god's lute will beg for your hands

sav, 23, she/her, evil :)

[forhandsthatsuffer]

La collectionneuse (1967), dir. Éric Rohmer

[wishbzne-deactivated20210526]

pre–amphibian, margaret atwood

[weltenwellen]

May Sarton, Journal of a Solitude

[horrorfilmgifs]

Saw (2004)

[weltenwellen]

Louise Glück, from “Blue Rotunda”, Averno

[polkadotmotmot]

Rocky Hawkins - Visiting Pink Clouds, 2023

[orpheuslament]

they should invent a wanting that does not feel like youre being skinned alive with a dull knife

[luthienne]

Natasha Trethewey, from Thrall: Poems; "Mythology"

[soracities]

Days of Heaven (1978) dir. Terrence Malick

[hadleyfrasergender]

things that are gay sex:

cannibalism

surgery

russian roulette

braiding/brushing hair

fishing

hunting

gutting animals

stabbing

drinking blood from the wrist or neck

autopsies

shootouts

boxing/wrestling

digging in the ground

[mademoisellelapiquante]

Jennifer Connelly as Sarah Williams in Labyrinth - 1986

[holyisthenameofmyruthlessaxe]

To the Bone, Dorothy Allison 

[ID: That summer I did not go crazy / but I wore / very close / very close / to the bone.]

[artist-sargent]

Male Nudes Wrestling, John Singer Sargent

Medium: charcoal

https://www.wikiart.org/en/john-singer-sargent/male-nudes-wrestling

[holy-warrior-of-france]

Joan of Arc. Illustrator Angela Barrett

[firstfullmoon]

Jane Hirshfield, from “That Falling”

[danskjavlarna]

[drdougdouglass]

[witchinghour]

The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid

“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON