le Bat
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Lint Roller? I Barely Know Her

Love Begins

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trying on a metaphor

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@jaredjdevitt
le Bat
ahasver
Grandmother lived in a great, rotting manor on the outside of the city, a suburban sprawl that had aspired to post-war community and instead seen American mansions rising up out of dead lots, not even the grass growing correctly. She inhabited those mostly empty rooms and hallways like a chambered nautilus, unwinding herself from the core of her four-poster bed, pulling herself along the nacred walls until she stood on the porch, eyes blinking in the dishwater light as Mother pulled the sedan into the rotunda driveway. Two kisses on either of Mother’s cheeks, a puzzled look at my brother and me. Kin she didn’t rightly ken. There was a plate of lemon drops in the kitchen–months old, surely–that she pointed to. Such affection, such love.
November haze–that roiling rain that wasn’t quite hail, sleet that wasn’t quite snow–fogged at the windows and Mother dusted along the rooms that hadn’t known company but the ghosts that passed through on their way to cheerier climes. In a sitting room with a grand piano like a lacquered crocodile’s jaw, a resplendent cross in gold and silver sat atop a bureau. ‘Careful, that'un,’ Grandmother warned. In its amber heart, she informed my brother and me, was a true holy relic, a thorn off the Crown of Christ plucked by the Wandering Jew and dropped, then rescued by a many-times-great ancestor of ours. God would boil our blood in our skin if we so much as dented the gilt edges of so righteous an object. Her eyes buzzed in her skull, her teeth gnashing against themselves.
Brother, he bumped the bureau, and I know he did it on purpose. He bumped it again and again while Grandmother and Mother went into town for groceries. He slammed his skinny hips against the furniture, hissing 'Whoops!’ with each hit until, finally, the cross slipped its hook and, as if pulled by divine gravity, landed precisely on the amber bauble at its center. In the middle of that honey-hued dust–'Like old rock candy!’ Brother observed–weren’t a thorn nor thistle. Just bones, small and hollow. The bones of a sparrow. The skull sat in the center of the heap, its eyes wide at the sin that bore it.
sea-momster tagged me for an aesthetic board, which is a good excuse to put a little content on here, as I’ve been throwing all my artistic energy into my manuscript. (Of course, she tagged me several days ago, so I can't even curate some of the fave pictures on my hard drive in a timely manner.)
Of note: the .txt file I keep artist credits on is corrupted, so I’m afraid I can’t attribute accordingly. However, most of the file names ought to be the originals, so there’s a chance a Google Image search with any of them should scare up the original artists.
isaachelsen, you do this. jimmoriartys and bernieandnino and prowess and local-dive and myfarewelltoarms, if you guys haven’t already. And anyone who sees this and thinks it’s neat.
we fell in the dirt
But we didn’t have far to fall. In that summer of black rain, the one that killed the crops from its relentless torrent, when you and I took to sneaking around the back of the chapel, shuffling aside muddy hoses and ancient lawn chairs in the equipment shed. I knew I was toeing a line of fire, getting handsy with a pastor’s granddaughter, but no one had seen the sun in weeks. You get an apocryphal mood, an apocalyptic hunger, and you can’t help yourself when you watch the world slowly muck into the sewage ditches.
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11 by Anastasia Glebova
le Bat
sharp teeth
You might not understand the paranoia of a mother, which isn’t a paranoia at all but a subgenital connection thrumming when the wrong strings start pulling. In the instance of my daughter, Ophelia, I knew that she would be trouble, though of what sort I wasn’t sure. She never kicked. Not once, not even when her aunts and cousins pressed their hands against my swollen belly, waiting like children at the aquarium, faces smeared against the glass, looking for the shape of an octopus hidden along the fake coral. When she was born, Ophelia kicked off from the side of uterine pool and flutter-kicked her way into the doctor’s hands, umbilical chord wrapped around her neck. Her poor eyes bugged against her bluing skin, but she didn’t scream. Like her kicks, not a single one.
This one has no fear, I thought.
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Trailer Park Gothic
A rust-boned swingset provides no shade on the scrub lawn next to the office. The seats alternate back and forth, even on a breezeless August night.
A24 has been vacant for as long as anyone can remember. A neighbor claims it was lightning what gutted it, the moor wind what cleansed the soil. The property manager looks in a file in his office: eviction/gross negligence. You remember, fleetingly, of a famished man wearing only overalls, looking like a sack filled with antlers. You think you might have had a sweet tea in A24, and that there might have been a wife, or possibly a police line across the driveway, or maybe there had been nothing at all.
Funny, you never see birds, other than the trio of crows huddled atop the transformer. No song of sparrow or swift. Come to think of you, you don’t see many fauna between the double-wides, other than a hare that loped away before you confirmed if it had in fact the face of a forgotten lover, as you’d first suspected. That, and the roiling ball of snakes that forms every summer beneath the porch steps.
Narrow strips of yard strewn with toys like a modest hurricane had come over to play. Gaudy, plastic, Day-Glo baubles and time-wasters, sunfaded and dirty. Yet never is the laughter of children heard, nor their gremlin shadows seen racing between the trees that fence us in.
