if you see criticism of racism within your community as criticism of the community as a whole then you have a racist community. sorry.
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let's talk about Bridgerton tea, my ask is open
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@jensonacho
if you see criticism of racism within your community as criticism of the community as a whole then you have a racist community. sorry.
If you missed the stream, 2026's theme reveal animation is on YouTube! Thank you to everyone who joined the stream - we hit over 55 THOUSAND viewers!!!
'Twas the night before Theme Reveal...
I’ve been reading some comics during my free time and I want to shoutout Superman Smashes The Klan for portraying Asian Americans who aren’t so (monolithically) assimilationist to the point of self-hatred. I would even argue the critique of assimilation IS part of the story’s themes and how it parallels Superman as an immigrant allegory. The bar was low but they finally did it. everyone go home
If you're comfortable accusing anyone of faking disability, you're not a real ally to disabled people
One time when I was a kid a group of girls and I had to treat another student for hypothermia by ourselves because she had so many invisible health issues that the adults we asked for help didn't believe us. The student in question was actively hallucinating. When I finally ran for help the people I grabbed were slow as shit to respond, casually joking about how "dramatic" the person in question was.
The kid was picked up by an ambulance 30 minutes later.
Now as an adult working in security I get SO MANY folks- upper-middle aged mostly- coming to me to 'rat out' people they think are faking it.
I was once sent into a bathroom because a client demanded that the "fucker won't get out, so go drag them out"- I was NEVER going to do that, so I did a wellness check instead. You know who it was? A person recently released from the hospital after a car accident. They had a hole in their skull and major hearing loss. They couldn't answer the owner because they couldn't HEAR the owner.
Another time about a homeless man who got around town by kicking the ground from his wheelchair. "You know he doesn't actually need that thing, his legs work fine, it's just for pity points"- Oh, so he's not paralyzed, his wheelchair is performative? Funny story Dale, I actually know that guy, he was backed over by a truck and has chronic pain from his shattered pelvis. But sure, let's make him stand up and walk everywhere so nobody feels too bad for him and tries to help him or something.
"She doesn't need that scooter, I've seen her get out of it."
"Look how fat he is, because he just rides around and refuses to get up."
"She doesn't really need that cane- she comes here without it all the time"
Sincerely, truly, from the bottom of my heart- as someone who isn't physically disabled but hears this shit all the time- fuck off
happy fourth of july to the philippines ONLY
link to article
hi, filipino here. just want to say that our independence day is june 12, not july 4. july 4 is when the united states government decided that they would recognize our freedom, specifically because it is your independence day and they wanted to cement their cultural hegemony over our country. and because of their influence on our country this was recognized for a time as our independence day. we still commemorate it, but i hope you can understand why we don’t want our independence day to be associated so closely with our former colonizer. it wasn’t even a work holiday for us.
june 12 is the day that we filipinos declared our own independence for ourselves, and that is what we celebrate as independence day
reminder that you are cool and legend
you are cool and legend you hear me
being black in any art community is such a strange feeling cause you’ll see just blatant racism being expressed in others art and you have to just casually ignore it, for your sake if anything, colorism being something that’s just fundamentally there in every artist and you deal with it cause it’s not worth it in the end to even think of it too hard let alone even mentioning it, it’s definitely something
Hello nonblack reader of this post, I think you ought to share this one so that you and your peers can actively remind yourselves 1) of how your Black peers feel when you tolerate antiblack racism in your art spaces for entertainment and 2) that we notice it, but don't believe it is secure around enough of you to bring it up 🙏🏾
this pride month I'm gonna need everyone to be radically pro transgender and also pro intersex and also pro ace and aro spec peoples thanks
2016:
2026:
I'd like to think I improved a little bit over the last decade ;u;
reblog if you wear glasses. too many mutuals don't know they have glasses wearers in their midsts
just because you havent seen me post about The Character in a while doesn't mean i'm any less insane about them in private
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
the thing that always gets me about the US and jobs it considers 'essential' is those roles are always treated like/expected to be temporary, and you both get talked down to and it is made extremely difficult to live if you don't want them to be (temporary, that is).
i frequently miss previous food service jobs, not because i don't enjoy what i do now, but because i did genuinely enjoy those jobs too. the reason i left is because the expectation was that i either sell 40+ hours of my week to the job, regularly be physically injured with no support, either no or abysmal workers comp, inconsistent scheduling so it meant i had little to no life outside of work... and still, the actual labor of the job, i enjoyed. i enjoyed the people. i liked working with my hands and making people happy.
and you know, people often bring up customers as the reason to leave food service - this was part of my reason as well, but how much of that - like the unsustainability of working food service itself, bodily and monetarily - is manufactured? many of the people who were terrible to me working food service were often people working office jobs only marginally 'above' mine in pay and support, miserable with their own work, looking to exert some level of power they could over someone else.
this is a bit long winded, but i think its a perfect cultural example of how capitalism does not actually incentivize 'progress' or 'growth' as much as a constant state of desperation, discomfort and dehumanization - you arent actually encouraged to do what it is you excel at, but whatever you can just barely tolerate, all at the risk that at the current stage your body might give out and you will not have worked hard enough to have 'earned' the right to be care for when it does. and someone will be right behind you, desperate enough to immediately replace you.
dam…….. that website “you feel like shit” (it’s like a questionnaire / troubleshooting guide for when you feel like shit) really works………………….. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better
for some reason, with this website, i was able to complete small tasks ive been fruitlessly bugging myself to do for weeks??
anyway, i feel almost good now :^)
im glad this got some notes!!!! i hope it helps y’all find some measure of peace or comfort <3
going back here on tumblr dot com was a mistake it’s firing up my potential moral ocd something fierce. i’m vanishing until i chill out. peace and love
not everything in a story has to or should be "realistic" but in my opinion there's a level of illusion that should be maintained, and I think that's the actual problem that many people try to pinpoint with the "unrealistic" criticism. Dialogue shouldn't be written like an actual transcript of human speech, but should contribute to the illusion of a real person speaking. A character is a tool of the story, not a narrative, but we're trying to maintain the illusion that they are a person. Worldbuilding should exist to serve the story, not to be a perfect simulacrum of how every aspect of nature/society etc. would actually play out for real. But there should be the illusion that it could be real, that organizations and systems would operate in such a way, that people might behave in such a way.
in conclusion: "Is this realistic?" <<wrong question. "Does this serve the illusion or disrupt it?" <<now we're talking