I'm completely normal right now.

20, Birds are cool. I like to draw and obsess over fictional characters. Currently obsessed with Hatchetfield & Markiplier Cinematic Universe

[the-darklings]

𓈒 ˳ ˳ 𝐁𝐄𝐓𝐓𝐄𝐑 𝐁𝐎𝐁𝐁𝐘 𓈒 𝐏𝐀𝐑𝐓 4.

pairing: bobby franklin x f!reader x entity!bobby (bb) contents/warnings: graphic violence, blood, body horror, self-worth issues, internalised blame/anger suppression, mentions of past emotional neglect in relationship. notes: This part got very long so if there's crustiness I'm sorry, but this one is vvv important for overall plot and setting up future stuff. Genuinely thank you SO much for the insane amount of warmth and support on the series so far!

📹 better bobby series masterlist.

You wake up still pressed into his chest.

For a moment, you don't remember why, and then you do. All at once. The grin in the dark, the teeth, the wet, tearing sounds. Your whole body tightens. Better Bobby's hand is already on your back, moving up and down your spine, languid and unhurried, like he's been doing it for hours. Maybe he has. 

You don't know how long you were out. Sleep here isn't sleep the way you understand it. It's more like your body surrenders to exhaustion while the yellow hum rocks you under, and when you surface, it's never with the feeling of having rested. Just the feeling of having stopped.

You pull back. Slightly. Just enough to see his face.

He lets you. His hand stills on your back but doesn't lift. He watches you with those pale eyes. They’re Bobby's eyes. Exactly Bobby's, the same shade, the same lashes, the same way they catch light and hold it. His expression remains open and patient under your scrutiny, and he doesn't fill the silence. He just waits. Let's you look at him. 

You've never studied him this closely before. You've been careful not to. Because looking too hard at Better Bobby means seeing the places where the seams should be and aren't. Confronting how good the copy is, how flawless. The earring sits in his lobe at the exact same angle, and the chain drapes across his collarbone with the exact same weight. 

Even the small scar on his jaw from when real Bobby walked into a cabinet door at nineteen is right there, a perfect replica of a wound that happened to someone else's body.

You sit up. Put distance between your body and his. Not much—a foot, maybe less—but enough that the air between you becomes a boundary instead of a shared warmth, and you see him register it. The slight tension at the corner of his mouth. The way his hand hovers where your back was and then settles, open-palmed, on the blanket beside him. 

He doesn't chase you. He lets you keep your distance. 

“Are you afraid of me?” he asks.

His voice is soft. Bobby's voice is never careful, not even this version, but soft, like someone asking a question they're not sure they want the answer to.

You don't answer that. Instead, you say, “Are you going to hurt me?”

He blinks.

“The way you hurt that thing.” Your voice is steadier than you expected. Flat, almost. The flatness of a person who’s run out of room for new fear and is now operating from somewhere clinical. Survival-practical. “Whatever it was. The sounds it made. The sounds you made.”

There’s movement behind his eyes. He doesn’t flinch, but you spot a shift, a recalibration, like a camera adjusting focus. He remembers what you heard. That low rumbling from his chest that didn't belong in any throat shaped like a human's.

“No,” he says. Immediate. No hesitation, no pause to consider. The word comes out of him with absolute certainty, like a reflex. “No. Never.”

You watch him closely. He looks back at you. The fluorescent light buzzes overhead, casting that flat, shadowless yellow across everything. Better Bobby's face is open and sincere, but you don't believe him. Not completely. Not after what you heard through your closed eyelids. The shrieking and the wet dragging sound and the silence after, the horrible, total silence. The way he'd come back to you without a drop of anything on him. Like unmaking something in the dark was a minor errand.

And not after Bobby. Not after learning what it looks like when someone says I would never and means it and does it anyway. With the slow, grinding, erosive negligence of a man who might have loved you once but still started disappearing while standing right next to you. 

Bobby never hit you. Never raised his voice in a way that carried a threat. Not once. Bobby simply stopped. Stopped seeing you, stopped hearing you, stopped reaching for you in the morning, and the absence was its own kind of violence, bloodless and total.

Now you're in a yellow hallway with a thing wearing his face telling you never with the same mouth and you cannot—you cannot—take that word at face value. Not from that face. Not anymore.

And he sees it. The disbelief. He reads it on your face the way real Bobby used to read light through a viewfinder. With instinctive precision, without needing to be told what he's seeing.

Better Bobby reaches out. Tips your chin up with one knuckle. Gentle. So gentle. Guiding your face back to his when you'd started to drift, to look away, to find a spot on the yellow wall that was easier to stare at than his eyes.

“Why do you think I chose this face?”

He says this face with an edge to his voice. Not quite contempt, not quite amusement. But snide. A little sharp. The closest thing to edge you've ever heard from Better Bobby. This brief flash of awareness that the face he's wearing belongs to someone else. Someone who wasted it, and he knows it, and he wears it anyway because—

You're silent.

Better Bobby smiles. Gentle. The sharpness folds back into warmth the way a blade folds back into a handle.

“I heard you,” he says quietly.

Your breath catches.

“From the other side. Through the wall.” He says it simply, his thumb working carefully over the dip of your chin. “He used to come to the store. Bobby. In the beginning. Before you worked the night shifts alone. He'd come hang out, and you'd be downstairs together, and I could hear you. Both of you. I could hear what it sounded like when he was still—” He pauses, expression twisting. You see him choose and settle on his next words. “When he was still trying.”

The lights flicker. Once. Settle again.

“And then he stopped coming. And you were alone down there. And I could hear that too.”

Your chest goes tight.

“You used to talk,” Better Bobby goes gently, watching your face. “Not to anyone. Not on the phone. Just—out loud. To the room. To yourself. To him, even though he wasn't there. Do you remember?” His thumb traces your jawline, feather-light. “You'd say things like he doesn't listen anymore. And he didn't kiss me goodbye again today, that's the third day in a row, am I keeping count now? Is that what I'm doing? Keeping count?”

Your eyes burn, blurring his familiar features. 

“And I don't think he sees me. I'm standing right in front of him, and he's looking through me like I'm furniture. Like I'm one of Clark's display pieces. Something you walk around.”

“Stop,” you whisper.

He doesn't stop, but his voice goes softer. Almost tender.

“You were so lonely.” He says it like it's the saddest thing he's ever learned, and maybe it is. Maybe loneliness sounds different from the other side of a wall. Rawer, louder, the way a voice sounds in an empty room because there's nothing else to absorb it. “And so sad. And so angry, baby—”

You flinch because you don't—you weren't angry. You were hurt. That's a smaller, quieter, more acceptable thing than anger.

Because anger would mean admitting that what Bobby did wasn't just a failure of attention but a choice. Night after night after night, a man choosing the path of least resistance over the person lying next to him, and if you let yourself be angry about that, then the whole careful belief of maybe it's me, maybe I'm asking for too much, maybe love is supposed to feel like this after a while collapses, and what's underneath it is—

“—you were so angry, and you didn't even let yourself feel it. You said it like it was your fault. Like if you could just be more interesting or prettier or less needy, he'd—”

Hot, liquid feeling surges up from your chest to your throat. “Stop.”

He stops. But his eyes don't leave yours, and in them you can see that he knows. He heard it all, you realise. Every whispered self-indictment, every quiet renegotiation of your own worth to accommodate Bobby's shrinking attention.

He heard the thing underneath it too, the thing you buried so deep you forgot it was there. 

The rage. The white-hot, screaming, incandescent fury of a woman who gave everything to a man who couldn't be bothered to look up from a television screen, who turned your love into background noise and let you stand in doorways wondering if you were still visible. 

You buried it because anger felt like giving up. Because if you were angry, it meant something was wrong, and if something was wrong, it could be over. If it was over, then you'd given your whole heart to someone who let it sit on a shelf and gather dust, and that was unbearable. So you turned the anger inward instead, folded it into self-doubt, and let it eat you rather than the situation, because at least that way the situation could still be saved.

Better Bobby heard you bury it. He heard the burial, and he heard the body underneath it, and he's looking at you now with something that isn't pity or judgment. Isn't the performative concern that Bobby used to deploy in those final months when he bothered to notice you were hurting at all. That tight-jawed what's wrong that really meant please don't make me deal with this. 

This is something else. Recognition. The look of a thing that knows what it sounds like when someone swallows their own rage until it poisons them. Until it makes them abandon everything they once knew for a world of yellow, buzzing lights and monsters in the dark. 

“It wasn't you,” he says, his hand cupping your cheek. His palm is cool, his fingers curving, and he holds you there. There’s no force, no hard grip, he’s just holding. Cradling. The way you'd hold something you found in the dark that was shaking. “It was never you. You could've been perfect. You were perfect. And he still would've pulled away because that's what he does. That's how he's built. He gets close, and it scares him. So he retreats, and that's his malfunction, not yours.”

It’s then you start crying.

Not like earlier. After the attack. That was shock, adrenaline, your nervous system shorting out. 

This is different. This is slow and terrible, coming from somewhere so deep you didn't know the room existed. 

It's the crying you should've done months ago, in the apartment in Santa Clara, on the nights when Bobby was asleep three feet away, and you were staring at the ceiling, wondering when you became the kind of woman who measures love in absences. He didn't kiss me today. He didn't ask about my day. He didn't look up. Keeping count. Tallying the deficit. The anger you didn't let yourself feel and the grief you couldn't afford mixed with the loneliness you absorbed like radiation, quietly, invisibly, until it changed the composition of your bones.

Better Bobby pulls you in when the first sob breaks. Slow and careful, his arms folding around you, and your face presses into his chest.

He holds you while you shake apart. His hand moves on your back, but there's more uncertainty in it now. He pauses at your shoulder blade. Adjusts. Resettles his palm. Like he's figuring out the right pressure in real time. Learning the weight of comfort.

His chin rests on top of your head, and you can feel the slight furrow of his brow against your hair, the way his body is holding very still around the motion of his hand. He’s noting each shudder, each ragged breath, trying to understand the mechanics of this. What crying is. What it means. Why your body does it and what it needs from his.

“I love him,” you choke out. Waterlogged. Muffled against his chest. “I love him so much. And he just—he stopped. He just stopped, and I keep thinking if I'd done something different, if I'd been—”

“No.” Firm the way a hand on your shoulder is firm when you're about to step into traffic. “Don't do that.”

“—if I'd been less”—”

“No.”

His arms tighten around you. You feel his jaw clench against the top of your head, a brief flash of what might be anger.

At the sentence, at the shape of the thought, the idea that you would carve yourself smaller to fit inside Bobby's shrinking attention span. His hand on your back goes still and then resumes, slower, like he's reminding himself to be gentle.

“You did nothing wrong,” he says into your hair. “You loved someone. You loved them well. And they couldn't hold it. That's not a flaw in the love. That's a flaw in the hands.”

You cry until there's nothing left. Until you're just breathing, wet and ragged, against his chest. The sobs eventually thin to hiccups, then to shudders, finally settling into a deep, wrung-out stillness, the exhaustion that comes after. 

Better Bobby holds you through all of it. Doesn't shift. Doesn't pull back. Doesn't ask if you're okay, which is a kindness in itself because the answer is obviously no and being asked to say it out loud would be one more weight.

When you finally pull back, your face is swollen, and your eyes are raw. Better Bobby looks at you with an expression you've never seen on Bobby's face. Open and bewildered, creased with tenderness in a way that seems to be happening to him without his permission. Like he reached for the right emotion, grabbed something bigger than he expected.

He touches your face. Thumbs the tears off your cheekbone, one side and then the other, careful, methodical. His brow furrows. Curious. The furrow of a thing encountering a phenomenon for the first time and finding it far more complex than anticipated.

“Sad,” he murmurs. Almost to himself. Almost wonderingly.

You sit together in the yellow light for a long time. The hum fills the silence.

Then you reach out and touch his face.

Your fingertips on his cheekbone. Tracing the line of his jaw. The scar from the cabinet door. The corner of his mouth where real Bobby's grin always starts, one side before the other, that lopsided asymmetry that used to make your heart stutter.

Better Bobby goes still.

Then he hums. Low in his throat. Warm. A sound that starts in his chest and travels up through all of him like a vibration through a struck bell. His eyes close. His head tips into your palm like a cat pressing into a hand, like he's been waiting for this, this specific thing, your skin on his skin, voluntary and gentle, initiated by you.

The difference matters; it matters enormously, you can tell by the way his breath changes, goes uneven, almost delicate. 

His lips part, just slightly, lashes fluttering against your thumb.

“That feels good,” he whispers huskily. And then, quieter, with a note of genuine wonder, “How odd.”

You watch him lean into your hand, and the expression on his face is unguarded in a way that makes your chest ache. Bobby's face, but not Bobby's expression. It could never be Bobby's expression, you realise suddenly, because Bobby would've turned it into a joke by now, would've kissed your palm or made a quip or done something to break the sincerity before it got too heavy. 

Your hand stills on his cheek. He opens his eyes. Looks at you.

“I need you to make me a promise,” you say.

There’s another ripple in his expression. The tilt of his head. That almost animal curiosity, the slight cock to one side that doesn't quite track as human body language. “A promise?”

“Yes.”

He studies you. Processing. “What is a promise?”

The question is genuine. Not rhetorical, not evasive. He's looking at you the way he looked at your tears. With concentration, focus, and a desire to understand. You can almost see the gap between knowing the word and understanding the weight, and he's standing at the edge of it, waiting for you to build the bridge.

“It's—it's a commitment. Something you say that you can't take back. Something you keep even when it's hard. Even when you don't want to. Even when circumstances change.” You swallow thickly. “When you make a promise, you don't break it. That's the whole point. It's the one thing that's supposed to be unbreakable.”

Better Bobby is quiet. Considering. His eyes move across your face in that precise, reading way.

“I understand,” he says carefully, solemnly. Like he's holding the concept in his hands and turning it to see all sides. “An oath. A contract between two beings that supersedes circumstance.”

You blink. “Something like that.”

He angles his face closer, attention fixed and unblinking on you. “Then ask.”

You drag your eyes over his face. Bobby's face, Bobby's eyes, Bobby's scar. The face of a man who loved you and couldn't say it and showed it by looking away until you forgot what it felt like to be seen. The face of a thing that isn't that man and chose to wear him anyway because it heard you through a wall and wanted to be the version that stayed.

“Promise me… you won't hurt me,” you say quietly. “Not the way he did.”

The words hang in the yellow air. The hum shifts. Not louder, but denser somehow, as if the walls themselves are listening, as if the promise is being registered by something larger than the two of you.

Better Bobby's expression changes. Curiosity dissolves. What replaces it is— 

You don't have a word for it. Not solemnity, a gravity older than language. It rises from the part of him that isn't Bobby: the vast and ancient thing beneath the boy’s face. The part of him that understands what you are asking is not a small thing. That the promise you want is, for a being like him, a kind of architecture. A structure that, once built, holds.

“I promise,” he says. No hesitation, no charm, no Bobby-grin to soften the weight of it. Just the words, low and clear, carrying the same absolute certainty as his no earlier. A reflex, a law carved into whatever he is at a level deeper than the face, deeper than the voice. “I will not hurt you. Not the way he did. Not any way.”

His hand covers yours on his cheek. Presses it there. Holds it.

“I don't know how to break a promise,” he tells you, quieter now. “But I think that's the point.”

You nod, unable to speak. Your hand is on his face, cool to the touch, and his hand is on your hand. You watch each other for a long time, unwilling to move first.

He breaks the stalemate first, taking your hand into his.

“Come with me,” he urges with that restrained excitement in his eyes, barely contained behind Bobby's careful coolness. Something almost boyish in its sincerity. “Somewhere that's not yellow.”

You look at his hand, using your other to wipe the tear tracks off your face. “Is it safe?”

And then it returns. 

Not the gentle Better Bobby who strokes your hair and says I've got you. The other one. It surfaces behind his eyes like a shape moving under dark water. Vast, amused, ancient. His chin dips slightly. His mouth curves.

And for a half-second, the thing looking out at you from Bobby's face is not performing warmth or mimicking tenderness. It's something that has walked these hallways since the beginning. Something that heard you through a wall and chose to want you rather than simply take you, and the distinction between those two things is the only reason you're still breathing.

“Baby,” he drawls, and his voice is Bobby's, but the tone is deeper, older. “I am what's safe here.”

It lasts a second. Less. Then he blinks and the ancient thing submerges and Better Bobby is back, warm-eyed and easy-mouthed, holding his hand out to you in the yellow light like nothing happened.

“Come on,” he says, lighter now. Normal. That crooked half-grin back. “Trust me.”

You take his hand, and he pulls you up.

He leads you through the hallways. Different route this time. Sharper turns, narrower corridors, and Better Bobby moves through them with liquid confidence, his hand secure around yours, his pace unhurried. You pass through a section where the carpet gives way to tile, and the tile gives way to something that feels like packed earth beneath your feet. 

The walls shift from yellow to grey, and you tense, your grip tightening, and he squeezes back. Once. Reassuring.

Then the hallway opens.

You stop.

It takes your brain a moment. Several moments. Because what you're looking at doesn't belong here, can't belong here, is fundamentally incompatible with everything you've experienced in this place so far, and yet here it is: sky. Actual sky. 

Not blue exactly, but deeper and richer. The colour of late afternoon, easing toward evening, a gradient of gold and amber, close to violet at the edges. And beneath it, trees. Dense, old-growth, the kind of towering canopy you'd find in the Santa Cruz Mountains, all ferns and filtered light and the rich, complex smell of living earth. A path winds through them, beaten dirt, dappled with sun. 

You can feel it on your face. Not quite the real sun of your world, but it’s not fluorescent. 

You stand in the threshold between the hallway and the forest, and you don't breathe because if you breathe or blink, it might disappear.

“Level 14,” Better Bobby announces behind you casually, tracking your reaction. “Some people call it Paradise.”

“How—”

“Doors.” He shrugs. “Everything here has doors. Entrances and exits. You just have to know where they are.”

You step forward. Grass. Real grass, or something so close you can't tell the difference, and the sensation is so overwhelmingly normal after the carpet and concrete and yellow that your eyes fill again, and you press your hand over your mouth.

Better Bobby steps up beside you. He's watching the trees with that curious expression, head slightly tilted, but underneath it, there’s satisfaction. Quiet pride. He found this, and he brought you here because you were crying on the floor, and he didn't know what else to do except find you somewhere beautiful.

You grab his hand.

Hard, sudden, fingers lacing through his, knuckles blanching. Because there are trees and you don't trust anything that looks like the real world, because the real world abandoned you.

Better Bobby looks down at your joined hands, and his lips part. That smile appears again. The new one, the one still taking shape on features designed for smirking, learning in real time how to hold something softer. Slow. Almost shy.

He doesn't comment. Doesn't tease. Just holds your hand back and starts walking.

“It's safe here,” he tells you, feeling the tension in your grip, the coiled readiness. “This level is safe. Nothing hunts here.”

“You said the yellow—Level 0 was safe.”

“Level 0 is my territory. Things occasionally wander in.” He says my territory without emphasis, but the words land heavily anyway, carrying the weight of what you saw behind his eyes a few minutes ago, the brief flash of the creature that owns these hallways. “Here—” He gestures with his free hand. The amber light moves across his skin, and he looks different in it, softer. More like Bobby at golden hour on the fire escape back home, and the resemblance hits you like a fist. “Nothing wanders. Nothing wants to wander. It's peaceful. Even the things that live here are gentle.”

You walk. He leads you deeper, and the canopy closes overhead like a ceiling, green and gold, light falling in shafts through the leaves and landing in warm patches on the path. You hear birdsong. Birdsong. You haven't heard birdsong in… you don't know how long. The sound cracks something open in your chest that you thought had scarred over.

Your grip on his hand loosens. Slightly.

The path winds along a stream. Clear water over smooth stones, the sound of it gentle. Nothing like the dripping in the pipes on Level 2. Simply water moving over rocks because gravity says so. 

The path opens into a clearing. Tall grass. A meadow ringed by trees, the canopy breaking to reveal that impossible sky, and in the centre a fallen log covered in moss, the kind of thing you'd find on a trail in Big Basin or Castle Rock. The kind of thing you and Bobby used to perch on when you went hiking in the early days and kiss until your mouths went numb.

Better Bobby guides you to the log. You sit. He sits beside you. Hands still joined.

