be-wildered

>18, appreciator of albatross and also lasagna. and space! space is cool too. so are most books. (header image a screenshot from https://www.youtube.com/watch?v=ckScH-rNtwo)

[knightofleo]

[herpsandbirds]

Common eider

[phynoma]

This needs to be immortalized because it's what made me turn on the sound. And they were right

[cool-deltarune-fun-facts]

Deltarune Fun Fact:

Toby Fox has stated that it is an intentional decision that certain kinds of merchandise (such as plushies) haven't been made featuring the Lightners. This is part of an elaborate setup for later in the story, where the player will have to record themselves destroying all Ralsei-related merch they own if they want Ralsei to survive the Roaring.

[geddyqueer]

good morning. [checks news] oh, never mind.

[worldhistoryinayear]

World History In A Year - Masterpost

This blog is a high-level overview of world history to the best of my knowledge. Each Saturday in 2026 (apart from a few rest weeks) I'll do a post on what was happening worldwide at a given point in time. From 2000 BC to AD 2000, each post will cover a century; for periods before that, the time frames will be longer.

This is out of personal interest - I want to get a better sense of which historic events in different places were happening at around the same time as each other, and how they paralleled and influenced each other.

I am a amateur in this topic - I've done a variety of reading but I don't have an academic background on any of this. I've made a separate post laying out my main sources and my assessment of them. I know that tumblr is full of people with more historical knowledge than me, and I'd love to learn more about any of these topics from people who understand them better!

The week after each post is time for any posts anyone else wants to make on that time period - commentary, photos of architecture and ancient sites, etc - with the #world history in a year tag, and I’ll reblog posts. In addition, if I want to make supplementary posts at some times, they will follow the Saturday for the given time period, with the following layout by day:

Sundays: Africa

Mondays: Europe and Western Asia

Tuesdays: Central and South Asia

Wednesdays: East and Southeast Asia and Oceania

Thursdays: North America

Fridays: South America

Detailed schedule below the cut!

Week 1 (Jan. 3): Introduction

Week 2 (Jan. 10): Human origins to 100,000 BC

Week 3 (Jan. 17): 100,000 BC to 10,000 BC (human migrations)

Week 4 (Jan. 24): 10,000 BC to 8000 BC (origins of agriculture)

Week 5 (Jan. 31): 7000s and 6000s BC

Week 6 (Feb. 7): 5000s and 4000s BC

Week 7 (Feb. 14): 3000s BC

Week 8 (Feb. 21): 2999-2500 BC

Week 9 (Feb. 28): 2499-2000 BC

Week 10 (Mar. 7): 1900s BC

Week 11 (Mar. 14): 1800s BC

Week 12 (Mar. 21): 1700s BC

Week 13 (Mar. 28): 1600s BC

Week 14 (Apr. 4): 1500s BC

Week 15 (Apr. 11): 1400s BC

Week 16 (Apr. 18): 1300s BC

Week 17 (Apr. 25): 1200s BC

Week 18 (May 2): 1100s BC

Week 19 (May 9): 1000s BC

Week 20 (May 16): 900s BC

Week 21 (May 23): 800s BC

Week 22 (May 30): 700s BC

Week 23 (June 6): ONE-WEEK BREAK

Week 24 (June 13): 600s BC

Week 25 (June 20): 500s BC

Week 26 (June 27): 400s BC

Week 27 (July 4): 300s BC

Week 28 (July 11): 200s BC

Week 29 (July 18): 100s BC

Week 30 (July 25): 99-0 BC

Week 31 (Aug. 1): AD 0-99

Week 32 (Aug. 8): AD 100s

Week 33 (Aug. 15): AD 200s

Week 34 (Aug. 22): AD 300s

Week 35 (Aug. 29): AD 400s

Week 36 (Sept. 5): AD 500s

Week 37 (Sept. 12): ONE-WEEK BREAK

Week 38 (Sept. 19): AD 600s

Week 39 (Sept. 26): AD 700s

Week 40 (Oct. 3): AD 800s

Week 41 (Oct. 10): AD 900s

Week 42 (Oct. 17): AD 1000s

Week 43 (Oct. 24): AD 1100s

Week 44 (Oct. 31): AD 1200s

Week 45 (Nov. 7): AD 1300s

Week 46 (Nov. 14): AD 1400s

Week 47 (Nov. 21): AD 1500s

Week 48 (Nov. 28): AD 1600s

Week 49 (Dec. 5): AD 1700s

Week 50 (Dec. 12): AD 1800s

Week 51 (Dec. 19): AD 1900s

Week 52 (Dec. 26): Conclusion

[twilightofthesandwiches]

Man, this is such an interesting exchange, cause, like… in most stories, when a character says they'd like things to go on forever, that they want something eternal, they're pretty much setting themselves up for a very rude awakening. You know, nothing lasts forever, sometimes you have to learn how to let go, sometimes you need to move on. I mean, that's one of the core themes of Undertale.

Flowey/Asriel's whole motivation in the Pacifist Route is to make the Game go on forever, to put the ending eternally out of reach, to trap Frisk in an infinite time loop because he just can't move on from Chara's death.

Part of the narrative is that if the Player RESETs a Pacifist Route then they are no better than he was, since now they are also yanking everyone away from their Happy Ending so that we can play with them again, because we can't accept the game has Ended. The Murder Route is less focused on that whole theme but you replay it over and over again Chara will basically call you a weirdo for your obsessive clinginess to this world.

Part of Undertale's themes is the importance of an Ending to a story. A True Pacifist Player's true and final act of selflessness is to let go of their desire have things keep going for forever, to give up on Eternity… for the sake of the happiness of every other character in this world, for the sake of their Happy Ending.

On the other hand, as a Wise Dog once said…

Both Undertale and Deltarune love exploring the ways in which the world of a game is different or similar to the real world, how the perspective of a Player is so different from the perspective of an actual character living in this world and... Real Life doesn't have a clear set ending.

The Player is the only one from whom the story just ended. Everyone else just kept living their stories of friendship together, although they probably never experienced something as high-stakes as the events of 'Undertale' ever again. And... when endings do seem to come, they're not going to be as clear-cut and satisfying and clearly communicated as the Game Ending is to the Player.

…But on the other other hand, it is still true that some things in life do end and we do have to accept that. Like… you know, the most famous Ending in life… is Death.

Gerson hears Susie talk about how she wants things to go on forever, but he already decided he has no interest in Eternity himself. He knows that the Three Heroes are here to seal the Fountains that revived him, he knows that when they succeed he'd go back to being a dust-covered hammer, probably never to be revived again and… he's perfectly at peace with that. He's an old man who died from natural causes, he had a long, full and satisfying life, he already had his ending. What's happening now is some weird glorified epilogue, but he knows it will end soon. And that's fine by him, because the time for his story has ended.

He does have one major regret in life, his failure to properly support his son's writing, and he spends all of the time the Dark has given him to try and make up for it. But it's really just a matter of asking Susie to deliver his message. He doesn't try to maintain or expand the Dark World so he could make up for his mistakes or try to pull Alvin in so he could meet him again or find a way to come back to life in the Light World somehow… I wonder if Someone was expecting him to do something like that and that's why they tried to give him that Shadow Crystal, but we all know that didn't work

In a way… we've already seen Susie's rude awakening for her desire for a 'forever'. She formed such a powerful bond with "the Old Man", she definitely would've wanted their time together to last longer, to last as long as it could, to last forever. But that's not possible.

And even his appearance in the Third Sanctuary was kind of a surprise stroke of luck that shouldn't be taken for granted.

The whole point of the Second Sanctuary is that Susie realized that Gerson was dead in the Light World, and trying to cope with this idea, went straight to a kind of denial.

Well, she can just pop over to the Dark World and, like, ask him what the Door Code is, right? No big deal! I mean, it's not exactly like Susie and Kris were really at a dead-end, there were plenty of areas in the Church they haven't checked thoroughly at all (not just the Fire Extinguisher)…

It wasn't because she HAD to do it for the Door Code, it's because she had to do it to reassure herself that her new friend isn't really gone, that maybe he'll be there waiting for her in his study if she just High-Key Stab Reality and Unleash the Flow of Pure Darkness Energy…

But it wasn't that simple. At best you can say his appearance in the Third Sanctuary means that he can manifest in any Church Dark World created by the Knight… but seeing how Susie's whole goal at the moment is to stop the Knight from making more Dark Fountains, that's not exactly increasing her chances to see the Old Man again.

When they go to seal the Fountain, Susie muses about her 'stupid dream' that things will just… stay the same. That she'll keep having fun Dark World adventures with her friends through eternity. But she knows that although Kris fully understands her, that's not what's going to happen. It's both about how the stakes and seriousness of the story have been so overtly raised for her, the Knight and the Titans aren't just an ominous background detail. She has fought them both. But it's also because she is already experiencing an Ending right now. She knows that when Kris seals this Fountain, she will probably never see Gerson again.

…But despite all of that, I don't think the narrative completely rebuke Susie's desire for Eternity. After all, Gerson heard her say that, fully knowing his own fate, and he mostly seemed intrigued? It doesn't seem to waver his belief that she's the one who should be writing the story, that he could count on her to defy fate in the name of Justice. Y'know, Susie wasn't really thinking of the Inevitability of Death at that moment, she was just thinking that… she would like to keep having fun adventures with her friends in perpetuity. And is that such a bad thing to wish for?

I mean, just because something was a theme in Undertale doesn't mean that Deltarune can't use Susie to drive home the point of 'well, yeah, you're not wrong, but it's a bit more nuanced than that", there's precedence, in fact.

I'm thinking about, like, the Tenna storyline in Chapter 3. That was also about someone who needs to move on, Tenna is clinging to his happier past in unhealthy way and wants the fun of his game show to last forever. He also wanted his own version of Eternity. But the game still draws a contrast between Ralsei, who just tells him to remember the happy times and accept that everything ends, including his use

And Susie, who is the one who rejects this mindset. Her solution still has some level of moving on and accepting that the Dreemurr-Holiday Family Unit has ended, but that doesn't mean he's just got to lay down and accept that his whole life is over. She comes up with a plan that ensures the continuation of his life and his dreams. It's an Ending of sorts, but an Ending that has a continuation attached to it. And it came specifically from Susie's distaste for endings, from her aggressive rejection of going gently into that good night.

There are certain things, certain endings, we all have to accept, but there is also so much that is worth rebelling against, that is worth fighting for. Susie's desire for an 'Eternity' might be a bit oversimplistic, but it is also the source of her rebellious spirit, out-of-the-box-thinking and the shining hope that Gerson sees in her. So I don't think the story will dismiss it outright, we really just have to wait and see just how much of that 'Eternity' Susie will manage to keep...

[tiernablue]

... right? I was rotating the newsletter exposition in my head and thought if it could recontextualize the reunion scene. You think it was like, shock, realisation, and like turbo denial in Tenna's part

[earlofnewshire]

Love ships where its like some guy with autism and his special interest is his wife

[justthreebewilderedbraincells]

[kooldewd123]

pokemon has given us a lot of fun takes on mundane life in the pokemon world over the years but "work-from-home pokemon trainer" has gotta be up there as one of my absolute favorites. sorry can you come in to the office today deborah from finance says she's supposed to battle you. yeah she says it's important.

[silmarienthequeen]

“Every character in the Silmarillion has so many names” factoid actually a statistical error. Most characters in the Silmarillion don’t have more than one or two names. Túrin Neithan Gorthol Agarwaen son of Úmarth Adanedhel Mormegil Thurin Wildman of the Woods Turambar Dagnir Glaurunga, who lived in a cave and has ten names, is an outlier adn should not have been counted.

[pickerwheelpolls]

You are faced with some random problem and the only person who can help you is the main character from the last piece of media you consumed (you can also do favorite character if there are multiple main characters). You can stay in this universe or be in the universe of the character, whichever you prefer, but the problem remains the same and the only person who can directly help you is the main character. That character can call on the help of those they know in their media, but when it comes down to it, they are the only person really helping you. How do you react to this situation?

Spin to find out your problem:

Your Reaction:

Literally the best problem and the best person to solve it! Yippee!

With this problem, character will definitely be helpful, this will go well!

Ok, could be worse, this is definitely going to be an adventure, but a fun one.

This problem isn't getting solved, actually more problems will be created help.

Well, I'm cooked, and so is the world honestly. And it won't even be that fun.

Voting ended onMar 10, 2025

[dearest-loveliest-elizabeth]

I have never once wished for Tolkien to still be alive as much as I do in this moment

(Some more clips)

[timothyclare]

meanwhile, in an alternate universe...

[fanonical]

spin this list of all of the pokemon. you are now that pokemon.

how are you doing

FUCK YEAH FUCK YEAH

this is pretty great actually

i can work with this

meh. no strong feelings

oh, this is not good

i am not the biggest fan, but i can work it out i guess

HATE HATE HATE HATE HATE

Voting ended onFeb 2, 2025

[an-na-ko]

Lyra, my beloved cat of 13 years, passed away this year on Father's Day. She's been by my side through very difficult times and was my little rock of steady and unrelenting love. I struggled a lot drawing this, and struggled a lot posting it, but I know I would've wanted to read a comic like this that validated my grief for her when I lost her.

Wherever you are, Lyra my little summer star, I love you always! Thank you for being the best thing in my life.

[teathattast]

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people on senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer listed. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

The timeline, the details, the screenshots (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.

Thank you all so much.