The trailer rocks when Mother brings home new men, men who look like they might still be boys. They leave, cowboy boots clicking down the porch steps, yet the trailer continues to rock. Hours pass and you wake with seasickness rising up your throat. Mother taps at the bathroom’s accordion door. Asks if you’re knocked up. Demands you get out so she can brush her teeth before work.
Winter comes early and vicious. On the morning after the first snow you wake to a lunar surface, pockmarked by frozen shoots of chaw.
You never signed up for the penny saver but it arrives every Saturday morning in an orange plastic bag. No one signs up for the penny saver. The penny saver finds you.
Happy birthday, you find on a note from Mom taped to a box of macaroni. You eat it from the pot standing up at the sink, staring at the ghost of yourself in the kitchen window. Your milky double also eats macaroni at the sink, as it has for the last 364 nights.
Is the rain going to beat you home from school every single day? It does. Of course it does.
A24 is at it again. Postwar waltzes at 70rpm. You’d yell something through the window, if only you could see A24′s lights. Or, squinting, if you saw any shape at all in the howling, vacant lot.
three stories for monsters
i. Never knew Mother or how I burst her stomach, her poor body unable to pass the rack of horns crowning my infant head. She might have been lovely and likely didn’t deserve it at all. She lived in the estuary plain between the rivers and so I too live in the estuary plain between the rivers. The children in the nearby town dare each other to crawl through the reeds for a chance to see me and my bent spine and the nettled branches that grow like quills along my back and through my cardigans. They peek through the windows of my shack and confuse my black deer eyes for pedestrian darkness, until it’s too late. I’ve never chased them as they run screaming. They sink in the mud to their knees and are certain that death is upon them, or worse. What is it they think I will do to them that is worse than kill them? There was that hunter what killed his son by accident some winters back. Plugged him full of buckshot in the fading November light. The boy gasping there on the new snow. His own father did that, and no one runs screaming from him at the post office, I imagine.
ii. Of course I don’t even look like that, the horns and the quills. There’s only one mirror in that house I inherited from Mother. There’s only that narrow face that stares back, looking shrunken in these too-large clothes. It’s bile on the back of my throat. I’m the monster.
iii. I’m the monster. No one has to be afraid of me but it’s me, the monster, it’s me. All that black staring up out of me, you’d think I’d be blind for it. Holding up my pants to keep them from falling, my teeth clicking. Run a hand along my back and feel the spine pressing up through the skin, a knobbed line that might as well be quills. There’s no one who should fear me but me. And there’s nothing to fear from the things I do to myself, to me, the monster. What’s the worse that I could do? Even if it’s killing me, what could possibly be worse than that?
The ball of rot and sharpened bones and nights too light to sleep.
Still pilfering my own archives in lieu of writing original content.
rapture
The holy man was full of fire, that divine stuff, or so he reminded us every week. Mother and Father, they sat me as far front as they could in that clapboard house o’ God, fanning themselves while I let the night’s previous sins dribble out of my pores and stain the pits of my one shirt with buttons. Oh, but that summer air. Too thick to breathe. The holy man danced about his pulpit. I could see the strings that pulled him to and fro, and from the look of the crowd I was the only one.
Sunday is the Lord’s day, Father yelled at me when he pulled me up from sleep. I wanted to remind him that no, he was confusing that with Saturday night. There’s no holier moment than the one after the bonfire behind the stables when Amy-Louise, buxom Amy, she finishes her slug of vodka and settles like a spider in your lap, legs twisting and braiding behind you, her hair smelling like mint and smoke, and she’s halfway convincing you that there’s no point in finishing school, not when you and her can just hook it halfway out west where young people thrive and can live, and you bow your head and prey upon her neck and soon you and her are both invoking the Lord, over and over, and there’s never been a time where you’ve said oh god oh god oh god with such fervor.
That holy man is a shaman, I thought. He spat his piece about the lakes of fire–an image I don’t rightly recall, and I’ve done my catechisms, say ‘Amen’–and damned us all with only a glance. But time and again that finger, thrust at the crowd, settled on me. All I could do was dab at the sweat with the end of my tie and accept my communion. Still, he must know. He must. When the wrath and the fury come to purge this earth again, I know precisely which house it will start with. I’ll be there, sitting on my porch with the pack of Capris I stole from Father, sipping my coffee and nodding in an approximation of grim acceptance at the clouds gathering above me.
(Photo: sharp bokeh)
I’m pilfering the archives of my old blog for content, as I continue to focus more on my manuscript. These are just some old favorites I wanted to dust off. I’ll try to pepper in something original soon, but stealing from myself is convenient in the short-term.
Buntzen.
Calvin and Hobbes
In the entire collection of interviews, Conversations with David Foster Wallace, it is difficult to find one that does not have insightful moments.
Just read it. Read all of it. Roll around the words and throw the ideas above your head like dead leaves.
Shane dug this out from the archive and it landed in my inbox at just the right time.
The Moss of his Skin, written and read by Anne Sexton.
Marry/fuck/kill: me, me, and me
Marry Josh Groban, fuck Joe Biden, kill Tom Hiddleston.
I ate a bottle of wine and am watching a bad movie with friends, so now’s the time to ask me something, if you must.