A bird—small, brown, ordinary—lands on a branch above you and turns its head and looks at you with one bright black eye, and you stare back at it, your chin trembling. Because it's a bird, just a bird, and you'd forgotten how much of the world you were missing.

“I didn't think this place could be beautiful,” you say quietly, looking at the amber light filtering through the canopy, the way it falls on the tall grass in warm pools. “I thought it was just… yellow. And carpet. And things with teeth.”

“Most of it is,” Better Bobby replies honestly. Not sugar-coating it.”But most of anywhere is. The trap of this place, if you can consider it one, is that you’d never want to leave. How could you? When everywhere else there’s death.”

“This is different.”

“Why?”

“Because it shouldn't exist. Because this whole place is wrong. It's not supposed to be here. None of it. And somewhere inside all that wrongness, there's this—” You gesture at the meadow, the sky, the bird, the stream. “It doesn't make sense.”

Better Bobby is quiet for a moment. Watching you the way he does—full attention, total focus, the listening that feels less like politeness and more like study.

“Maybe that’s exactly why it exists,” he says. “Maybe it was built by mistake. Or maybe it exists because nothing is ever just one thing.”

You turn to look at him. He's sitting beside you in amber light with his earring catching gold instead of fluorescent. And his face is Bobby's face, but the expression on it is something Bobby hasn’t worn in a long time, if ever. Patient, present, content with simply being here without reaching for a camera, without filtering the moment through a lens, or needing a barrier between himself and the thing he's looking at.

“I don't want to call you Bobby anymore.”

He goes still.

The uncertain one. A brief, visible tension through his shoulders, his jaw, the hand holding yours tightening by a fraction. His eyes flick to your face, and the light in them is guarded in a way you haven't seen from him before. Wary. Like you've touched something unexpectedly tender and he's bracing for what comes next.

You see the calculation, the quick processing, and you understand. He thinks this is the beginning of something else. A rejection. A pulling away. You're not Bobby, you'll never be Bobby, and I don't want the reminder. He's already building the wall behind his face, that smooth, easy mask he can slip back into, the charming nonchalance to protect himself. 

“You're not him,” you go on quickly. Before the wall finishes closing. “That's—that's the point. You're not him. You're something else. And it feels wrong to call you by another person's name when you're your own—” You fumble. Gesture at him, at the clearing, at everything. “Your own being. Your own person. Or—whatever you are. Whatever the word is. Entity?”

His jaw loosens, shoulders dropping a fraction. The wall stops building.

“What would you call me?” he asks quietly. Like the answer matters more than he wants to show.

“Maybe… BB?” You say it, and it feels right. Simple. Still him, still connected, but his. Not borrowed. Not a copy of a copy. “If that's okay?”

He's quiet for a long moment, simply gazing at you. The light shimmers on his face, and his expression shifts through layers. The careful architecture of Better Bobby rearranging itself around this new information, this small, enormous thing you've just given him. A name. His own name. Not the one he stole. The one you chose.

You lean your head against his shoulder lightly.

You can feel it through the contact between you, through the place where your temple rests against his shoulder. Something in him settles. Deepens. A satisfaction so total it's almost palpable, like a beam slotting into place.

He likes it. Being seen as separate, being known as his own being. Not the understudy, not a replacement, not the better version of someone else, but simply a version of himself. You can feel how much he likes it in the way his thumb resumes its slow circuit over your knuckles, in the way his head tips to rest on yours, in the breath he lets out that sounds like it's been held for centuries.

“BB,” he repeats, testing it. His voice comes in a low, warm rumble. Bobby's timbre with something deeper underneath, and the two letters sit in the balmy air, small and perfect.

“Yeah,” you breathe. “BB.” A beat, then, “Thank you. For hearing me.”

A hum starts low in his chest, a thrum you feel before you hear it. It travels the length of his arm to where his fingers are laced through yours. He squeezes once, and when he speaks again, the easy charm has drained out of his voice, leaving it quieter, almost reticent.

“I was lonely too,” he admits.

Your heart squeezes, quick and helpless.

You sit together for a long, long time, the light pooling thick and lazy around you. And for the first time since you fell through the wall, what settles in your chest isn't fear, isn't confusion, and not grief.

It's peace.

The walk back is different.

BB leads you through the same threshold, and the yellow returns, followed by the buzz that resettles on your skin like a coat you forgot you were wearing. But something in you has shifted. Loosened. The meadow is still sitting inside your chest, warm and quiet. You carry it back into Level 0 the way you'd carry a cupped handful of water.

And you're talking.

Actually talking. Not the halting, guarded exchanges of the past weeks. Or the questions that go in circles, the silences that stretch like hallways.

You're talking, and BB is listening. Somewhere between the threshold and the familiar territory of your room, you say something about Clark—about the time Clark tried to assemble a display bookshelf himself and got the shelves in upside down, and you'd had to redo the entire thing at midnight while Clark stood behind you insisting it looked fine—and BB laughs.

It's a good laugh. It's Bobby's laugh. Low, surprised, that huff through the nose that real Bobby does when something catches him off guard, and it makes you smile. Actually smile. Your cheeks ache with it. 

You can't remember the last time your face did that.

“He sounds like an idiot,” BB remarks, grinning. That cocky half-grin, the one that crinkles one eye.

“He's not—okay, he's a little bit of an idiot. But he means well. He’s just going through a rough patch right now. He doesn't know how to—”

“Accept help?”

“I was going to say read an instruction manual.”

BB snorts. “Same thing.” 

He bumps your shoulder with his. Easy. Playful. And you bump him back, and the normalcy of it—the sheer, stupid, ordinary normalcy of walking and talking and bumping shoulders with someone—is so sweet it makes your throat tight with a different kind of ache. An emotion closer to joy, which is worse because joy in a place like this is borrowed. 

“You know,” you begin, squinting at him, “for a—” You stop, gesturing vaguely at him. “You're not bad company.”

“Not bad company.” He puts his hand over his chest. Bobby's mock-wounded face, the one real Bobby used to pull when you beat him at cards. “I'm overcome with emotion.”

“Shut up.”

“No, no, I'm serious. I'm going to treasure this moment. Not bad company. I'm getting that tattooed.”

“Can you even get a tattoo?”

His mouth hooks into that infuriating half-smirk that unfailingly warmed your blood for years, “Baby, I can do whatever I—”

He stops.

Mid-word. Mid-stride. His body goes rigid so fast it's like watching someone get hit with a current. Every muscle locking at once, his hand tightening on yours hard enough to hurt. His head turns. Not the way a person turns their head. The way a thing turns. Too sharp, too angular, his chin cocking to one side at a degree that doesn't belong on a human neck with a faint click. His eyes go flat and dark, and the creature behind them surges to the surface, breaching deep water.

You suck in a breath, eyes snapping around you, searching. “BB?”

He doesn't answer. He's listening. Every line of his body orients toward something you can't hear, his nostrils flaring slightly, and the hum in the walls shifts tone. Barely. A semitone. Like the whole level just inhaled.

“BB, what—”

He moves.

He doesn't explain. His hand releases yours and both of his are on your shoulders, turning you, walking you. Fast, with an urgency you haven't seen from him before, not even with the strange thing in the hallway. His jaw is set, eyes scanning the corridor with a focus that's mechanical, inhuman, processing information from sources you can't perceive.

“Please talk to me—”

“Shh.”

It’s not BB's voice. But an older rumble. Something that's done calculating, moved on to acting, and doesn't have the bandwidth for warmth right now.

He takes you to your room. The warm nest. The blankets. He guides you down with one hand on the back of your head, the way you'd ease someone into a car, pulling the blankets around you, and you grab his wrist because his eyes are wrong. They're flat, black, and old.

The thing in the hallway, whatever it is, has made him become the thing he was in the dark with the Smiler, and that version of BB is a version you can't reach.

“Stay here,” he instructs sternly. His voice is low and tight, thrumming with that sub-frequency that vibrates in the walls. “Don't move. Don't make a sound.”

“What's happening? What's—”

“Stay.”

He looks at you. One second. A flash of the warmth—buried deep, almost submerged, but there, still—and then his expression closes like a door slamming. BB straightens and turns toward the hallway.

You blink, and he's gone.

Just gone. Between one blink and the next, the space where BB stood is empty. The air where his body was is settling, displaced, like water closing over the place where a stone sank. 

The hum holds its earlier shifted note. That slightly wrong semitone, tense and high, like a held breath.

You sit in the blankets with your knees pulled to your chest, heart in your throat, and stare at the empty doorway and beyond it, listening intently.

Nothing. No tearing. No shrieking. No sounds at all. Just the hum and the buzz and your own breathing and the silence so total it frightens you more. 

You wait.

The meadow is still inside you: the bird, the stream, the warm light, the way BB laughed when you told him about Clark's bookshelf. The stupid, gentle joke about the tattoo, the way his shoulder bumped yours, and you bumped him back, and for thirty seconds, you forgot where you were and what he was, and the whole impossible situation felt like a walk home from somewhere good with someone you liked.

You press your face into your knees. You wrap your arms around yourself.

You wait.

BB comes back eventually.

You don't know how long it's been. Time in the Backrooms is a broken clock. Sometimes the minutes stretch into hours; sometimes what feels like an afternoon is over before a thought can finish forming. 

You've been sitting in the blankets, knees to chest, listening to the hum slowly, slowly settle back to its normal pitch, the tension of Level 0 releasing one degree at a time. You didn't sleep. You didn't move. You just sat and breathed, holding the meadow inside you like a candle flame in cupped hands.

You hear him before you see him. Footsteps. Slow. The particular rhythm of his walk. Bobby's gait, but smoother, more intentional, the way a predator moves even when it's not hunting. Then his shape appears in the doorway.

Something's off.

He's standing the way he always stands—one shoulder against the doorframe, hip cocked, that easy lean—but the details are wrong. Slightly. His edges are too sharp. The line of his jaw looks as if it were drawn rather than grown. His skin has a quality to it, like wet paint, freshly applied. And his eyes.

BB’s eyes are settling. That's the only word for it. The flat, black depth that swallowed the warmth when he left is receding, draining away, and Bobby's eyes are rising to the surface again. You watch it happen. You watch him reassemble himself.

