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fell into the trenches that is lancelot x galehaut.
gonna explain why they matter so much to me because i genuinely think they may be one of the most extraordinary relationships in medieval literature, and because every time i see them reduced to "lancelot's close friend galehaut" i feel a part of my soul leave my body.
For context: Galehaut is a character from the great French Arthurian prose romances of the thirteenth century, particularly the Lancelot-Grail Cycle (often called the Vulgate Cycle), one of the most influential literary projects of the European Middle Ages. When people think of Arthurian legend today, they are often imagining a version of the mythos shaped directly or indirectly by these texts. The Arthurian world most modern audiences recognize—the Round Table as a complex political institution, the centrality of Lancelot, the tragedy of Camelot, the Grail Quest, the immense emotional focus placed upon individual characters and their relationships—owes an incalculable debt to these prose cycles.
And Galehaut is not a footnote within them.
He is not an obscure side character who wanders onstage for a chapter and disappears.
He is, for substantial portions of the narrative, one of the most important people in Lancelot's life.
Which is remarkable because when Galehaut first appears, he seems destined to be something entirely different.
He enters the story as a conqueror.
Arthurian literature contains many kings. What makes Galehaut unusual is the scale on which he exists. He is called the Uncrowned King, a title that sounds almost paradoxical until one understands what it means. According to the romance tradition, Galehaut rules so many territories that no single crown can adequately symbolize his authority. The title is not a mark of deficiency. It is a mark of excess. He possesses too much power to be contained by ordinary political language.
He is wealthy. He is feared. He is militarily brilliant. He commands immense armies. He has spent much of his life expanding his influence across the known world.
And when he turns his attention toward Arthur's kingdom, the situation is not particularly favorable for Arthur. Galehaut is winning.
I will repeat this because it is essential to understanding the magnitude of what follows.
This is a man positioned to reshape the political order of Britain. This is a man whose ambitions are vast enough that even Arthur's kingdom appears merely another prize to be claimed. This is a man who has spent years constructing power.
Then he sees Lancelot. Not Sir Lancelot. Not the greatest knight in Christendom. Not the legendary lover of Guinevere. Not the future hero whose fame will eclipse almost every other knight of the Round Table.
Just a mysterious anonymous warrior fighting among Arthur's forces.
And something happens.
Galehaut becomes fascinated.
Suddenly the war matters less than identifying this knight. Political calculations matter less than understanding him. Military victories matter less than remaining near him.
One of the things that strikes me whenever I revisit these texts is how quickly Galehaut begins making decisions that become difficult to explain through ordinary political logic.
He repeatedly sacrifices advantage. He repeatedly prioritizes Lancelot's welfare. He repeatedly chooses personal attachment over strategic benefit.
The conqueror begins surrendering opportunities that conquerors do not ordinarily surrender.
And this is where people often invoke the medieval friendship discourse.
Which is fair. Genuinely. It is important.
The Middle Ages possessed emotional vocabularies that do not correspond to modern categories. Aristocratic friendship could be intense, passionate, and openly affectionate. Men could express forms of devotion that modern readers might instinctively interpret as romantic without necessarily conceptualizing them that way themselves.
All of this is true.
But sometimes I think the friendship discourse accidentally obscures the thing that is actually interesting.
Because regardless of how we categorize the relationship, the text itself is absolutely obsessed with Galehaut's love for Lancelot.
The question is not whether Galehaut loves Lancelot.
The text tells us he does.
Repeatedly.
The question is how we understand that love.
And what fascinates me is that the narrative treats this attachment not as a passing emotion but as the defining force of Galehaut's existence.
His ambitions begin bending around it. His choices begin bending around it. His future begins bending around it.
There is a reason Galehaut remains memorable despite existing in a literary tradition overflowing with kings, knights, giants, enchantresses, and saints.
His emotional life is astonishingly vivid.
Again and again the romances emphasize his desire for Lancelot's affection.
At one point Galehaut's deepest wish is essentially to be loved by Lancelot.
