: How was yours?
You wait until almost midnight before finally deciding to call it a night.
Garcia checks all the windows and doors again while you brush your teeth and change into pyjamas. When you step back out of your bedroom to say goodnight, Garcia is trying her hardest to lure Leia onto the couch with her, but Leia is very stubbornly curled up beneath the TV unit.
âNight, Pen,â you murmur, rubbing your eyes. âThanks again... for everything.â
âNight, gorgeous,â she calls, peering over the back of the couch. âWake me up if you hear literally anything suspicious. Or if Leia finally decides itâs my time.â
You laugh softly, blinking slowly as you turn back into your room and fall face first into bed.
THURSDAY 6:45AM
Youâre not sure whether to be relieved or concerned when you wake up to no new messages from creepy internet man. He hasnât gone quiet for this long beforeâbut if he is just a normal, slightly awkward guy with boundary issues and an internet connection, well... itâs not that hard to believe he might just be sleeping.
Garcia is already up making coffee by the time you step out of your room, trying to bribe Leia out from under the couch with a tube of tuna paste.
The second she sees you, she jumps up and launches into another long-winded explanation about login activity and movement patterns across different access points. Apparently, creepy internet man logged in from three different geographical locations over the course of a few hours last nightâwhich is normal, right? That means he was out doing normal human things, not just lurking in his motherâs basement, stalking women online.
Garcia isnât entirely convinced that him moving locations is enough to get him off the hook as the BAUâs next unsub, but it at least shuts her up until youâre both back at the office.
âHey,â Reid says as soon as you walk into the bullpen. âYou havenât been murdered.â
You frown slightly. âGood morning to you too, Spence.â
Morgan glances up from the file on his desk. âUhâwhy are we getting murdered?â
Reid gestures vaguely in your direction. âBecause sheâs potentially being cyberstalked by aââ
âOh, wow, look at the time,â you interrupt, glaring at Reid. âWouldnât it be such a shame if we all started minding our own business right about now.â
Prentiss turns in her chair, brows raised. âCyberstalked?â
âNobody is cyberstalking anybody,â you say as you drop into your chair. âAnd nobodyâs getting murderedâbut great start to the morning, everyone. Love the energy. Now leave me alone.â
Morgan chuckles quietly. âDamn. Thought you said you got laid last weekend.â
Your hands slip off the desk as you try to pull yourself closer.
âTechnically,â Reid says, âshe only implied it by refusing to answer Garciaâs question during Monday morningâs briefing.â
âAh.â Morgan leans back in his chair. âI knew this was a drought issue.â
You scowl at him. âA drought issue?â
âStatistically speaking,â Reid adds, âpeople experiencing prolonged romantic or sexual dissatisfaction often display lower frustration tolerance and increased agitation in familiar social environments.â
Morgan looks at him. âMan, just say she needs to get laid.â
âOh my God,â you snap. âI do not need to get laid. I am having a completely normal amount of sex already, thank you very muchâand frankly I think itâs deeply inappropriate that youâre all this invested in whether or not Iâm orgasming regularly.â
Reid tilts his head. âYouâre having sex?â
Morganâs brows shoot up, Prentiss chokes on her coffee, and you open your mouth to fire back at him whenâ
Someone clears their throat behind you.
Heat crawls violently up your neckâbut you donât turn around. You canât.
âBriefing room. Five minutes,â Hotch says, his voice dangerously even. âJJâs got an update on the custodial interview with Wallace.â
Morgan presses a fist against his mouth, tryingâand failingâto smother the strangled sound of laughter.
Very slowly, you turn in your chair.
Hotch is standing at the edge of the bullpen with a coffee in one hand and a file in the other. His expression is almost perfectly composed, but thereâs something dangerous lurking beneath itâsomething suspiciously close to amusement in the tightness of his mouth.
âBe right there, sir,â you blurt, lifting two fingers to your forehead in the most ill-timed attempt at a salute the FBI has ever seen.
Hotch just looks at you, the muscle in his jaw jumping once before he turns away.
You want to die.
The second his office door clicks shut behind him, Morgan drops his fist and smacks his palm flat against the desk with a choked laugh.
âOh, you are never recovering from that,â Prentiss mutters, smirking behind her coffee cup.
Morgan leans back in his chair, grinning. âBaby girl, that was painful to watch.â
You drop your head into your hands.
âYou somehow escalated the situation at every possible opportunity,â Reid says thoughtfully.
âI hate you all,â you mumble into your palms.
You spend the next half hour with your nose buried in your notebook, avoiding eye contact with the entire team while JJ explains the month-long back-and-forth that it took to finally get approval for the Wallace interview.
Apparently, the prison is limiting the interview to a single hour and reserving the right to terminate it early if the inmate becomes uncooperativeâwhich Rossi thinks is less about policy and more about Wallace trying to dictate the terms of the interaction.
Itâs not ideal, especially considering you were the one who convinced Hotch to push for the interview before Wallace is transferred to death row. His case was one of the first you ever studied during the BAU training programme, and there isnât much you wouldnât give to pick the sociopathâs brains. One hour with him feels dangerously shortâthat is, assuming Hotch actually picks you to be in the interview with him.
âWe donât have enough time to waste managing personalities in the room,â Hotch says, gathering the files in front of him. âIâll decide on a second agent and send out the interview schedule later today.â
Chairs start scraping back almost immediately, files and notebooks snapping shut as everyone gathers their things and starts filtering out of the roomâbut you donât move. You stay firmly planted in your seat, chewing thoughtfully on the inside of your cheek while you debate whether to follow Hotch into his office and ask to be part of the interview. You donât even have to be asking the questions, you just want to be there. You were the one pushing for it in the first place.
But then your brain very helpfully reminds you that Aaron Hotchner heard you say the word orgasming less than an hour ago and suddenly, being on death row yourself feels infinitely preferable to making eye contact with your unit chief.
You sigh heavily, finally closing your notebook. âYep. Just thinking about how Iâll probably have to fake my own death and change my name after this morning.â
He shrugs. âHotch probably isnât even thinking about it anymore.â
You glance up at him hopefully.
âMorgan definitely is, though.â
You roll your eyes, letting out another resigned sigh as you stand up and follow him out of the briefing room.
The rest of the morning manages to pass without incident. You stay chained to your desk, reviewing reports and processing any files that come your way while very deliberately not glancing up any time Hotch steps out of his office. At around eleven, Morgan and JJ head out to the cafe down the street and come back with coffees for the whole team. Then thereâs a printer jam that gives the rest of the office a rare glimpse at just how angry Emily Prentiss can get when frustrated.
It isnât until just before midday that you finally get up to go to the bathroom, and when you return to your desk, thereâs one new notification in your inbox.
From: Aaron Hotchner
Subject: Wallace Interview
Youâre with me next Thursday. We leave at 0700.
Your stomach flips.
âWow,â Reid says, suddenly standing right beside your desk. âHe picked you pretty quickly.â
You shoot him a warning look. âSpence.â
âIâm just saying, he usually deliberates longer.â
You glance back at the screen, rereading the first five words that make your pulse skip a little faster.
âYou and Hotch do work unusually well together in confined conversational environments,â Reid adds.
You turn back to him, frowning.
He tilts his head. âThat sounded more suggestive than I intended.â
You open your mouth to tell him how deeply unhelpful heâs being when your phone buzzes twice against your deskâlike it does several times a day, but something about it feels different this time. Wrong.
You reach for it slowly, your stomach twisting tighter as you turn it over.
Two new notifications from creepy internet man. The first since last night.
You open the message threadâand your stomach drops.
DCRunner00: [Image attachment]
DCRunner00: Did you and your friend have fun last night?
The image is of your apartment building. Itâs grainy, slightly crooked, clearly taken from somewhere across the streetâbut your living room windows are unmistakable. Warm light glowing through the glass. The blurred silhouette of someone inside.
Ice floods your bloodstream.
You stop breathing.
âIs that... your apartment?â Reid asks, leaning over your shoulder.
You donât answer him. You canât.
The bullpen dissolves into white noise around you.
Untilâ
âIâm done!â Garciaâs voice cuts through the static. âI canât do this anymore!â
Sheâs marching right toward you, your laptopâthat sheâd still been monitoringâtucked under one arm.
Reid gasps. âWait. Is thatââ
Morgan straightens in his chair. âWhatâs happening?â
âHotchâs office,â Garcia says, her expression dangerously stern as she stops beside your desk. âNow.â
You nod slowly, your shoes almost slipping against the carpet as you push your chair back. Reid steps aside just enough to let you stand, but before he can get too far, you reach out and wrap your fingers around his wrist, silently dragging him with you as you follow Garcia back through the bullpen.
Hotch glances up the second Garcia pushes open his office door.
âWhatâs going on?â
His tone is calm, automatic, already slipping into that low, calculated cadence he uses when heâs trying to talk someone down from the ledge. His gaze moves from her to youâand something in his expression shifts. Hardens. That muscle in his jaw ticking just once before he turns back to Garcia.
âWhat happened?â he asks, sharper now.
Garcia crosses the room quickly, opening your laptop and sitting it on his desk while you hover uselessly in the doorway with Reid still caught in your grip.
Hotch glances at the screen, his eyes flicking through the messages.
Then he looks back upâright at youâand something unreadable settles across his face. Something dangerous.
âWho sent this?â
Garcia spends the next five minutes explaining the entire situation at hyper speed while you just... stand there, leaning slightly against Reid like the whole world has tilted on its axis.
Itâs funny how you can spend years building a career around finding bad people. Thinking like them. Predicting them. Profiling them. But the moment something happens to youâsomething realâthatâs when all the theory suddenly stops feeling theoretical. And maybe itâs because you know exactly what people like this are capable of, or how quickly situations like this can escalate once someone decides theyâre emotionally invested in you.
Or maybe itâs just the horrifying realisation that some part of you knew where this was heading all along. And you still didnât do anything about it until now. Not until you put yourselfâand your friendâin danger.
âGet everyone in the briefing room,â Hotch says the second Garcia finishes. âNow.â
Garcia nods once before slipping back out the door, and only then do you finally let go of Reidâs wristâmaking a mental note to apologise later for the excessive physical contact.
Hotchâs eyes drop down briefly, following the movement almost automatically. Something tightens in his expression for half a second before his attention snaps back to the laptop still open in front of him.
âReid,â he says. âPrint the entire message history and document everything. Full timeline, screenshots, attachmentsâall of it. I want copies ready for the team in ten.â
You swallow hard. âTheâthe entire message history?â
Fifteen minutes later, youâre back in the briefing room with the entire team flipping through printed copies of your dating profile and messages. It almost feels like an out-of-body experience. Like one of those mortifying dreams where you watch everything unfold from above without any real ability to stop it.
âOkay,â Prentiss says. âWhere do we start?â
âVictimology,â Morgan answers immediatelyâthen he glances at you. âSorry, baby girl.â
You wave him off. âReidâs been profiling me all week. Go for it.â
Thereâs a quiet ripple of laughter around the table, but Hotch barely blinks. Heâs sitting on the opposite side, between Prentiss and JJ, with his arms folded tightly across his chest and gaze fixed on the copies spread out in front of him like heâs trying very hard not to look directly at you.
âWe need to be careful building a victimology this early,â he says evenly. âEspecially considering how well we know the victim. Personal familiarity creates bias.â
Reid tilts his head. âNormally, yes. But stalking crimes are often highly individualised.â He starts flipping through the printed messages as he talks. âStatistically speaking, stalking victims are usually targeted for a very specific reason. The motivation is generally rooted in either resentment, fixation, revenge, or romantic obsession.â
You grimace. âFantastic.â
âMost victims also know their stalkers,â Reid continues. âApproximately seventy-five percent of stalking cases involve some form of prior relationship or perceived emotional connection.â
âOkay,â JJ says carefully, looking toward you. âIs there anyone you can think of who might hold a grudge against you? Someone you arrested, rejected, testified againstâanything like that?â
You snort quietly. âDoes every criminal Iâve ever interviewed count?â
The room goes still for half a second.
âWait,â Prentiss says, sitting forward slightly. âActually, that makes sense.â
Hotchâs eyes flick up as Prentiss pushes one of the printouts into the middle of the table, tapping the page.
âThis escalation happened fast. Less than a week. Thatâs not somebody slowly building emotional trust from scratchâthatâs somebody who already came into this interaction emotionally invested.â
âOr angry,â Morgan adds.
âExactly,â Prentiss says. âHe doesnât lash out until she has Garcia over. Thatâs jealousy. Possessiveness.â
You sink lower in your chair.
âAnd he starts reacting every time she brings up her boss,â Rossi says, flipping through the printouts. âThatâs territorial behaviour. Heâs fixating on a prominent male figure in her life.â
âNot the only one fixating on him,â Reid murmurs beside you.
You elbow him immediately.
âOw.â
Hotch glances up sharply. âSomething to add, Reid?â
Reid straightens. âUhâno. No, I think Rossi covered it.â
Hotchâs eyes narrow slightly, like he knows thereâs something heâs missing, but he lets it go.
âGarcia,â he says instead, âtell me you found something useful.â
âOh, I found things,â Garcia says immediately, the rapid clacking of her keyboard echoing loudly through the conference room speaker. âDeeply unsettling things. Our creepy little internet goblin has been very busy.â
Prentiss frowns slightly, mouthing âinternet goblinâ across the table to JJ.
âOkay, soâprofile was created nine days ago using a burner email and a VPN bouncing between three different states, which normally would make me want to set my computer on fire, but our boy got sloppy.â
Hotch leans forward slightly. âHow sloppy?â
âSloppy enough that one login pinged off a public Wi-Fi network less than six blocks from her apartment last night,â she says. âAnd before anybody asks, yes, Iâm already pulling traffic cams.â
Hotch nods once, already shifting into command mode.
âMorgan, Prentissâstart canvassing within a ten-block radius of her apartment. Garcia will feed you anything useful from the traffic cams. JJ, coordinate with local PD and see if thereâve been any complaints of suspicious activity in the area. Peeping, prowlers, stalking complaintsâanything that fits this escalation pattern. Rossi, start pulling names from old cases. Anybody with a history of fixation, stalking behaviour, or inappropriate attachment to investigators. Garcia, keep digging and keep me posted.â
Everyone starts moving immediately, papers shuffling and chairs scraping back as the room shifts into motion.
âI want to help,â you say suddenly. âThis is my mess, let me fix it.â
âYou can help,â he says evenly, âby going home, locking your doors, and staying there until we know exactly what weâre dealing with.â
You open your mouth to argue.
âI mean it,â he adds, voice low.
âIâll take her,â Reid offers immediately.
âNo,â Hotch says, gathering the printouts into one neat pile. âYou go with Morgan and Prentiss.â
Then his eyes flick up, meeting yours.
âIâm taking her home.â
The next hour is one of the strangest of your life.
Hotch tells you to take your laptop back down to Garcia, whoâs already in full FBI investigation modeâher screens covered in maps, metadata, CCTV stills, and enlarged screenshots of your own dating profile staring back at you in horrifying definition. When you finally make it back to your desk, Rossi spends twenty straight minutes walking you through every violent offender youâve interviewed in the last three years, forcing you to revisit dozens of interactions youâd long since filed away as routine.
Somewhere in the middle of it all, Morgan drops a schematic of your apartment building onto your desk and starts questioning you about entrances, exits, blind spots, and security cameras while Reid quietly replaces the coffee you forgot existed an hour ago. It isnât until Morgan leaves and JJ immediately takes his place beside you that you realise nobody has let you out of their sight for more than a few minutes at a time.
Then, finally, Hotch steps out of his officeâfiles in one hand and his go-bag in the other, like he fully intends on staying the night if necessary.
âReady?â he asks, stopping beside your desk.
You stare at the go-bag for one long, deeply horrified second.
âYep,â you manage, voice tight as you slowly push out of your chair.
Hotch drives. You donât even try to argue. You just sit in the passenger seat with your knees pressed together and your heart beating out of your chest. Itâs not like you havenât been in the car with him before. You have, plenty of times. This just feels... different.
Neither of you speak until he cuts the engine in the parking garage of your building, and you have to try very hard not to dwell on the fact that he hadnât asked for directions the whole way here.
âWait,â he mutters before climbing out of the car.
He grabs his bag from the back, then moves around the car and opens your door.
It takes an embarrassingly long time for you to unbuckle your seatbeltâyour hands are shaking and your pulse is still pounding hard enough to make you dizzyâbut once you finally do, you slip out of the car and lead him toward the fire stairs.
He never leaves more than a foot of distance between you. Never checks his phone. Never glances down. He stays glued to your side like a real protection detail. And thanks to your avid and wildly inappropriate imagination, youâve already mentally written an entire bodyguard romance plot starring Aaron Hotchner and yours truly by the time you finally reach your apartment door.
âIâuhâwasnât really expecting company,â you say as you push the door open. âSorry.â
The second you step inside, Leia leaps off the couch with a loud, rumbling trillâprobably wondering why youâre home before dark for the first time in years.
Hotch pauses, his brow furrowing slightly. âYou have a cat.â
You glance back at him as you kick your shoes off and nudge them out of the way. âIs that really the most surprising thing youâve learned about me today?â
He watches Leia for another second before glancing back at you. âItâs unexpected.â
You roll your eyes, trying to ignore the way your heart skips when he quietly toes off his shoes beside the door without even asking. Like he already expects to stay awhile.
Leia chirrups again as she pads through the living room toward you, no doubt about to demand an early dinnerâuntil she catches sight of Hotch and abruptly stops short. Her ears flicker, her tail waving from side to side as she assesses the new man in her apartment.
Hotch crouches slightly, holding one hand out toward her.
âOh, she doesnât really like people,â you say quickly. âSo donât take it personally if sheââ
Leia immediately walks straight up to him. She sniffs his hand once before pressing directly into his palm with a loud purr rumbling through her entire body.
Your eyes go wide.
Traitor.
Hotchâs mouth twitches faintly as Leia leans harder into his hand.
Oh my God. Are you jealous of your cat right now?