He was something else, you realise. Whatever he went to do, wherever he did while away, he dropped Bobby's face to do it. And what you're looking at now, standing in the doorway, is the process of putting it back on. Climbing back inside the shape of a person. Buttoning up the human suit.

“BB.”

He blinks. The last of the darkness drains from his eyes. He looks at you, and the warmth returns. In layers, like watching a photograph develop, his shoulders relaxing at the sight of you. The too-sharp lines of his face soften into the Bobby you know, and his mouth does that almost-smile, the one that says I'm here without words.

“Hey, baby.”

“What happened?”

Not a question. A demand. You say it flat and steady, holding his gaze, and you don't let him do the easy-grin deflection, the don't worry about it. You've had enough of that for one lifetime. You made him promise.

BB reads it on your face. The refusal to be contained.

He exhales through his nose—Bobby's habit, the one that means I don't want to talk about this, but I'm going to—and pushes off the doorframe and comes to sit beside you on the blankets. Close. His knee touches yours.

“There's something new,” he says after a pause. “In the Backrooms. Something I haven't encountered before.”

You stare. “An… entity?”

“Yes.” He turns the word over like he's not sure it's sufficient. “It’s been… circling. Mainly the perimeter of Level 0. Not entering. Not yet anyway. Just... moving along the edge. Testing it.” His jaw works. That muscle at the hinge, the one that flexes when Bobby's thinking, when Bobby's holding something back. “It's been doing it intermittently. Coming close, then retreating. Like it's taking measurements.”

A shiver skitters down your spine. “What does it want?”

“I don't know.” And you understand that BB doesn't say I don't know often or easily. BB is the thing that knows this place, that moves through it like blood through a vein, that owns Level 0. Admitting ignorance is not in his nature. It sits wrong on his face, like a shirt buttoned crooked. “It's different from the others. Not like the Smiler. Not like the Howlers, either. Not like anything in my experience. It's very new.” A tense pause, then, “And very, very powerful.”

The way he says powerful makes the hum in the walls dip. Just for a second. A brief, almost subliminal drop in frequency, as if Level 0 itself heard the word and flinched.

You stare at him, your heart thrumming in your chest. Bobby's face, creased with a concern that doesn't quite fit the cocky architecture of it. BB in a rare moment of honesty about his own limits. Something new, he said. Something powerful. Something that makes a thing that unmade another entity with its bare hands sit next to you on a pile of blankets and admit it doesn't have an answer.

You exhale, turning to stare at the yellow wall instead. 

“I want you to teach me,” you tell him after a moment.

His head turns. The dog-tilt. Quick, surprised.

You look back towards him. “About this place. The levels. The entities. The doors, the rules, whatever—I want to understand it. I don't want to just—” You gesture at the blankets, the room, the warm patch you've been sleeping in for however long you've been here. “I don't want to be something you put in a nest and guard. I want to know what's out there. How to move through it. I don't want to be helpless whenever you leave.”

BB studies you. That long, reading look, line by line, extracting meaning. You expect resistance. Protectiveness. The instinct to keep you in the soft, warm place where nothing can touch you, where he can fold himself around you like armour and pretend the world ends at the walls of this room.

Instead, slowly, he nods.

“There are rules,” he insists. The caution is audible. Measured, considered, a thing that’s used to absolute control, negotiating the edges of a concession. “I go with you. Always. You don't wander alone. Not until you understand enough.”

“Okay.”

“And there are levels I won't take you to. Places where my presence doesn't offer the protection it does on 0. Places where—” He pauses, choosing his words the way you'd choose a path through uneven ground. “Places where going would be… foolish.”

“Okay. Deal.”

You watch him watch you, just like earlier in the sunlight. “Okay,” he says eventually. “I'll teach you.”

Time passes.

You don't know how much. The Backrooms don't have seasons, don't have sunrise and sunset. No reliable Monday into Tuesday into Wednesday that structures a life on the other side of the wall. What you have is rhythm—the rhythm of sleep and waking, of walking and resting, of BB's hand on yours as he leads you through doorways you're learning to see.

You miss the real world.

It hits you at strange moments. 

Not when you'd expect, not during the long stretches of yellow or the nights when the hum shifts pitch and BB goes rigid and watchful beside you. It hits you in the quiet. In the nothing moments.

You'll be sitting in the nest sketching a corridor layout, and the pen will skip, and you'll shake it the way you used to shake the pens at Clark's register. And the muscle memory will drag the whole world through. 

The smell of the showroom, lemon polish and particleboard, the radio playing low from the boombox behind the counter, the particular quality of California dusk through the front windows when the strip mall parking lot emptied out.

The apartment. The couch. The sound of Bobby's camera clicking in the other room.

You miss rain. Not Level 14 rain, or drizzle of the Poolrooms. Actual rain, East Bay winter rain, the kind that hammered the apartment windows and turned the parking lot at Clark's into a shallow lake and made Bobby curse because he'd left the car windows cracked again.

You miss the smell of wet asphalt. You even miss traffic. The dull boredom of a slow Tuesday shift with no customers, leaning on the counter with a magazine, watching the clock crawl toward closing.

You miss cereal. The specific crunch of it, dry, eaten by the handful out of the box at midnight because you were too tired to make real food after a close. You miss the weight of your own blankets on your bed, not the gathered nest-pile BB assembled for you. You miss the answering machine clicking on. You miss the phone ringing at all.

You think about going back.

Not the way you thought about it in the first weeks. That was rantic, clawing, animal desperation to find the wall you fell through and push back to the other side. That's burned out. What's left is quieter. More deliberate. A slow, circular calculation that runs in the background of your brain like a programme you can't close: Is there a way? If BB knows the doors, if the doors go between levels, if levels connect to each other in ways that don't follow geometry, could one of them connect back? Could there be a threshold that opens onto Clark's storage basement, onto the real world?

You don't ask BB. Because the calculation always stalls at the same place, the same, indestructible wall. 

The wall in your chest. The one built from the last six months of your life in Santa Clara, from every unanswered question and unfinished sentence and cold sheet and blue TV light and grunt. 

The wall that asks one simple question: Go back to what?

Go back to the apartment where Bobby looked through you like glass? Go back to the doorway where you stood with your keys in your hand and your heart in your eyes, and he didn't look up? Go back to being the woman who measures love in deficits, who keeps count of kisses the way she keeps count of inventory, watching the numbers dwindle, knowing exactly what the shortage means, and not being able to stop counting.

Bobby is probably relieved.

The thought arrives fully formed, mid-step, on a walk through Level 4, and it stops you so completely that BB turns back, his hand sliding to the small of your back, his head doing that quick, concerned tilt. You wave him off. Fine. I'm fine. But the thought is there now, lodged behind your sternum like a splinter, and you can feel it every time you breathe.

Bobby is probably relieved. Bobby is probably sleeping diagonally again. Bobby is probably eating cereal over the sink, leaving his bowl on the counter. Watching TV with his feet up and the apartment is probably messier, quieter. Less cluttered without your books and your magazines and your shoes by the door.

Your presence in every corner asking to be noticed. 

Bobby is probably lighter, breathing easier. Maybe he looked up from the television one day and realised the doorway was empty and felt—what? Guilt? Or the guilty cousin of relief, the exhale of a man whose obligation to pretend has been finally lifted?

You haven't felt needed in months. Not once.

The realisation surfaces slowly, a gradual saturation of a truth you've been standing ankle-deep in since before you fell through the wall. 

Bobby didn't need you. Bobby needed the idea of you—the girlfriend, the warm body, the person in the apartment who made it feel less empty—but he didn't need you. The particular, inconvenient you who wanted to be talked to and looked at and held and kissed goodbye every morning. That version of you was too much work. 

That version required maintenance he couldn't be bothered to perform.

But the ache—god, the ache. It hasn't faded. You thought it would. You thought time and distance and the sheer alien absurdity of your circumstances would erode it the way the Backrooms erode seemingly everything. Until the original shape is unrecognisable. 

But the ache for Bobby sits in the centre of your chest like a second heartbeat, stubborn and alive, and it doesn't care that he let you down.

It doesn't care that the last thing he gave you was a grunt. Love has no quality control. Love doesn't audit the recipient and adjust its intensity based on merit. 

You still love Bobby with the same enormous, stupid devotion you loved him with on that Thursday morning when the sun was on the sheets and he ignored the phone and pulled you closer and rasped stay. That love has not diminished by a single degree despite every reason it should have, and the persistence of it is the cruellest thing about being here. 

Because it means you’re aching for a man who made you feel invisible while standing in front of a being who has never once looked away.

You cry about it. Once. In the nest, in the dark, turned away from BB, muffling it in the blankets.

He doesn't say anything. His hand finds your shoulder. His thumb moves, once, twice, a slow circuit over the curve of bone. He doesn't ask what's wrong because he already knows—he's always known, he heard it all through the wall—and the kindness of his silence, the restraint of it, the choice to hold space instead of fill it, makes you cry harder.

You stop crying. You wipe your face. You pick up the notebook.

And you start mapping instead.

BB finds the notebook for you. God knows where, god knows how, a composition book with a mottled black-and-white cover and pages that smell like basement storage. 

You hold it and the weight of it in your hands feels so familiar it aches. The pen he gives you is a ballpoint, blue ink, the cheap kind that skips if you press too hard. You uncap it and the click of the cap settles something in your chest. An old reflex. The same one that used to kick in when you opened the inventory binder at the store. 

The satisfaction of a system, a structure, a way to organise chaos into a shape you can hold.

If you can't go back, you'll go forward. If you can't be needed there, you'll be needed here. Anything but the slow decay of being unwanted. And then, one day, when you're ready, you'll ask BB to find you a door back.

One day.

Level 0 comes first. The hallways you know, the ones BB takes you through, the turns and junctions and the places where the carpet changes texture and means something. A border, a threshold, a shift in territory. 

You draw diagrams. Floor plans. Rough, imprecise, the proportions wrong because the proportions are wrong. Because the hallways don't obey geometry in any way you can verify. But the act of drawing them—of putting pen to paper, using the things Clark used to tell you about rendering shapes and rooms—makes it less vast. Less formless. Containable. 

The pen moves and the world shrinks and for the first time in months you have purpose.

BB watches you work with undisguised fascination.