And every time I remember that detail I have to stare into the distance.
Because this is the Uncrowned King.
This is a man who could command armies. Who could alter kingdoms. Who could negotiate with monarchs as an equal.
And the thing he wants most in the world is something he cannot command.
The love of a single knight.
There is something profoundly human about that.
In many ways, Galehaut's greatness as a character comes from this contradiction.
Outwardly, he embodies power.
Inwardly, he is vulnerable.
The conqueror becomes emotionally dependent.
The king becomes hopeful.
The warrior becomes tender.
And nowhere is this more evident than in his relationship to Guinevere.
Because if Galehaut's devotion were purely possessive, the story would be much simpler.
But it isn't.
Instead, Galehaut becomes instrumental in facilitating one of literature's most famous romances.
He helps Lancelot and Guinevere.
He creates opportunities for their relationship to flourish.
And what devastates me about this is that the texts never suggest his own feelings diminish in the process.
He simply places Lancelot's happiness above himself.
Again.
And again.
And again.
Which means that one of the most powerful rulers in the Arthurian world spends enormous portions of his narrative helping another man pursue someone else.
If that is not tragedy, I do not know what is.
And then comes the ending.
Galehaut receives false news that Lancelot has died.
And he cannot bear it.
Upon learning of Lancelot's death, Galehaut's love was transfigured into a grief so profound that he could scarcely endure the burden of his own continued life.
Think about that for a moment.
This man has faced armies. Kingdoms. Wars. Political crises. He has spent his life navigating the brutal realities of medieval power.
And yet the thing that destroys him is grief.
He loses Lancelot.
(Or rather, he believes he has.)
And the loss proves unbearable.
The conqueror who could challenge Arthur himself simply wastes away.
There is something almost classical about the tragedy of it.
A great ruler brought low not by external enemies but by the internal magnitude of his own love.
And then Lancelot learns what has happened.
And his response matters.
Because the story could have treated Galehaut's devotion as one-sided.
It could have transformed him into a tragic figure whose feelings ultimately vanish into the margins.
It does not.
Instead, Lancelot is inconsolable.
He arranges for Galehaut to receive magnificent honors. He ensures that his memory endures. And most famously of all, he requests to be buried within the same tomb.
The tomb itself bears an inscription that has haunted readers for centuries:
"Here lies Galehaut, who died for his love of Lancelot."
I think that may be one of the most extraordinary epitaphs in medieval literature.
Because look at what has been omitted.
Not a word about conquest. Not a word about kingdoms. Not a word about military victories. Not a word about political power.
All of Galehaut's worldly achievements disappear.
The text strips them away.
What remains is love.
The defining fact of his life is not that he ruled. Not that he conquered. Not that he commanded armies.
It is that he loved Lancelot.
And Lancelot's response is to ask that, after death, they remain together.
Which means that buried deep within one of the foundational texts of the Arthurian tradition is the story of a king who saw a knight and willingly allowed that encounter to transform the entire course of his existence.
A conqueror who abandoned ambition for companionship.
A ruler who valued affection above power.
A man who died believing the person he loved was gone.
And another man who could not bear to be separated from him even in death.
And medievalists wonder why some of us emerge from the Prose Lancelot permanently altered.
As if there were any other possible outcome.
Confession time: I know nothing of Arthuriana. Here is the entirety of my knowledge:
Arthur is British, and the Rightful King
However, the French are majorly involved in Arthuriana somehow
Arthur being the Rightful King has something to do with a Lady in a Lake giving him a sword
Or possibly pulling a sword out of a stone
Pulling a sword out of a stone and then later someone tosses it into a lake?
Pretty sure Merlin is somehow involved in this and he is a wizard, but no idea how he knows Arthur or what his role is
Morgana and Morgan le Fay are probably the same person, but maybe not, who knows, there weren't that many names going around at the time. A witch, I think.
There is a round table with knights. This is, I believe, a later addition. French fanfic?
