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On this day in 1976, Martin Scorsese’s crowning masterpiece Taxi Driver was released.
Read: TRAVIS BICKLE’S CITY OF STRANGERS: LOOKING BACK AT TAXI DRIVER, 40 YEARS LATER
In honor of Joe Pesci’s birthday, read “How Goodfellas Became Scorsese’s Most Misunderstood Masterpiece.”
“Of all genres, it is the gangster drama that most often attracts hero-worship of this troublingly hardline variety. Moviegoers have revered the gangster archetype since the dawn of Hollywood: these were the days when a pug-faced character actor like Edward G. Robinson could be a legitimate leading man so long as the role was a snarling heavy and Bogart was still playing the B-movie hood, an unsavory image he never entirely shed and which was indelibly emulated and further solidified by Jean-Paul Belmondo in Breathless. Viewers, mainly but not solely male, cling to these types as movie-certified masculine ideals, building a bridge that connects Bogie, Cagney, and Robinson to Scarface, The Untouchables, and the lad-land crime comedies of Guy Ritchie’s early oeuvre, not to mention the holy troika of Coppola’s Godfathers.
But of all these films—many great, other less so—it’s Goodfellas, Martin Scorsese’s majestic mob masterpiece about real-life hood turned Witness Protected informant Henry Hill, that has gained the most unsettlingly off-base appreciation from some of its most avid loyalists, the type who know every named mobster’s nickname and can recite them in the order they’re introduced.” — Matthew Eng
‘Citizen Kane’: The Astonishing Debut of Hollywood’s Greatest Wunderkind https://t.co/6XZ7hhceOD https://t.co/v8Ae38lJoS