He gives Leia one final scratch behind the ears before straightening, the softness in his expression fading almost immediately as he slips back into work mode. He scans the apartment briefly before setting the files down on your tiny dining table and shrugging his jacket off, draping it over the back of a chair.
You stand there for a second longer than you probably should, watching him move through your apartment with the same calm focus he brings to crime scenes and briefing rooms and interrogation tables. He checks the windows, the balcony doors, glances brieflyâthank Godâinto your bedroom, then double-checks the locks on the front door.
The whole thing feels weirdly surreal. Youâve imagined Aaron Hotchner inside your apartment a thousand times in a thousand different waysâjust not like this. And nothing you imagined could have possibly prepared you for the reality of it. The way everything feels so much smaller. Warmer. More exposed.
Every object in every room suddenly feels mortifyingly personal.
If he lingers long enough in your kitchen, heâs going to notice the unusually empty trash can and realise you survive almost entirely on caffeine and convenience. If he looks too closely at your bookshelf, heâs going to find an unhealthy collection of romance novels with more trigger warnings than plot points. And if he looks into your bedroom again and turns his head just a little more to the right, heâs going to see your vibrator sitting on the nightstandâand then youâll actually have to fake your own death.
Because youâve spent years carefully curating a version of yourself that keeps people from looking too closely. Flirty. Casual. Detached enough to joke about bad dates and hookups and sex without anybody ever realising that none of it means anything. Itâs easier that way. Easier to let everyone assume your attention is scattered in every direction instead of fixed very specifically on the one person you absolutely cannot have.
But this?
This feels dangerously close to being found out.
The next couple of hours pass in strange, uneven waves of normalcy and low-grade psychological torture.
Hotch sits at your tiny dining table without complaint, dwarfing it as he hunches over files and asks careful questions about your routines, your neighbours, and whether anyone in the building has seemed overly interested in you recently. His phone rings a lot, which isnât unusual, and every time he answers it you spend almost the entire conversation staring unashamed at the way his shirt pulls tight across his back when he reaches for another printout.
Which is wildly inappropriate considering the circumstances, but you canât really help it. Youâre strung out, on edge, and, as Morgan so helpfully pointed out this morning, severely under-fucked.
And Leia, unfortunatelyâbut not unsurprisinglyâremains no help whatsoever.
By seven oâclock sheâs fully abandoned you in favour of draping herself across Hotchâs lap while he reviews new data from Garcia, completely oblivious to the fact that you havenât been able to breathe normally since he walked through the door.
âAre you hungry?â you ask eventually, moving back into the kitchen as if you have anything in there to offer.
Hotch glances up from his laptop, one hand resting absently against Leiaâs back while she purrs in his lap.
âIâm fine.â
You lean a hip against the kitchen counter, folding your arms tightly across your chest. âAny updates?â
He glances back down at his screen. âGarcia narrowed the traffic footage down to three vehicles that stayed in the area longer than they should haveâMorgan and Prentiss are running the plates now. And Rossiâs pulling relatives connected to your previous cases. Family members who attended trials, sentencing hearings, interviews. Anyone who mightâve had access to your name outside the official reports.â
You nod slowly, silence settling again for a moment before you exhale sharply.
âAre you sure sitting here doing absolutely nothing is really the best use of me right now?â
His eyes flick back up, that signature Hotchner scowl set between his brows.
âYou think this is nothing?â
His voice stays calm, but thereâs something firmer underneath it now.
âYouâve spent the last four days being threatened, surveilled, and followed by someone we still havenât identified,â he says. âMorgan, Prentiss, and Reid are out chasing leads because somebody targeted you. Rossiâs pulling case files because somebody targeted you. Garciaâs been at her desk for six straight hours because somebody targeted you.â
His jaw tightens slightly.
âMy job right now is making sure nothing happens to you,â he says quietly. âLet me do that.â
Your breath catches, something warm and uncomfortably familiar twisting in your chest as Aaron Hotchner just sits there watching you like he hasnât said anything unusual at all.
Which, to him, maybe he hasnât.
Heâs just doing his job. Looking out for his team. Heâs not here because he wants to be. Heâs here because someone threatened one of his agents.
Thatâs all.
You clear your throat, pushing away from the counter before the silence stretches too long. âIâmâuhâIâm just going to shower quickly. If thatâs alright.â
He nods once. âWant me to clear theââ
âNo,â you say immediately. âGod, no. No. Itâs fine. Totally fine.â
His brows pull together slightly, confusion flickering briefly across his face before you turn and hurry into your bedroom, shutting the door a little harder than necessary behind you.
Then you take the longest shower known to mankind. You stand beneath the scalding spray for at least ten minutes before even touching anything. Then you scrub, exfoliate, shave, condition, rinse twice, and stand there for just a little longer before finally gathering the courage to step out. All the while trying desperately not to think about the fact that your unit chief is only two thin walls away while youâre dripping wet and completely naked.
You rummage through your dresser until you find an oversized sweater that isnât totally threadbare and a clean pair of pyjama shorts. Technically, theyâre just striped flannel pants you cut into shorts, but at least theyâre not as short as the rest of your pyjama collection that definitely needs replacing.
If only you actually had time for things like shopping... and emotional stability.
âNo, wait for Morgan before you approach,â Hotch says as you step quietly back into the living room, phone pressed against his ear while he paces slowly beside the dining table. âIf the registrationâs fake, I donât want you making contact until we know exactly whoâs inside.â
He pauses, expression sharpening slightly.
âAlright. Keep me updated.â
He lowers the phone slowly before looking over at you for the first time since you re-emergedâand for half a second, he visibly loses his train of thought. Itâs only tiny. Barely there. Just a brief pause before his expression shutters back into place.
âGarcia tracked one of the vehicles from the traffic footage to a motel outside Arlington,â he says, glancing back down at the files scattered across the table. âThe driverâs been masking his activity through multiple VPNs, so she couldnât pull a clean trace from the motel Wi-Fi, but only one room in the motel was actively using the network.â
Your stomach tightens.
âThe name on the reservation was fake,â he continues, âbut the room was paid for using a credit card belonging to Daniel Mercer.â
The name hits you immediately.
âEthan Mercerâs brother,â you say quietly.
Hotch nods. âRossi confirmed it about twenty minutes ago. Morgan and Prentiss are waiting for local PD before they move in.â
You nod slowly, your pulse fluttering anxiously in your throat as you move toward the kitchen. Not because you actually need anything in there, but because standing still feels almost impossible right now.
âEthan barely spoke during the trial,â you murmur, folding your arms as you lean back against the counter. âI donât think I ever even met his brother.â
âYou wouldnât need to,â Hotch says, already gathering the files into a neat pile. âPeople build attachments to investigators without ever interacting directly. Especially when theyâre looking for someone to blame.â
Your skin prickles. âYou really think itâs him?â
âIt fits,â Hotch replies evenly. âEstablished emotional investment, personal motive, no prior record. Which explains the inconsistency. The escalation without follow-through. The long gaps between contact attempts. He knows enough to be cautious, but not enough to stay controlled.â
He straightens, turning back toward youâand for the briefest second, his eyes drop to your bare legs before snapping back up to your face almost immediately.
He clears his throat. âThis probably isnât something heâs done before. But his brother has.â
The apartment falls quiet again after that. Hotch returns to collecting files while you stare absently toward the dark balcony doors, your pulse still refusing to settle beneath your skin.
âWell,â you mutter eventually, gripping the edge of the counter to hoist yourself up. âOn the bright side, I still think Iâve dated worse.â
The joke leaves your lips lightly enough, the same way they always doâeasy, detached, halfway between genuine and ironic so nobody ever pauses long enough to look too closely.
Except this time Hotch does pause.
âWhy do you do that?â
You frown. âDo what?â
âDeflect.â He straightens again, one hand still holding a stack of printouts. âEvery time something gets too serious, you make a joke. Or you flirt. Or you say something just inappropriate enough to throw people off balance.â
You lift a shoulder. âMaybe Iâm just charming.â
âNo.â His eyes narrow slightly, brows pulling together. âNo, because it changes depending on the situation.â
Your pulse stutters.
âWith Morgan itâs competitive,â he continues, setting the papers back on the table. âYou tease him because he pushes back and it keeps conversations superficial. Garcia gets exaggerated stories because she responds emotionally instead of analytically. Half the things you say to Reid are specifically designed to make him flustered enough to stop examining what you actually mean.â
âWow,â you murmur, shifting your weight against the countertop. âStarting to feel a little attacked here.â
But Hotch doesnât seem to hear you.
âThe dating profile doesnât fit,â he says, almost to himself. âNeither does the apartment.â
Your stomach twists as his gaze moves briefly across the room. The bookshelves. The carefully organised clutter. Leia now curled up asleep on the couch.
âYou project someone impulsive. Social. Sexually confident. But nothing in here supports that.â His eyes flick back toward you again. âYou live like someone who protects their space carefully. Even the cat.â
âLeave Leia out of this.â
âShe doesnât like strangers.â
âShe likes you.â
The words slip out too quickly, and something in his expression shifts.
âYou keep people at a distance,â he continues slowly, close enough now that you can hear the quiet rasp beneath his voice. âEven the team. You let people think they know you because it keeps them from looking closer.â He hesitates, brow furrowing. âExcept Reid.â
Your fingers tighten instinctively around the edge of the counter.
âYou trust him,â Hotch says. âNot just socially. Behaviourally. You anchor yourself to him when youâre stressed. Physical proximity. Eye contact. Redirecting conversations through him.â He pauses, watching you carefully now. âAnd earlier you said heâd been profiling you all week.â
Oh God.
âWhich means Reid already noticed the pattern.â
He goes quiet for a moment, his expression tightening almost imperceptibly as he looks back over the last few monthsâyearsâin real time. You can practically see it happening behind his eyes. Every interaction. Every joke. Every look you thought youâd hidden quickly enough.
âYou track me.â
The words come quieter now. Less certain. Like heâs still realising them.
âYou know my routines,â he continues slowly. âYou anticipate questions before I ask them. You look up when you hear my office door open even when you canât see me.â He steps closer again. âYou know when I need coffee before I do. You watch my reactions before anyone else in the room.â
Your breath stutters.
And Hotch notices immediately.
His expression shifts slightly as his eyes flick across your face, your posture, your hands still locked around the edge of the counter hard enough that your knuckles have gone pale beneath the kitchen lights.
âYour breathing changes when I get too close to you,â he says quietly.
He takes another slow step forward, close enough now that you have to tilt your head back slightly to keep looking at him.
âYou stop fidgeting,â he continues. âYou go completely still.â His gaze drops briefly to your hands before lifting again. âLike youâre afraid movement alone is going to give you away.â
Your heart is beating so hard now youâre half-convinced he can hear it.
âYou lose verbal fluency,â he says, voice lower now. âYou trip over words you normally wouldnât. Your pupils dilate. Your heart rate increases. And every single time I get close to noticing itââ
His eyes lock onto yours.
âYou redirect.â
You can barely breathe now.
Heâs standing right in front of you, close enough that the heat rolling off him sinks straight into your skin, close enough that one more step would put him between your knees where youâre perched on the counter.
And somehow the worst part is that he still sounds calm. Thoughtful. Like Aaron Hotchner is profiling you with the same careful focus heâd bring to an unsubâexcept this time the thing heâs slowly uncovering is the fact that youâve been hopelessly in love with him this entire time.
You swallow hard, your gaze catching just briefly on his mouth before you drag it back up to his eyes, pulse hammering so hard you can barely think straight.
âFigured it out yet, Agent Hotchner?â you ask softly.
He goes still for half a second, something unreadable flickering across his face as his eyes drop to your mouth before lifting back to your eyes again.
The apartment suddenly feels oppressively quiet.
His throat shifts slightly.
And thenâ
His phone rings.
He steps back immediately, his expression shuttering back into something careful and unreadable.
âHotchner,â he says, pressing his phone against his ear.
You donât hear much after that. Not really. You recognise Morganâs muffled voice, but you canât quite hear what heâs saying. Not while Hotch slowly paces your living room. You catch fragments of the conversation. Questions. Short answers. The low, steady cadence of his voice slipping effortlessly back into work mode while your own nervous system continues actively collapsing in on itself.
Because holy fuck.
Holy fuck.
What the hell just happened?
âThey got him.â
Your head snaps up. âThey what?â
Hotch moves back to the dining table and starts gathering his things.
âIt was him. Daniel Mercer,â he says. âMorgan and Prentiss found him in the motel room with multiple burner phones, printed screenshots from the dating profile, and enough surveillance material to establish intent.â
âOh.â
âLocal PD recovered notebooks too,â he continues. âNames, schedules, work addresses. Everyone connected to Ethan Mercerâs conviction. Judges, prosecutors, witnesses. You were first because you were the arresting agent.â
A cold shiver slips down your spine.
âGarcia also confirmed the motel Wi-Fi matched the same VPN chain used to access the dating profile,â Hotch adds. âOnce Mercer realised the Bureau was involved, the direct contact stopped. After that he shifted to surveillance. Morgan said the room was covered in trial material. Photos. Notes. Newspaper clippings. Heâd been building the grievance for months.â
He pauses, then looks at you.
âBut they got him.â
âGood,â you say quietly.
Hotch nods once before turning back to the dining table, slipping his laptop into his bag with careful efficiency before gathering every file and printout into one neat pile.
âLocal PD will hold Mercer overnight until federal transport clears,â he says, sliding the papers into his bag. âGarciaâs already started coordinating with the U.S. Attorneyâs Office. Youâll need to give an additional statement tomorrow regarding the dating profile.â
You nod. âOkay.â
Hotch reaches for his jacket, draping it over one arm.
âThereâll still be additional officers patrolling the area tonight,â he says. âAnd if you donât want to be alone, I can have Reid or Garcia stay here.â
âIâll be fine,â you mutter, glancing down at the kitchen tiles. âYou can stop babysitting me now.â
Hotch stills.
Then slowly, deliberately, sets his jacket on the table.
âBabysitting?â he repeats.
âYou know what I mean.â
He steps toward you, brows drawn. âI donât think I do.â
âYou solved the case,â you mutter, heat crawling up the back of your neck. âYou profiled me. Thoroughly. So congratulations, I guess. You figured out the whole sad little secret, the weird avoidance issues, the entire personality disorder cocktailââ You let out a short, humourless laugh. âYou can go back to pretending none of this ever happened now.â
He closes the distance between you before you even fully realise heâs moving, stopping directly in front of the counter again. Exactly where heâd been when you asked him if heâd figured it out. Close enough that you can feel his warmth. Close enough that you can see the day-old shadow of stubble lining his jaw.
âYouâre being deliberately provocative now because youâre embarrassed,â he says. âBut embarrassment isnât actually your primary response here.â
His gaze drops to your mouth again, and your pulse stumbles.
âIf it was,â he adds quietly, âyou wouldnât still be looking at me like that.â
Your breath catches in your throat.
You want to say something. Anything. Another joke. Another deflection. Something sharp enough to cut through the tension in the air and stop him looking at you like this. Exposing you like this.
But you canât.
All you can do is stare at him. At the steady intensity in his eyes. At the way his tie has loosened slightly over the course of the night. At the slow rise and fall of his chest beneath the white shirt youâve spent an embarrassing number of years picturing on your bedroom floor.
You swallow hard, and he notices. Of course he does.
Something shifts in his expression then. Something softer. Less guarded.
His hand comes up beneath your jaw, his thumb pressing gently into your chin as he pulls you closer. You fall forward without hesitation, and he leans in, dark eyes still searching yours as if he isnât entirely sure he has permission yet.
Then he kisses you.
Itâs not rushed. Not messy. If anything, the first press of his mouth against yours feels almost unbearably controlled, like heâs still holding himself back even now.
But the restraint doesnât last long.
Your hand catches his tie, tugging him closer, and something rough slips from the back of his throat as he steps in, his hips slotting between your thighs. His hand slides from your jaw into your hair, fingers tightening just enough to tilt your head back exactly as far as he wants it.
Your lips part against his with a broken sound, and he deepens it slowly, his tongue moving against yours like he has all the time in the world. Tasting you. Learning you. Mapping every small sound and ragged exhale with the same focused intensity he brings to everythingâand somehow thatâs what undoes you the most. Not urgency. Attention.
His breath mingles with yours, hot and uneven, and when his teeth catch your bottom lip itâs deliberate, measuredâa sharp little spark shooting straight through your spine. Your hips roll toward him without permission, and his answering groan rumbles through his chest, vibrating beneath your palm and making you ache everywhere youâve been starving for him.
Then he pulls back just enough to look at you properly again. His hand still tangled in your hair. Thumb dragging once across your jaw. His eyes move over your face with the same intensity he uses in every debrief, every case, every crisis, except right now you are the thing heâs making sure of.
Like he needs to be absolutely certain this is real.
âAaronââ
âBedroom,â he says immediately, voice low and rough enough to send heat crashing straight through you. âNow.â
FRIDAY 6:15AM
Your alarm blares somewhere beside the bed, startling you awake hard enough that your heart immediately starts pounding. You reach for it blindly, determined to silence it before it wakesâ
Oh God.
The second your hand hits the snooze button, you freeze.
Your heart is beating faster now, your pulse thrumming in your throat as you turn slowlyâso slowlyâtoward the other side of the bed, where Aaron fucking Hotchner stirs sleepily.
Your stomach swoops.
You slept with your boss last night.
With a shallow, shaky breath, you carefully start to move. His arm is heavy at your waist, but you manage to slip out from underneath it without fully waking him. You shove the covers off and shiver at the sudden exposure, leaning over the side of the bed to find your discarded sweater. You pull it over your head before quietly padding toward the ensuite, refusing to glance back at your very hot, very naked unit chief still tangled in your sheets.
You only just make it around the other side of the bed before something tugs at the back of your sweater. You stop, glancing back to find Hotch half-awake, eyes half-lidded with one hand caught at the hem of your sweater.
âDo you really get up this early?â he asks, voice rough with sleep.