Knights include Percival, Gawain, Lancelot
Lancelot is majorly in love with Guinevere, Arthur's wife. Possibly reciprocal? Possibly chaste/courtly? Who knows, not me
I've seen "The Green Knight", I have no ideas which bits were made up for the movie. The movie was good but needed the subtitle "or: The Story of Gawain making the Dumbest Decision Possible at Every Point"
Nobody teach me anything, I want to see if I can get to my death bed with no further knowledge than this. But also you could literally put anything in replies and I wouldn't know what was fake and what was real so have at it, I guess.
There's a guy named Bagdemagus. He might be Arthur's cousin. He might not be.
The third most important thing he does is try to get Merlin out of a cave and then give up.
The second most important thing he does is die.
If you misspell his name as "Badgemagus", he becomes a wizard sheriff.
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new to arthur fandom/tumbler. how does everyone know so much? where are we gaining information? pls cite your sources
Hellooooo since I was tagged a couple times I might as well give you some resources directly! :^)
Arthurian Legend is a long running literary (and other mediums) tradition with literally endless media. It can be overwhelming but all you can do is get started, there's no pressure to know everything right away or ever!
If you're looking to jump right into reading Medieval literature, I have a Beginner's Guide to Medieval Arthuriana with one hundred links. But to simplify, my opinion for the best places to start, roughly in order of publication, would be:
The Mabinogion translated by Sioned Davies (Welsh)
The Welsh Triads translated by Rachel Bromwich (Welsh)
The Mabinogion and The Welsh Triads are the earliest written stories from the 12th century documented from the Welsh oral tradition. This is where many characters "started." For more of an overview on Welsh Arthuriana, here is The Arthur of the Welsh edited by Rachel Bromwich, the very same who translated Triads linked above.
History of the Kings of Britain (Historia regum Britanniae) by Geoffrey of Monmouth translated by A. Thompson (Latin)
This text is where we first get Arthur's backstory as the son of Igraine, who was the Duchess of Cornwall, and tricked into bed with Uther via Merlin's magic. It's also where the story of Arthur's battle at Mont Saint Michael against a giant comes from, one of Kay and Bedivere's first appearances outside Welsh literature. It also describes Mordred's rise to power and the eventual mutual defeat between Arthur and Mordred. It is the beginning of Arthurian literature's cumulative nature, each story building on the lore of what came before. For more information, here is The Arthur of Medieval Latin Literature edited by Siân Echard.
The Romances of Chrétien de Troyes (French)
There's a "chicken or the egg" situation with three overlapping stories between the Mabinogion and Chrétien's romances, but Chrétien's romances also include Knight of the Cart which popularized the character Lancelot. (Although he first appears in the romance Erec and Enide as well as starring in a German romance Lanzelet around the same time. There are very few absolutes in Arthurian history!)
Merlin and the Grail by Robert de Boron translated by Nigel Bryant (French)
Merlin's orchestral role in destiny? The Sword in the Stone? Christian Grail? Avalon? You can thank Robert de Boron for those motifs. It is among the first complete Arthurian cycles and establishes some of the most famous story elements ever introduced to the legends.
Every text I share from here is based on the foundations laid by the texts mentioned above. You'll begin to see references if not outright repetition as the texts build upon one another and establish what readers today come to expect from any and all Arthurian stories. Honorable mention to Perlesvaus which was also a big influence on the Lancelot-Grail cycle.
The Lancelot-Grail Reader compiled by Norris J. Lacy (French)
The Lancelot-Grail Cycle or the Vulgate Cycle combines all the previous iterations into one long story (divided into 10 books). The head editor Norris J. Lacy has a single volume version with select chapters from the full cycle which is more digestible and enjoyable for someone just starting out. I personally find the Vulgate cycle a very enjoyable read, much like an intricately written fantasy novel.
