literally looks like a t-rex

I'm a total goofy nerd dude. Reagan | ♂ (he/him/his) | 20 | ISTP | CLE kylesbishop's gay ass best friend (he made my sidebar)

[karakinos]

i somehow dragged myself back into this Teen Sleuth Hell and joe/ned has been consuming my life help me cope

my only advice is… REVEL IN IT. i love joe/ned so much.

[kylesbishoparchive]

 hood & tea

[kylesbishop]

[raminnjolras]

Favorite People » Jeremy Jordan

❞ I want people to think of me as a good singer and actor. I want to be respected for my talent, for my craft”

[jeremymjordan]

i'm really glad jeremy and i share a love for the ridiculously hilarious and dramatic 

[jeremy-jordan]

[ilikebroadwaythings]

Visit Original Link

Jeremy Jordan singing “It’s All Coming Back To Me Now” at Broadway Sings Celine Dion on January 9th 2015. 

All audio credit goes to the lovely smw1454 go follow them now!!!!!!!

Also if anyone has a songlist from the concert please let me know :)

[sethedward]

[aliveandfullofjoy]

So why exactly do you like Sondheim?

wut i H8 sondheim?????????????

Interesting question. I mean, there’s a lot of reasons. From a music standpoint, I don’t think there’s any musical theatre composer ever with a more varied output, sound-wise. He’s a musical chameleon, blending his own theatrical sensibilities with the air of authenticity to whatever setting he’s writing for—he effortlessly goes from Bacharachian 70s New York to the old Ziegfeld follies to the waltzing Swedish countrysides to the style of Kabuki theatre to the blood-soaked streets of Victorian England. And that’s all in one decade. But the varied music wouldn’t mean anything unless it was actually good—which it is. Very, very good. Effortless is the word that comes to mind, because you can’t see any strain in any of his tonal changes, and that practically all of his shows have produced at least one song that could be included in a “very best of musical theatre” list is testament to that. 

Lyrically, he’s a goddamn acrobat, but I don’t think anyone would argue with that. “Withers wither with her” and all that.

Dramat(urg?)ically, there’s his constant boundary-stretching. It’s ballsy and almost always pays off. Company became a mirror on 1970s New Yorkers in the theatre, which had never been done before. Sweeney Todd made a tragic, soaring operetta out of a horrifying and grisly urban legend. Merrily We Roll Along goes backwards. Pacific Overtures is, of course, unlike literally anything else to ever play on Broadway. It doesn’t always pay off—Anyone Can Whistle is far too clever for its own good, and I don’t think Broadway audiences will ever truly be ready for something like Pacific Overtures—but he’s actually trying and that’s what matters. If you’re not challenging yourself, why do it? Steve-o is almost always challenging himself. 

And then humanistically, he just has this knack of tapping into something deep inside people that few other artists have. You’ll likely have an emotional reaction to Into the Woods no matter how young you are, but it’ll be drastically different from when you’re 16 to when you’re 40. “Being Alive”, “Losing My Mind”, “Moments in the Woods”, “Our Time”, “No More”, “Finishing the Hat”, even “Send in the Clowns”—these aren’t just songs designed to sell sheet music. These are musical representations of the human experience, and that’s something you just don’t get with every composer.

Like I get that some people may not totally gel with his writing style, but if any “serious” theatre student says they don’t like Sondheim, then I think they’re just not looking hard enough.

[92ny]

Before he sings the music of Stephen Sondheim this weekend at #‎92YLyrics‬, watch The Last Five Years star Jeremy Jordan reveal all his Broadway‬ secrets in 30 seconds!

[jeremymjordan]

I think 54 belows youtube is going to post it!!!! It usually does

thank you :')

[pietromaxsimoffs-deactivated201]

jeremymjordan he sang its all coming back to me now and beauty and the beast w/ ashley!!!

[jeremymjordan]

HOLY FUCK IT'S ALL COMING BACK TO ME NOW IS MY FAVORITE HOLY SHIT

[hansirilow]

i know i said i wouldn’t do a follow forever but i threw together a quick one and a crappy edit for my birthday. suuuurprriiise. 

these aren’t any alphabetical order, sorry! but these are the people (not sure if they’re all mutuals but i’m pretty sure most of them are), that lighten up my dash every time i see them and some i’ve become good friends with. love you all xx

Bold means they’re my faves and in my squad with me

ernstrobelofficial, kylesbishop (aka piedpipr), jeremymjordan, mientusvevo, sugarmagikarps, transmontynavarro, its-all-an-avalanche, crutchies, cotthauser, faeriequeenwendla, lin-manuel, itsapinatamatt, jehanpoetvaire, ernstxrobel, mariuspunsmercy, jacksdawkins, montypythons-flyingtardis, blakebashoffs, andymeowtus, musicals-are-punk-rock, wndla, borderlinestiefel, sondheimstephen, wefoxesgrin, hernsttrash, eldermccutie, mckinleyspinkvest, deafmarius, mvsicals, henry-lucas, christianborle, sirwestaytay, transb0ywirt, hanschenthepussycat, melchiorgabor, jas0ndean, sibellla, okaybroadway, mirrorblue-night, wendlatheradical, joespieldenner, snowysayle, argo-fuckyourself, pocketmoritz, wednla, kevinpric, darcyogdenreid, jonnybfright, pleachen2, officialdaveyjacobs, actualnewsie, ilse-neumann, suttonmientus, and of course my fave family member ashirwegg. 

see you’re all in my squad and i love u all ok thank you for putting up with me. love you all to neverland and back! <3

[cowboyfig]

The Craft (1996)

[pietromaxsimoffs-deactivated201]

Broadway sings Cèline Dion 1/9/15 7 PM Jeremy Jordan, Daniel Quadrino, Taylor Louderman

[kylesbishoparchive]

feelin like

[elfgrove]

I would love a Hartley (friends with Wally West and secretly the Pied Piper) to show up on the Young Justice cartoon. I really would.