JELLIOTI

DIGITAL MEDIA 2020

[hifructosemag]

Sara Shakeel infuses our world with a surreal dose of glitter and diamonds, with this recent installation involving more then 2 million crystals. See more here.

[sophiegunnol]

SUN YUAN & PENG YU 

[zeinabdiomande]

“Don’t think it’s worth it this time”

2020

[sophiegunnol]

TAMARA KOSTIANOVSKY  

[sophiegunnol]

FRANCESCO ALBANO 

[jareckiworld]

Nam June Paik  -  Internet Dweller: mpbdcg.ten.sspv    (installation, 1994)

[contemporary-visual-art]

Tom Sachs, Mission Control, 2007-12

[sophiegunnol]

FRANCESCO ALBANO 

[jareckiworld]

Olafur Eliasson — The Exploration of the Centre of the Sun  [stainless steel, colour-effect filter glass (blue, green), LED system, solar panel, motor, 2017]

[contemporaryartdaily]

Zak Prekop at Essex Street

[virtual-sit-in-blog-blog]

Sam Vanni

[breathesart]

Nalini Malani, Listening to the Shades

[julienbakerfavormp3-deactivated]

NALINI MALANI, Medeamaterial, 1993; from Medea series; Medea III, 2006; Sita/Medea 1, 2004.

"There are two particular Greek myths I keep returning to and there are resonances in Indian mythology [that are] quite similar. One is Medea and the other is Cassandra. Medea because she is a difficult figure, even to perform. When she finds [out] she's been betrayed, she de-genders herself and destroys her children. The only way she can do that is by saying the two children are Jason's children, not hers. By distancing herself from being a mother, she can avenge herself against Jason. There is a figure of that nature in Indian mythology. Her name is Sita."

[martinbalance]

Shilpa Gupta, My East is Your West, 2015

[halogenic]

“Ungamqhawuli” (2008) - Nicholas Hlobo, featured in Flash Art Oct. 2012 

[collectorbynecessity]

Nicholas Hlobo

[curatedfortheartist]

Alina Perez (@alina.perezz)

The Warmth that Surrounds Us

Charcoal & Pastel on Paper