He sits beside you while you sketch, his chin on your shoulder, his breath warm on your neck, and sometimes he corrects you (that corridor turns left, not right or there's a junction there you haven't found yet) and sometimes he just watches your hand move and hums in his throat. That low, warm rumble that you've started to associate with contentment. 

His chin digs into your shoulder when he leans in to see your shorthand and you flick his nose without looking up and he huffs—offended, amused, delighted, nosing closer—and the exchange is so easy, so thoughtless, so much like two people who’ve known each other long enough that the edges have been worn smooth by repetition.

Half the time you forget he's not human.

That's the truth you don't examine too closely. Because it would mean confronting what it says about you, about your standards, about how broken your idea of normal has become. 

But BB sits beside you with his chin on your shoulder and his warmth against your side. He asks about your shorthand, remembers the answer, asks follow-up questions. He brings you food without being asked.

The line between an inhuman entity wearing a man's face and a person who cares about me blurs until it's less a line and more a smudge, a gradation, a slow dissolve from one thing into the other.

He cares for you. Genuinely. Not the way you care for a pet. 

You see it in the small things first. The way he checks the temperature of the carpet before he lets you sit, and how he positions himself between you and the corridor when you sleep. His head turns toward you when you shift in the nest, tracking your movement the way a compass tracks north. 

Most of all in how he says your name. Not baby, not the endearment—your actual name, the one he uses rarely, carefully, like he's holding it in his mouth and tasting each syllable. When BB says your name, it sounds like a discovery. Like a fact he's still pleased to know.

“You're organising it,” he says one day. Amused. Impressed. “The way you organised the inventory at the store.”

“It helps me think.”

“You're applying human systems to a place that doesn't follow human rules.”

“Is that a problem?”

He considers this. His head tilts. “No,” he replies slowly, like he's arriving at a conclusion that surprises him. “No, I think it might be… useful. No one's ever tried to map it like this. Most wanderers are too busy surviving to catalogue."

“Well,” you say teasingly. “I've got you for the surviving part.”

He goes quiet. You glance up from the notebook. His face is going through layers again, rearranging, the cocky default giving way to the newer expression underneath. The one that showed up when you named him. A door opening inward.

He catches you looking, and the default snaps back, the half-grin, the raised eyebrow.

“Yeah,” he drawls lightly. Entirely failing to conceal the sudden warmth radiating off him like heat from a furnace. “Yeah, you do.”

You add to the notebook every day. Layouts, landmarks, and the sensory details that serve as navigation. 

BB takes you exploring.

Not every day. Some days the hum is wrong, or BB is tense in a way he won't explain, or you can feel the level holding its breath the way it did the night he disappeared and came back wearing a freshly assembled face. On those days, you stay in the nest. You write in the notebook. You read the pages you've already filled and trace the paths you've already walked and commit them to memory because memory is the only filing system you've got. 

On those days, the ache comes back—Bobby's hands, Bobby's mouth, the way he used to drop his forehead against yours in the dark and whisper your name, just your name, over and over—and you let it sit in your chest and you don't fight it. But you don't follow it, either. 

You just write around it. Inventory the grief the way you inventory everything else. Label it. File it. Move on to the next entry.

But most days, BB takes you out.

Level 1, first. BB walks beside you, and his posture changes here. Subtly mostly, the ease tightening into a coiled attention. His head on a swivel, hand at the small of your back with a pressure that says I'm tracking everything in this room and nothing will get within twenty feet of you.

You sketch the layout in the notebook while he stands guard. You mark the exits, the supply caches, the places where other wanderers have left graffiti on the shelving units. Messages, warnings, crude maps of their own.

You get braver. You ask questions. About the Smilers, the Howlers, about the hierarchy of things that live here. How they relate to each other and what makes some dangerous and some merely present. 

BB answers. Not always fully, not always clearly. There are concepts here that he doesn't have a human language for. Mechanics that exist in the gap between what he perceives and what your brain can hold, but he answers, and you write it all down, and the notebook fills.

You develop a routine. You wake up, eat whatever BB has found or produced, and you walk. You explore together, map, and come back. You sit together in the nest afterwards and talk. 

And the talking is easier now, less charged, less careful. You tell him about your life. The books you loved. The way you used to organise your bookshelves by colour rather than by author, because it made you happy to look at them. The hiking trails in the Santa Cruz Mountains, Big Basin and Castle Rock, the way the redwoods smelled after rain.

He listens the way he always listens. Total attention. Full presence. The thing Bobby couldn't do. The thing BB does like breathing.

And you catch yourself, one evening, doing something unthinkable. 

You’re sitting in the nest with your notebook open, pen behind your ear, telling BB about the time you got lost on the Skyline-to-the-Sea trail. You had to navigate back using a park map you'd annotated so heavily it was more your handwriting than cartography. BB’s laughing. That low huff through his nose, his shoulder pressed against yours. 

You're laughing too, and the yellow light is warm, and you realise, suddenly, that you haven’t thought about Bobby in three days.

The guilt is instantaneous.

A hot, lurching, physical thing that grabs you by the sternum and pulls. Three days. You went three days without the ache, and the absence of it feels like a betrayal so total it makes you nauseous. As if the love you carry for Bobby is a fire that requires constant tending, and you let it gutter, and that makes you—what? 

The kind of woman who forgets? The kind who moves on? The kind who finds comfort in a pair of borrowed eyes while the original owner of those eyes is somewhere in Santa Clara, probably sleeping diagonal, probably relieved?

You go quiet. BB notices. 

His shoulder presses against yours (a question, not a demand), and you shake your head, picking up the pen. Start sketching a corridor you mapped that morning, but the lines are slightly too hard, the ink pressing dents into the page. 

BB watches your hand and says nothing, and the nothing is the right thing, the exact right thing, and you hate him a little for being so consistently, unbearably right.

You grow comfortable.

Not comfortable like safe, or comfortable like home. Because this place is neither of those things, and you know it. The notebook full of entity classifications and danger ratings is proof that you know it.

But comfortable the way you get with a person—a being, entity, a whatever-he-is—when enough time has passed that their presence stops being a question and starts being an answer. 

You stop flinching when he appears in doorways. You stop tensing when his hand finds yours. You lean into his shoulder when you're tired, and he holds steady. The meadow on Level 14 becomes your Sunday, your weekend, the place he takes you when the yellow gets to be too much, and you need to remember what sky looks like.

You stop keeping count.

You don't notice it happening. It's quiet cessation of a habit so ingrained you didn't know it was still running until it stopped. 

No more tallying. No more, he didn't today, that's the fourth day in a row. Because BB doesn't generate deficits. BB doesn't create gaps to count. He’s present the way the hum is present. Woven into the structure of your days so thoroughly that his attention isn't an event anymore, it's an environment. 

You live inside his attention the way you live inside Level 0. It's just where you are.

But the ache for Bobby doesn't go away. Only migrates from the centre of your chest to somewhere deeper, somewhere quieter, a room in the back of you where it can sit with the memory of your first kiss and his arm around your shoulder by the ocean and the way he used to say stay and mean it. 

You don't visit that room every day anymore. But you know it's there. You can feel its weight when you lie down at night, BB's arm around your waist, his breath on your neck. 

The ache says remember, and you say I know, and you close your eyes, and you stay.

Your handwriting fills the notebook. Page after page. The careful, slightly messy script. A system. A structure. 

A way to survive.

“It's circling again.”

You look up sharply. 

BB is standing at the edge of the nest, head tilted, that almost-human listening posture—chin cocked, eyes unfocused, his whole body oriented toward a frequency you can't hear. His jaw is tight.

You set the pen down. “How close?”

“Closer than last time,” ee says evenly, too evenly. “It's running along the edge and then pulling back. Then running a little further.”

Ignoring the sudden chill at your nape, you say, “Like it's looking for a gap.”

His eyes flick to you. A beat of surprise follows. Quick and subtle, the kind he still has when you demonstrate that you've been paying attention to the lessons, that the notebook isn't just busywork but comprehension.

“Yes,” he agrees. “Like that.”

You pull your knees up. Wrap your arms around them. The notebook sits open on the blanket beside you, the page half-covered in your shorthand. A corridor map, danger annotations, the new symbol you invented last week for an unknown entity, and behaviour unclassified. You used it for the first time yesterday. The ink is still dark.

“What are you going to do?”

“I need to check the perimeter. See if anything's shifted. If it's been probing a specific section or moving along the full boundary.” He's already calculating. The ancient one surfaces behind Bobby's eyes, not all the way, just enough to sharpen the edges. To give his posture that predatory geometry that doesn't belong on a twenty-something in a crop top. “I want to understand its pattern before I kill it.”

“BB.” You say his name, and he stills. Focuses. The ancient thing recedes a fraction, and the warmth returns to the surface. You hold his gaze and say, carefully, gently, “Be careful.”

His mouth parts. 

He crosses the nest in two steps. Drops into a crouch in front of you, his knees on the blanket, and his hand finds the side of your head. His fingers glide over one side of your face slowly. He strokes, long, gentle, from your temple to the nape of your neck. 

“Stay here,” he says gently, his thumb tracing the curve behind your ear. “Stay in the nest. Don't go into the corridor. Not even the first junction.”

“I know the rules.”

“I know you know.” His hand stills in your hair, cupping the back of your skull. He dips his head until his forehead is close to yours, not quite touching, his breath warm on your face. His eyes are darker, layered, and the thing behind them is looking at you, too. For a moment, both of them are present. BB and the creature he's built on top of, and both of them are saying the same thing. “I'll be back.”

“You better be.”

The corner of his mouth lifts. Just barely. The private curve that's his and not Bobby's, the one you named into existence in a meadow on Level 14. He presses his lips to your forehead. Holds them there for a beat. You feel the hum vibrate through the contact, that low sub-frequency that lives in his chest and transfers through skin, settling behind your sternum like a second pulse.

Then he straightens. His hand slides from your hair. The softness drops from his posture in a single clean motion. 

What's left is the thing that walks these hallways, silent and certain and very, very old.

He rounds the corner, and the yellow swallows him.

You pick up the pen. Open the notebook to a fresh page. You write: Entity X — perimeter — closer. Testing the boundary for gaps. BB checking pattern. Unknown motivation. Unknown capability.

You underline unknown twice.

Eleven minutes.

You know this because you've been counting. 

