Idk but I like who I’m becoming//
trying on a metaphor

祝日 / Permanent Vacation
taylor price
noise dept.

oozey mess

if i look back, i am lost

⁂

JBB: An Artblog!

Product Placement

ellievsbear
No title available
Peter Solarz
Mike Driver
One Nice Bug Per Day

Love Begins

titsay

Origami Around
Xuebing Du
Cosimo Galluzzi

Kaledo Art
seen from United States

seen from United States
seen from Spain
seen from Netherlands

seen from India
seen from Saudi Arabia
seen from Poland

seen from India

seen from Malaysia

seen from Bangladesh

seen from Malaysia

seen from Tunisia

seen from Guernsey

seen from Singapore
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Italy
@josie-darling
Idk but I like who I’m becoming//
And now I know how Joan of Arc felt
i dont understand
inbred, ethel cain
quote from alice notley // open water by caleb azumah nelson // georgia o'Keeffe's letter to russel vernon hunter //sara teasdale's poem, the crystal gazer // all too well - taylor swift // sylvia plath // a little life by hanya yanagihara //memory for forgetfulness by mahmoud darwish, translated by Ibrahim Muhawi
i'm a simple girl: i see sunlight on the water, i find god
i hear the laugh of someone i love, i find god. the setting sun fills my room, i find god. i eat fresh strawberries off the vine, i find god. someone rests their head on my shoulder, i find god.
Actual roman epitaph for a dog
humans are the same
I’ve seen this one doing the rounds a few times (and it makes me cry every time I see it), but was curious about the original Latin text, so I did some digging: it’s a shortened version of CIL 10, 00659, a tombstone from Salernum (modern Salerno, Italy). (source; CIL is the Corpus Inscriptionum Latinarum).
Portaui lacrimis madidus te, nostra catella,
Quod feci lustris laetior ante tribus.
Ergo mihi, Patrice, iam non dabis oscula mille
Nec poteris collo grata cubare meo.
Tristis marmorea posui te sede merentem
Et iunxi semper manib(us) ipse meis
Morib(us) argutis hominem simulare paratam,
Perdidimus quales hei mihi delicias.
Tu, dulcis Patrice, nostras attingere mensas
Consueras, gremio poscere blanda cibos,
Lambere tu calicem lingua rapiente solebas,
Quem tibi saepe meae sustinuere manus,
Accipere et lassum cauda gaudente frequenter
And here’s my translation:
Wet with tears I have carried you, our little (female) dog, just as I did in happier times fifteen years earlier (lit. “three periods of five years). For myself, Patrice, now you will not give me a thousand kisses nor will you be able to lie lovingly around/against my neck. I have sorrowfully placed you, merit-worthy, in a marble tomb and I have joined you always to myself in death, as by your cleverness you matched a human. Alas, we lost such pleasures for myself! You, sweet Patrice, were accustomed to join us at our table, to beg charmingly for food (while sitting in our) laps. You were in the habit of greedily licking our cups with your tongue, which my hands often held for you. Frequently and joyfully (you) receive a weary one with your (wagging) tail...
tl;dr: this dog was named Patrice and was very, very loved. (another translation with some glossing of the text.)
If Beale Street Could Talk, James Baldwin
40,000 years ago, early humans painted hands on the wall of a cave. This morning, my baby cousin began finger painting. All of recorded history happened between these two paintings of human hands. The Nazca Lines and the Mona Lisa. The first TransAtlantic flight and the first voyage to the Moon. Humanity invented the wheel, the telescope, and the nuclear bomb. We eradicated wild poliovirus types 2 and 3. We discovered radio waves, dinosaurs, and the laws of thermodynamics. Freedom Riders crossed the South. Hippies burned their draft cards. Countless genocides, scientific advancements, migrations, and rebellions. More than a hundred billion humans lived and died between these two paintings—one on a sheet of paper, and one on the inside of a cave. At the dawn of time, ancient humans stretched out their hands. And this morning, a child reached back.
A Timeline of Humanity:
you sit on the kitchen counter, glass of red wine in hand. it’s snowing, but inside we’re warm and safe. i’m trying to make dinner but your silly buzzed giggle is making flowers bloom inside my chest. i slide in between your legs, hands planted on your waist, and kiss every part of your blushing face. each kiss is a promise: i love you, i’ll take care of you, we’ll be okay, we’ll be safe, we’ll grow together, i’ll love you more, i’ll never stop.
it drives me crazy how humans are just meant to hold each other. how come when you hold someone's hand, your fingers just perfectly lock with theirs? how is it that when you hug someone, your face fits just right in the crook of their neck? how can your hands cup someone's face like that's their only primary function? it cannot be coincidence that our bodies are fully capable of holding another... we were designed to love
i do not consume art btw it consumes me and its teeth are scary sharp
God is trying to talk to me through this bruise on my leg
the world of living and loving in parallel with one another.
@bakwaaas / Tamino, “My Dearest Friend And Enemy” / journal entries of a twentysomething year old, Mia (Mimi) Garcia / Hozier, “Like Real People Do”/ James Fenton, “The Ideal”/ Sally Rooney, Beautiful World, Where Are You / comic strip found here: x
Sanna Wani, “Who is the Sun, Asking for Sleep?”, My Grief, the Sun // Brenna Twohy, A Coworker Asks Me If I Am Sad, Still
jewish literacy, rabbi joseph telushkin / the five stages of grief, linda pastan / cain, josé saramago
not to talk about doctor who but remember being a lonely depressed teenager and hearing him say ‘900 years of time and space and i’ve never met anyone who wasn’t important’
he was like ‘just this once-everybody lives’ and i chased that shit with homosexual determination for every day since, like maybe through pure force of will i could save everyone i loved from a system that wanted us dead