Parzival by Wolfram von Eschenbach translated by Edwin Zeydel (German)
As Chrétien died before he could finish Perceval: The Story of the Grail, many authors picked up the torch and wrote their own versions; this is one of the most famous and the subject of an Opera as well. It's very long and involved, there are many translations. I prefer it in verse and the attached version is abridged. If you want the full version unabridged, the translation by Jessie Weston is also in verse. For more information, here is The Arthur of the Germans edited by Silvia Ranawake and W. H. Jackson.
La Tavola Ritonda (Italian)
This is the only complete Tristan text in Italian and my personal favorite Tristan text ever. It also covers the full legend including the fall of Camelot after the death of Tristan. It's silly on main and very gruesome. A very fun read. For more information, here is The Arthur of the Italians edited by Gloria Allaire and F. Regina Psaki.
The Wedding of Sir Gawain and Dame Ragnell translated by David Breeden (English)
This is a Middle English poem translated into modern English, a short 30 page read in verse. It's likely inspired by Geoffrey Chaucer's The Wife of Bath's tale and popularized the loathly lady trope in Arthuriana. It's also my favorite. ;^)
Sir Gawain and the Green Knight translated by Burton Raffel (English)
Possibly one of the most famous Arthurian poems of all time. Beautifully written and an iconic story. I link the Burton Raffel version but Simon Armitage translation is very popular, he also has a little BBC documentary he hosts about the poem and the real world locations mentioned in it.
Le Morte d'Arthur by Sir Thomas Malory translated by Dorsey Armstong (English)
The very end of the Medieval texts before the pre-modern era. This is a condensed adaptation of the Post Vulgate, which is itself a condensed adaptation of the Vulgate. It's still going to be very long, and it's personally not a text I enjoy, but the vast majority of subsequent Arthuriana uses this as it's primary source do to wide availability and "completeness" of the story. For more information, here is The Arthur of the English edited by W. R. J. Barron.
HOWEVER! If you're not ready to dive into all these texts yet an want some sort of overview, I have other options or you. One option would be to listen to/watch Dr. Dorsey Armstrong's Great Course's lecture series all about Arthurian legend. Alternatively there's a number of encyclopedic books I can recommend and I have a huge folder of them for you to browse. It also includes some "companion" books to various texts with sprawling narratives that can explain various themes, motifs, historical references, and anything else influential in that text.
Lastly I have some pages on my blog you may like to browse including Character Deep Dives and Research Topics as well as Media Recommendations based on characters or themes (Grail Quest, Welsh Retellings, etc) which extends beyond Medieval literature to include all mediums including novels, comics, films, tv shows, video games, and more.
All of this can be found on my website The Arthurian Preservation Project. I post updates at @arthurianpreservationproject.
I know that's a lot but I hope it gives you some things to start with. Welcome to the community and take care! :^)
"In another life... I really would've liked just doing taxes and laundry with you"
-Arthur Pendragon, Excalibur 1981
I'M IN SO MUCH PAIN
merlin lowkey has no reason to be in arthur’s court like he’s kind of been co-opted over the centuries into some sort of advisor character but that is simply not what is going on 90% of the time. he just shapeshifts into different people and tells horrible prophecies and gets trapped in some rocks and dies. no motive no method. helps no one. purely there to cause problems. rest in peace to the least helpful person of all time
thinking about how teenage arthur tells teenage griflet he’s too young to be knighted and go fight pellinore even though they’re the same age and arthur is ruling a kingdom + has been in multiple wars at this point. which is very funny. and you may think oh he’s kind, he’s looking out for him, he’s seen the horrors of blood and violence at a young age and wants to spare griflet. okay. sure. but then we are forced to conclude that when teenage lancelot shows up to the table arthur just decides fuck him in particular
AITA for accidentally making my nephew an indentured servant?