âYeah,â you murmur. âMost days.â
His brows pull together slightly. âWhy?â
You let out a small, breathless laugh. âBecause my boss is kind of a hard ass about punctuality.â
Something that almost resembles amusement flickers across his face.
âSounds like a terrible boss,â he murmurs.
Then he tugs on your sweater againâhard enough this time that you let out a startled laugh as you stumble backward onto the mattress and into him. He catches you easily, one arm wrapping around your waist before you can even fully recover, pulling you back against the warmth of his chest.
âYeah,â you murmur, laughing softly as his mouth brushes beneath your ear. âHeâs awful. Very demanding.â
He hums, breath warm against your skin.
âHeâs really hot, though,â you add, smiling despite yourself. âSo I like having time to put in a little effort, you know? Hope he notices.â
âOh, he notices.â
Your stomach flips. âReally?â
âMhm.â
His arm tightens around your waist. âHe notices the skirts.â
Heat floods your face. âAaronââ
âHe notices the tights.â His mouth brushes against the nape of your neck. âThe ones with the seam up the back.â
âOh my God.â
You try to turn your face into the pillow, but he just holds you tighter, pressing his lips firm against your neck.
âAnd the red bra,â he murmurs.
Your breath catches.
âNoticed that so much I had to wait until everyone left the conference room before I could get up.â
You let out a strangled sound, squirming in his arms, but itâs no use. His chest vibrates against your back, something suspiciously close to laughter.
âMy washing machine broke that week,â you whine. âIt wasnât my fault.â
âMm, sure.â
You twist around immediately. âIâm not lying.â
The corner of his mouth twitches, like he doesnât quite believe you, but before you can protest againâhe kisses you. Warm, slow, sleep-soft. His mouth moves against yours almost lazily, his hand tightening slightly at your waist when a pathetic little whimper slips out before you can stop it.
âCareful,â you murmur, breathless against his mouth. âDonât want to be late.â
You feel his lips curve.
âGood thing Iâm the boss.â
10:35AM
You made it to work well on time. Even after three orgasms, a shower, and an awkward attempt at a âWhat Now?â conversationâthat ended in the aforementioned third orgasm. Because fortunately for your rapidly fraying nervous system, Hotch hadnât even hesitated when youâd finally asked what happens next. In fact, heâd answered a little too quickly.
The first thing heâd asked was whether youâd be comfortable keeping things quiet for a while. Not because heâs worried about the team finding outâhe trusts them. Trusts you. The concern is Strauss, and the Bureau, and keeping you in the BAU while he figures out exactly how much trouble the two of you have just created for yourselves. At some point heâd even started muttering about reporting structures and supervisory chains, half-thinking out loud while pulling on his tie. Something about possibly moving your reporting line over to Rossi. Something else about needing to review the Bureauâs fraternisation policies before making any moves.
That was when you kissed himâeffectively, and very quickly, kicking off round three.
Because heâd clearly been thinking about this for a while, which means Aaron Hotchner has been noticing a lot more than just short skirts and inappropriately coloured underwear. It means that the second he decided to kiss you in your apartment last night, heâd already known exactly what he was getting himself into.
âAlright, gorgeous,â Morgan says, startling you as he raps a knuckle against your desk. âTheyâll be ready for you downstairs in ten.â
You glance up at him, brows drawnâand it takes an embarrassingly long second for you to figure out what heâs talking about.
âOh.â You blink. âRight. Yeah, Iâll head down soon. Thanks.â
Prentiss looks over from her desk. âYou gonna be okay?â
You lift a shoulder. âSure. Whatâs another case report?â
Morgan frowns, dropping into his chair. âItâs not exactly every day youâre the victim, baby girl.â
âYeah, but nothing really happened.â
Morgan and Prentiss both stare at you.
âBecause of the team,â you add quickly. âYou guys caught him before he actually did anything. So... you know, nothing bad happened.â You plaster on a smile that feels reasonably convincing. âThanks for that, by the way.â
Prentiss narrows her eyes, but before she can say anything else, Reid appears.
âYouâre in a remarkably good mood for someone who was being actively cyberstalked twelve hours ago,â he says, stirring his second coffee of the day.
You turn back to your screen, trying to ignore the heat creeping into your cheeks. âMaybe I just have a newfound appreciation for life.â
Reid studies you for a moment, clearly unconvincedâbut he doesnât push. He just moves slowly back toward his desk, setting his coffee down with unnecessary care while the rest of the team turn away, finally deciding to mind their own business.
You force your attention back to the report in front of you, determined to at least look productive for the next ten minutesâwhen a familiar voice cuts through your concentration.
âRossiâs taking Wallace with you next week,â Hotch says, setting the file down on your desk.
You blink up at him. âI thought you were leading the interview.â
âI was.â
Something in his expression tightens briefly before he lowers his voice.
âWallace has a long history of using sex, intimidation, and emotional targeting to destabilise people during interviews,â he says. âEspecially women.â
You frown. âHotch, Iââ
âAnd if he says something to you in that room,â he continues evenly, âor looks at you the wrong way, I need to know the agent sitting beside you is still capable of thinking objectively.â
Your stomach flips as his eyes meet yoursâsteady, intense, devastatingly honest.
âRight now,â he says quietly, âIâm not sure thatâs me.â
Then heâs gone. Moving through the bullpen back toward his office like he hasnât just set your pulse racing and your head spinning. You watch after him for a moment before shaking your head, glancing back at your computer screen as if youâd been focused on it at all in the first place.
ââŚHuh.â
You turn toward the sound and find Reid staring at you again. Not rudely. Just watching with the same focused curiosity heâd been wearing since your suspiciously cheerful comment about cyberstalking.
If the Dance wasnât as deadly/didnât happen, who I think everyoneâs Dragons would be, and whether itâs hatched from the cradle or claimed!
First and foremost I love the idea that Aegon the Unworthy didnât have an egg hatch, AND no dragon let him claim them. I also like the idea that Daeron and Daenerys were the only two to get dragons.
Daeron The Good: I kinda like the idea of him claiming Vermax, the dragon would be grown and a good dragon to have claimed. And I think Daenerys would have claimed Dreamfyre.
Baelor: Vermithor, heâs older, assumed to have been hatched in 34AC, heâd be around 136 by the tame Baelor is born, and based stories of cunt Aegon not liking Baelor I donât think he wouldâve gotten an egg. Same for possibly the others kids from Daeron and Myriah.
Maekar: I could see Meleys our Red Queen who survived with scars or even Silverwing. Maekar loves his brother, and I could easily see him claiming the dragon who is always around Vermithor just so he can stay near Baelor. But yet Maekar with such a gentle yet aggressive dragon is fitting.
Valarr gets Tessarion, I just think the man that married someone from Tyrosh, a place known for color, gets a blue colorful dragon. And The Blue Queen was a formidable dragon during the dance and would serve him well in the chance of more upset.
Matarys, with almost nothing to know about him, I say gets a hatched dragon. I say this because of the fact his birth is ranged from fucking 183-209 also known as the date of his death.
Daeron I could see him getting a hatched dragon or possibly Sunfyre. Someone thatâll grow with him and help him with his dreams and drinking. Just picture young Daeron cuddling a little dragon that eventually Maekar has to force him to keep outside due to the dragon outgrowing the bed.
Aerion is a toss up. Part of me says heâd claim Caraxes if he didnât get an egg, the other half can see him getting an egg and a gentle dragon. We all know his⌠issues⌠come from not having a dragon, so I think him hatching one thatâs a little angel is funny.
Aemon is kinda a toss up, I kinda see him being slightly content without a dragon, mostly because of him becoming a maester, where tf would a dragon go. But Iâd say heâd hatch one or get Seasmoke.
Daella gets either Morghul. We donât know much about her but she was described as a black dragon. I could also see her getting Tyraxes who was depicted as a pale violet.
Egg hatches an egg (haha) BUT I can also see him becoming friends with Syrax. He doesnât necessarily get two dragons, but where Aegons young dragon goes Syrax isnât to far behind. (Also the idea of Dunk having to worry not only about keeping a Prince alive but also a dragon is fucking hilarious)
Rhae gets Morning and I will not be going any further as I think the âtried to make a love potionâ child gets the pink dragon.
I saw someone talking about how Maekar likely had so many high expectations for Daeron due to Baelor being such a first born son, which got me to thinking⌠from what we can observe and infer Maekar worshipped Baelor. He was the perfect son and elder brother. He kept the peace and everyone loves(ed) him.
And yet Maekar didnât name a child after himâŚ
Weâve got Daeron who is obviously named after King Daeron.
Aerion, which one could argue is after Aerys his older brother, or the man that started the conquest but Maekar doesnât strike me as a big history buff
Aemon, which could just be a stereotypical Targ name OR could be named after Aemon the Dragonknight, his rumored grandsire
Daella, I think is also a way to honor Daeron his dad, BUT could also honor Daenerys, or could be named after Daella mother to Aemma Arryn.
Aegon, could be named after so many of the many fucking Aegonâs
Then we have little Rhae, who one could argue is named after his brother Rhaegel. Or another Rhae.
But why didnât Maekar name a kid after Baelor? Could it be from some resentment of the perfect older brother from the youngest son? Was it something he was going to do but didnât get the chance to? Did Dyanna say no?
I saw someone talking about how Maekar likely had so many high expectations for Daeron due to Baelor being such a first born son, which got me to thinking⌠from what we can observe and infer Maekar worshipped Baelor. He was the perfect son and elder brother. He kept the peace and everyone loves(ed) him.
And yet Maekar didnât name a child after himâŚ
Weâve got Daeron who is obviously named after King Daeron.
Aerion, which one could argue is after Aerys his older brother, or the man that started the conquest but Maekar doesnât strike me as a big history buff
Aemon, which could just be a stereotypical Targ name OR could be named after Aemon the Dragonknight, his rumored grandsire
Daella, I think is also a way to honor Daeron his dad, BUT could also honor Daenerys, or could be named after Daella mother to Aemma Arryn.
Aegon, could be named after so many of the many fucking Aegonâs
Then we have little Rhae, who one could argue is named after his brother Rhaegel. Or another Rhae.
But why didnât Maekar name a kid after Baelor? Could it be from some resentment of the perfect older brother from the youngest son? Was it something he was going to do but didnât get the chance to? Did Dyanna say no?
synopsis: A garden dinner was a rare occasion at Summerhall estate, either several of the children would be misbehaving usually resulting in one or two being sent to bed, or the weather would not allow for such outdoor activities. However on this occasion for Daeronâs nameday everything was running smoothly, until Aerion seemingly could not hold his tongue.
[based off of this amazing anon request]
word count: 5,588
warnings: 18+ mdni, female reader, no use of Y/N, readers looks are un-described (aside from being of House Dayne + having hair), teenage Aerion (youâve been warned), a lot of the maekarlings, probably a lot of age inaccuracies for the kids but it works, SMUT (eventually), p in v, oral (f!receiving), fingering, (slight) breeding kink, woman + wife as terms of endearment, fluff (honestly quite a lot), kind of angst but not really. reader is a legal adult) REMEMBER - YOU ARE RESPONSIBLE FOR THE CONTENT AND MEDIA YOU CHOOSE TO CONSUME
DISCLAIMER: All themes, plot, images used in general and characters from A Knight of the Seven Kingdoms + elsewhere belong to the rightful owners, I hold no rights to the original media - but my writing belongs to me.
â´ď¸
Little Rhae, scarcely half a year old, sat in your lap as you dined. Your husband, Maekar, and remaining five children sat scattered around the large outdoor dining table as you for once sat in a tranquil calm amongst the soon to be setting sun. A contented smile lingered on your face as you observed your family, the one that you had built with nothing but raw determination and a jealous husband.
You yourself were in your mid thirties. Scarcely. It was a fact that Maekar was subtly insecure about, he was older than you, that was no secret. Yet you had chosen him as your husband out of love not duty, you had chosen that old man and you loved him regardless of others opinions. Your eldest son that the pair of you shared, Daeron, was now seventeen, his nameday now here and a quiet celebration much to the Kingâs annoyance. He had wanted a grand affair to show his eldest grandson off to the women of the court, hoping to stake an alliance through marriage. Daeron however, had begged and pleaded practically on his knees for his seventeenth nameday to be a quiet affair. We should not even travel to Kings Landing, there is no need. He had said, his sad eyes boring into your own, tears welled in them. And you had caved, in turn pleading to Maekar not to force your son to suffer the event. Not that Maekar took much convincing, travelling to Kings Landing with a small army of children was no easy feat, and one heâd rather not do by dragging the boy of the hour against his will for something he did not care for. So you had remained in Summerhall, sharing a night in the gardens eating cake and watching your children tumble around in the grass.
âWere you content with your gifts, dearest?â You questioned, eyes falling onto your eldest son as he ate the rare meat from his plate. âYes, thank you Mother.â He smiled. He looked tired, but then again he always did. He had the look of lacking sleep almost always present in his eyes and it pained you to know that was something you could not ease him of. Yet you smiled warmly in return, squeezing his hand gently. You loved all your children dearly, but Daeron would always hold a special place to you regardless of how he turned out because he was your first child. The boy who had been the start to your family, back then you were just three. Now, you were eight.
âSeeing as you are old now, brother.â Aerion begun, you watched as almost all of your children and your husband showed at least some sign of distain at the tone of Aerionâs voice, yet you offered him kind eyes as you cut in, âYour brother is not old, Aerion. Be kind.â Aerion huffed lightly, the boy was fourteen, the size of a twelve year old with the pent up energy of a dog that had spent its entire life in a kennel. The attitude that came out of his mouth more often than not was obscene and he seemed to lack the understanding of watching his words, more-so adopting the mentality of speak now, consequences later. And seemingly for the pale haired boy his tongue always found him consequences later. âShould you not be betrothed already? Mother married Father a year earlier than your age.â Daeron sighed. It was no secret the boy lacked betrothal options, in part due to his lack of presence in court and the fact he chose to hide himself away entirely when in Kings Landing. He had done it to himself, he knew, yet he did not wish for some poor girl to have to put up with the secret state that he was. âDarling, your brother will choose his own path in his own time, as will you. You have expressed not wishing for a wife yourself, instead being a great dragon riding to battle and we have not judged your decision.â Your kindness came with ease towards Aerion, the boy was internally hot like a furnace and the anger that bestowed upon him for seemingly no given reason meant he did not often see kindness from anyone but you. Yes he was a little shit, as Maekar liked to put it, but he was not evil. He was your boy, and like Daeron you would love him regardless. Aerion scoffed, flinging a potato in Aemonâs direction, earning him a swat on the arm from his Father who was sat to his left. âAemon said I canât breathe fire so I wouldnât make a very good dragon, I would call that judgemental.â Aemon was eleven, and far too intelligent for his age, he corrected politely more often than not yet with Aerion everything was a personal offence if it could be taken as criticism. âActually what I said was you wouldnât make a very successful dragon, seeing as the fire breathing aspect is what makes them so deadly.â Aemon chided, a childish grin plastered on his face as he taunted his elder brother, âUnless you meant it as a metaphor.â
âWhat the fuck is a metaphor?â
âAerion!â
âMind your tongue!â
Both yourself and Maekar called almost in sync, your voices merging as your son âaccidentallyâ slipped another expletive. âIf you cannot watch your words and be polite to your brother on his nameday, you will be removed from the table up to your bedchamber. Am I clear? Aerion?â Maekar scolded, raising an eyebrow in his second sonâs direction as Aerion continued to eat his bloodied steak. âIt was an honest question.â He raised his hands now in mock defence as blood slipped down his fork from the cut of steak stabbed messily onto it. âAerion you are flinging blood everywhere, please put your hands down nobody here intends on shooting you.â
âIâd beg to differ.â Daella scoffed. You had to purse your lips to suppress a smirk at the girls attitude. Her appearance was entirely, ethereally, you. But that was the attitude of Maekar Targaryen at its finest. She was seven, and a force to be reckoned with. She was quiet and calculating, a beauty in the eye of all with the foul mouth of her Father stuck onto her like an afterthought. She was perfect, to you, to her Father and to almost all but her siblings who more often than not ended up on the receiving end of her cheeky ploys and attitude. It was also widely known that she had her Father completely and utterly wrapped around her finger, at her mercy, point being actively proven as Maekar cut up her steak for her, removing the fatty bits she refused to touch because they made her teeth feel funny. You couldnât even be mad at him for coddling her, you knew one thing and that was your girl knew how to stand up for herself and put a man in his place, she could protect herself just fine and that made you feel all the more better about raising girls in this wretched world. However, with three older brotherâs and a Father who would go to war for her if she asked, she had no need to defend herself currently, and she definitely used it to her advantage. Because she was your smart girl. You adored her always. âAnd what is that supposed to mean my darling?â Maekar questioned, pushing her plate back in front of her as a three year old Aegon slingshotted several peas in Aerionâs direction, clearly coached by Daella as there was absolutely no way your three year old had successfully loaded his slingshot with such an abundance of peas. You tried your best with Aerion, there was no doubt in that, to the courts you defended him endlessly but he was disciplined fairly at home for his wrongdoings, he got away with very little except for the foul mouth. But due to this, Daella and Aemon had seemingly formed an alliance against their elder brother, now recruiting young Egg who was still learning his way in the world. It would be adorable if it didnât cause such problems.
