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Kiana Khansmith
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@jxliaxo0613
now more than ever. i’m having the best days of my life because of fujoing out. and you have nothing
5 times Dan and Phil click baited us
+ one time it was real
i am so intrigued by the idea of a self-study curriculum. i shall make one for myself, at least give it a try.
subscribing to a fic isn’t enough I need the author to blast a bat signal into the night sky whenever they update
Ahh this is so truee
𝖙𝖎𝖒𝖊 𝖉𝖎𝖓𝖊𝖘 𝖔𝖓 𝖙𝖍𝖊 𝖇𝖔𝖓𝖊𝖘 𝖔𝖋 𝖆𝖒𝖇𝖎𝖙𝖎𝖔𝖓
the anxiety one get's from not studying is not healthy
the chokehold darry fanfiction has on me, can not be logically explained
Some Tips for writing internal conflict
Wanting Two Things at Once Imagine your character really wants to chase after something big, like a dream school, a major opportunity, or maybe even moving to a new city. But at the same time, they’re terrified of leaving behind everything they’ve ever known. Or maybe they’re in a relationship that’s holding them back, but they can’t bring themselves to let go. Show them getting pulled in two directions, torn between their ambition and their fear of losing the people or places that ground them.
Right vs. Wrong Sometimes, your character will know deep down what the right choice is, but it’s the most difficult one to make. Like, maybe they see someone getting bullied and know they should stand up, but doing so could make them a target. Or maybe they have to decide between helping a friend and doing something that could ruin their own future. These moral dilemmas create intense internal conflict because it forces them to question who they are and what they stand for.
Doubting Themselves We all have moments where we wonder if we’re enough, smart enough, strong enough, brave enough. Let your character wrestle with that same doubt. Maybe they’re the kid who has always been told they’re special, but now they’re in a place where everyone is just as good, and they start to wonder if they even belong. Or maybe they’ve been through something tough, and they’re not sure if they can bounce back. These moments of insecurity make your character feel human, like they’re trying to figure it all out, just like everyone else.
Dreams vs. Fears Show your character dreaming big but getting frozen by their own fears. It’s like wanting to ask someone out but being terrified of rejection, or wanting to move away for college but being scared to leave home. Let them imagine all the things that could go wrong , that moment when fear makes them doubt if they should even try. But also show their desire burning just as strong, making it impossible to ignore. That’s the heart of internal conflict: they’re stuck between wanting something so bad and being afraid of what it’ll cost to go after it.
Beliefs Being Challenged As your character grows, the world will start challenging their beliefs. Maybe they grew up in a family that drilled certain values into them, and now they’re meeting people who see things differently. Or maybe they’re experiencing something new, and it’s changing their perspective. It’s like when you think you have everything figured out, and then life throws something at you that makes you go, "Wait, maybe I’ve been wrong this whole time." This kind of internal conflict is powerful because it forces the character to question who they’ve always been.
Keeping Secrets If your character is hiding something, like a mistake they made, feelings they’re afraid to admit, or a truth they don’t want to face, that secret becomes a huge part of their internal conflict. The fear of being found out or of dealing with the consequences can create a constant pressure in their mind. Maybe they’re scared they’ll lose their friends if the truth comes out, or maybe they’re dealing with guilt they can’t shake. The tension comes from their battle to keep it hidden while knowing they can’t keep it locked away forever.
Pressure from Everyone Your character might feel like they’re trapped between what they want for themselves and what everyone else wants from them. It could be pressure from parents, who have their whole future planned out, or pressure from friends to fit in or follow the crowd. Maybe your character wants to be true to themselves, but they’re scared of disappointing people or standing out too much. This kind of internal conflict is super relatable because, at some point, everyone feels like they’re stuck between living for themselves and living for others.
Fear of Failing Sometimes the biggest obstacle isn’t the external challenge but the internal fear of failure. Your character might have big dreams, but they’re paralyzed by the thought of messing up. Whether it’s competing in a sport, performing on stage, or just trying something new, the fear of not being good enough can be overwhelming. Maybe they’re afraid that if they fail, everyone will see them differently, or worse, that they’ll see themselves differently. The internal conflict comes from their desire to succeed battling against their crippling fear of failure.