okay so a few months ago a random kid (19M???) shows up to my brother’s (30M) house to crash for unspecified reasons. he tells my brother he’ll explain in a couple of months but just needs a place to stay until then. my brother is a little overly chill about this kind of stuff and was just like sure, whatever, he can stay he seems cool. but i (31M) was immediately skeptical of him being here at all, and also living in our house for free. it’s especially annoying because even though my brother owns the house I take care of everything. he has crazy hours trying to get his startup off the ground and I do all his financials so I’m busy enough without having to babysit some random stranger in our house.
obviously i put this guy to work. i made him do all the dishes and cooking etc because he wasn’t just going to freeload off us. basically if there was a chore i gave it to him. it always felt like he was trying to act better than us by saying things like “hey do you need anything else done? just let me know” and “I hope you have a good day at work today” and “I’m just happy to be here! thanks so much, I promise I’ll explain soon” and annoying stuff like that. i did call him some stuff i shouldn’t have and gave him a mean nickname because his vibe was just rancid idk. he had like weirdly elegant hands that i thought looked gross. my friend gavin (25M) who comes over a lot told me to chill out but it’s not like the guy was living in HIS house so I told him to shut up.
anyway one day when we had a few of our coworkers over for a beer some girl (20F???) shows up at our house crying and said she needs help but wouldn’t really say with what, just that she needed someone to go with her, which seemed sketchy. but this guy volunteers to go check it out and just disappears. they are gone for a week. he finally shows up back at our house, idk what hero’s quest he embarked on, but he rolls up in his car with the same girl from before, a different girl that he helped out of her toxic situationship and now is definitely hooking up with, and promptly reveals that he is my brother’s NEPHEW (???).
my brother is adopted and it’s his sister (44F) who is the guy’s mom. she is super mad at all of us and drove like four hours to our house to yell at us, accusing us of basically making her son into an indentured servant when she trusted us to take care of him as he was getting used to living in the area. obviously we had no idea. she never told us. long story short there’s been a lot of family drama over the years and neither me nor my brother knows his side of the family very well and the guy never TOLD us we were related so it’s not like we had anyway of knowing he was her kid. gavin didn’t even realize it was his brother!!!! (forgot to mention gavin is also my brother’s nephew). but now of course he’s pissed too. in my defense this guy didn’t even give us his real name and just showed up unannounced at our house, so I don’t know what he expected. he said he wanted to work for my brother but not be hired just because he was related, so he wanted to “earn his place” first. which I think frankly is a horrible reason to do all of this. but everyone is mad at me and I’m starting to wonder if this is all my fault.
AITA?
NTA
YTA
NAH
ESH
i love how in le morte tristan and iseult and co just show up as a weird adultery b plot in case you weren’t getting enough from lancelot and guinevere. except this one takes place in some weird mirror dimension of camelot where the courtly love stuff overall is the same but there are fun twists like tristan is getting poisoned by iseult’s mom and iseult attempting to murder one of her maids and she and tristan competing in deadly beauty contests and palomides is there with the questing beast for some reason. cornwall tabloids truly would have gone crazy
i think lancelot would read about them in the mornings with a cigarette
Doesn't Lancelot swear to kill Tristan when he hears Tristan left his affair and got married?
yes! i like to imagine him hearing the news somehow like this
I lowk love that they just make ANYONE a knight of the round table in the medieval material, like it’s claimed to be the highest honor and such a hard thing to do, like bro just duel with Gawain and you’re in.
You don't even have to win.
The thing about the King with the Hundred Knights is that no one is doing it like him. He's a traitor. He has prophetic visions. His real name changes in every text he's in. He's having an affair with a Queen except he's successful at it unlike some knights I could speak of. He shows up to tournaments only to lose every single time. Nothing regarding his hundred knights is ever explained. He's everything. He literally doesn't matter at all. I love him.
Hey you. Drop and give me 20 Arthurian women.