âOi! Mother you cannot let him get away with that! Control the thing!â Aerion shouted, pushing his chair back and standing as little Aegon giggled in delight at the smushed peas on Aerionâs tunic. âThat thing is your brother, and you did worse Aerion, you flung a knife at your Father when you were three. Heâs still got the scar to prove it.â You shook your head gently, standing and passing little Rhae over to Maekar who took her with a glad smile as she pulled at his beard and shook with excitement at the familiar face of her Father. You stood in front of your son, brushing the pea residue from his tunic and pushing him back down into his chair, before rounding the table and picking up Aegon and taking him back to your seat, Daeron passing the young boyâs plate across so that is sat in front of you. You fed him quietly as the chatter resumed. He was more than capable, yes, but he made too much mess almost on purpose as if he knew you or his Father would just do it for him. And one of you almost always gave in. So yes, you were both technically being bested by a three year old. âWhy did you leave knives lying around then?â He smirked sarcastically, as if he had won. As if you didnât know the nature of your own boy. âWe didnât, Aerion.â Maekar started, eyes casting over to the boy, âYou broke into Uncle Baelorâs solar, into his desk drawer and tried to fend me off from taking you for a bath. Iâd show you the scar but I am sure you would not like to see me shirtless at the table.â Aerion grimaced at the thought and shook his head, âAbsolutely not.â Maekar nodded his head, âAlright then. Shut up and eat your dinner.â
It was when you were all lounging at the table eating cake when Aerion seemingly could not hold his tongue. The order of the children had chaotically all switched around, Daella had decided to perch herself in your lap, playing with your hair and plaiting it, telling you how good you would look if you just let her do it now. âMaybe later, my angel, we do not want to get hair in our cake- or cake in our hair rather, do we?â You smiled, she giggled in response, âYouâre silly mummy.â You nuzzled your nose into her shoulder, tickling her inadvertently causing more giggles to erupt from the girl as she picked at her cake.
âFather.â
âAerion.â
âYou were old when you got married.â The sigh that escaped Maekar was not a quiet one, he anchored his head to eye Aerion, to gage where yet again this conversation could possibly be going. Somehow he had Aemon with a chair pulled directly next to his, the boy nestled into his side under his arm, Rhae now resided in Daeronâs embrace as he doted on her quietly, and Aegon perched atop both of Maekarâs knees, eating from both his and his Fatherâs plates. âI was older, yes.â He strained. He hated the topic of conversation, he loved you, and how he met you, yet he knew he was considered older than most men when he decided to wed you. You were young and full of life- you still very much were, but he had overheard many women of the court offering you their sympathies when they initially heard of the betrothal. Oh how far from the truth they had been.
âBut youâre older than Mother.â Aerion prodded, causing Maekarâs eyes to clench shut, he already knew where this conversation was headed. âSurely Mother could have had any man she wished, sheâs beautiful. And she chose an old man. A fourth son at that, claim to nothing. A bit of wasted beauty no? Itâs rumoured even the Prince of Dorne vied for her hand and she turned him down, for what? A life in the Storm Lands? Couldnât say I would do the same- what?Why are you all looking at me like that, itâs an honest question. I am sure Iâm not the first to ask.â
Your gaze found Aerionâs with a singular stern look, no words left your mouth. Gently you shifted off of the seat, propping Daella onto it. Grasping Aerion by the shoulder, taking full advantage of his small stature for his age, you pulled him âGet up.â You grunted, he stumbled to his feet as you hauled him up the patio steps into the house, up to his bedchambers. You passed many maids and guards along the way, all looking rather surprised, more often than not it was Maekar dealing with Aerionâs behaviour, not you.
As the door slammed shut behind you, you released your grip on your son, brows furrowed âWhat, you will punish me for speaking what is in my mind!â Your seething was silent, eerily silent. Never did you see the day you would have to be defending your marriage, your own husband, to the son that you both shared. âDo you truly have no idea the love I have for your Father? Truly do you see none of it?â You questioned, voice painfully quiet as your words flowed freely, willing your son for one more supposed truth tonight. âI mean you have six children so maybe thereâs something.â Aerion shrugged. You laughed, physically laughed, fingers pressing into your temples, âMaybe thereâs something.â You repeated, another laugh escaping you as it settled into a simmering rage. âIf you think, Aerion, what your Father and I share is just something, the world is going to chew you up and spit you out. I was advised against everyone who loved me not to marry your Father, because seemingly he was cold, unlovable, lacks the adoration to be a doting husband was actually a direct quote from one of my previous maids. She was removed from my service for that comment. Regardless, I married your Father because I learned him, and I learned that he was not actually so unlovable because I was actively doing it. And he protested. He said I was too young, too full of life, I needed a Lord my age. But I insisted I wanted him. Being a fourth son? What does it matter, I did not lose him to the courts, you have a more present Father because his status gives him respect and he is entitled to things such as this yet he is not required where he does not will. You should be grateful. The the day he relented and pledged himself to me was the best day of my life. Look at where I am Aerion, I am a proud Mother to six wonderful children, whom I chose to have, I was not forced nor coerced. I chose to have six of you. And because your Father loved me so deeply we had another, and another. I choose his clothing, I speak to the tailors and deal with all that because the faffing irritates him, the same as it does you, I do that for him because I love him as I love you. This house do you think its colours were always purple and gold? No. They were once red and black, yet when I married your Father he had the entire house repainted and decorated so that I would feel more welcome so far from my own family as we begun our own. So donât you dare ever, ever, suggest that there is no amount of love between your Father and I. Your Father is a great man, great men make mistakes and I know you feel he has done you some injustice by punishing you for your bad behaviour but when you learn one day what some children have to endure at their Fatherâs hand you will be grateful yours loved you enough not to. You dare speak of him in such a way again Aerion, you dare.â You shook your head, eyes boring into his own violet ones as he stared up at you, ears pink as be chewed at the inside of his lip. You hated feeling anger towards any of your children, but eventually Aerion was going to need to hear it sooner or later.
âYou will not leave this bedchamber tonight. You will have some water, have a bath and go to bed. Tomorrow morning at breakfast you will be the first one there and you will apologise to your Father alone and sincerely. Do you understand?â You raised an eyebrow, pulling his hands apart so that he would not pick his nails. âYes mother.â You nodded, âGood. Do not pick your nails it causes more damage than youâd think. Goodnight Aerion.â You pressed a quick, gentle kiss to the top of his head before departing, closing the door behind you and politely asking a maid to draw Aerion a bath.
You had not realised quite how long you had spent in that bedchamber, for Maekar had managed to put the rest of the young children to bed. You found him in Daeronâs bedchamber, sat in the armchair by the fire as Daeron lounged on the end of the bed. You took a seat next to him silently, âDid you hit him?â Daeron questioned, you couldnât quite work out which answer he was looking for. You knew he thought Aerion deserved a good smack from time to time, but you also knew he felt guilty for thinking as such because at the end of the day Aerion was his brother, and the Septons say we must love our brothers. âHave I ever hit any of you?â You teased, squeezing his arm. âNo, but none of us are Aerion.â Daeron answered, a cheeky grin on his tired face. âI apologise for ruing your nameday dinner, Dae.â You stroked some of his tousled sandy hair back from his face gently as he shrugged. âMânot bothered. Really. This has been a thousand times better than it would have in Kings Landing. So thank you.â You pursed your lips into a weak smile as he leant down so you could hug him tightly, âHappy nameday sweet boy.â You kissed his forehead softly before rising, Maekar too standing and pressing a gentle kiss to Daeronâs forehead, his palm cupping Daeronâs cheek. He admired momentarily. He was now adorning more features of a man than child, no longer was he the chubby cheeked babe that had come into the world singing a gale. âHappy name day, son.â Daeron smiled gently in reciprocation, âThank you, Dad.â With a nod, Maekar followed to where you had been waiting in the doorway, a lazy smile on your face as your lip quivered lightly. You found every nameday of each child slightly emotional, but Daeron most-so as he was the first of your children to reach any milestone, any age, and any maturity.
The door clicked shut behind Maekar, as he gazed down to find your eyes. Gently he reached for your face, pulling you into a silent yet entirely devoted kiss. He was entirely yours, and he would make it known your defence of him had meant more than anything, just as it had all those years ago.
âEugh!â
Both your heads snapped to the direction of the sound, finding Daella stood in her purple nightgown in the centre of the corridor, completely and utterly disgusted at the sight of affection between her own Mother and Father. A hearty laugh escaped the pare of you, your hand coming to rest on Maekarâs clothed chest as Daellaâs jaw nearly hit the floor. âDonât you have a bedchamber! Why must my eyes be subjected to this torture! Eugh! Miss Melinda where is the soap I need to wash my eyes!â Daellaâs night nurse Melinda hurried out of her bedchamber, feigning dramatics âOh my darling Princess what is it that has caused you such strife.â You had to burrow your head, stifling giggles, into Maekarâs chest so you did not seemingly offend your daughter further. âUnfortunately, Melinda, my dearest daughter was subjected to seeing me show some affection toward my wife.â The grin of amusement on his face was unmistakable, as was the twinkle within his eye as Melinda played along with a wink. âOh you poor thing! No little girl should have to see such things!â Daellaâs giggles could be heard all throughout the corridor as she allowed Melinda to carry her back to her bedchamber, âGoodnight mummy! Goodnight daddy!â
âGoodnight Daella.â Maekar called as you made sure to blow her a kiss as she disappeared into her own room. You were giddy like children. âIâll race you to the bedchamber.â You spoke, unclasping Maekarâs cloak from his shoulders and chucking it onto one of the standing tables of the corridor. âBut Iâve already chased Aegon- Wife!â You were already gone, sprinting down the corridors of Summerhall as your Husband chased, paces behind following your giggles that entirely mirrored Daellaâs own. Servants and staff alike only watched with amused grins from afar, it was rare they saw the Prince so happy again. They knew he was contented, but with so many children he was tired more often than not, it brought a smile to all to see the great Prince Maekar, The Anvil, chasing his Wife through the corridors of his estate, a childish grin plastered on the pair of your faces.
Slamming your hand into the door you called, âI win!â He stopped, now towering over you. âYou only won, woman, because you are a cheat.â You feigned offence, âWhat a vile accusation! A Lady never cheats, she simply outsmarts the beast that is man!â He pinched your side causing another giggle to escape you as you tried to manoeuvre away from him, âBeast?â He grinned, âBeast? Who are you calling a beast, wife?â A shriek escaped you as he cornered you into the bedchamber, door swinging shut as his fingers didnât leave your side âMaekar! Donât tickle me- Iâve had six children I canât take being tickled!â He stopped with a laugh, a soft smack to your arse as he turned you over on the bed to being undoing the laces of your dress.
When you were bare before him you turned over, his hands ran over your soft stomach gently, settling above your hips to keep ahold of you. âPerhaps a bath?â You asked, cupping his jaw and pulling him lower into a hungry kiss. âYou defended me.â He spoke softly, his voice only being capable of going so low made it rasp against your skin. You frowned âWhy would I not?â You helped him undress himself, when he too was bare he lifted you further up the bed to settle against the pillows. âMaekar.â You spoke softly, fingers caressing his cheek. âHe is not wrong.â He admitted painfully, pressing his cheek against your breasts, his beard prickly against your supple skin, his hands grounding themselves at the sides of your ribs as he allowed for once, his entire weight to rest upon you as the lower half of him was lying between your legs. You wrapped your arms around him gently, tilting your head forward to bring your lips against the top of his head. âHe is so unbelievably wrong. He is our spoiled little boy who weâve practically coddled near every day of his life, he does not seem to understand that what we have is love because he has nought to compare it to. Baelor and Jena are more than content, your parents are the image of love. When compared to them yes we are less flashy, but anyone who understands us understands what we are. And Aerion will, in time.â You felt your chest dampen, you adjusted your head so that you could see his face, his eyes cast downward as silent tears fell down his face, onto your breasts.
âI have spent my entire life in Baelorâs shadow. The fourth son, claim to nothing. Not desired in court, never supposed to have a woman like yourself as my bride. Iâve never not heard the whispers. My home is my home and I became content with that. The staff care for us, not the rumours. I select who works in my service. And yet it was not a stranger, but rather my own son.â You bit your lip to still its quivering, your heart hurt for him. You had heard the admission before but it had been from strangers, for your own son to haphazardly admit he thought his own father unworthy of you was a stab to the gut for Maekar. The court could think it all they liked but for his own son felt like a cruel jest by the Godâs. That he was doomed to be forever reminded by the boy he had helped create that even he could see he was not worthy of your love. âDo not let our son. Our son. The boy we created out of love, who has turned out angry at the word since the day he came. Make you feel any less than what you are. You are everything to me, Maekar. Without you I would not be so loved, so cherished. I would be childless, because Godâs be damned if Iâd put myself through one pregnancy let alone six, for any man but you. You are a loving husband, a devoted Father, a good man. Do you know how many women pray to the Godâs for a man like you? Yet I had to beg for you because you thought I was too good for you? That is what makes you so whole Maekar. You are good, you love me, you love our children, you are kind. I just wish sometimes you could love yourself the way that I love you.â You held him tighter, if that could even be possible, legs coming to wind around his waist and cross at the based of his spine. âYou love me.â It wasnât a question, it was an affirmation, as if he was trying to engrave into his very being the truth your words carried what they meant to him.
âI do. And nothing anyone says can change that.â
He pressed his face against your chest, you felt his tongue glide up the valley between your breasts, âYou love me.â He panted, his mouth descended upon one of your breasts, his tongue circling the peak of your nipple before sucking against it, beard scratching the skin around your breast. âI love you.â You panted back, becoming breathless as each kiss he lay tickled against your skin, lower and lower until he reached the top of your mound. He layered a kiss to the skin there before delving lower, another grunt escaping him, âI love you.â He parted your folds hungrily with his tongue before lapping up your growing wetness, a languid mewl escaped you at the feeling as you rested the backs of your knees against his shoulders. âThatâs it.â He hummed, the vibrations sending shivers through you causing your back to involuntarily arch. âGive your weight to me, wife. Give your everything to me.â A moan escaped you again, longer and louder this time as he delved deeper, his nose bumping with your swollen clit in rhythm with his tongue lapping at your weeping hole. âM-Maekar, I should be making you f-feel better, my love.â You opened your mouth yet no sound came out, your head flinging back into the pillows as your eyes rolled back. He had increased his pace feverishly, gripping you as close to his face as he could possibly get, he pulled back only briefly âThis is for me, sweet wife.â He pressed as sloppy kiss to your inner thigh, sucking until it bruised before digging his teeth in bluntly. âHaving you, having all of you at my mercy. This is what I desire more than anything. No other man of my Fatherâs court has ever seen such a sight, nor will he ever know one as beautiful as mine.â He burrowed himself back in, his fingers joining the ever growing sequence as your legs begun to shake. He wanted this, so you held on as desperately as you could, until you were cumming without realisation. The combination of his rough padded fingers inside of you as his soft tongue lapped and sucked at your clit had forced your orgasm to overtake near every nerve that consumed you, a defeated whimper left your lips as you released you grip on his hair and panted for breath quietly. Your eyes took a moment to adjust back to the light from the darkness and speckles of colour from how truly tight you had clenched them shut. âYou still with me sweetheart?â Maekar lifted his head, he knew he had pushed you, but now you were near passed out from overstimulation and pliant to his will. He kissed up from your mound to your navel, before following the path up to your jaw.
You smiled lazily, âHi.â Pressing a kiss to the tip of his nose. âAre you alright?â He questioned, running his hands over you as you nuzzled into his neck âMore than okay, my love.â You pressed your lips against his forehead. âAre you going to fuck me now?â He laughed against your skin, lapping and sucking at the crevice of your collarbone, âStill not satisfied? Some might call that gluttony.â You whined lightly, palms pressing against his chest âIâm asking you to fuck me husband, do you need more direction?â Finally giving in, not that it took much convincing, he lined his cock up to your already dripping hole. He thrust in harshly, knocking the air from your lungs in one swift movement. Nothing came out of you save for an incoherent mumble as you pressed your face into the crook of his neck. Maekar Targaryen did nothing half bothered, everything was done perfect and proper. Which was why pleasuring his wife was one of the utmost serious matters to him.
He flipped the pair of you, his back now rested against the plush pillows, your thighs caging his waist as he kept his knees spread and bent, giving you all the more access and freedom of movement. âShow me how much you love me.â He commanded, kneading the fat of your arse before smacking it, coaxing a moan from you as you begun to ride his cock. He could not escape the noises tearing from his lips, his head thrown back in bliss as you rode him. He could not release his grip from you, he was utterly enchanted by how entirely you were giving yourself to him, like you didnât already share six children and had been married over a decade. You clenched your walls around him, coaxing an unrestrained groan from his lips as you joined them to your own, slipping letting your tongues dance with one another as you drew closer to your peak. He pulled his hand free reluctantly to press his finger against your clit, rubbing slow circles as you jolted up and down on his thick cock. âSâtoo much.â You whined, head falling back as your hair cascaded down your spine entirely free. âCum for me, wife. Come on my cock, Iâll give you another child if you tell me what I need to know.â He rasped, picking up his thrusts to continue your faltering rhythm. âI love you.â Your voice was breathless, skin sticky, your nails clawing at his skin as you fought against him for your own pleasure. âI know you do. Let go fâme.â Unable to fight back any longer you came with an unruly moan, he grunted, pulling your chest until it pressed against his own, head collapsing under his jaw as he released his seed deep inside of you.
You both remained entirely unmoving, entirely obsessed with one another as you silently willed to never part. âAnother girl.â He mumbled against your hair, âHm?â You lifted your head lightly, your nose pressing to his jaw. âWhen this one takes. Another girl.â You just nodded, no room for argument as you surrendered entirely to him, pliant against the hard planes that adorned his body, muscles contracting under you lightly with every breath.
âI love you.â
â´ď¸
The following morning was a quiet one. You remained curled into Maekar, covered by the thin bedsheets resting in the breezed from the window as you nuzzled against his chest. The knock at the door was so quiet you might not have even heard it had you been truly resting. Adjusting the quilts so that you were both appropriately covered, Maekar called âEnter.â Inside came Aerion, a small envelope in hand. He placed it on Maekarâs bedside table before turning, âI am sorry, Father.â Maekar gave a small nod, âThank you Aerion.â Aerion wasted no time in exiting the room, slamming the door behind him with a thud.
Tearing the envelope softly, Maekar pulled out a surprisingly neat piece of folded parchment, Aerionâs recognisable scrawl adorning the yellowed page. A small smile rested upon your pouted lips, Maekar letting out a small chuckle of amusement at the heading of the paper.
