It’s Human Etiquette 101
Claire Keane

gracie abrams

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
Game of Thrones Daily
Stranger Things
almost home
NASA
he wasn't even looking at me and he found me

#extradirty
noise dept.
$LAYYYTER

Kiana Khansmith
I'd rather be in outer space 🛸
KIROKAZE

oozey mess
Cosmic Funnies
untitled
hello vonnie

Product Placement

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@jendilemma
It’s Human Etiquette 101
Read about each victim of the Orlando Pulse shooting here. Remember their names, their faces, and their stories.
Tour poster designed and printed by Soft Hand Screen Printing. More show info here!
see you soon new england <3 can’t wait to play in a hot dog stand
Chesley Bonestell
Happy friendiversary to my blossom queen.
i don’t even understand how this beautiful dumdum exists but i am so glad she’s here to brighten our world. clem forever <3 <3
Wall hangings of an astronomical theme, circa 1850. Printed lithographically on cotton, probably to avoid paper duty.
Mars painting by Herb Herrick for an article about terraforming in World Book Science Annual 1975. Consultant: Carl Sagan. The first painting (top) is followed by two clear plastic overlays of the skies and rain and finally plant life.
Gilbert Williams ‘Message from Beyond’ (1977). Image from Celestial Visitations- The Art of Gilbert Williams (1979)
march 31st (kerplunk-era green day day)
cover: green day - 80
this is my favorite song by my favorite band. I have loved them forever (13 years? 12 years?) and continue to even though they don’t put out good albums anymore and are a bunch of jerks. the bass in this song always felt like it would be impossible to even attempt (the sort of folksy finger-picking-sounding main bass riff, I mean). I decided to go for it, and honestly? though I couldn’t play it at its actual speed (I played it about 25% slower than the actual song) I was still able to play it. I got into a good rhythm with playing it, playing down strokes on the A string and up strokes on the D string, back and forth. it kind of worked! oh and I consulted the hell out of tabs for this one because mike dirnt is so all over the place that it’s hard to even know what he’s doing a lot of the time. I pieced together a couple tabs and changed the parts that sounded wrong to me, and this is what I came up with.
recording-wise, I recorded one main bass track, then I punched in a few bass parts that I had played crappily. then I did one main vocal track and did three backing vocals tracks – two for harmonies in “and I end up talking to myself” and “or I bang it up against the wall” (I added one harmony that mike dirnt doesn’t actually sing but that I always add whenever I listen to this song) as well as a separate one for “but you turn your head” and “so I lose my head” – and then I just did a ton of level adjusting for each vocal part because I sing at such inconsistent volumes. I think it’s an acceptable LAST MARCH MADBASS COVER FOR THIS WHOLE PROJECT. I’m so wistful right now. I can’t believe it’s over.
shira’s amazing 80 cover for the last day of madbass!!!
March 30, 2016
Cover: “Blitzkrieg Bop” by the Ramones
hahaha ok so remember how i said i wanted to do a hard song today? that didn’t happen. THANKS, BACK. i know it’s getting old to keep reading me say that but like, it’s getting old having to say it, so don’t worry. i feel like i’m getting better slowly, but my right arm is still basically useless.
Anyway, I decided to just randomly think of an easy bass song that I knew I could figure out quickly, and then just record a take of me trying to remember it and sing it also. This goofy thing is the result. Come hell or high water, i AM going to do the hard song I really want to do tomorrow.
- Jen
note: I refuse to use any other picture than this because this picture is so good so deal with how pixelated it is.
march 29th (no theme day)
cover: ‘til tuesday - voices carry
-the song/the band: this is one of the greatest songs in the world. I have loved it since I was a kid enjoying the cheesy acting on the part of the abusive boyfriend in the music video (seriously go to youtube and watch the video now). much later I discovered that the aimee mann from ‘til tuesday was the same aimee mann who did the music in the pt anderson movie magnolia. that music isn’t so much my thing but I respect the hell out of it and find it very effective. I’m not surprised that someone who could write one of the most heartbreaking brutal songs I’ve ever heard (’voices carry’) also wrote that intense singalong song in magnolia (also, if you haven’t seen magnolia you obviously should. though it’s not as good as boogie nights. off topic…). I decided to buy the LP a few years ago and found that it was mostly good but no song on it compared to ‘voices carry’. knowing that aimee mann played bass and sang on all of those songs impressed the hell out of me because I suck at playing complicated bass parts while singing. I decided not to attempt it but instead to record all the bass parts, even the complicated ones (seriously, the ending…dude. it’s a lot.) separately from the vocals. honestly the vocals for this song are so hard to sing. see more about that in the process section. OH ALSO did you know the gender pronouns referring to the partner in this song were originally female and the label forced aimee mann to change it because they didn’t think a story about a lesbian relationship would sell? as though this song wasn’t already cool enough!
