“The first part of the process was the recording and then we would go into a sound booth and read the lines. And in those days, the other characters for that particular scene would be present. And we would go through the whole scene together. Sometimes, it was broken up in parts, depending on what it was they wanted you to do. Then, a little while later, they would go to the live action. And I was asked to help with what they call the live action, which was really a reference work for the artists. And it’s where you present yourself on the soundstage, which is the stages where they have the cameras and the sets. But it was a very rudimentary set. There really wasn’t much there except boards and planks, things of that sort. It was mainly so that the artists would be able to see the human figure moving in different kinds of ways, so that the figure looked credible when it was drawn. Because the human figure was the hardest to do as opposed to all the animals that they had worked with in the past. So that was the second part of it. And usually, that process involved a rehearsal day, or maybe a couple of days depending on the length of the sequence, and then a shooting day. And that was repeated throughout the process of my portion of being involved in the film.”
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