My first steps as an artist. Traditional and digital art. Original art and occasional fanart.
Hey I finally made an art blog! 🤗
I'd really appreciate it if you could follow it and/or share this post. Thank you 🧡
almost home
YOU ARE THE REASON

@theartofmadeline

gracie abrams
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Keni

Product Placement

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ojovivo
Show & Tell
Today's Document
noise dept.
Fai_Ryy
let's talk about Bridgerton tea, my ask is open

roma★
RMH
Monterey Bay Aquarium
One Nice Bug Per Day
EXPECTATIONS
"I'm Dorothy Gale from Kansas"

seen from Malaysia

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seen from United States

seen from United States

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seen from United States

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@sous-le-saule
My first steps as an artist. Traditional and digital art. Original art and occasional fanart.
Hey I finally made an art blog! 🤗
I'd really appreciate it if you could follow it and/or share this post. Thank you 🧡
"all you ever do is complain" that's not true. I also resent.
Painting for the album. "An Upward Obsession" by Andrew Abboushi.
Acrylic, gouache, colored pencils on illustration board, 10 x 10"
‘Girl in a Red Kimono’ by George Hendrik Breitner, c. 1893.
Clarence Coles Phillips (1880 – 1927)
poulpe à l'encre..
it baffles me when people say “i got tricked into watching this show for a ship that isn’t even canon” bro if those men had kissed, you would’ve SEEN it. i’ve seen gifs of men making out in shows i have no desire to watch. i’ve seen sex scenes from movies that nobody has ever heard of. when men kiss on screen, i am notified
Silence under the oranges II - Angus Hampel , 2012.
German , b. 1956 -
Oil on canvas
A Summer Long Ago. Kaoru Yamada.
Aujourd'hui, il fait 39 degrés. Ou peut-être hier, je ne sais pas. J'ai reçu un télégramme de Météo France : “Vague de chaleur. Vigilance rouge demain. Adoptez les bons gestes.” Cela ne veut rien dire. C'était peut-être hier.
brother gregor's catch of the day
toward the sun, from the sun
Requiem - Esa Riippa
Finnish, 1947-
Etching, 20 x 28 cm.
J R R Tolkien - Poems and Stories -
First Edition with Deluxe cloth gilt binding 1980
[Sold]
Ravens’ Chorus, Kenojuak Ashevak, 2002