Your brain just does it now, keeps a running tally of the seconds since his silhouette disappeared. Because your body has learned that when he's not here, the math of your survival changes. 

With him, you’re the safest thing in this strange place. Without him, you’re a girl sitting on a damp carpet in a place that eats people. But BB always comes back, you remind yourself. Always. 

You're sketching the rough map of the corridors you explored yesterday, trying to get the proportions right on a hallway junction that you're fairly sure had five walls, when you hear the footsteps.

Not his. His steps are almost silent, a predator's tread, weight distributed in a way that isn't quite human. These are boots. Multiple sets. Heavy, deliberate.

You close the notebook slowly.

Six figures come around the corner.

Not researchers BB warned you about. Wrong uniforms, wrong insignia, a logo you don't recognise stitched onto black tactical gear. They're armed. Not with the improvised weapons most wanderers carry. Real weapons. Professional grade. The kind that suggests funding, organisation, a chain of command that exists somewhere outside this place.

The one in front spots you and signals the others to stop. He says something into the radio on his shoulder, clipped and fast, and you catch the words “confirmed,” and “companion” and “entity absent.”

They waited for BB to leave.

“Ma'am.” The lead one steps forward. Voice flat. Professional. “You need to come with us. We're here to extract you.”

Your body tenses at those words, coiling, and you stand at once. “No.”

It comes out sharper than you expect. Hard-edged. The backrooms have made you harder than you realise.

“Ma'am, that's not—”

“I said no,” you repeat firmly. “I'm not going anywhere with a bunch of strangers.”

His jaw tightens. He glances at the others. Some signal passes between them. A shift in posture, a nod, the silent language you’re not privy to.

He reaches for your arm.

You hit him.

A closed fist, fast, driven by weeks of survival instinct and adrenaline and the specific, white-hot fury of being grabbed by a stranger in a place where the only person who touches you has earned it inch by inch.

Your knuckles connect with his cheekbone. The man’s head snaps sideways, and for one bright second, you feel savage satisfaction.

Then three of them are on you.

You kick. You bite. Drive your elbow into someone's throat and hear someone choke behind you. You're feral with it. No technique, no training, just the scrappy, vicious fighting of a girl who's survived the backrooms and is not going to be dragged by men who couldn’t even bother to introduce themselves. 

Your nails rake across someone's forearm and draw blood. You wrench free of one grip and slam your heel into a kneecap. Someone swears, loud, furious.

“Fucking—hold her, HOLD HER—”

A hand fists in your hair. Yanks. Your neck snaps back, and your eyes water. Someone wrenches your arm behind you hard enough that the joint screams. You thrash, snarling. Your free hand catches someone across the mouth. You feel a tooth cut your knuckle.

The lead one is in front of you again. There's a red mark blooming on his cheekbone where you hit him, and his professionalism has curdled into something uglier.

“You want to do this the hard way?”

You spit at him. It catches his vest.

He hits you.

Open palm across your face. Your head rocks to one side. The world around you whites out for half a second, and then there's carpet under your hands and knees. Your lip throbs, burning numb, and you can taste copper in your mouth, dribbling. A boot slots between your shoulder blades, pressing you flat, and your cheek presses against the damp fibres. 

Your wrists get pinned behind you roughly at an angle that sends bright, screaming pain up to your shoulder.

“Stay DOWN—”

You’re on the floor, bleeding. There’s a boot on your back and hands pinning your wrists. You’re away from the only safe thing in this place, and the carpet is wet against your split lip. You’re afraid. For the first time since your encounter with the Smiler, you’re terrified. Immediate, animal fear of being held down by someone stronger than you.

You open your mouth. You fill your lungs.

And you scream.

“BB—”

One word. It tears out of your throat raw and desperate, hitting the yellow walls, and the walls absorb it, and the walls move.

The fluorescent lights don't flicker. They detonate.

Every tube in the hallway blows simultaneously, glass raining down like ice, and in the darkness that follows, the hum of level 0 drops—drops—drops into a frequency that you feel in your teeth, in your ribs, in the boot on your back that suddenly isn't pressing as hard because the man wearing it has stopped breathing. Not dead. Frozen. 

The way an animal freezes in terror when it smells something at the top of the food chain.

The walls crack. Clean fissures running floor to ceiling, splitting the drywall in deliberate, surgical lines, as if something were tearing its way through the building's architecture. The carpet ripples under your cheek. You feel it. The backrooms responding, contracting, the whole of level 0 seizing like a body in pain.

The boot lifts off your back.

Not because the man chose to move it. Because the floor tilted. Subtle. Just enough to shift his weight. Just enough to free you. The backrooms—him, it, the thing that is both—clearing the path.

You hear them before you see them react. The soldiers. Breathing fast. The click of weapons being raised. Someone screaming “what the fuck what the fuck what the—”

He comes out of the dark.

Not through a door but from the dark itself. Like the darkness peeled open and someone stepped through the seam. 

He’s not fully human-shaped.

The Bobby suit is slipping. Shoulders too wide. Arms too long, hanging at angles that make your hindbrain scream. His fingers have too many joints—you can see them in the fractured emergency glow of the one tube that didn't shatter—long and wrong, curling like they're remembering a shape that predates hands. 

His face is still Bobby's face but the geometry behind it is pressing outward, cheekbones like blades, jaw too sharp, too angular, the skull beneath rearranging itself into something that was never meant to be looked at directly. And his eyes are black. Fully, completely, endlessly black. Two holes in the front of his skull that open onto something without a floor.

He sees you on the ground.

The blood on your lip. The bruises on your skin. The tear tracks cutting down your face.

BB sees the boot print on your back.

There’s a sound.

It booms from the walls, the floor, and the ceiling simultaneously. From every surface of level 0, because he is level 0, and every square inch of it is snarling.

The remaining fluorescent tube doesn't shatter. 

It melts. The glass softens and drips. The carpet under the soldiers' feet goes wet, soaked, saturated, as though the floor is turning into a swamp.

You press your face into the carpet and close your eyes.

It takes less than a minute.

You don't watch, but you hear it. Screaming that starts human and ends keening. Wet sounds. Heavy sounds. The particular acoustic signature of a body being opened by something that doesn't need tools. That horrible, snarling, clicking growl of pure rage.

One of them manages to fire a weapon, and the sound of the shot is enormous in the enclosed hallway. It cuts out, followed by a crunch of bone, and another, and another, and another—

Then there's nothing.

Silence.

The level settles. The hum reasserts itself, climbing back up from that sub-basement frequency to its usual buzz. You can feel it in the carpet against your cheek, scratchy and too warm.

One fluorescent tube fizzes back to life overhead. Yellow. Sickly. 

You feel the air change. The temperature drops, and you know he's close before anything touches you. 

When it does—a hand on your shoulder, delicate, so delicate—it's not quite a hand yet. Too many joints. The fingers too long, still retracting to Bobby's proportions, still remembering how to be the thing that strokes your hair instead of the thing that just—

You turn over.

He's crouching over you. Still wrong. The proportions haven't settled. BB’s arms are too long, and his spine is curved at an angle that doesn't work with human vertebrae. His face is a rough draft. Bobby's features sketched over the older, sharper one. Black fluid coats his hands. His jaw. His chest. Not all of it is black.

His eyes are still dark, but the blue is bleeding back in around the edges. Like ink dropped into water, spreading, reclaiming.

You reach for him.

Your hands are shaking so badly that you miss the first time. 

Your fingers slip against the wrong texture of his jaw, the skin too smooth, too cool, still settling back to its bony configuration. You reach again, and this time you get his neck (too long, the vertebrae too prominent, sharp ridges under your palms where Bobby's neck was smooth), and you pull.

You pull yourself into him, and you cling. 

Arms around his neck, face buried in his throat, legs curling up, making yourself as small as possible against his chest because if you can get close enough, maybe nothing will ever reach you again. 

You wrap yourself around him with a muffled sob. One sob, then another, then a third that breaks open into something ragged and ugly and not at all brave.

You’re shaking and bleeding, crying into the neck of a monster, and you don't care. You don't care about the wrong temperature, the wrong shape or the black fluid soaking into your shirt. 

You don't care.

BB freezes. One second. Two. The violence still running, the gentleness needing a moment to boot up. You feel it. The exact instant the system switches. His whole body shudders once, and then his arms come around you.

Tight. So tight. He scoops you up like you're nothing—one arm under your legs, one around your back—and pulls you into his chest and holds you against him like he's trying to absorb you. Like he could fold you into his body and keep you there where nothing touches you ever again. 

His chin comes down on the top of your head. His whole body curves around you. You feel the strength in every inch of him. The same strength that just did what it just did, repurposed. Every ounce of force that tore six armed men apart, now calibrated with impossible precision to the exact pressure of holding without breaking.

“I'm here.” His voice. Rough. Not fully Bobby's voice yet. There's an edge underneath it still, something vast and deep, like hearing someone speak from several floors down. “I'm here, baby. I'm here.”

You press closer. Your fingers curl into the fabric of his jacket. Bobby's jacket. Your face is against his throat, and you can feel the absence of a pulse under your cheek. No heartbeat. Just the hum. His hum. Vibrating through his chest and into yours.

“They—” Your voice is thick, muffled against his skin. “They grabbed me, they were trying to—I fought, I tried to—”

“I know.” His hand finds the back of your head. Cradles it. His fingers—the right number of joints now, almost fully Bobby-shaped again—thread into your hair the way they do in the nest, slow, gentle, the careful repetitive motion that means safe, you're safe, I'm here. “I know. It's over.”

“There were six of them and I couldn't—”

“You don't have to.”

His other hand finds your face. Tilts it up. His thumb traces your split lip with a touch so light it barely registers. Just the ghost of contact, the pad of his thumb skating over the cut, and you watch his jaw tighten. The blue in his eyes flickers. Darkness swims underneath it, surfacing and submerging, and you know he is looking at the blood on your mouth, and memorising who put it there, and the fact that they’re already dead is not enough. Will never be enough.

“Does it hurt?” Quiet. Bobby's voice now, almost entirely. That specific soft register he uses in the nest, the one that makes your chest ache.

“A little.”

His thumb moves to the bruise on your cheekbone. Traces the edge of it. Down to your jaw. Along the finger-shaped marks on your wrist, and the sound he makes is barely audible. Low, tight snarl. A vibration caught behind his teeth.

“I should have been here.”

“You came.”

“Not fast enough.”

You almost laugh. What comes out instead is a wet, clogged sound. “You came very quickly, BB.”

“Not fast enough,” he repeats, and means it. 

You put your head back against his chest. He holds you tighter. He hums. Shaky at first, the frequency wobbles. Then it steadies. Finding its rhythm. His song. The one that doesn't exist anywhere outside of him.

You feel the backrooms settle around you both. The lights dim softer. Temperature rises, degree by gentle degree, until the air feels like a room in a house instead of a hallway in purgatory. He’s doing that. Rewriting the space around your body because you’re shaking, and he can't make you stop shaking, but he can make everything else softer.

“BB.” Your voice is small. Muffled against his chest.

“Yeah?” Immediate. Soft.

“Don't leave.” You swallow. Press your face harder into the fabric of his jacket. “Just—for a bit. Don't leave.”

His arms tighten, cheek pressing against the top of your head. You feel him breathe—not because he needs to, but because you need to feel it, and he knows what you need, even before you know it yourself.

“Never,” he whispers.

One word. A law. Written into the fabric of this place. Never. As in: the sun will come up. As in: water runs downhill. As in: I will be here.

You close your eyes.

The shaking ebbs, not all at once but in increments, your body releasing its grip on the panic the way a fist unclenches. One finger, then another, then another. His hand keeps moving over your hair. Rhythmic. Patient. He will do this for as long as you need.

He will do this forever if you let him.

You stay like that. On the floor. In the hallway. Curled in the lap of a thing that’s just killed six men.

The backrooms are changing. You can feel it beneath you, a shuddering grind. Hallways folding. Routes sealing shut. The architecture of level 0 quietly, methodically, permanently rearranging itself around you both. Doors that used to lead here now lead nowhere. 

He’s taking you somewhere no one will find you.

And you let him. Eyes closed. Face against his chest. Listening to the hum.

You let him.

M.E.G. INTERNAL — MAJOR EXPLORER GROUP

DEPARTMENT OF ENTITY RESEARCH & CONTAINMENT

▓▓▓▓▓▓ CLASSIFIED // LEVEL 4 — RESTRICTED // URGENT REVIEW ▓▓▓▓▓▓

INCIDENT REPORT: IR-0-27 DOCUMENT ID: MEG-ENT-0000-IR-0-27 CLASSIFICATION: LEVEL 4 — URGENT FILED BY: Operations Director ██████ DATE: ██/██/199█ RE: Unauthorised Engagement With Entity 0 / Companion — Hostile Extraction Attempt by External Agency STATUS: CRITICAL — ONGOING CONSEQUENCES

SUMMARY OF INCIDENT

On ██/██/199█, at approximately ██:██ hours, a six-person tactical unit operating under the authority of ██████████████████████████████████ (hereafter "the Agency") conducted an unauthorised extraction attempt on the individual designated "the Companion" in M.E.G. Entity 0 documentation.

M.E.G. had no advance knowledge of this operation. We were not consulted or informed. We were not given the opportunity to do what we have spent the last eighteen months doing, which is explicitly and repeatedly recommending against exactly this course of action.

Our recommendation, stated in Section 7.2 of the Entity 0 dossier and reiterated in no fewer than six inter-agency memoranda, was as follows:

"Do not intervene. Do not extract. Do not, under any circumstances, threaten the Companion's safety within Entity 0's perceptual range."

The Agency disregarded this recommendation.

All six members of the tactical unit are dead.

RECONSTRUCTION OF EVENTS

The following timeline has been assembled from recovered equipment (three body cameras, one partially functional radio unit) and corroborating seismic data from M.E.G. monitoring equipment on Levels 0 through 3.

██:██ — Six-person tactical unit enters Level 0 via access point ██████. Equipment and insignia consistent with ██████████████████████████████████. The unit is armed with ██████████████████████████████████. They are equipped for a hostile extraction. This was not a rescue. This was a retrieval.

██:██ — Unit locates the Companion in a hallway junction on Level 0, sublevel ██████. Entity 0 is not present. Body camera footage confirms the unit waited for Entity 0 to leave the Companion's immediate vicinity before approaching. This indicates prior surveillance. The Agency was watching. We did not know they were watching. This is itself a security failure that is being reviewed separately.

██:██ — Unit lead makes verbal contact with the Companion. Instructs her to comply with the extraction. Companion refuses. She states clearly, on camera, that she does not wish to be removed. Her exact words are "No" and "I'm not going anywhere."

██:██ — Unit lead attempts physical restraint. The Companion resists violently. Body camera footage shows her striking the unit lead in the face, drawing blood from a secondary operative, and disabling a third with a knee strike before being subdued by multiple operatives simultaneously. She fought like someone who has been surviving the Backrooms for ██████, and it shows. The Companion is subsequently struck across the face by the unit lead and forced to the ground. Bruising consistent with forcible restraint is visible on both wrists.

I will repeat that for the record: a civilian who had clearly, verbally, on camera refused extraction was beaten to the floor by a six-person tactical unit. 

██:██ — M.E.G. seismic monitoring stations on Levels 0, 1, 2, and 3 register a simultaneous anomalous event. The reading does not correspond to any known geological or structural phenomenon. Dr. ██████ has described the waveform as "an earthquake." I am including her analysis verbatim because I do not have a better description.

██:██ — The Companion screams.

██:██ — Entity 0 arrives.

The gap between ██:██ and ██:██ is approximately 1.3 seconds. Entity 0's last confirmed position was ██████████████████████████████████, an estimated █████████████ meters from the Companion's location. It covered this distance in 1.3 seconds. We do not have a theoretical framework for this. We are not going to develop one. It doesn't matter. What matters is what happened next.

██:██ (CONCURRENT) — What we did not understand at the time—and what has only become clear through post-incident analysis—is that Entity 0 did not move through the Backrooms to reach the Companion. It moved the Backrooms.

Temporal monitoring equipment across Levels 0 through 266 recorded simultaneous, catastrophic time distortion events at the moment of Entity 0's displacement. On Level 1, clocks ran backwards for approximately 3.7 seconds. On Level 2, a monitoring team reported experiencing the same eleven-second interval twenty times in succession. On Level 49, two operatives aged approximately 6 years in the space of 1.3 real-time seconds. Medical examination confirmed accelerated cellular turnover consistent with temporal compression. Both operatives have been placed on medical leave.

Entity 0 tore through the temporal fabric of the Backrooms to close the distance between itself and the Companion. It did not navigate. It did not transit. It ripped a hole through the structure of the intervening space.

The damage on the lower levels was temporary. The damage on Level ███ was not.

Level ███ is gone.

Level ███—a fully mapped, documented, and intermittently populated level of the Backrooms—no longer exists. It was not sealed. M.E.G. operatives who attempted to access Level ███ via three separate confirmed entry points found nothing. Not empty corridors. Not blank walls. Nothing. The space that Level ███ occupied is simply absent. As though it was never there at all. 

Entity 0's transit path between its last confirmed location and the Companion passed directly through Level ███. The conclusion is unavoidable: Entity 0, in the 1.3 seconds it took to reach the Companion, annihilated an entire level of the Backrooms as collateral damage. The way a bullet destroys the wall behind the target. Level ███ was simply in the way.

We do not know if there were casualties. Level ███ was classified as intermittently populated. Wanderers passed through; some may have been sheltering there at the time of the event. We will likely never know. There is nothing left to recover. There is nothing left to examine. An entire level of reality was erased in 1.3 seconds.

Dr. ██████ has requested that this section of the report be classified as Level 5. I have denied this request. Everyone needs to read this. Everyone needs to understand what we are dealing with.

██:██ through ██:██ — Body camera footage for this period is partially corrupted. What remains has been reviewed by myself, Dr. ██████, and Dr. ███████████. Dr. ████ has declined to review it. Her decision is respected.

Entity 0 was not in its standard manifestation. I am not going to describe the specific deviations in this report. The footage is available for personnel with Level 4 clearance and a strong stomach.

The engagement lasted approximately 42 seconds.

Entity 0 did not use weapons. Entity 0 is the weapon.

All six operatives were killed. Cause of death for four: ████████████████████████ Cause of death for the remaining two: ██████████████████████████████████. Recovery of remains has been deemed inadvisable at this time, as Entity 0 ██████████████████████████████████.

██:██ — Final body camera footage shows Entity 0 approaching the Companion. It is partially restructured to its usual template, but not fully. The Companion does not retreat. She reaches for it. She clings to it. Entity 0 gathers her. The word "cradles" appears in three separate reviewer notes, and I am allowing it despite its lack of clinical precision because nothing else is accurate, and assumes a protective posture. Audio, though degraded, captures the Companion's voice saying something indistinct, and Entity 0 responding with a single word. Audio analysis has been unable to confirm the word. Dr. ██████ believes it was "never." The camera fails shortly after.

ASSESSMENT OF CONSEQUENCES

I said in Section 7.2 of the Entity 0 dossier that I did not want to see what it does to us. I have now seen it. I was right not to want to.

But the killings are not the primary concern of this report. Soldiers die. Operations fail. This is the nature of work in the Backrooms. The primary concern is what this incident has done to years of carefully maintained observational neutrality between M.E.G. and Entity 0.

Entity 0 tolerated us. That is not an exaggeration or a simplification. We have operated monitoring equipment on Level 0 for eighteen months. Entity 0 knew it was there. It knew we were watching. And it allowed it, the way a homeowner allows a bird to nest in their gutter. Not because they approve, but because it doesn't bother them enough to act.

That tolerance is, as of this incident, in question.

Within 48 hours of IR-0-27, the following changes were observed:

Level ███ remains nonexistent. Repeated attempts to locate it via all known access points have failed. Dr. ██████ has formally recommended that it be struck from the Backrooms cartography index. The level is not missing. It was unmade. The temporal scarring along Entity 0's transit path shows no sign of healing or regeneration. This is, as far as we can determine, permanent. An entire level of the Backrooms has been permanently destroyed as a byproduct of Entity 0's emotional response to a threat against the Companion. 

M.E.G. monitoring equipment on Level 0, sublevel ██████ through ██████, ceased functioning. Not damaged. Removed. Every sensor, every camera, every seismic monitor. Gone. No debris. No evidence of destruction. The equipment is simply no longer there.

