Logan's Run by George Clayton Johnson and William F. Nolan
Cover by William Hofmann
No title available

if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day
wallacepolsom
No title available
Peter Solarz

pixel skylines

Kiana Khansmith

⁂

祝日 / Permanent Vacation
Not today Justin

No title available

blake kathryn
he wasn't even looking at me and he found me
Xuebing Du
occasionally subtle

★
trying on a metaphor
Cosimo Galluzzi

seen from Italy
seen from United Kingdom

seen from Malaysia
seen from United States

seen from Malaysia
seen from Netherlands
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Malaysia

seen from Malaysia

seen from Malaysia
seen from United States

seen from United States
seen from Ukraine
seen from United Kingdom
seen from United States
seen from United States

seen from United States
@jetsetmalaise
Logan's Run by George Clayton Johnson and William F. Nolan
Cover by William Hofmann
Peter Mitchell - Strangely Familiar
The Hardy Boys: The Secret of Skull Mountain - art by Rudy Nappi (1966)
visited a new city today and found an adorable shelf of nancy drew + hardy boys books in an antique shop // 2018
Monsterpiece Theater: Robot Monster
Robot Monster is a “bad” movie. Its sets are non-existent, its human characters are more alien than its aliens, and it has more stock footage than most films have footage. The film was featured on the very first season of Mystery Science Theater 3000, and it was included in the 1978 book, The Fifty Worst Films of All Time (And How They Got That Way). Oh, I’d be lying if I said I didn’t understand why the film has garnered such a reputation; I’d also be lying if I said the film wasn’t one of the most endlessly entertaining films of the 1950s.
Robot Monster is the shockingly strange story of moon creature Ro-Man (the titular Robot Monster) and his mad mission to annihilate all life on earth. The lunar lunatic nearly achieves his ghastly goal… but a handful of humans manage to survive, much to the chagrin of the menacing moon man. Castigated by his superior for his failure, Ro-Man seeks to redeem himself by eradicating the remnants of humanity. He also has a pretty boss bubble machine.
There are two elements of Robot Monster that are undeniable: its weirdness and its cheapness. Unable to afford a robot suit, director Phil Tucker hired famed gorilla suit man George Barrows, who had crafted his own gorilla suit, to play Ro-Man; Tucker slapped on a groovy diving helmet and created one of the most magnificently bizarre monsters to grace the screen. There’s never been a monster before or since that is as striking strange as the mighty Ro-Man. Without irony, we can say that Ro-Man is one of our absolute favorite creatures.
It’s easy to make fun of a movie like Robot Monster, but it succeeds on one level on which most films fail: it’s fun! We could list and list all the “flaws” in this film until the Earth crashes into the Sun, but those flaws don’t do a thing to dampen the amusement. Heck, if anything, they enhance it! The title card depicts a bunch of sci-fi magazines, practically declaring its intent in the first minute: it’s supposed to be pulpy entertainment! And if the purpose of a movie is to delight the audience, Robot Monster is a complete success!
For all of its risible elements, there is never a dull second in the film. And, in its own inimitable way, the story is legitimately engaging. You actually want to see how the story of mankind ends here! Every so-called “bad” element gives Robot Monster an unintentionally surreal quality that we find utterly captivating.
Phil Tucker once said, “For the budget and for the time, I felt I had achieved greatness.“ We couldn’t agree more, Mr. Tucker.
And underseen classic 1950s sci-fi b-movie
I Married A Teen-Age Fly, Virginia Francis and Don Margolis, Fling Magazine #13 1959
The Art of James Gilleard
James Gilleard is an Illustrator and Animator living and working in London with a passion for old cartoons - 1950s animation, vintage film posters, pulp comics, past future predictions, birds, dinosaurs, robots, 1960s cars and loads of other rubbish.
Norman Saunders’s Falling Women Of Dime Detective: A Serial Killing
art by Samson Pollen (1960s - early 1970s)
Gil Brewer’s The Girl from Hateville. This Zenith edition was published in 1958 and has great Samson Pollen cover art.
they were all out to get him…
NOVEMBER REEF
(via Ocean Of Lust | Pulp Covers)
Robert McGinnis
Bunch of party animals in an abandoned home. It’s Lit. Art by #ArthurSarnoff