summary: ellie writes joel a letter on the one year anniversary of his passing
warnings: major character death
❀ a/n: hi!! i cried multiple times writing this and then cried again upon remembering that we won't get any more tlou until 2027 :( i also formatted this one a lil weird bc the letter is right aligned on my ao3.
❀ divider by @firefly-graphics ❀
Meaningless guitar strums fill the air as Ellie fiddles with the strings. It's what Joel used to do-- sit for hours and play different strings with different chords and try to make something of it. She figured it calmed him down, grounded him in a world so unpredictable. Ellie finds that it does the same for her.
Her hands follow a familiar rhythm, finding known chords, though she can't quite place it yet.
She presses e, then f, then e again. E again, then d, then c, then g.
A pang of sadness, maybe regret hits her square in the chest. She sighs, then plays the full melody.
"If I ever were to lose you, I'd surely lose myself."
Ellie chooses to stop after a single verse. It's too much. She stares at her pencil and notebook on her desk.
Gail told her about this thing, back in Jackson when Dina had JJ. She had written letters to Eugene after he passed to help herself cope with his passing. Ellie thought it was bullshit right off the bat. She was never one for public sentiment-- sure, she'd had thoughts about Joel come up in her mind often. She never would've expressed it on paper.
As she looks at the paper again, she reconsiders. Maybe it'll help. Maybe she should try.
Ellie carefully sets the guitar back in its case and picks up the pencil.
I'm not sure why I'm doing this. It's fucking stupid.
Gail said it might help. With the feelings and grieving and all that dumb shit. I don't think I trust her on this. Therapists are a scam.
Ellie stops for a second. She takes a deep breath. If this was going to help, she needed to believe in it and take it seriously. She continues again.
It's been hard for me this month. It's the anniversary. One year since it happened.
A lot of shit went down, and I found Abby. I didn't kill her.
She sees the picture in her mind; Jesse with a bullet in his head lying on the floor, and Dina pregnant and beat within an inch of her life. Ellie didn't want to focus on the negatives. She redirects, and thinks about Dina.
Dina had a baby. I hope Jesse knows, wherever he is, that he has a son. I think he does.
Ellie hopes Joel is still out there somewhere too.
I don't know where you are right now. Well, I know where you physically are. I don't know if you're still out there somewhere. Spiritually.
I don't know where I stand on the whole religion bullshit. I know you grew up Catholic. Tommy told me. When I asked him if he still believed in it he said that he didn't know. I hope it's real. I really want it to be real. I want to believe that you're not dead. Not entirely.
I went to church with Maria. She said it helps her to believe that her husband and kid are in a better place now after they're dead. When I asked her "how the fuck does that make sense?" she rolled her eyes and made a noise with her mouth and said "it just does.". I'm choosing to believe it too.
Ellie decides that Joel is still out there. Alive, not physically but spiritually. A ghost, maybe? Weren't ghosts supposed to be scary? She thinks Joel would suck at being a scary ghost. Haunting halls and possessing people and all the ghosty bullshit wasn't quite his style. She hopes he isn't stuck haunting a house or something. She twiddles the pencil in her shaking hands and presses it to the paper once more.
I hope you're with Sarah. I hope you told her about me. I wish I knew her.
I hope you're with Tess. I didn't know her as long as you did but I miss her.
I hope Jesse's there too. I miss him. I know Dina does too.
I hope you met Riley. She's the best. She was the best.
She thinks about Sarah, the faceless curly-headed free-spirited girl she never got to meet. She thinks about Tess when she pulls her hair half up to get it out of her face. She thinks about Jesse every time JJ smiles.
Ellie doesn't think about Riley all that much anymore. Memories of Riley creep in occasionally whenever she sees a firefly (the bug) or when she re-reads Savage Starlight.
I hope you got your sheep ranch on the moon and all the guitars and coffee you could ever dream of. I wish I was there.
Ellie smiles thinking about the shitty coffee that Joel loved so much. She backtracks on that last thought, clarifying:
Not that I wish I was dead or anything. I wish I was with you. You always said that wherever you went, I did too. I wish it was the same for this.
It was always Joel and Ellie. Not just Ellie. Not just Joel. They were a pair. A package deal. She misses that feeling.
Ellie thinks about the last conversation she had with Joel, the night of the dance.
I regret the way I left things with you. I was upset and I shouldn't have handled things the way I did. I shouldn't have blown up at you for defending me when Seth said that bullshit the night of the dance. I'm filled with all this regret and sadness and grief. I don't sleep a lot most nights. Every time I close my eyes I see your face.
She finds it hard to imagine Joel any other way than lifeless on the floor, eyes still open, unfocused. Staring at nothing. When she draws him, she doesn't find the will to draw his eyes. She can't.
She's pulled out of her thoughts by Dina's voice. She's singing softly, and Ellie can only imagine it's to JJ. Joel would've loved JJ.
She sighs, again pulling herself away from what happened between her and Joel. Ellie tells herself that she needs to stop dwelling on it, because it's in the past. Unless she were to find a way to time travel (which would be sick, by the way), she can't do anything about it.
She tells herself she needs to grow from this. Move on-- not completely, but a little bit. She has things in her life that mean the world to her.
Ellie loves Dina. She loves JJ. She loves expressing herself through art and telling bad jokes that Dina hates (or secretly loves, but won't admit), and she loves each and every stinky sheep they've got in the barn.
No more sad shit. I need to write about something else. Here's a drawing of JJ. He's easy to draw.
She doodles the baby's round, chubby cheeks and cherub nose. She draws his tiny lips and eyes and eyebrows and tops it off by giving him some hair on his head. She's a little generous on the amount of hair she draws JJ with. Doing you a favor, kid, she thinks.
I started painting. Dina likes it. She hung some of my stuff up on the walls in our house. Makes it feel like an art gallery.
She taps her pencil against the wood of the desk, searching her mind for topics and then remembers--
We have sheep! Lots of 'em. Some of their names are very punny. You'd like them. Ewe-gene is my favorite. Don't tell Daisy or Snowy.
She takes a second and quietly laughs about the names to herself. She's pulled out of her thoughts again when she hears Dina's voice call El, time for dinner!, and she replies with just a sec, babe!, and she realizes something--
Ellie realizes that she's fortunate. Yeah, shitty things have happened. They have. Who in this fucked up world that they live in hasn't had something bad happen to them? You could probably count them on one hand. Lucky bastards.
She wasn't sure if she believed in God or not, but if she did, Ellie would consider herself blessed.
Dina's calling me down for dinner, so I'm gonna wrap this up. I think this helped me.
Long story short: I hope you're happy. I hope you have everything your heart desires, wherever you are. I hope you check in on me sometimes. I know you do.
I miss you. I'll miss you 'till the cows come home.