Three M.E.G. personnel conducting routine observation on Level 0 reported that the hallways they had used for months had "rearranged." Routes that previously led to confirmed Companion sighting locations now terminate in dead ends. Level 0 has been restructured. We believe Entity 0 has deliberately altered the architecture to prevent future observation.

The Companion has not been sighted since IR-0-27. She is not at any previously confirmed location. The blanket nest—documented across seven sighting reports as Entity 0's primary base of operation with the Companion—is empty. Every blanket, every scavenged item, every trace of habitation has been removed. As though no one was ever there.

Entity 0 has not been sighted on Level 0 since IR-0-27.

The implication is clear: Entity 0 has relocated the Companion. To where, we do not know. Dr. ██████ has proposed that they may have moved to a sublevel of Level 0 that is not represented in our current mapping. A level beneath the level, a space that Entity 0 has carved out or always possessed and simply never used until now. Until it had a reason to hide something it could not afford to lose.

We have, in the space of one unauthorised operation conducted by an agency that ignored every warning we provided, lost the single greatest research asset in the history of M.E.G. entity studies. The Companion is gone. Our access is gone. Years of carefully accumulated observational data has been rendered functionally useless because the subject has moved to a location we cannot find and sealed the door behind it.

FORMAL OBJECTIONS

I want the following on the record:

M.E.G. explicitly, repeatedly, and in writing recommended against any attempt to extract, contain, or engage the Companion. These recommendations were provided to the Agency through proper inter-organisational channels on ██/██/198█, ██/██/198█, ██/██/198█, ██/██/199█, ██/██/199█, and ██/██/199█. Each was acknowledged. None were followed.

The Companion was not a hostage. She verbally refused extraction, clearly, and on camera. The Agency proceeded with force. This is not a rescue. This is an assault on a civilian by a government-adjacent organisation operating without jurisdiction inside a space they do not understand.

The Companion was injured. She fought back and was beaten to the ground for it. She bled. And the thing that has been protecting her heard her scream its name. We told them what it does to things that threaten what belongs to it. We told them. They didn't listen. At least six people are dead because they didn't listen.

Entity 0 has, until now, operated within a framework that M.E.G. was beginning to understand. It was predictable. Perhaps not in its actions, but in its priorities. The Companion was the variable. The Companion was the key. And now the Companion is gone, and Entity 0 has demonstrated that its response to perceived threats is not merely violent but architectural. It didn't just kill the threat. It restructured its entire domain to prevent the threat from recurring. It sealed Level 0. It erased its footprint. It took its Companion, and it disappeared.

An entire level of the Backrooms was destroyed. Gone. Erased from existence as collateral damage during Entity 0's transit. If there were wanderers sheltering on Level ███ they are dead. Or worse. Or something we don't have a word for because the space they occupied no longer exists in any meaningful sense. We will never know. The Agency's unauthorised operation may have cost lives far beyond the six operatives they sent in, and we have no way to calculate the true body count because there is nothing left to count.

We do not know where Entity 0 is. We do not know if it will allow future contact. We do not know if, the next time an M.E.G. operative enters Level 0, Entity 0 will distinguish between us and the Agency. We may have inherited the consequences of someone else's stupidity, and we may pay for it in personnel.

RECOMMENDATIONS

All M.E.G. operations on Level 0 are suspended indefinitely pending reassessment.

The Agency is to be formally censured and barred from independent Backrooms operations until further notice. Their response to this censure is noted and disregarded.

No further attempts to locate, contact, or extract the Companion are to be conducted by any organisation, under any authority, for any reason.

If—and I stress if—Entity 0 re-establishes contact with M.E.G. personnel, the interaction is to be treated as a diplomacy scenario, not a research scenario. Entity 0 is not a subject. Entity 0 is, functionally, a sovereign power that we have just watched an allied agency declare war on. We will conduct ourselves accordingly.

Someone needs to tell the Agency what "apex predator" means. I have included a dictionary to help and clear the confusion.

Filed: ██/██/199█

Operations Director ██████

Addendum, handwritten:

She screamed his name, and the level cracked open.

I've been doing this for eleven years. I have never seen a response that fast. 1.3 seconds. It wasn't travel. He didn't cross the distance. The distance stopped existing. She called, and the Backrooms folded to put him where she was. And everything between them—every hallway, every corridor, every room, an entire level—ceased to exist because it was in his way.

The body camera audio from the aftermath is mostly static. But there is a moment, mostly degraded, where you can hear humming. And underneath the humming, faintly, a voice. Hers. Saying "don't leave." And then his. One word.

We are not dealing with an entity that lives in the Backrooms.

We are dealing with the Backrooms. And it is in love.

God help us all.

▓▓▓▓▓▓ END OF REPORT // FILE STATUS: OPEN — NEVER CLOSED ▓▓▓▓▓▓

[menloathe]

when the song tackles you to the ground and starts beating the ever loving shit out of you

[justsomechaos]

I finally watched Obsession last night and holy shit—

I’m going to put a break for spoilers, but it was genuinely one of the more scarier movies I’ve seen in a while. I don’t consider myself someone who scares easily, especially in these movies but I was rattled after this one. Maybe some analysis, but to be completely honest I just need to talk about this movie.

So I did go into the movie with a rough idea of what happens, and I knew that it was pretty graphic, but I honestly didn’t expect it to scare me so much. The jumpscares were really well-placed, but the thing that is haunting me that I am writing this at 9 in the morning is because of real Nicki.

The glimpses of her that we see throughout the movie after Bear’s wish are honestly what got to me. Especially the scene where when Bear calls the One Wish Willow guy and he asks “Do you want to talk to her?” And then it’s just her screaming.

Inde Navarrette deserves recognition for just how terrifying she sounds in that scene alone. The terror and the pain that are evident in her voice. That fucked me up.

Then of course where she begs Bear to kill her, and how terrified and exhausted she sounds at this point. This girl has been trapped in her own body, and forced to witness a version of her take over that isn’t her. Forced to watch herself be taken advantage of and raped(I feel like I don’t have to argue why she was raped cause obviously the real Nicki didn’t consent to any of this), to see her friends think that she’s going crazy, and of course be forced to harm herself by the other Nicki.

She sounds so terrified and the worst part is that Bear as usual doesn’t really seem to listen to her. Which judging by his behavior in the movie is common for him. He only really cares about what Nicki makes him feel and how good she is to him. Albeit his actions prove both with the real Nicki before the wish, the shit we see after the wishes like how he didn’t question Nicki’s relationship with her dad(while everyone else knows she hates her dad), and how he behaves with the Nicki he wished for. He hears her scared and begging for death, and he makes it about himself because fundamentally Bear is a selfish coward.

And not killing Nicki comes with a cost because then she ends up murdering Sarah, and as much as he tries to reverse the wish with Ian and (kind of??) Nikki, Bear does not see what she actually wants and doesn’t kill her. Even when he tries to end it by killing himself he is leaving Nikki in a horrible traumatizing situation, and he doesn’t commit to it. He would have thrown up if Nikki hadn’t broken the One Wish Willow.

And that’s what leads us to the ending where once again Inde deserves her damn flowers(she does in general for this entire movie but also the ending especially). This is primarily because of the different way we see her cry after Bear’s death. As the obsessed Nikki she sobs and grieves, and nearly kills herself.

When she snaps back into Nikki? When she realizes she’s in control of her body, and what her body has done while she was trapped in it? She wails. It feels so much more heart breaking hearing her cry when she’s back because of mainly how real it sounds. It kind of reminds me of the scene where she’s screaming it’s just so real and so so intense to me. Because Nikki coming back to her body is mostly bitter than sweet.

Because now she has to live with what she has done, and while sure she didn’t do it, she was forced into this, but it’s still her hands that did it. Her fingerprints are on the gun that shot Ian, and also the ones that murdered and defiled Sarah’s corpse.

Not only is she going to need help after all the bullshit she went through, Nikki is likely going to be blamed for the murders (unless she proves to authorities that One Wish Willows work which is easy as we see with Ian’s wish, but also sounds insane in theory).

Also…I…I don’t know how the hell this would work in law if she even did prove she was under the influence. Manslaughter???

Anyways, this movie terrified me. Everyone did a great job in this movie. I might write something on that fucking protagonist that I hate, and dear goodness I know the director is making another movie that’s in the same universe. I would like a throwaway line for some closure pleassseeee.

[going2hell4everythingbutbeingbi]

I just need a beautiful woman to tell me that my bizarre imitation of human social skills is alluring and sexy

[the-thalibelia]

Crossnamara nation how are we feeling

[7seasofem]

gay son or thot daughter?

[seohyun0306]

The fact that we were robbed of what was possibly Rhaenyra’s only genuine, loving and reciprocal female relationship for a terribly written fanfiction plot line with her canonical abuser. If you don’t think it was racially charged, you’re dumb. Rhaenyra genuinely loved both Velaryon siblings and the show fucked one of the most important relationships in Rhaenyra’s life. I will be complaining about this on my death bed.

[margo-mania]

redraw of some of my old art,, hehe i love you graceyy

[chocolatodafirst]

The Lover Without a Heart

[gaynfl-moved]

STOP CENSORING YOURSELF ON THIS WEBSITE. FUCK SHIT SEX MURDER ALCOHOL DRUGS FAGGOT DYKE QUEER TRANS BITCH SLUT WHORE SEX SEX SEX SEX!!!!!!!!!!!

[your-sleep-paraylis-demon]

OK OK. UH UHHHH..... KILL?

[gaynfl-moved]

[harvestspriteirl]

[bisexualroger]

Me @ starkid

[spunketpunk]

Doomed Convict, stage 2 transformation.

[eyeballspaghetti]

I found Ted's account

[mickanism]

TED DIES AND GOES TO HELL an au

[hammersanvil]

Baelor and Maekar Targaryen by CrazyTom

[jadendoes-stuff]

~ the bastard of time and space ~

^ (separated versions) ^

Slowly drawing all the lords in black :PP I’m so hatchetfield pilled guys it’s not even funny

[the-thalibelia]

idk if you're still taking requests but if you are...i'd love to see hannah in your artstyle!!!

Hannah Foster! She's very fun to draw!