Elaine
Hi there. I'm working on a King Arthur project, and I can't really decide on my Mordred origin. I have a few different ideas, but I'm having trouble choosing which one. As one of Morgause's #1 shooters, I figured you might have some insight on this. Here are the different versions I've considered:
Morgause/Arthur (1) - Morgause older, conceived early in reign (no trickery, pre-Guinevere)
Morgause/Arthur (2) - Morgause closer in age to Arthur, moves some stuff later (Culhwch & Olwen, Gawain & Green Knight), conceived early in reign (see above)
Morgan/Arthur (1) - conceived early in reign (see above), abandoned by Uriens in one way or another, raised by Morgause and Lot
Morgan/Arthur (2) - trickery, can happen basically any time, abandoned by Uriens, raised by Morgause and Lot
Morgause/Lot - 'nuff said
I don't really want to combine Morgan and Morgause, but I kind of like the "Morgan taking Guinevere's form" angle simply because it evokes Uther and Ygrayne. But also I feel like if Morgan rapes Arthur, it removes redemption options for her. The Morgan angle also allows for a little more insight into her betrayal of Uriens if he does something shitty about the baby, but it feels kinda covoluted.
Thanks for any insight!
First things first, to dissect your inquiry, we have to understand why Mordred is Arthur's son in the first place. (Because he used to be a nephew before this particular change)
It is my belief that the reason why Mordred is made Arthur's son in literature - and why I detest "Evil (and Abusive) Morgause" trope and its sister trope, "Morgan le Fay as Mordred's mom" - is because Mordred as product of incest is ultimately about Arthur's actions and how that leads to his tragic fall and the destruction of Logres under the religious framework of the Medieval narratives.
Remember that Arthur is a divinely appointed king. Via the Sword in the Stone, Arthur enjoys the rulership of the kingdom through God's providence, as pointed out a couple of times in Vulgate Cycle. That incest with Morgause, especially in Vulgate, is how the Medieval writers justified that collapse of Arthur's realm under the watch of God through the loss of that mandate by his own personal sin, that being willing fornication with a married woman, that unbeknownst to him was actually his own sister.
This is why having Arthur be the victim of trickery or having Morgause/Morgan being evil to him through Mordred is antithetical to the purpose of Mordred being Arthur's son. Because doing so absolves Arthur of the moral responsibility of siring Mordred, which would leave the Fall of Logres an unjustified fate for Arthur. If Arthur didn't commit incest, then Logres wouldn't collapse and Arthur would be free to war against Lancelot indefinitely.
Mordred's incestuous birth also conveniently explains why he would even betray Arthur in the first place. In the medieval mind, his improper birth means he is morally deficient in some capacity, leading to a predilection for evil. This was a handy way for Medieval writers to give Mordred an understandable motive while avoid giving him a sympathetic characterization (because I imagine Medieval audiences wouldn't want to feel sorry for the final villain. Notice how there's little material on Mordred's personal adventures outside of a couple of adventures in Vulgate)
With that out of the way, here's my assessment:
Options #1 and #2 is the standard medieval romance tradition model. Not much to say since that's what I've expounded upon above. Although I do admit a preference for Arthur and Morgause to be full siblings instead of half-siblings.
Options #3 and #4 I would heavily discourage. Why would you need to have Morgan as Mordred's mother at all? Morgan already has Ywain (and potentially Morfydd) for a child, so you have potential complexities already installed into her character without involving Arthur or Mordred. If this is to rationalize Morgan's clash with Urien, then this is unnecessarily convoluted; there ought to be alternative ways to go about that feud without dragging Mordred into the mix.
The same goes for "Morgan disguises herself as Guinevere". Unless she was Uther's direct daughter (which would require a significant overhaul of the narrative), I feel you are attaching an inappropriate parallel with Uther to Morgan's character. And again, this idea absolves Arthur of culpability for the incest.
Option #5 is the stance of the Welsh and the Chronicle Tradition on Mordred. All of my comments before hinge on the presumption of adhering to the religious subtext of the Medieval sources. This would not apply if your project aims for a more secular/agnostic interpretation of the legends. In that case, there's little need for the incest approach. Mordred can remain Lot's son and his motives could be more grounded in politics and intrigue.
Oh this was me. I dunno why I hit anonymous on the ask thing.