Reasons that I am grateful for my Father
A/N: this might be my favourite piece iâve written, the anon request was perfect, it took me a while to start but it just started flowing and i am so so happy, i write my best when im writing about maekar and the maekarlings i swear so if anyone has any other requests for them pls pls pleaseeee send them i adore the entire dynamic
anyway, as always: requests are open, likes, comments, reblogs and any interactions at all are always always appreciated - take care everyone!!
Summary: your relationship with Baz has spoiled. somewhere along the way he stopped loving you. even so, you still try. during your latest attempt to mend what's broken Pope stumbles upon you at your worst.
Contents: Andrew "Pope" Cody x fem!plus-size!reader, reader is married to Baz, infidelity, smut, unprotected piv, oral f!receiving, body worship, cowgirl position, mentions of insecurities, Baz fucking sucks, angst, dub con? reader has some wine but it's not written with that being the intent
Note: this was a request i got. to be honest, cheating fics aren't normally my thing but it's Baz, so i don't feel tooooo bad. inspiration took the wheel here, this idea just tickled my brain. i think there's potential for a second part but i can be bad with ideas sometimes, so feel free to share any!! credit to @/saradika-graphics for the divider.
Word Count: 3.5k
Ao3 Link: read here!
It's hard to pinpoint when it happened. To definitively determine when love turned to disinterest turned to distaste would mean taking a long, hard look at the past two years. And if you're going to be completely honest with yourself, you don't think you have the strength to relive it all. The arguments and the avoidance. The little remarks about your weight, what you eat, what you wear. The first time Craig had slipped up and mentioned Lucyâwhen a deafening hush fell over the room, and all anyone could look at you with was pity. Everyone knew and you'd been made the fool.
It's a humiliation ritual you don't wish to partake in, and yet you find that you're putting yourself through one arguably more embarrassing. The relationship between you and your husband has rotted from the inside out, but you still try to throw yourself at him. Pathetic as it is. You want to prove that you aren't beyond loves reach. You had made a day of itâpicked up fresh ingredients for dinner, treated yourself to a mani-pedi, and purchased a pretty new set of lingerie.
It's all for nothing. Dinner goes cold, your texts unanswered, and your appetite lost. You pick at your nails as you stare at the empty seat across from you. A seat that has gone empty for so long that you're not sure how you managed to convince yourself that this time would be any different. Desperation? Plain and simple stupidity? Some crude combination of the two, you conclude.
Suddenly, you're hyper aware of every sensation and noise. Lace that itches beneath your clothes. The way the underwire of your bra digs into your skin. A shift in the room as though all the air has been sucked out. Appliances constant undercurrent, a quiet twilling that normally remains unnoticed. The gentle susurration of waves lapping at the shore.
With a sudden jolt, you stand. Beneath you, the chair scrapes against the floor, pushed back by the force of the motion. Briefly, you feel sorry for yourself. It's not an unfamiliar feelingâthe urge to shut down and wallow in your sorrows. Then self-pity curdles. Your throat feels tight, and heat swallows you whole.
You feel so angry. At Baz, at the world, and at yourself. There's so much of it. It's overwhelming. Red and hot and filling you to the brim. It licks up and pools tears along your lash line. It brings your hands down upon the table, wreaking havoc on the dinner you'd lovingly made, but let go to waste. Your plate crashes to the floor and shatters on impact. A shout tears itself from your throat.
Raggedly, you take your next breath and the next. Somewhere along the way your heaving breaths turn to sobs. You crumble back down onto the chair. For awhile you stay there, folded into yourself. Until you're drawn to the wine cabinet to pop the cork on a particularly expensive bottle Baz had been saving for the right occasion. Fuck him. You bring your mouth to the lip of the bottle and take swig before pouring yourself a glass. When you finish one you pour yourself another.
Before long, you're standing in front of the full length mirror tucked in the corner of your bedroom. You've lost your clothes somewhere along the way. All that remains is the lingerie you wasted an obscene amount of money on. You're pretty, you think. When you're not so lost in your own head. Though, right now you're a mess constructed of smudged mascara, tear stained cheeks, and an anger that's barely begun to wilt.
With your emotions running high you're not immune to the piercing judgment of an over critical eye. Your eyes first stop at your flabby arms, next they move to your pudgy stomach, and lower to your thighs that look as thick as tree trunks. Earlier, you'd thought the lacy set did a good job at drawing attention away from all your insecurities, but now it seemed to accentuate every part of you that you've learned to nitpick.
When you lift your gaze, you catch movement behind you in the reflection. At first, you think it's Baz, and your first instinct is to cover up. Winding your arms around yourself, you turn to face him, but you come face to face with someone else entirely. Pope. You screech and stumble back.
"What the fuck!" You shout. Thankfully, he pivots and looks away from you.
"SorryâI⌠BazâI wanted to talk to Baz," he mumbles. Your gaze sweeps over him. He's gone pink from his neck to his freckled cheeks to the tips of his ears. His fingers twitch in their usual manner at his sides, and he shuffles around to look at you again. The way his eyes rake up and down your body doesn't escape your notice.
The desire to shrink back into the mirror behind you grows tenfoldâto have the ability to poof out of existence would be a blessing, but it's not one you're afforded. So you remain trapped beneath Pope's sharp stare, pinned to the corner of the room. Mustering up enough courage, you meet his gaze head on as if to telepathically tell him to leave, but he doesn't seem to get the message.
"He's not here."
Pope blinks, taken out of whatever place his mind had just wandered to. "Do you know where he is?"
The question of the century. Hell if you know. Well, you might have an idea or two, but you really don't want to go there this second.
"You'd know better than me," you scoff. You feel like laughing. Instead your vision blurs again. Tears come unbidden and accompanied by stinging shame. Pope looks like a deer caught in headlights. His eyes widen a fraction and his posture stiffens even more, if possible. You inhale, choking on the intake of air as you slink towards the center of the room, and sink onto the edge of the bed.
A tiny part of you is relieved that it's not Baz standing there, and you're not sure what to make of it. Pope still makes no move to leave. Even as he stands with one foot out the door. He stares at you. Always with the staring. You sniffle and drag a hand down your face.
"You've caught me at a bad time," you say with a watery laugh. That's all it takes for Pope to take another step. His other foot passes the threshold. He approaches you like you're a wounded animal. Slowly, cautiously, and careful not to startle. The mattress dips as he lowers himself onto the edge of the bed next to you.
He doesn't utter a wordâdoesn't ask if you're okay or what happened or any of the niceties people are supposed to say when they stumble upon someone crying. He relegates himself to a mere presence at your side. A warmth that permeates into the sliver of space between you. An absence of judgment. Somehow, he knows it's exactly what you need, or he's just wholly unequipped to handle his brother's crying wife. The latter, probably, but you appreciate it anyway.
What happens next is not a conscious decisionâthe distance between you narrows. One body seeks another, taking shelter from a storm. Your head falls to his shoulder. You can feel him tense up at the contact. There's a moment where time comes to a standstillâwhere the room absorbs a stillness unbroken. Neither of you move closer, but you don't withdraw either. Pope inhales abruptly as his shoulders draw taut. Then he relaxes, one arm curls around your waist, and he pulls you into him.
You cry. And cry. You cry your heart out until your throat is raw and your head aches and there are no more tears left to be shed. Pope holds you the entire time, his strong arms coil around you as you wet the collar of his shirt and the crook of his neck. His scent swathes you. A combination of detergent, sweat, and something a little woodsy. It's oddly soothing.
One of his hand splays over your back, rubbing gently up and down. Your sobs quiet, turning to an occasional sniffle. Even so, not once does he urge you from your place curled into his chest. He makes no move to rush you or push you away, but eventually you do pull back. His head tilts, taking in what you can only imagine to be a sorry sight.
"I needed thatâŚ" you croak, your voice scratchy and worn thin, "thank you."
A hand comes up to your face, cradling one cheek with the utmost care. His thumb brushes the apple of your cheek. It feels far too intimate to be considered appropriate, but then again none of this is exactly orthodox, is it?
"Baz is an idiot," he says. His gaze holds yours, and you glimpse a drop of anger in those pools of hazel. "He's blind if he can't see what's right in front of him."
"And what is it that you see exactly?" You ask before you can think better of it. His throat bobs, and his tongue darts out to wet his lips. With one sentence you've opened Pandora's box.
"I'm no good with words," he admits, jaw ticking as he debates his next ones, "want me to show you?"
You shouldn't. You really shouldn't. No, especially not with Baz's brother. You should unwind yourself from his embrace, and create all the distance you can. You should tell Pope to leave, and bare the burden that you let it get this far at allâendure never being able to never look him in the eyes again, and never being able to hold a conversation without the shadow of this very moment looming over you.
"No, weâwe can't." You shake your head and begin to move away. "What kind of person would that make me?"
"It would make you human," he says and it gives you pause. Five simple words derail you from doing the right thing. He says your name, and it's like you've fallen back under a trance you'd momentarily broken. "If it were you and Iâif we wereâI would never take you for granted."
Fuck. You can feel your resistance crumble like a physical wall. And in the dust, debris, and wreckage of it all, you run straight back to him. You're weak. You're only human.
"Kiss me." It's over. Whatever infinitesimal amount of restraint you had left cannot be regained. You want to blame it on the alcohol buzzing in your veins, but you know you can't pass the whole blame on just that. You need this, and you want it bad.
"You're sure?" He takes a measured breath, but his willpower is shrinking too. Any hesitance is merely a courtesy towards you, and the worry that he might fuck it all up.
"Yes, I'm sure, right now, but don't let me second guess this or I'll change my mind."
Not another moment is let slip by. Pope's hands are on you. They never strayed far, lifting to frame your jaw and coax you closer until his lips are on yours. He's kissing you. You can hardly believe it. Pope is not cold and domineering like you expected him to be. You discover a shivering, shimmering warmth. Passion that bleeds through after broiling beneath the surface for too long.
He urges you closer. In answer, you burrow your hands in his curls and allow him to steal back the distance between you. You're drawn onto his lap, body pressed flushed to his. A groan rattles from him. Reluctantly, he comes up for air. He looks ready for rejection. As if the kiss will have turned you against whatever this is, but he is quicksand and you've already sunk far too deep.
"You're so fuckin' beautiful." His voice cracks like the words themselves have desperately been trying to claw their way out. It leaves you wondering how long he's been harbouring these sorts of feelingsâthe kind he shouldn't have for you, but can't shut out. The look that crosses your face must give away your doubts. "You are."
He doubles down, pushing you flat to the bed and wrenching your legs open by shoving the broad stretch of his shoulders between them. A shudder flutters through you as he inches towards your waiting heat. He noses at the sheer fabric that hides you, and takes a deep breath, completely shameless in his desire for youâfor every part of you.
"PopeâŚ!" you gasp. Your legs tremble, threatening to knock together in an attempt to shut him out. He doesn't let you. His arms loop your thighs, keeping you locked in place and flayed open for him. Reality disperses with one slow swipe of his tongue over the front of your panties.
His eyes darken. He corrects you. "Andrew."
"HuhâŚ" you hum, brain slow to process his meaning.
"Don't call me that," he clarifies, "call me by my name."
He doesn't return to your weeping center. His attention diverts elsewhere. The scalloped edge of your panties has rolled down, leaving nothing to conceal the swell of your stomach. A low, burgeoning groan rumbles from him as he lays his head there, turning to pepper kisses over the stretch marks that sprawl across the fat at your hip.
Everything about you is supple and soft and divine. Yet, at the same time, he makes it out to seem as if there is not enough of you. Rough pads of his fingers skating along every curve and roll, dipping into cushiony flesh. Gripping, holding, scooping you up, and committing the lush feel of you to memory. He mouths at you. Lips chart a damp trail down to your plump moundâyour wet and wanting cunt perfectly gift wrapped in lace. He hums, deluded enough to believe it's just for him.
The prettiest sight. A view that he never wants to give up and that few are deserving of looking upon. Dipping his head forward, the next thing you feel is the heat of his mouth on your covered cunt. Pope devours you through your lace. A combination of his saliva and your spit darkens the material.
Gentle, titillating flicks of his tongue broken up by muffled moans. His avoidance of your clit is deliberate. The phantom touch of him so close to where you need him, nose barely bumping the bundle of nerves, but it's not enough. Not even close. You're not sure how much more you can take. Anticipation that borders on frustration. Your hips cant upwards, coveting what he's purposefully and so unfairly refusing to give.
Finally, he caves and retreats fractionally, so he can peel your panties away. You moan in unison when his lips wrap around your clit with unfettered hunger. "Ahâ! Andrew, fuckâŚ"
You're so lost that you almost miss it. The sweetest soundâthe tiniest whimper muffled against your sopping folds. He grinds his aching erection into the mattress below, strong hands grappling at the thighs that sandwich his head. Each pass of his tongue over your clit brings you higher. Nerve endings firing, electricity pulsing, coercing you over the edge.
It's a drop in a pond. Ripples that wash over you and curl your toes. He works you through your orgasm, and just when it seems like he'll never let up, he pries your thighs apart and removes himself from between them. He stands from the bed, and begins to unbutton his shirt. Shrugging it off, his shaky fingers go to his pants.
He's bigâbigger than you're used to, and you don't have to say a thing. He can glean it from your expression. It puffs his chest and pulls a small smirk onto his lips.
"I want you on top of me," he says, moving back towards the bed. You make a small, warbled sound as you try to make up some excuse as to why that's a bad idea, but he's having none of it. He lays down and guides you over him. Your legs bracket his hips. His cock makes it's presence known, twitching against your inner thigh.
Your heart beats in your dripping cunt. Copious amounts of slick wetness assist the slide of his cock, shaft gliding along your seam and fitting flush to you. Your hips rock, slipping the length of his drooling cock between your folds. All heat and zero percision, only neglect scraped raw into desperation.
On one pass, the head catches at your entrance, sinking just barely inside before slipping free. He bites back a moan. After a couple more rolls of your hips, it notches there again. This time you let it happen, keening at the stretch as he sinks inside your tight heat. You have to take a moment to adjust.
Steadying yourself, you begin to move. You feel powerful. There's a sense of control to be had here, where in every other aspect of your life it has spiraled beyond you. So you cling to it, as miniscule and insignificant as it might be. And Pope revels in it, in the privilege of being privy to this side of you. He looks damn near reverent of. You're like a goddess above himâbouncing on his cock, taking what you need.
You're not sure you can remember the last time you felt this way. Like you're someone to be revered, worshipped, held tenderly, and loved. Have you ever felt this way? Has Baz ever made you feel this way? Maybe Pope is the first. Maybe he will be the last. It doesn't matter. You simply need to tuck yourself into this moment and forget about everything else. So you do just that.
The rise and fall is addicting. As mesmerizing as the jiggle of every plush and pillowy part of you. You take him so beautifully, cunt stuffed full of his chubby cock, clinging to him each time you lift up. He grabs handfuls of your soft tummy before settling his hands on your plump hips, dimpling the flesh. He begins to guide your rhythm where you start to falter.
"Yeah⌠I've got you," he utters breathlessly, "just like that. Mhm, up and down, sweet girl."
His thick fingers find your clit, pinching it gently before massaging firm circles over it. You're thereâright thereâteetering, teetering, gone. His name is a prayer on your lips followed up by an encore of the sweetest sounds he's ever heard. Arms, thick and corded with muscle, encircle you and tug you down to him as your body shakes apart.
"Fuck⌠nghhâ" he curses, punctuating each thrust upwards with a grunt. He's chasing his own release now. Sweat beading his brow and sheening on his neck. You bow your head into the junction where his shoulder meets his neck, tongue darting out to lave at the damp skin. He groans, hips stilling as his cock pulses inside you. "So goodâdid so good⌠so fuckin' perfect. Gorgeous girl."
The litany of praises flitter past your ear. You're floating, mind foggy and vision hazy, completely fucked out. He holds you as you drift. The exhaustion of not only this, but all your emotions and outbursts from earlier has caught up to you. It pulls you under.
Guilt doesn't sprout until the morning, rising with the sun that pours into the bedroom. It takes a moment for your mind to catch up, but it all comes rushing back. You're arm flops out to feel for Pope, but the space beside you is empty. You can't even be sure the whole thing wasn't some sort of fever dreamâa product of your sever loneliness and whatever mental break you had been experiencing.
Groggily, you sit up and unclasp the itchy lace bra you're still wearing. You pad over to the dresser, and throw on a t-shirt and shorts. The house isn't completely silent you realize as you amble down the hall. In the kitchen, Pope stands by the sink. He's doing the dishes. The table had been cleared, the shattered plate swept up. In fact, the whole house looks tidier.
He flicks the faucet off, and turns to face you. It well and truly hits you then. What you did. How frustratingly right this all feels. Domestic and warm. Wanting this to last, but knowing it can never beâknowing it will never be, and you've let yourself have a slice of it. You will have to live having had a taste of what you can't possibly have.
"You need to leave, Pope," you say, and you hate yourself for it. You despise the expression it pulls onto his face. The slightest quiver of his lip, and the confusion in his eyes. You don't feel like you have a choice, so you rush to shut him out. "You can't be here."
He doesn't protest. He doesn't say anything. Pope only nods then leaves like you asked him to. You're not sure if that hurts more or less. Would you have preferred him to fight it? To say something? To pull you close and kiss you again? Either way, you've brought the aching emptiness that follows his departure upon yourself. There's no one else to blame.
You woke up today, mind reeling and full of excitement, after all, today was your anniversary with Simon and your heart was fluttering at the thought of spending all the day with him.
He has the day free (miracle), so your mind was already spiraling with the things you prepared for him.
You looked at your side, just to find it empty, a small pang of sadness creeped on your heart but it was quickly pushed aside.
"What if he's making breakfast for us downstairs?"
You thought and the smile went back to your face , a little brighter.
You got up, made your side of the bed, brushed your teeth, took a quick shower, and put on a pretty sundress, prettier than the usual robes you pranced around on, fixed your hair, applied the perfume you know he loved, and looked at yourself in the mirror, fussing over your lipgloss.
You walked downstairs, trying to look not too excited.
"Babe?, sweetie!"
You called out softly, walking through the living room, heartbeat quickening as you entered the kitchen.
