and here is here is the third adventure time drawing i made for some kind folks who donated money to BLM charities. this one is a tribute to x-men issue 100
by former character & prop designer/BG designer/storyboard artist Andy Ristaino
d e v o n

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macklin celebrini has autism
trying on a metaphor
Cosmic Funnies

titsay
styofa doing anything
h
hello vonnie
occasionally subtle
taylor price

#extradirty
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
AnasAbdin
2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost
Misplaced Lens Cap
we're not kids anymore.
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@japanglow
and here is here is the third adventure time drawing i made for some kind folks who donated money to BLM charities. this one is a tribute to x-men issue 100
by former character & prop designer/BG designer/storyboard artist Andy Ristaino
I started drawing because of Adventure Time and everything about it puts me in a very emotional state. I’m gonna miss those times. Here is my one true pairing.
by Adventure Time: Distant Lands logo animator Delfina Pérez Adán
by supervising director artist Steve Wolfhard
New fionna and cake episodes today! The Star was one of my favorite episodes to direct. Freaking love these guys.
by supervising director Ryann Shannon
the last 2 episodes of Fionna and Cake are out today!
it was an honor to board on the last episode and to be a part of an amazing show. i owe huge thanks to Steve Wolfhard for helping me so much and being a genius!!
thanks for watching 💫
by writer/storyboard artist/storyboard revisionist Jackie Files
Adventure Time: Complete Collection DVD set illustration by BG designer Matt Houston
The AT crew put together an issue of Ble (see Adventure Time ep.275, “Blenanas”) to hand out at Comic Con this weekend. I don’t know if you’ll ever be able to get it anywhere else, so don’t forget to grab one, it’s really good. This is my contribution.
Here are the last pup posts, (x-posted from my instagram www.instagram.com/wolfhard/)
Hey, remember Gibbon? I have Gibbon thoughts. Honestly I had/have a real mania re: the pups and the 1000+ Adventure Time universe. I’m glad some of it made it into the show, and the stuff that didn’t is fine too. That’s life, “none of us are getting out of here alive” haha.
But man, I can’t wait for the finale to air (Tonight at 6!) I love it a lot. It’s very beautiful and funny, and very A.T.
I still miss working on Adventure Time, the work was nourishing in a way that I might not find again. It was an honest honour to work with the artists on the show. I’d list names but I’d have to list everyone, everyone was a unique creator. I love a lot of people from A.T, I think I loved every artist I knew well.
Going to do a bit of an Adventure Time dump!
-Sketch Dump PART 1-
I did these drawings/notes before the Graybles 1000+ outline was written, so I’m guessing …. early 2014, late 2013? I got obsessed with my (at the time) headcanon for the future lore of AT.
-This version of the ice king/ice thing didn’t last too long, but I still like its crystal-spike eyeballs.
-Shermy is a cat because of the line in Mortal Recoil when Finn says “I’m a cat, I’m an agile cat!” (which is followed by one of my favourite jokes in the show where Finn says something between “Now, Ice King” and “Meow, Ice King”)
-Wintergreen was meant to be a replacement for Peppermint Butler, (originally I thought the 1000+ stuff should be alpine-ish, hence his outfit)
-ALSO that Gunter Ice King was before I knew anything about Orgalorg, I thought at the time “wouldn’t it be funny if Gunter was a major villain”, I had no idea that that was already being worked on. You can see the early versions of the pup soldiers and space shuttle from Graybles 1000+.
Diqing Tibetan, China
suzhou garden by Boshijie_XHS
cnetizens have started making mini looms for their children to weave because of the school's craft classes
🪴 Siheyuan | 四合院 🪴
Is a historical type of courtyard residence that is commonly found across China. Designs differ in every region. For example, in the northwest where dust storms are strong, the walls tend to be higher. In the South the houses are built with multiple stories. In the northeast the weather is cold so courtyards are broad and large to increase the exposure to sunlight, and there are more open rooms inside the walls.
靖西鹅泉jingxi equan, guangxi province by cooopper
hui-style chinese garden, zhengzhou, henan by 拙马photograph
Tea House, Nanjing -- October 13th, 2023
Etsy
Sunmao (Chinese 🇨🇳: 榫卯, pinyin: sǔn mǎo), also known as Chinese joinery, or Mortise and tenon joint structure, is an ancient Chinese wooden architecture employing Chinese woodworking/carpentry and joinery methods that uses primarily wood, bricks, and tiles as the main building materials, with the wooden frame structure as the main structure, and columns, beams, and purlins as the main components.
“Sun” refers to “Suntou” (榫头, or 笋头, tenon), which is a wooden component that is designed for insertion, typically with a protruding or projecting part, and “Mao” comes from “Maoyan” (卯眼, or 卯口, or 榫眼, mortise), which is a wooden component that is designed for receiving a corresponding projection, typically with a hole or recessed cut. The joints between the various components are joined and connected by mortise and tenon, and fit together to form a flexible frame.
Sunmao is the most common structuring approach in ancient Chinese architecture and furniture. Sunmao structures, as a part of the “Chinese traditional architectural craftsmanship for timber-framed structures”, is a UNESCO Intangible Cultural Heritage inscribed in 2009 on the UN Representative list of the Intangible Cultural Heritage of Humanity.
“The Neolithic period (6000 — 2000 b.c.e.) marks the true emergence of the wooden frames so characteristic of Chinese architecture. As early as seven thousand years ago, Neolithic peoples knew how to use mortise and tenon — a method of joinery that employs notches and inserts — to build wood-beamed houses. (The world’s oldest examples are at the Hemudu site in Zhejiang.) By the end of the era these techniques were well developed, and such homes were made in circular, square, or oblong shapes, depending on their function.” - Chinese Architecture – The Origins of Chinese Architecture (English ed.). Yale University Press. pp. 5–15.
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