Definitely leaning more towards 2 or 5 now. Mentioning the politics/intrigue angle has definitely piqued my interest.
Thanks for the help!
Oh hey. Hey, do you think Lancelot being raised by the Lady of the Lake is at all inspired by Achilles being the son of Thetis, a nereid? Or is it just an interesting coincidence that these two pinnacle fighting characters are linked to magical water ladies?
The Lady of the Lake (aka Nynyve aka Nimue aka Vivienne, which all come from the same name) literally marries a dude named Pelleas in Le Morte d'Arthur.
Also, there's some connection with Nimue and Modron (the Celtic goddess that is speculated to be the origin of Morgan), and if you follow that down to Morgan, Morgan has sisters named "Thitis", "Thiton", and/or "Thiten" in Vita Merlini.
And Lancelot has a ring that makes him invulnerable sometimes.
Beginner’s Guide to Medieval Arthuriana
Just starting out at a loss for where to begin?
Here’s a guide for introductory Medieval texts and informational resources ordered from most newbie friendly to complex. Guidebooks and encyclopedias are listed last.
All PDFs link to Google drive and can be found at @arthurianpreservationproject. This post will be updated as needed.
Pre-Existing Resources
Medieval Literature by Language
Retellings by Date
Films by Date
TV Shows by Date
Documentaries by Date
If this guide was helpful for you, please consider supporting me on Ko-Fi!
Updated: 20/Sept/2025
WAIT- if Le Morte De Arthur isn't the original thing to read first when beginning arthuriana, which one is🤔? since I've seen people complain about malory and some of his changes to characters such as lancey
I would recommend to you Geoffrey of Monmouth's Historia Regum Britanniae, the big pseudo-historical chronicle detailing the history of Britain and her rulers. Link to a Translation HERE.
More specifically, if you just want read only about King Arthur's reign, Books 9 to 11
You can also read Books 6 and Book 8, if you want the entire narrative to include the deeds of Uther, Merlin, Aurelius Ambrosius and Vortigern. Book 7 is this huge political prophecy Geoffrey wrote and really isn't relevant to the story.
You can read all of Historia if you want to, but the earlier books don't really factor into the Arthurian narrative, so skip onwards to Book 9 if want this to be shorter than Le Morte.
The reason I would recommend you Historia Regum Britanniae first is because:
Historia is the ground zero of the Arthuriana. This is where King Arthur and his story caught on with storytellers; there are other older stories and folktales but this where a large majority of the popular tradition unfolded from.
Arthur is the main character here. The spotlight is completely on him without other characters (coughLancelotcough) stealing the word count. So you'll get a hang of his initial character before later stories altered it.
It will give you the basic chronology of Arthur's reign in a simplified manner. You wont find the adventures of the knights like Gawain and Lancelot here - those are the later additions and reading Historia first will help in grasping the basic skeleton of Arthur's story and personal timeline.
It will allow you to spot all the later changes made to the story and characters when you start read the other works. It helps with analysing and comparing the stories and characters.
The English Translations (the ones that I can find online) of Historia are much easier to read than the Old, Medieval English of Le Morte.
Afterwards, you can go read the Romances of Chretien de Troyes (Erec and Enide, Cliges, Knight of the Cart, Knight of the Lion, Perceval and its Continuations) intermixed with whatever romance catches your eye (I recommend the welsh story Culhwch and Olwen). Chretien is pretty much the Father of the Romances and the inventor of nearly other important elements, like Sir Lancelot and the Grail Quest.
From here on, your set to read everything else in whatever manner you can choose, especially the Big Bad Monster-Truck-of-a-narrative called Vulgate Cycle.
**Note: Historia Regum Britanniae, as well as some of Chretien works recommended above, also have adaptations and variants that altered and introduced some elements not found in the original source. Famously, Roman de Brut, an adaptation of Historia by Robert Wace, introduced the iconic Round Table, which isn't found in Geoffrey's original.