But you didn't find anything, it was as clean as you left it, your heart sank a little. Well maybe he was going to take you out for breakfast?.
You walked slowly towards the garage, just to find him there, fixing his car, clothes dirty and concentrated.
"Good morning sweetie" you whispered softly, hoping he'd jump in joy, maybe kiss you and tell you how grateful he was to be with you, instead, you were met with a quick "morning, love, thanks to the free day I'll do some stuff I have to get done by dawn"
Was all what he said, and you felt a lump form on in your throat, did...did he forget?.
You nodded, blinking back the sudden sting of tears and stepping back slowly.
You walked back in the house, mind reeling with thoughts of he forgetting one of the most special days in your life, the day he got down in one knee, flustered but vulnerable, telling you with a smitten expression about wanting to spend the rest of your life next to you in the rain.
The rest of the day you stayed with him, but not as you hoped for, for fucks sake your anniversary was even marked in big bold letters in the calendar you put in the fridge, and you were so excited of finally giving him the gifts you've been working on for months.
You accompanied through the day, to Johnny's house where they shared a beer and talked for hours, to the pub where he met with some friends you didn't know and left earlier bcuz the pub was disgusting, even to the supermarket to buy some stuff Gary told him he needed like Gary himself wasn't a grown ass man with his own money and legs to come to the supermarket.
Once you two where finally back home, your heart was destroyed, he forgot, your anniversary gift was in the closet of your shared bedroom still hidden and you couldn't hold back the tears.
Until Simon gave you a small peck on the cheek "Love, I'm sorry, I gotta go I have to do something important".
You heart leaped on your throat, maybe he did remember and he was going to take you to that restaurant you've hopping going for months, or to a romantic walk in the streets.
You nodded, suddenly joyful, not noticing his confused expression at your behavior, once he was gone, you did it everything, expensive dress, perfect makeup, perfect hair and your favourite jewelry, you looked stunning.
And decided to sit down on the living room and wait.
You sat down there, the first half an hour hopeful, the next hour your heart slowly stopped getting excited at any sounds of he maybe being home.
And by 11AM, you got up, not being able to hold back the tears, and got upstairs, the small heartbroken sobs wrecking your frame, with gentleness that was only betrayed by the tremble of your hands, you cleaned your face, took a long hot shower, and to pamper yourself a little you put on your favourite pink pajamas.
You didn't even notice when Simon was back home until you saw him on the bed, your wounded heart fluttered, and for a moment you thought you were going to burst in tears again, but you didn't, so, without greeting him, you sat down next to him in the bed.
Fucking hell, he wanted to play it like that?, well we were going to play like that cuz this game was invented by women.
For a moment you stood there, looking at him while he was reading, hoping just a little, even if your heart was shattered, that he'd even whisper a gentle "Happy anniversary love" and apologize.
But he didn't, he was clueless, treating this like any other day and not the day you vowed in front of your family and friends that you'd be next to him and grow old with him for the rest of your life.
You were sat down in the bed, Simon was leaning down next to you, already with his eyes closed, hair muffled, sheets messy, but not entirely asleep.
"What are you even waiting for?" He asked tiredly, just wanting to cuddle with you.
You kept your gaze locked in the pink digital clock on your nightstand.
"4...3...2...1"
When it hit 12AM, you turned to look at him with a sweet smile
"you forgot our anniversary"
To those words, his eyes snapped open, frozen in the sudden darkness when you got up, clutching your pink sheets, clad in your pink pajamas, pink bonnet and pink fluffy shoes, walk down the hall to sleep in the guests room and not with him.
summary: the three times you decided to flirt with pope cody and the one time you decided to take it one step further.
content/warnings: in my mind this takes place like during s4 but there's nothing really specific about it, pope calls himself andrew in his mind, canon typical violence/drinking/drugs, all the cody boys are here but mostly craig, reader is drinking alcohol and has hair/wears dresses/heels/perfume, sub!pope, fingering, a good ol handy, a little dirty talk, unprotected piv, creampie, really just an unseen amount of fluff from me tbh NSFW + MDNI! 18+ ONLY!
wc: 10.2k (oops)
notes: omg my popey.... i love him so much. i got carried away with the plot (kinda a first tbh) but i wanna take care of him so bad. i need to bite his arms. only slightly proofread so proceed at your own risk
credit: gif taken from this set by @wesandresons :)
â
The first time Andrew met you, it was in his bedroom.
Throughout Andrewâs life, many people have come and gone through the doors of Smurfâs house. It would take another lifetime just to count them all.Â
The parties started when he was young and never ended. The faces blurred together for Andrew now, not that he could really bring himself to care all that much in the first place. Just like Craigâs girlfriends or Smurfâs boyfriends, nobody was ever really a permanent fixture in Andrewâs life. Not if they werenât family.
He knows that everyone thinks that heâs different. That heâs weird. He notices their looks when he lingers around the pool, in the kitchen, when heâs just sitting on the couch. His own brothers even, a lot of the time. Everyone eyes him like a ticking time bomb, just waiting for him to go off.
Andrew doesnât really mind, though. Or, if he did, he'd become numb to the feeling a long time ago. In fact, heâs probably become numb to a lot of feelings. But Andrew doesnât know any other way to be. Heâs just Pope and he has been for a very long time.
This party in the Cody household wasnât different from any other. Booze, drugs, and a big mess Andrew would definitely have to clean up later. The music is loud, bass turned up too high, and Craig is attempting to jump off the roof into the pool again. Amidst the cheers, Andrew thinks about the rest of his brothers and wonders for a moment where exactly it went so differently for him, or if he was just simply born that way.
His brothers seem okay with being in the spotlight. Even his nephew seemed to fare better than him, assimilating perfectly into every situation that arose, especially when people were involved. Andrew was never like that.
J must have gotten it from Julia.
Andrew was never a people person. He was always out of place, like the Cody that just didnât quite belong, all jagged edges. The parties always send him into the corners of his mind that he didnât really like venturing into.
The pounding of the bass is getting to him.
He pulls open the door to his bedroom hoping for a moment of silence, when heâs greeted with a pair of bare feet hanging off the edge of his bed. The figure doesnât stir when he enters, so he creeps in further and shuts the door quietly. He turns his head, scanning now that he has a better view of who exactly is in his room.
Youâre laid on his bed, eyes shut, hugging your phone to your chest like a stuffed animal. Youâve clearly come to escape the crowds of the party, same as him. Andrew canât help as his eyes drag up your legs all the way up to where your short dress shows just a little too much of your thighs. He notices your heels as well, placed nice and neat beside the bed.
âWho are you?â It comes out a bit more gruff than Andrew anticipated and your eyes finally flutter open. It takes you a minute to notice him but when you do youâre shooting up to your feet, spine rigid. Itâs cute, he thinks, the way you panic. You startle like a small puppy.
âOh my god,â you squeak, clearly embarrassed. Your hands fall to adjust the hem of your short dress, much to Andrewâs disappointment. He gives you a once over; itâs half assessing what exactly youâre doing in his room and half just taking you and your skimpy outfit. âIâm so sorry. Is this your room?â
Andrew gives a small nod and you wring your hands nervously. Youâre taking him in now, a Cody brother here in front of you, live and in the flesh.
âSo which one are you?â you ask, head cocked. Now that you know this is his room, he notices you assessing him in a different light. People always do âit didnât bother Andrew much anymore but with you he feels a twinge of shame in his stomach. âDeran? Or, umâŚâ
Andrew knows that youâre searching for his name. His nickname. It had to be since there was a short list of people who called him by his real name. Pope Cody is known by everyone in Oceanside. Andrew Cody, on the other hand, is not.
âAndrew.â he supplies, voice softer than before. Now youâve been added to that very exclusive list. You repeat his name back to him, voice a little warm, no doubt from one of the many drinks that the Codyâs provided. Then you introduce yourself and Andrew attempts to burn your name into his memory.
âOkay, Andrew. Are you hiding too?â Now that he hasnât kicked you out, you take a seat on the edge of his bed. He notices the compression of where your body laid just a few minutes before on his neatly made and pressed sheets but doesnât say anything. He likes the sound of your voice too much to interrupt you. âOr just making sure nobody is defiling your room.â
âIâm not hiding,â he replies, crossing his arm over his chest. The strap of your dress falls and Andrew tries not to get distracted. âThis is my house. Iâm free to go where I please.â
âFair enough. Iâm hiding,â you shrug. A beat of silence passes and you pat the spot next to you, inviting him to sit on his own bed. Andrew is curious enough to oblige, sitting on the other end of the bed, putting distance between you. He doesnât miss how your shoulders drop slightly in disappointment. âMy friend is here with Craig and theyâve conveniently disappeared... I donât even want to know what theyâre doing.â
âI have a few guesses.â Another one of Craigâs girlfriends. The giggle of a girl coming from Craigâs room that Andrew had heard when he was walking by suddenly made a lot more sense.Â
He wills himself not to flinch when you scoot closer to him, closing the distance he deliberately put between the two of you. Andrew was interested, too interested, and that worried him.
Pope Cody wasnât allowed to want.
âIs it okay if I stay here with you?â you ask, and Andrewâs heart flips. He clears his throat, hoping that you donât see the blush thatâs creeping itâs way up his neck. âIâm just not really sure how long itâs going to take and I would much rather be in here.â
With you, hangs unspoken in the air.
âSure.â Andrew likes the way you smile when he answers, a small flash of teeth. You scoot even closer and tuck your bare feet under you. Youâre so close now that your knee is nudging his thigh. He can smell your perfume from here and itâs heavenly compared to the sweat and chlorine laced air outside. âI donât really want to be out there either.â
âSo, Andrew,â His name sounds like honey when itâs falling from your lips and he wonders how often he can make you say it. The feeling that settles in his chest when you say it is too addicting for him to live without it now. âNot really a party person?â
âNo. But my brothers are.â He gestures vaguely to the door, the music pounding on the other side of the wall and then his hands retreat back to his lap. He can feel your eyes on him, but not in the usual way he always tends to notice. You scan him with a kind of curiosity that he hasnât felt in a long time.
âIâm not really a party person either,â you agree, glancing at the door he had just gestured towards. You look a little sad, even. It makes Andrewâs fingers twitch.âMy friend said she needed some moral support coming to meet this guy. So I came, and then she ditched me like an hour ago.â
âSounds like youâve got a shitty friend.â Andrew says plainly and heâs caught off guard when you let out a laugh.Â
âYeah, I guess,â You shrug, shoulders still shaking with remnants of laughter. Andrew has turned his head fully now to look at you but he doesnât really understand why youâre laughing. âBut maybe itâs like fate, or something.â
âFate?â Andrew echoes, even more confused than before. You lock eyes with him and he has to resist the urge to break it, enthralled enough by your gaze to ignore the awkward feeling settling in his chest.
âYeah. Like maybe itâs fate that she left? Because then I wouldnât have hidden in a cute guyâs room and got to talk to him.â He can tell that your mind is elsewhere, but his eyes are still on you. Thereâs a dreamy look painted on your face and heâs so distracted he almost misses the fact that you called him cute. Almost.
He opens his mouth to respond but your phone beats him to it, the shrill sound of your ringer filling the empty room. You look at him sheepishly and turn your head to answer as if that would give you the privacy you were looking for. It doesnât work because as soon as you hit accept, he can hear what he assumes is your friendâs voice on the other side of the line.Â
You get up and he watches you nod along to the conversation. Youâre not doing a lot of talking, but your friend definitely is; he can tell by the murmur of her drunken chatter and the sound of the music pulsing on the other side of the line. Youâre kind enough to let her continue on for a bit longer before you let her know that youâre coming, donât move!Â
Then youâve turned back to Andrew, tapping your phone on your palm as you try to find the right words to say. You look genuinely apologetic âfor what, Andrew doesnât know. The silence stretches long, and Andrew is the first one to break it.
âYou donât have to stay,â he says plainly. You donât really owe him anything, although the look on your face makes him feel otherwise. You take a step closer, poised like you want to take a seat next to him again. Andrew wants you to, but he wonât admit that part out loud.
âI know. I want to-â you start, but your phone starts buzzing like itâs possessed, cutting you off. A quick glance is all it gets; youâre quickly scanning the messages before returning your attention to him. Your phone doesnât stop vibrating. âItâs hard to leave when youâre looking at me like a lost puppy.â
Andrew chooses to ignore that comment, instead turning to grab your shoes from the side of the bed next to him. He offers your heels to you, arms outstretched, closing the distance between you just like you had before. You give him a small smile as you take them from him, fingers brushing his just a beat too long. The way it sets his nerves alight is also something that he chooses to ignore.
âThank you,â you say, slipping your strappy heels back on. Andrew looks everywhere but you as you bend down to tie them up, feeling the blush creeping up once again. Once youâre straightened up he gives you a small smile in return, watching as you pull your phone back out again. âSorry for messing up your bed. Iâll make it up to you next time.â
You say it so definitively, like you somehow know there will be a next time. Before he can reply, youâre giving him a shy wave goodbye, sliding out the door. The music leaks in for a moment when you open it, blending in with the cheers of partygoers outside. When you close it heâs back to the silence of his room, alone. He had come in there looking for a moment to himself but now that youâre gone, he canât help but want the opposite.
Andrew really hopes that there will be.
â
The next time Andrew met you, it was in Deranâs bar.
He could count on one hand the amount of times he actually sat at Deranâs bar for any other reason besides work. It was rare that he ever got to enjoy a beer, much less have a moment of free time. But between Deranâs insistence and Craigâs staggering frame, Andrew agreed to stay for one drink.
Heâs on the dregs of his beer when he notices Craig straighten up in his seat and saunter over to the front door of the bar. Andrewâs head turns and suddenly heâs glad he came, perking up the same way his brother had just moments ago. A girl comes out to greet Craig, looking like his usual type, and he slings an arm over her shoulders, steering her towards the bar with a sly smile.
Then you walk in and Andrew almost falls off his stool in surprise. Youâre dressed differently than when he first met you, softer and more casual. Both of you look like youâve just come from the beach, donned in shorts and tanks, hair curled from the salt water in the air. It makes his heart skip a beat.
You walk in far more hesitantly than your friend, like youâre not too sure if you belong or where to put yourself. Andrew can empathize with the feeling. He watches as you scan the bar; maybe for your friend, or maybe for another place to hide. You lock eyes with him once you finally notice his presence at the bar and you begin to make your way over. Andrew isnât sure if he should break eye contact but he canât help it, eyes darting away before they make their way back to yours.
âFancy meeting you here,â You take the seat next to him, flashing him a grin. Andrew mumbles something under his breath, but youâre not deterred. In fact, you scoot your stool closer to his. Youâre laying it on real thick, but he has to admit that he kind of likes it. âYou come here often?â
âYou know Pope?â The moment is interrupted by Deran, who sets down a full glass of beer in front of you. Heâs got a bemused look on his face, eyes darting between you and his brother. Andrew tries his best not to frown, especially at the use of his nickname when you only know him by Andrew. From the expression on your face, he can tell that heâs failing. Your eyes flicker with some kind of recognition, like you were suddenly recalling the name that you had forgotten the last time you met.
âYeah, I do,â you nod, not even acknowledging the fact that his own brother had just called him by a completely different name. You gesture to his empty glass, the one that he had set aside to fully focus on you when you approached. âAnd I think I owe him a drink.â
âYou do?â It slips out of both Deran and Andrewâs mouths, disbelief on both their faces. It comes out a bit rougher for Andrew, while Deran inquires like you just told him that unicorns were real. You handle both questions with grace.
âWell, I said Iâd make it up to you next time,â You smile, pulling the glass that Deran set down closer to you. His brother leans in closer, clearly interested in what exactly was going on between the two of you. Andrew tries to shoot his brother a glare before you look back at him but he doesnât have enough time. âSo, are you going to have a drink with me, or what?â
âYeah.â Andrew says, perhaps a bit too eagerly as Deran snickers under his breath. He slides him a beer as well, a knowing look painted all over his features. Andrew takes it with a scowl, but his expression softens when he looks back at you. You bring the beer to your lips with a smile and Andrew canât help but smile back.Â
Two and a half beers later, Andrewâs face is a lot warmer and you are a lot closer. Youâre so close that he can feel your shoes scuffing the edge of his newly polished boots, but he canât bring himself to care. He likes when you giggle at his jokes; the way that your eyes shine. Andrew can feel his brothersâ eyes on the two of you; he even catches his nephew looking his way a few times.Â
But for the first time in a while, Andrew doesnât really want to shrink away. Heâs tuned out the background noise, even your friendâs obnoxious drunk laughter at Craigâs pretty mediocre jokes. Because, in reality, Andrew is not the type of guy that a lot of girls like. And Pope especially, is not. But here with you, he lets himself believe that maybe just this once, heâs allowed to have something just for him.
âI like your smile,â You break the silence the two of you were sharing once the conversation you were having earlier came to an end. Andrew hadnât even realized that he was smiling. He had really just been using the silence to soak in your presence; you still smell the same as you did when you met the first time. Wearing the same perfume that you left on his sheets and pillows just a few weeks ago. He didnât want to admit how many times he shoved his face into them, chasing your scent before it faded. âItâs cute. I like your teeth.â
There it was again. That word. Cute. Itâs not a word anyone used to describe Andrew, probably not since childhood. Or possibly maybe never. He almost wants to swing his head around to see if the rest of his family had heard.
âYou really think Iâm cute?â He canât help but ask. It might be the beers or the way you look at him or the fact that he can feel your body heat, but his brain is a bit fuzzy. You look over at him, eyes a bit glazed over from the alcohol. Now he can feel you examining him again, looking him up and down.
âI guess cute isnât really the word for a guy like you.â His heart sinks at that, wondering what you really think about him now that you know Pope and not just Andrew. He knows the stories that circle around Oceanside about him and heâs not sure if heâs ready to hear the ones that youâve heard.
âA guy like me?â Andrew echoes, trying his best not to sound so sad. His mood perks up when he feels the heat of your gaze taking him in, seemingly a bit unguarded, presumably from all the alcohol.
