Collecting books is great until you have to move all of them at once and realize that every one of the little bastards weigh about as much as a brick and collectively have the mass of a neutron star
cherry valley forever
Keni
Show & Tell
Monterey Bay Aquarium
occasionally subtle
Acquired Stardust
PUT YOUR BEARD IN MY MOUTH

Andulka
Peter Solarz

No title available
Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
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@jedichick04
Collecting books is great until you have to move all of them at once and realize that every one of the little bastards weigh about as much as a brick and collectively have the mass of a neutron star
PRIDE AND PREJUDICE (2005) dir. Joe Wright
PRIDE & PREJUDICE (2005) Dir. Joe Wright
Star Wars: Episode I - The Phantom Menace dir. George Lucas | 1999
PRIDE AND PREJUDICE (2005) dir. Joe Wright
Padme Amidala, Star Wars episode I: The Phantom Menace
Something very cool to me about Star Wars that’s also a complete accident is the way space in the OT feels so much darker and emptier than in the prequels. Obviously it’s just a result of Lucas getting the green light to do whatever he wanted and sacrificing structure for tons of world building, but it does really make the prequels feel more full of life than the OT.
You see Tatooine and Naboo and Coruscant in the prequels, Kamino and Geonosis and Utapau and Mustafar. Obi-Wan and Anakin throw out random names of planets three times a movie, coupled with a quip about something that happened there. There’s a whole, thriving galaxy out there that feels immediate because the characters know it, because they’ve been there and they remember it. And then… the OT. Luke has never left Tatooine. When he does, the first planet he sees is a smoking ruin. Dantooine, that Leia mentions, is abandoned. Han hasn’t touched his home planet of Corellia in years. Hoth is hidden and desolate. Dagobah is home only to one person. Bespin is out of the way, and also the only place Han, Leia, and Chewie have to go. The galaxy is cut off in the OT—darker and emptier. And it’s a total accident, but… it works anyways. The Empire has risen. The galaxy is splintered. Everyone is alone.
padme haunting the narrative of return of the jedi
haunting the narrative refers to a character who is absent but whose actions have major consequences to the story and help to build the theme of the work
(For @butchvaderkin's 'Where is Padmé' celebration)
Padme Amidala, Star Wars: Episode II - Attack of the Clones
picnic dress
Luke at the end of ESB: I'm gonna go fight Darth Vader
Obi-wan & Yoda: you absolutely must not under any circumstances fight Vader
Luke: no I'm gonna
Obi-wan & Yoda in ROTJ: okay now we need you to go fight Darth Vader
Luke:
Yeah thats definitely Anakin's son
non-writers will never understand the mental illness of writing an entire conversation in your head while doing dishes and then forgetting every word the second you open a blank doc
LEIA ORGANA Star Wars: Episode VI - Return of the Jedi (1983)
He nailed it
OBI-WAN KENOBI 2022 | dir. Deborah Chow
THE PRINCESS BRIDE 1987 — dir. Rob Reiner
Anya Taylor-Joy as Emma Woodhouse – EMMA. (2020)