Resources for Writing Injuries
Patreon || Ko-Fi || Masterlist || Work In Progress
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Head Injuries
General Information | More
Hematoma
Hemorrhage
Concussion
Edema
Skull Fracture
Diffuse Axonal Injury
Neck
General Information
Neck sprain
Herniated Disk
Pinched Nerve
Cervical Fracture
Broken Neck
Chest (Thoracic)
General Information
Aortic disruption
Blunt cardiac injury
Cardiac tamponade
Flail chest
Hemothorax
Pneumothorax (traumatic pneumothorax, open pneumothorax, and tension pneumothorax)
Pulmonary contusion
Broken Ribs
Broken Collarbone
Abdominal
General Information
Blunt trauma
Penetrating injuries (see also, gunshot wound & stab wound sections)
Broken Spine
Lung Trauma
Heart (Blunt Cardiac Injury)
Bladder Trauma
Spleen Trauma
Intestinal Trauma
Liver Trauma
Pancreas Trauma
Kidney Trauma
Arms/Hands/Legs/Feet
General Information | More
Fractures
Dislocations
Sprains
Strains
Muscle Overuse
Muscle Bruise
Bone Bruise
Carpal tunnel syndrome
Tendon pain
Bruises
Injuries to ligaments
Injuries to tendons
Crushed Hand
Crushed Foot
Broken Hand
Broken Foot
Broken Ankle
Broken Wrist
Broken Arm
Shoulder Trauma
Broken elbow
Broken Knee
Broken Finger
Broken Toe
Face
General Information
Broken Nose
Corneal Abrasion
Chemical Eye Burns
Subconjunctival Hemorrhages (Eye Bleeding)
Facial Trauma
Broken/Dislocated jaw
Fractured Cheekbone
Skin & Bleeding
General Information (Skin Injuries) | More (Arteries)
femoral artery (inner thigh)
thoracic aorta (chest & heart)
abdominal aorta (abdomen)
brachial artery (upper arm)
radial artery (hand & forearm)
common carotid artery (neck)
aorta (heart & abdomen)
axillary artery (underarm)
popliteal artery (knee & outer thigh)
anterior tibial artery (shin & ankle)
posterior tibial artery (calf & heel)
arteria dorsalis pedis (foot)
Cuts/Lacerations
Scrapes
Abrasions (Floor burns)
Bruises
Gunshot Wounds
General Information
In the Head
In the Neck
In the Shoulders
In the Chest
In the Abdomen
In the Legs/Arms
In the Hands
In The Feet
Stab Wounds
General Information
In the Head
In the Neck
In the Chest
In the Abdomen
In the Legs/Arms
General Resources
Guide to Story Researching
A Writer’s Thesaurus
Words To Describe Body Types and How They Move
Words To Describe…
Writing Intense Scenes
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Masterlist | WIP Blog
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This is AMAZING
Love this so much for not just a comprehensive list of hopeful information but like this also means you don’t have to Google it and deal with the gauntlet of AI descriptions and gruesome images. Just get straightforward peer-reviewed information
Sad things you can do in a book other than killing of a character
Character death is sad, but it also has huge consequences on your plot that can’t be reversed. Not to mention, depending on your genre, character deaths are often reserved for later in the series as a way of telling the reader that things are getting serious.
So, until that moment, here’s a quick list of things you can do to tug at your readers emotions:
1.- Destruction of an item of value. For this to work you’re going to have to set this up early on, it could be a childhood toy they need to sleep at night, a necklace they swear gives them good luck, and old family trinket or any number of things. The important thing is you show just how important it is to the character, make them happy and excited just to talk about it. Later on your character will feel loss and so will the audience.
2.- Arguing. Two characters with a strong bond arguing can be heartbreaking, even if you know the argument is going to resolve itself eventually, going from cuddles and banter to cold looks and the silent treatment, can easily hurt the audience just as much as the characters.
3.- Betrayal. When well done, it’s worst than character death. When you as a reader fall head over heels in love with a character, only for them to betray the rest, it’s heartbreaking, especially if when you read back the foreshadowing was there. It was so obvious yet you were all so blind! As blind as the other characters. Also, unlike character death, they’re still there, there to taunt you with their mere existence.
4.- Failure. We have probably all felt that emptiness, that feeling as the world crumbles around us, haplessness, when we failed an exam in school or just couldn’t get the house clean in time for that visit. Take that feeling and reflect it into your characters, it doesn’t have to be an exam, it can be anything, a task they’re parents asked them to do and they tried their best, a mission, anything. Just let them fail and feel the world crumble.
5.- Being forced to stay behind. Following from point four, if a character is not good enough they can be left behind, perhaps it comes from a place of love, an attempt to protect them from enemies too strong, yet it still hurts. Perhaps they haven’t failed, perhaps they are left behind for another reason, because they are “too valuable”, or because they’ll be more useful back home. Either way, watching those close to you go of to fight for what you believe in, without you, can be painful.
6.- Finding out something they believed in was a lie. It can be something relatively insignificant, an assumption they never bothered to question. Or something world shattering. Allow me to offer up an example with an unimportant spoiler from my second book (it’s not even out yet but oh well): in this book, while talking about some law, Henry realises his daughter believes he and her mother were married. This is an assumption Itazu made and never questioned. It affects nothing, nothing changes, yet finding out her mother and her father were not the happy married couple she’d always pictured, it’s painful.
This could also be something huge, finding out you’re adopted for example.
7.- History. Oh, history, how depressing it can be. And if you have a fantasy world you have many opportunities to go into this. From slaughters to slavery, finding out how society got to where it is, the base on which it is built. Well, it’s pretty depressing. Obviously be careful how much inspiration you take from real world history and always be respectful and do your research!
8.- Scarring. An injury can be painful, it can be scary. And depending on what caused it, leave you with traumatising memories. Now add to that a physical visible reminder on your skin you can never remove. Well, that can be pretty horrible. Imagine the scar came from a battle the protagonist longs to forget, but can’t because every night before going to sleep they can’t help but glance at their arm where the nasty scars forever lies.
As usual, check out my book, stories I’ve written plus other social medias: here.
This another post I could probably do a part two on someday. Can you think of any books where any of these are done effectively? Do any of these happen in your owns book? Please tell me! I love hearing from you all.
220 Scents
This is a companion resource to Words To Describe Scent.
Arguably our most evocative sense, the sense of smell is an underused tool in writing descriptions and settings. Nothing transports me into the book I’m reading as effectively as the memory of some familiar scent, or some distant one awoken from the deepest parts of my brain. This is simply a list of recognizable scents, categorized by the “type” of scent or the kind of environment where it might be found:
ingrid sundberg's colour dictionary - writing help
Oh sweet mother that’s useful
Here’s just the template