âYeah. Youâre all built andâŚâ You look around, trying to place a word to describe him. Then you lay a hand on his arm and Andrew stiffens for a moment but he softens quickly, leaning into your touch. You look pleased that he allowed you to do that, smiling like youâre ready to take a bite of him right then and there. âI donât know. Strong. Thick. Handsome.â
Andrew is sure that heâs red all the way up to the tips of his ears. Heâs also pretty sure that he saw Craig choke on his drink at your comment a few stools down from you, but he decides thatâs a later problem.Â
âThanks,â he says gruffly and itâs really the only word that he can get out of his mouth, embarrassingly. You shoot him a smile, and itâs all sweet and a little too enticing. Andrew wouldnât be surprised if he was leaning into you, ass halfway off his stool.
âSorry, Iâm being a bit forward, arenât I?â you say, swirling whatever was left of your beer. He tries to shrug nonchalantly but it doesnât really work. âI just get flirty when Iâm tipsy.â
âSo you donât think us meeting again is fate?â Heâs teasing, half smile tugging on the edge of lips. You giggle and Andrew basks in the sound. He canât remember the last time someone made him feel like this. The last time he wanted to be so close to someone.
âI never said that,â Youâre hiding a cheeky grin behind your glass and Andrew desperately wishes that he could see it. âYou do believe in fate then?âÂ
Andrew has to think about it for a moment. Heâs not sure, really. Lots of fucked up shit has happened in his life and it would be cruel world if that was the fate that the universe had in store for him. Then again, heâs done some terrible things as well, so maybe it was what he deserved.
âI donât know,â he answers truthfully. Andrew stares into his drink and reflects on all of the things heâs done, the crimes he committed. Julia. Cath. They swirl around in his mind, weighing on his conscience. Then he looks at you and they all seem to float away. âMaybe.â
âWell, let me know when you decide.â He thinks that you can probably sense his hesitancy or the spiral that it sends him down when he thinks about it too hard, so you pump the breaks. He almost canât stand the way youâre looking at him, eyes wide open and curious. Andrew is unsure of which version of him that youâre seeing or what exactly is going through your head. He doesnât have the courage to ask.
âOkay.â he says, a bit too distracted by the pieces of hair that have fallen in front of your face as you turned to take another sip, shielding his view. His hand flexes as he resists the urge to push them away.
Then, like you could read his mind, you tuck them behind your ear and shoot him another look. You open your mouth to say something, but youâre interrupted by Craig, who is steering your friend in your direction. Andrewâs hand flexes again as this time he suppresses the urge to hit Craig for cutting in.
âShe just puked in the plant over there, and Iâm pretty fucked up, soâŚâ Craig isnât subtle in what heâs asking and Andrew notices the worry flicker across your face as you take in your friend, who can barely stand up on her own without his brother gripping her shoulders. You mutter under your breath and he thinks he hears you basically cursing out Craig.
âOkay, just⌠take her outside. Iâll be out in two minutes.â you say, and Craig stumbles off, your friend in tow. Then you turn to Andrew, an apologetic look on your face thatâs becoming all too familiar to him now.
âIs she going to be okay?â His gaze wanders to the door swinging shut behind the pair. You wring your hands nervously, standing up from the stool. Gathering your things a little frantically, you shrug. Andrew deflates a bit as he watches.
âYeah, I think so. Sheâll probably just puke into her purse on the way home or something,â Once youâve gathered everything in your arms you give a deep sigh, turning your full attention towards him. He notes that you seem a little deflated too, but heâs not sure if itâs because youâre leaving him or because your friend and Craig seem to be deeply irresponsible individuals. âIâm sorry. Again.â
âItâs okay.â Your lips curl with a small smile, still tinged with a bit of anxiety. Itâs cute when you lift your free hand up in a small wave, the same way you did last time, and then youâre gone. Your perfume is still lingering in the air when Andrew turns back around and itâs his turn to smile. It melts when he sees Deran standing behind the bar, a smug look on his face.
âYou got it bad, man.â
â
After that, Andrew sees you a lot more often.
Your friend and Craig seemed to have made things very exclusive, because now sheâs basically living at Smurfâs house. Which means that, since youâre her best friend, she invites you over quite frequently.
You two havenât been able to have a moment alone since that night at the bar, much to Andrewâs disappointment. The brothers have been busy planning a job, which meant that he was in and out pretty often. His mind was elsewhere though, distracted by the way you brushed arms in the hallway on his way out or when your eye contact lingered longer than usual.
So, maybe that was why the job went a little awry.
They got what they needed to, but not without a fight. The boys trail into the backyard one after the other, everyone bruised and cut up. It always annoyed Andrew when his brothers were impulsive; he was the one that was always suffering the consequences.
He quickly notes that youâre laid out next to the pool in your swimsuit, your body shimmering with sweat under the sweltering sun. Andrew watches a bead of sweat drip from your neck to the valley between your breasts. Time slows as he watches, licking his lips. He barely has time to drag his gaze away before Deran is wheeling on Craig.Â
âWhy are you always pulling this crap?â Deran almost has a finger in his face, gesturing angrily. Craig just rolls his eyes in response, pushing past him and giving him a glare. Andrew can see the tension tight in their shoulders as they both seethe.
âI donât know what youâre talking about, dude.â Craig shoots back, making his way back to the house. Tension has been high between the two lately, just like always, trapped in a toxic cycle.
It seems to snap for Deran, especially after the job, and he jumps on Craigâs back, knocking him over. The commotion is loud, Craig hitting the ground with a loud thud. Deran throws the first punch and Craigâs skull cracks hard against the pavement. Craig is quick to recover though, probably due to his size, and itâs a full blown fist fight in seconds.
The two exchange blows for a minute before Andrew and J rush forward to pull the two of them apart. They donât put up much of a fight and the two of them stalk off in different directions; Craig into the house and Deran out of the yard. J shakes his head and follows after Craig, hands shoved into his pockets.
A quick glance proves that the pool chair you were on just moments ago is left empty, your drink still sitting on the ground next to it. He assumes that you snuck out once his brother hit the floor, probably wise enough to know how the situation was going to unfold. He can see your figure in the window padding around the kitchen, blurred from the distance.
Andrew closes the sliding door behind him when he enters the kitchen and he finds you there, skimpy bikini and all. Youâre rummaging through the fridge and he takes the opportunity to take in the view before you shut the door. Â
Youâre holding the carton of orange juice when you turn, finally taking in Andrewâs state. The cut on his eyebrow, the bruise beginning to bloom on his cheek and his torn up knuckles. You make your way towards him, your brow furrowed in concern.
âAre you okay?â He hides his hand instinctively when you ask, which you definitely notice. You rub the back of your neck with your free hand, a bit sheepish. âI heard, uh, your brothers fighting.â
âOh.â Andrew frowns as embarrassment clouds his thoughts. Will this deter you from coming back? He really hopes not. Heâs silent as his eyes follow you as you grab yourself a glass and begin pouring.
âYeah, oh.â You shoot a glance in the direction of J and Craigâs rooms, eyebrows raised. âSo, back to my question. Is everything okay?âÂ
Andrew contemplates his answer for a second, not sure how much detail to go into. You eye him in the same way that you always do and he is suddenly keenly aware that this is the first moment alone youâve had together in ages. Pushing that thought aside, he settles on two words: âItâs complicated.â
âRight,â you scoff, making your way around the kitchen island. Andrew canât help but watch you move, all bare shimmering skin and he shifts a little as all his blood flows downwards. He sucks in a sharp breath as you settle in beside him, resting your arm on the counter. Your sweat and tanning oil smears all over the stone island but heâs too focused on how close you are to be bothered by it. âThatâs why you guys all look like shit. Did you guys get in a fight or did you guys do that to each other?â
âLike I said, itâs complicated,â he repeats and you set your glass down, a serious look on your face.
âAndrew, I know who you guys are,â you say and now heâs shifting uncomfortably instead, the sentence shattering any sort of lust filled haze he was just on the precipice of falling into. âI can keep a secret, donât worry. I just⌠want you to be careful, okay? Thatâs all.â
âIâm always careful,â he replies and you huff in disbelief, but it also seems like you canât help but smile. Itâs a nice sight and it even makes him brave enough to take a step closer to you, finally being the first to lessen the gap between you two.
The proximity and the way you look up at him has the haze settling in once more. Andrew wants to reach out and toy with the strings of your bikini bottoms but he thinks better of it. His tongue darts out to wet his lips and he almost has to physically shake his head to rid himself of the thought.
âIâm sure you are,â You scan him up and down, examining his cuts and bruises. Though, Andrew swears that he can feel your gaze linger on his arms and his chest. It makes a shiver run down his spine. âBut if this is you careful, Iâd hate to see when it gets messy.â
âI donât do messy,â he emphasises, his mind wandering back to the oily smudge youâve left on the counter. You give a familiar giggle and your hand comes to rest on his arm, and he immediately forgets all about it again. This is the first time youâve broken the touch barrier between the two of you on purpose and Andrewâs stomach flips at the thought. The heat of your hand is searing through his shirt and heâs glad you canât feel the goosebumps that are rising under your palm.
âI know, Andrew. Iâve watched you clean,â you joke. Andrew loves hearing you say his name, his lips parting as you do so. He tries to pull his mind away from all the different things he would do to you to keep hearing it slip from your lips.Â
âWhereâs your friend?â he asks, desperate to change the topic to anything but him and his familyâs line of work. You let out a sigh, making your way back to the fridge. The door swings open and you start rummaging through the freezer like you lived at the house. Really, at this point, you kind of do.
âIâm not sure,â you say, voice a bit muffled from behind the freezer door. âHer and Craig are probably doing lines off each otherâs chests or something.âÂ
You pull out a bag of frozen vegetables, shutting the door behind you and approaching Andrew once more. You hold it out to him and he cocks his head in confusion. Rolling your eyes, you grab his bad hand and place the bag on top of his knuckles, still bloody. The cold dulls the stinging that Andrew had learned to ignore too early on in life.
âWhy do you hang out with her?â He all but blurts out, but he can't help it. There was plenty of time for Andrew to watch you two interact when you were over, and you seemed more like a tired mother than a best friend. Plus, Andrew figured that if he could keep you distracted with conversation, you wouldnât let go of his hand just yet.
âSheâs been my best friend since, well, foreverâŚâ Pressing the bag into his knuckles further, your hand grips his gently and he canât help but look at you while you fiddle with the frozen bag. âAnd if I donât take care of her, who will?âÂ
âI know the feeling.â Andrew says sincerely. He canât remember a time in his life when he wasnât a protector, an enforcer, a guard dog. You look up at him now, eyes soft. He feels his gaze soften in return, lips parting.
âI can see that,â you hum like youâre contemplating his words. âIs there someone taking care of you?â The question catches him off guard and he almost jerks his hand back reflexively.
âI don't need anyone to take care of me.â It's a statement that doesn't fully ring true; he thinks about the people who have tried and what heâs lost. It's better off this way, perhaps. But he also thinks you probably wouldn't like that answer.
âEveryone needs someone, Andrew.â Coming from anyone else, he thinks he would refuse. But from you, he feels a bit more inclined to agree. You sound sincere, he feels. Or he just likes you too much to think about disagreeing.
Maybe he does need someone, but no one was ever up for the job. At least no one that knew him âall of him.
A door slams in the distance and you flinch at the loud noise. Not a moment later your friend is rushing past the pair of you, clad in a similar bikini to yours. Sheâs crying though, mascara streaking as she pushes her way into the backyard. Andrew watches as your head turns to follow her, eyebrows pinching in concern. She sits down on one of the lounge chairs outside, shoulders shaking as she cries silently. You look back at Andrew with a frown and just like always, he knows you have to go.
Maybe his fate is that the universe just wants to cockblock him forever?
âShe and Craig probably got into another fight,â you sigh, chewing your lip. You take his uninjured hand and place it on top of the bag, looking up at him. Your face is stern as you speak, like heâs a dog that got caught chewing on the couch legs. âKeep it iced, okay? Iâll talk to you soon.â
You pat his hand gently, soft smile on your lips. You always say that. Soon. Like you know that you're going to cross paths again. That heâs a permanent fixture in your life.
He watches you walk away, eyes on your swaying hips in your cheeky swimsuit bottoms. Heâs still staring when you sit down next to your friend, rubbing her back comfortingly.Â
Andrew stands alone in the kitchen, half hard, frozen bag of vegetables still pressed to his torn knuckles. The worst part is, heâs not even sure what exactly had made him hard; the sight of your body in your tiny swimsuit and the feeling of your hand in his or watching you take care of your friend so tenderly.
Yeah, Deran was right. He is so fucked.
â
If Andrew thought that he couldn't get you off his mind before that afternoon, now you were all he thought about.Â
When he was making lunch, when he was cleaning his guns, when he was fisting his cock in the shower, trying to keep quiet. All he could think about was you. Your perfume, your smile, your body. Your touch. He wanted to feel it all over his body, soft skin against the raised bumps of all his scars.Â
So the fact that you werenât around as often anymore made things more difficult for him. Your friend and Craig seemed to be on the rocks, which means she was around less and less. Which means that you were barely around.
You said youâd talk to him soon and then promptly stopped being invited around, and the thought of how exactly he would get to see you again had him pacing. He didnât want to scare you off, so he had to pivot towards more conventional methods. Which meant waiting around until Craig had finally got bored enough to start texting your friend back again.Â
Weeks passed and he rarely saw you, just in flashes; by the pool, walking through the front door, lounging on the couch. He barely had the chance to look in your direction lately, much less have any type of conversation with you. The distance made him hungry, desperate enough to try to flip the odds in his favour.
âWhat about a party?â He suggests to his family one afternoon, all of the Codyâs crowded in the living room. All three of them turn their heads, looking at him like heâs grown an extra limb. The room is silent as they all try to process the words that came out of his mouth. âWhat?â
âPope wants to throw a party.â Deran states, like saying the words out loud may help him truly understand them. âWhy?â
âDonât worry about it,â He crosses his arms over his chest, aware that heâs become a bit too defensive just a beat too late. All pairs of eyes are still on him and he shifts on his feet uncomfortable. âJust do it.â
âYou wonât hear me complaining, man.â Craig says on his way out, clapping a hand on Andrewâs shoulder before he goes. The remaining Codyâs watch him go, and then eyes are back on him. He doesnât want to answer any other questions, so he turns on his heels before they can ask any and follows his brother out.
So thatâs how he ended up here.
This party was the same as the rest. Andrew wasnât around for most of it; he had some loose ends to tie up for his family and he always elected to be out of the house whenever there was something going on, especially now that he had the choice. When he returns, he sees the same damage as always; trash in the pool, people passed out on the lawn, empty solo cups and wet footprints littered across the hardwood floors.
And Andrew does what he always does. Starts cleaning up. He wasn't really sure what his plan was, if he's being honest. He knew you always liked to linger once the parties were done, to make sure your friend was okay. Andrew was hoping that you were a creature of habit with this idea. Seems like right now, it's just delegated him to the role of janitor with no reward.
He starts out by the pool; toeing the stragglers to wake up and get off his property, sifting the garbage out of the pool and throwing the random discarded bikini tops into the trash bag right after it. Itâs already the late hours of the morning when he finishes up outside. The neighbourhood is silent besides the sound of the chlorine water softly lapping at the tiles of the pool. Then he makes his way inside and starts tossing out everything in the kitchen, trying not to think about exactly what was occurring when he was gone to make this sort of mess.
âDo you need some help?â A small voice asks and he whirls around on instinct. He turns to face you and he almost wants to drop the black trash bag heâs holding out of shock. Andrew gives you a once over and you look so similar to the first night that he met you that it makes his heart skip a beat in his chest. A short dress and barefoot, except this time your heels are nowhere to be seen. You seem a bit groggy, dark make up smudged around your eyes. He oscillates between dwelling on how beautiful you are and wanting to get on his knees to see exactly what you got on under your dress.
âItâs late.â Is what he says instead, continuing his job of cleaning up. Thereâs a thousand unsaid things with those two words and it seems like you somehow know him well enough to answer all of them.
âCraig said I could crash on the couch,â you say, beginning to collect some of the empty cans off the kitchen counter. Andrew tries to level a look at you, to let him do it, but you give him a look straight back and continue. âAnd I want to help you. Doesn't seem like anyone else is.â
He accepts that and you two clean in silence for a few moments, working alongside each other. His eyes canât help but follow you as you flounce around the kitchen, picking things up and tossing them into the bag into his hand. And then you speak. âSo, why am I the only one helping you?â
He furrows his brows, pausing for a second as your words catch him off guard. Andrew glances over at you once more and youâre looking at him expectantly. He canât help but feel compelled to answer, although your big fluttery eyes may play a small part in that. Trying to ignore the blood rushing downwards, he answers. âWhat do you mean?â
âUm, I mean thereâs like, at least two or three other people who live in this house,â He can basically hear your frown as you speak, unceremoniously throwing another piece of trash into the bag. âWhy am I the only one helping you clean up? The mess of a party that they threw?â
Andrew has never really thought about it before. He supposes this has always been his role, cleaning up after his family. Solving their problems. Making the bad things go away. Doing the messy work.
âI donât need any help,â he says simply, voice gruff. He tries to ignore the heat of your disappointed eyes on him as he turns around, but he can still hear your loud sigh. You notice that heâs trying to avoid your gaze, so you catch his forearm in your hand. His muscles twitch under your touch, warmth seeping through your skin. Andrew slowly drags his gaze up from your hand on his arm to your face and he canât help but soften. âI got it.â
âI just meant that youâre always taking care of everyone else, Andrew,â you explain, hand still on his arm. Your voice is soft in the way that he likes; a tone that seems to be reserved just for him. âCleaning up after everyone. Making sure they donât kill each other. Craigâs told me that youâve bailed him out plenty of times.â
Andrew frowns. He doesnât like the idea of his brothers talking about him when heâs not around, especially to you. He scowls at the thought, tying off the full garbage bag and placing it aside. He tries to pull away to grab another bag and continue, but your grip tightens on his arm.