-the process: I thought I figured the main root notes in this song a few years ago but I was absolutely playing it a half step up (which I realized today when playing along with the song). after figuring that out I decided to look up a tab for the ending part because it is so elaborate. once I figured it all out I recorded one root notes-only track in which I played through everything, then another track in which I played the staccato chorus and the elaborate ending. then I figured out the synth hook in the verses, and I tried to figure out the second synth hook but discovered that it is played in a really high octave and I couldn’t go up from the other synth line on bass. so I decided instead to just play the same synth hook from before even though it wasn’t the right notes. it still sounds cool. then I recorded vocals terribly (I’ve been coughing a lot and have trouble GOING for it right now), and then I scrapped them and tried to go for it even though it was super hard to sing loudly. my second vocal take was better, even though I was all over the place volume-wise and I hit a wrong note (on the word “darling” in the line “hush hush, darling, she might overhear” towards the end of the song). after that I decided singing more would be too hard so I didn’t do any backing vocals. I left the weird ending from the music video (”I wish he would let me talk”) that is not in the album version. all in all I am the most proud of this one that I have been of any of them, I think. I figured out a lot of fading in and fading out stuff in garageband and I feel like I have a better idea of recording techniques than ever before.
i love this version that Shira did so much it is so gooooood!
March 26, 2016
Cover: “A Heart Filled Reaction to Dissatisfaction” by City of Caterpillar
Here’s a cool story: I threw out my back! So, I spent last night and today in a bunch of pain sitting in a chair. I didn’t really even feel up to doing this, but I’m fighting v hard to stay committed in the last week of madbass, and hell if my stupid back is going to stop me.
So, Derek, who is the most amazing human, brought me my bass and helped me learn this song tonight without me having to move much. I played the two progressions through a few times and then recorded them on my phone with some flubs. Quick little jam on a really fun bass line with different types of chords and picking. I always loved these ‘screamo’ (lol) bass lines as a young bb punk.
Nothing like searing pain and feeling helpless to humble you and make you restless af. Hoping tomorrow brings some relief and the opportunity to make a cooler madbass.
- Jen
here’s this silly lil guy that’s also coupled with the explanation of why my madbasses from the past few days are short and boring!! so i’m not really gonna reblog them. i’m halfway back at work today, so i’m HOPING i’ll be healthy enough to at least do 1 or 2 more fully developed songs before the last day of the month on Thursday.
march 26th (no theme day)
cover: the simpsons - chimpan a to chimpan z
check out this cheat that I cheated. basically when there was a snowstorm a month and a half ago my partner and I decided to figure out a way to arrange this song from the simpsons in a short music for short people-style ridiculous theatrical elaborate pop punk cover. so we did. and then we actually recorded it a couple weeks ago. so yeah this has drums and guitar but this was a totally goofy bass cover I did in which I figured out the key the song was in (by playing the song over and over on youtube and playing along until I found notes that sounded okay) and arranged it in a totally different genre (and changed some of the notes that are played in the song to make it fit this style better). tomorrow I will do an actual bass cover! I promise!
this thing Shira did is incredible and everyone needs to hear it
March 25, 2016
Cover: “Losing My Religion” by R.E.M.
Lots of stuff going on here. The bass line was hard when i was trying to use other peoples’ tabs, but made way more sense when i stopped looking at them, haha. Other than that, translating different mandolin and filler/contrasting melody lines was probably the toughest part, which kinda goes hand in hand with layering a bunch of stuff to change the dynamics in different parts of the song.
- Jen
March 23, 2016
Cover: “Damaged Goods” by Gang of Four
Here’s a very sloppy quick one for ya today. Basically, today was A DAY and i only had about half an hour tonight to quickly try to learn this and record it. It’s mostly variations on the same bass line for the whole song so I just did 1:45 of it and cut it off at the long drum/vox break. Left a very quiet track of the song in there so you can kinda hear how the bass line matches up with the rest of it.
Someday i’ll come back to this, because it’s really fun to play (a good ol’ fashioned all-4-stringer!) and I’m sure I can get it cleaner/more precise with a little more time!
- Jen
yesterday’s quickslop!
March 22, 2016
Cover: “Zero” by the Smashing Pumpkins
This is another one bass line/one vocal line jawn, so it’s a little rough but it did the trick for me today. Although it wasn’t complicated, it was actually a little harder than it seemed to go between the melodic line patterns and constantly hitting the open Eb for rhythm. It’s a bass line that fills its own self out within the process of playing it, which i love.
- Jen
yesterday’s lil guy