Trying to figure out how to draw armour. These are some of my notes I uploaded on patreon. A lot more to come since I really want to figure this one out.
we're not kids anymore.
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Kiana Khansmith

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Andulka
Mike Driver

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taylor price
Show & Tell

shark vs the universe
Monterey Bay Aquarium

PR's Tumblrdome

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Origami Around
sheepfilms
Misplaced Lens Cap

Product Placement

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@jmetriesdrawing
Trying to figure out how to draw armour. These are some of my notes I uploaded on patreon. A lot more to come since I really want to figure this one out.
Matthew Benjamin Knight - Staatsballett Berlin - photo by Carlos Quezada
guy working on an artwork they knew would push them technically: what the hell why do i keep doing this wrong. am i haunted by malevolent spirits and such
guy who does not do studies and does not practice shading and does not use materials of any level of quality and does not know how to use them and does not know what they are doing: what the hell why does this look bad
WIP WEDNESDAY!!!
Inspired by some of my OCs getting together in Tomadachi Life. Fun with late nights in the shop
I was tagged by @bumblerhizal-art and imma tag @null-ifi3d and @sideblogdotjpeg 💜
A lot of people on twitter wanted me to explain how I draw expressions, so here you go
Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.
Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.
Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!
I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!
Also, bonus: even without the lines, the planes alone still show a LOT of emotion.
Another crap thing I do to make references, if you like it I can make more tutorials but idk if someone would find sense in my crazy stuff hahaha
Winter/spring fairy from a TikTok character design challenge!
While I understand the desire to make Big Art entirely and viscerally I think it's worth considering that small art often leaves an outsized impact on its audience. Short stories, teensy indie games, short films, sketches on scrap paper, carved or sculpted figures that would fit in the palm of your hand, etc. etc. are all things that, when they hit your psyche at just the right angle, can stay lodged in there forever specifically because they are small. It is not necessary for a thing to be sprawling for it to have impact.
OBLIQUES! To get the FREE MONTHLY How to THINK When You Draw digital MAGAZINE (including NEW tutorials, a YEAR before they appear online!) just GO HERE!
PLUS! How to THINK When You Draw BOOKS coming to KICKSTARTER in MARCH 2026!
Lorenzo!
Hey y’all I have an announcement! My web app that I’ve been working on, Afro Index, is now live! It’s a visual reference library of Black hairstyles, for artist, animators, writers, and anyone who wants to learn more about them!
Check it out at afroindex.org! 💛✨
A reference library for Black hairstyles with accurate naming, structured filtering, and curated reference images.
Matisse Circle by Leonard Nimroy, The Full Body Project
Small correction: Leonard NIMOY
(Yes, that Leonard Nimoy)
The way you draw water is mesmerizing! Do you have any tips for drawing it or could talk about how you approach it?
For sure! Visual tutorial time!
Water is also clear, so when it's on anything it will add a drop shadow + shine
A short guide I made covering how I approach gradient maps
Also just read through Witch Hat Atilier. It literally could not be more made for me, I love this story 😭. Have some hats + OC design
Been re-listening to NADDPOD C2, have some guys
JUST SOME THOUGHTS! I don’t really like the “go from the top up” advice on drapery/clothes - if you’re having difficulty try it like this!
YES I see the typo… I’m so sorry folks… I was in a frenzied rush to make this…… and I’m too lazy to fix it……
Really liked this week’s episode of Drawfee, so I decided to make my own magical girl! Decided to go with a different type of egg