âIâm serious. Just leave it for them to deal with for once,â You pull him back towards you, but he feels conflicted. He doubts anyone would actually do it if he left it for them to do âheâs seen the state the house gets into when heâs gone. Andrew hesitates for a moment, but all thoughts fade from his mind when your hand slips from his forearm into his palm, fingers twining with his. All he can do is stare while his brain tries to catch up to whatâs happening. âCome on.â
You pull him along and it doesnât take much effort to have him following. Continuing to stare, heâs got half a mind to hope that his mouth isnât hanging open. He realizes where youâve taken him in Smurfâs just a beat too slow as he enters the room.
His room.
He turns to face you slowly and the expression on your face is unreadable as you shut the door behind you. It reminds me of the first time that he saw you all that time ago. The room is silent for a moment as you two take each other in. Andrew hopes that you canât hear the shaky breath that he lets out from across the room.
âSit,â you command, gesturing to the bed. Andrew doesnât waste any time obeying, sitting on the edge of the bed, feet planted firmly on the floor. His hands rest on his thighs, clenching and unclenching anxiously. You approach him slowly, closing the distance until heâs face level with your torso. The position has him blushing âheâs sure his face must be red. He tilts his head up to look at you and you take one step closer. His legs part naturally to accommodate you, bracketing your figure.
âWill you let me take care of you, Andrew?â you ask, hand sliding into his hair. He struggles to not let out a groan, blood rushing straight to his dick. Heâs so distracted by the feeling of your nails scratching along his scalp as he leans into your touch that he barely even registers the question.
âOkay.â It comes out quiet and breathy, but it feels loud in the silent room. He watches the ends of your lips curl up into a smile, his eyes fluttering. You take the hands that were settled on his thighs and place them on your hips. Taking the opportunity to appreciate your body, his hands run over your curves slowly as he sucks in a sharp breath. He doesnât break eye contact with you as he does so, too enraptured to take his eyes off you. It makes him twitch in his jeans when you lean a little closer, breath fanning over his face.
A few moments pass as you let him feel your body; heâs practically drooling at the feeling. Once youâve decided heâs had his fill you climb into his lap, straddling him. Heâs sure you can feel how much he wants you, the heat of your clothed pussy on his jeans making him all the more hard.
You barely give him a second to breathe before youâre catching your lips in his, your mouth parting instantly. The kiss is slow and sensual and it has him letting out a broken whimper into your mouth. That seems to spur you on, fingers gripping the front of his shirt to kiss him even deeper.Â
Andrew doesnât even know how many times he imagined doing this with you. At this point heâs lost count, but this was beyond anything that his mind could ever put together. The smell of your perfume envelopes him and your body is so warm under your thin dress that it sets his nerves alight.
He canât help just taking a bit more, big hands gripping your hips and grinding you against him. The small moan you let out as he does so has his hips bucking. Hands still roaming, he instinctively slips his tongue into the kiss. The fact that you continue to rock your hips against his once he lets go of your waist makes him dizzy. The kiss is wet and desperate and all Andrew wants is to get closer, greedy hands grabbing.
Then he feels your fingers drift to the hem of his shirt and he lifts his arms, allowing you to pull it off. The sensation of your nails dragging across his chest sends a shiver down his spine. His hands had settled on your thighs, gripping so tight that heâs sure heâs leaving marks. He feels bad, but then he decides that heâll kiss them as an apology later, if youâll let him.
You stop grinding and scoot backwards a little, moving further down his lap. He opens his mouth to ask why, but then your hands are at his belt buckle and the words die in his throat. Youâre quick to undo his jeans, wasting no time in pulling him out and taking him into your hands. Your hands are much softer than his rough and calloused ones, warm against the hot flesh of his length. His head tips back as you begin to stroke him slowly, eyes to the ceiling as he lets out another shaky breath.
He had always imagined what your touch would feel like wrapped around him like this, letting himself imagine it was you touching him instead of himself when he was alone. The way you twist your wrist languidly, like you know exactly just how to get him going, has his mind going blank.
âDo you like that?â You mutter, tucking your face into his neck now that heâs made the space. The way you kiss slowly up the sensitive skin of his neck makes his mind fuzzy. He canât seem to get the words out, so he gives a slow nod instead. âGood.â
The praise makes his hips stutter, fucking into your fist. You let out a small laugh, presumably at how desperate he is for you. A low moan escapes his mouth as you swipe your thumb over the head of his cock, swiping away the precome leaking from the tip. Your touch disappears for a moment and he tips his head back forwards to you, looking at you through hooded lids. He watches as you spit into your palm and resume your actions, his jaw dropping open ever so slightly. Andrew feels drunk, the slick shlick of you stroking him filling the room.
He thinks you can tell that heâs getting close. He knows that his hips wonât stop rising to meet your touch: a dead giveaway. Itâs almost embarrassing how fast you get him there, cock leaking in desperation as he whines. Your hand slips away and he groans out loud at the loss of sensation. His mind is still fuzzy and he almost misses your fingers wrapping around his wrist, guiding his hand across your body and under your dress. Looking down at where your hands meet, his breathing almost stops when you dip his fingertips past the waistband of your lacy panties.
âDonât you want to feel how wet I am for you, Andrew?â you breathe into his ear. The words affect him deeply and he lets out a strangled noise, but he canât bring himself to be embarrassed with you on top of him like this.
âYes,â he says, voice hoarse. He sounds absolutely wrecked as he swipes a finger along your wetness, sickly slow, brows furrowing as he watches your lips part at his touch. Youâre dripping for him; he can feel the wet patch youâve left on your panties against his knuckles as he slides a finger into you. Itâs your turn to moan, and he swears at the sound, âFuck.â
He pumps his finger in and out slowly, basking in the feeling of you sucking him right in. You surge forward and capture his lips in yours, kissing him breathlessly. You let out a whimper into his mouth as he slips another finger alongside the first. His breath catches in his throat as he feels you flutter around his digits, velvet walls pulling him in even deeper.
Andrew loves having you like this, your dress bunched around your hips, giving him a full view of your pussy covered in lace as you grind your clit into the palm of his hand. Itâs all too much for him; he drops his head to your shoulder, breathing in the scent of your perfume. He thinks of all the times heâs touched himself to the scent of you; whether that be from the sheets from the first time he met you or the way that it lingered in his room after a conversation with you, long after youâve gone.
His pace quickens and he can feel your legs shaking against his while your hips buck, practically riding his hand. Youâre mewling now, coming apart on his fingers the same way you do in his dreams. He feels you clamp down around him and he can tell youâre going to cum seconds before you tell him. He can barely hear it, words lost in your soft whimpers. A rush of wetness is slick against his palm as you let out a moan so loud that Andrew remembers there are other people in the house.
Eyes never leaving yours, he pulls his fingers out from your panties and brings them to his mouth. The way you taste has his eyes almost rolling back into his head, licking up the cum that had dripped down his fingers. He wants to get his head between your legs real fucking bad and eat you until the sun comes back up or until youâre begging him to stop. His cock aches with the desperate need to fuck you, eyes trailing down to your chest as you pull off your dress and toss it aside. He decides to save it until later. Maybe round two?
Heâs appreciated your body countless times as you tanned by the pool, but the view of you on top of him, being able to touch you the way he wants, has his blood running hot in his veins. He could die under you right now and heâd die a happy man.
You push him down onto the bed with a soft push and his back lands against his freshly pressed sheets. Lifting your hips, you pull his jeans and boxers down, leaving them to pool at his ankles where his feet are still planting firmly on the floor. He kicks them off and moves further up the bed, loving how you giggle as he jostles you.
Your tongue swipes across your lips and you settle yourself into position, the lace of your panties scratching intoxicatingly against his cock. Mesmerized, he watches as you hook your fingers into your panties and pull them aside, not even bothering to remove them before lowering himself down onto his length.
The two of you let out a needy noise as you sink down, taking him to the hilt. You look absolutely beautiful, the sight of you absolutely fucked out for him making his cock impossibly harder. His hands fly to your hips as you begin to grind again, much like you were earlier.
He lets out a sharp inhale through his nose, eyes hungry. Youâve spread your cum across the short hairs at the base of his dick, whining as you chase your high. You get tired of the grinding and lift your hips, bending forward and resting your forehead against his. His eyes are on yours as you slam your hips back down, eyes fluttering shut.
The pace you set is brutal, hips pistoning as you ride him. The force of it has the frame of his bed swaying, headboard making impact with the wall every time you drop your hips. That combined with the volume of both the noises you two make as you ride him is more than enough to hear through the wall or the door.Â
âSo good, baby. Feels so fucking good,â he coos, lost in the way you fuck him. The wet slap of skin on skin is absolutely sinful, echoing in the room and mingling with the heavy breaths you let out. Heâs got one hand on your ass and the other on your breast, overwhelmed with the need to memorize every part of your body. âBeen fucking dreaming about your pussy.â
âOh my god, Andrew,â you whine, hips moving fast. He can feel you clenching around him, trapping him in your cunt like a vice. He can barely keep his eyes open, lids low from the pleasure. Youâre squeezing him so fucking tight that he swears his vision is going white. You straighten up and place a hand on his broad chest, using it as leverage to hit a whole new angle.
Andrew feels himself brush against your walls and it has his jaw dropping open as his entire body shaking at the feeling. Heâs close but youâre closer, nails digging into his flesh and your moans grow more high pitched, picking up the pace. You donât stop moving your hips when you cum around him, barely able to keep yourself upright. The feeling of you tightening around him and the sight he catches of your cum glistening around the base of his dick has him moments away from falling over the edge.
âMâgonna cum,â he slurs, hands around your waist to hold you in place as he fucks up into you now. Still sensitive from your second orgasm you squeal, falling even farther forward into his chest. Soft grunts are punched from his chest every time his hips meet yours, taking what he needs from you.
âI want it so bad,â you babble mindlessly, voice dripping with pleasure. Heâs never heard you like this before, but now he canât imagine ever living without it. His thrusts are messy now, determined to hear you beg some more. âPlease, I need it.â
âYeah?â He barely even notices himself speak, too busy fucking into your pussy to think of anything else. Heâs so close that his arms are shaking, thick muscles twitching in anticipation. He almost wants to cry, overwhelmed by the way heâs buried so deep inside you. âYou want me to pump you full of my cum, baby?â
âPlease,â you whine, voice cracking with need. The sound of it has Andrewâs hips faltering as he does exactly that, swearing sharply as he does so. His entire body jerks from the feeling, so wracked in pleasure that he canât control it. You let out a moan alongside his as he fucks him cum back into you, nice and slow. Once the overstimulation gets to him his hips come to a stop, sweat beading on his forehead.
You fall limp on top of him, the deep rise and fall of your chest matching his. He wraps his two big arms around you instinctively, pulling you closer against him. Andrew basks in the quiet, punctuated by nothing other than your quiet breathing, closing his eyes.
âYou okay?â Your voice is muffled against his chest, warm breath fanning over his skin. Heâs got a hand running absentmindedly up and down the bare skin of your back, still sticky with sweat. âThat wasnât too much?â
âNo,â he rumbles, voice soft. His fingers are still skimming as allows himself to take in the moment for just a beat longer. Then heâs got you under him, flat on your back. He loves the way you look up at him, legs still wrapped around his waist. He noses his way into your neck, noticing that his scent is intermingling with yours the more time you spend with him. His hands begin to roam once more and he can feel his blood rush downwards when you look at him with your big curious eyes. âNot enough.â
If Andrew had any say in it, you two were in for a long night.
â
In the morning, Andrew is the first to wake up. He always had trouble getting to sleep, sometimes staring at his ceiling for hours in the night, but the warmth you brought to his bed had pulled him under within minutes.
He turned his head to face you, eyes flicking over your face as the amber light of the sun painted your face. You were clad in one of his shirts, the plain black looking much better on you than it ever did on him. Andrew shifts slowly so as to not wake you and slides out of bed.
The walk to the kitchen is quiet, like it usually is in the morning considering the fact that the rest of his family regularly kept late hours, so he was surprised to find Craig, already seated at the bar, tucking into a bowl of cereal. He looks up and sees who it is, his face twisting into something much more smug as he takes another bite.Â
Andrew is quick to pull a face back, not interested in hashing out his night with Craig, who clearly wants to hear all the details. Instead, he starts to clear the mess that his brother had left out while he assembled his breakfast. Craig waits a beat, like he expects him to change his mind, but Andrew stays silent.
âPope, man-â he starts, but a door creaks shut in down the hall that distracts him, leaving the unfinished sentence in the air. Then you turn the corner, still only in his shirt, and Andrew realizes that it wasnât the noise that caught Craigâs attention. Your hair is still mussed and youâre rubbing the sleep out of your eyes when you approach him. You wrap your arms around his wide torso and his arm settles at your waist. Natural as if youâve done it a million times before. Andrew allows himself to smile at the feeling, not even caring that his brother is watching with a shit eating grin on his face.
If the Dance wasnât as deadly/didnât happen, who I think everyoneâs Dragons would be, and whether itâs hatched from the cradle or claimed!
First and foremost I love the idea that Aegon the Unworthy didnât have an egg hatch, AND no dragon let him claim them. I also like the idea that Daeron and Daenerys were the only two to get dragons.
Daeron The Good: I kinda like the idea of him claiming Vermax, the dragon would be grown and a good dragon to have claimed. And I think Daenerys would have claimed Dreamfyre.
Baelor: Vermithor, heâs older, assumed to have been hatched in 34AC, heâd be around 136 by the tame Baelor is born, and based stories of cunt Aegon not liking Baelor I donât think he wouldâve gotten an egg. Same for possibly the others kids from Daeron and Myriah.
Maekar: I could see Meleys our Red Queen who survived with scars or even Silverwing. Maekar loves his brother, and I could easily see him claiming the dragon who is always around Vermithor just so he can stay near Baelor. But yet Maekar with such a gentle yet aggressive dragon is fitting.
Valarr gets Tessarion, I just think the man that married someone from Tyrosh, a place known for color, gets a blue colorful dragon. And The Blue Queen was a formidable dragon during the dance and would serve him well in the chance of more upset.
Matarys, with almost nothing to know about him, I say gets a hatched dragon. I say this because of the fact his birth is ranged from fucking 183-209 also known as the date of his death.
Daeron I could see him getting a hatched dragon or possibly Sunfyre. Someone thatâll grow with him and help him with his dreams and drinking. Just picture young Daeron cuddling a little dragon that eventually Maekar has to force him to keep outside due to the dragon outgrowing the bed.
Aerion is a toss up. Part of me says heâd claim Caraxes if he didnât get an egg, the other half can see him getting an egg and a gentle dragon. We all know his⌠issues⌠come from not having a dragon, so I think him hatching one thatâs a little angel is funny.
Aemon is kinda a toss up, I kinda see him being slightly content without a dragon, mostly because of him becoming a maester, where tf would a dragon go. But Iâd say heâd hatch one or get Seasmoke.
Daella gets either Morghul. We donât know much about her but she was described as a black dragon. I could also see her getting Tyraxes who was depicted as a pale violet.
Egg hatches an egg (haha) BUT I can also see him becoming friends with Syrax. He doesnât necessarily get two dragons, but where Aegons young dragon goes Syrax isnât to far behind. (Also the idea of Dunk having to worry not only about keeping a Prince alive but also a dragon is fucking hilarious)
Rhae gets Morning and I will not be going any further as I think the âtried to make a love potionâ child gets the pink dragon.
If the Dance wasnât as deadly/didnât happen, who I think everyoneâs Dragons would be, and whether itâs hatched from the cradle or claimed!
First and foremost I love the idea that Aegon the Unworthy didnât have an egg hatch, AND no dragon let him claim them. I also like the idea that Daeron and Daenerys were the only two to get dragons.
Daeron The Good: I kinda like the idea of him claiming Vermax, the dragon would be grown and a good dragon to have claimed. And I think Daenerys would have claimed Dreamfyre.
Baelor: Vermithor, heâs older, assumed to have been hatched in 34AC, heâd be around 136 by the tame Baelor is born, and based stories of cunt Aegon not liking Baelor I donât think he wouldâve gotten an egg. Same for possibly the others kids from Daeron and Myriah.
Maekar: I could see Meleys our Red Queen who survived with scars or even Silverwing. Maekar loves his brother, and I could easily see him claiming the dragon who is always around Vermithor just so he can stay near Baelor. But yet Maekar with such a gentle yet aggressive dragon is fitting.
Valarr gets Tessarion, I just think the man that married someone from Tyrosh, a place known for color, gets a blue colorful dragon. And The Blue Queen was a formidable dragon during the dance and would serve him well in the chance of more upset.
Matarys, with almost nothing to know about him, I say gets a hatched dragon. I say this because of the fact his birth is ranged from fucking 183-209 also known as the date of his death.
Daeron I could see him getting a hatched dragon or possibly Sunfyre. Someone thatâll grow with him and help him with his dreams and drinking. Just picture young Daeron cuddling a little dragon that eventually Maekar has to force him to keep outside due to the dragon outgrowing the bed.
Aerion is a toss up. Part of me says heâd claim Caraxes if he didnât get an egg, the other half can see him getting an egg and a gentle dragon. We all know his⌠issues⌠come from not having a dragon, so I think him hatching one thatâs a little angel is funny.
Aemon is kinda a toss up, I kinda see him being slightly content without a dragon, mostly because of him becoming a maester, where tf would a dragon go. But Iâd say heâd hatch one or get Seasmoke.
Daella gets either Morghul. We donât know much about her but she was described as a black dragon. I could also see her getting Tyraxes who was depicted as a pale violet.
Egg hatches an egg (haha) BUT I can also see him becoming friends with Syrax. He doesnât necessarily get two dragons, but where Aegons young dragon goes Syrax isnât to far behind. (Also the idea of Dunk having to worry not only about keeping a Prince alive but also a dragon is fucking hilarious)
Rhae gets Morning and I will not be going any further as I think the âtried to make a love potionâ child gets the pink dragon.