Hewwo

I do art peeps pronouns she/her, is ace art blog of purfectionatbest

[piggypiejacky]

Omggg the way Wakko jumps up super high 🥺😭

[yourdadsghoulfriend]

Brevity is the soul of wit & this was so damn creative

[baka-monarch]

I say this again

Dream XD as Rose's part and George as Greg's part

Please-

[dogtheories]

[wakkodoodle]

Twisted Toonz is a goldmine when it comes to Animaniacs content.

Yes, this is Wakko Warner as Kyle Broflovski.

[the-duke-of-nuts]

Logan connected the two dots

[marauders4evr]

I just really want to write a book (in fact, I think that I’m going to) where the protagonist is in a wheelchair. And they live in a city where there’s a group of superheroes. And there’s a big, magical, villain because of course there is.

And since they were a young child, this protagonist has wanted nothing more than to join the group of superheroes. Like they’re a huge fan of the group and they just know that it’s their destiny to join.

And one day, when wheeling through the city, they see the group of heroes fighting the villain. And they quickly wheel over and cry, “Let me help!”

But the ‘heroes’ laugh and instead make a whole bunch of ableist remarks.

And so the protagonist has to prove themselves.

And the villain is trying to warn them to stop.

But the protagonist ends up taking their footrest off of their wheelchair and they swing it. And it hits the villain in the side of the face and the villain collapses and groans in pain.

And so the protagonist proudly smiles and turns to the group of heroes.

Because they just proved that they are strong and worthy enough.

But the group of ‘heroes’ still keeps making ableist remarks.

And the protagonist is shocked.

And meanwhile, the ‘villain’ staggers to their feet and is standing next to the protagonist’ wheelchair.

And one of the ‘heroes’ goes too far when calling the protagonist the R word.

And the protagonist and the ‘villain’ just sort of glance at one another.

And the ‘villain’ is just like, “You know…I can zap them for you…if you want.”

And the protagonist hesitates and says, “Yeah, alright!”

One fried group of heroes later, the ‘villain’ says, “Why do you think that I’m always fighting them? They’re all a bunch of assholes.”

And the protagonist sadly nods and starts to wheel away.

Then:

“Hey, do you want a job?”

The protagonist turns at the villain’s remark. And the protagonist mumbles something like, “Oh, come on. I don’t need your pity.”

And the ‘villain’ is like, “Pity!? Do I look like someone who hands out pity!? I don’t pity you! I’m kind of afraid of you, to be honest! I mean…I’m going to have a giant bruise on my face because of you.”

“Yeah…sorry…”

“Water under the bridge! So, what do you say? Do you want a job?”

And the protagonist thinks about it for a minute before shrugging.

And the ‘villain’ is all excited because they’ve wanted someone to work with them for years but no mortal is allowed to ‘step into’ their lair.

And then the ‘villain’ stops and is like, “Hang on…you can’t work with me in that.”

And they gesture to the protagonist’s wheelchair.

And the protagonist is all embarrassed.

And then the villain goes, “Because we can get you a much better wheelchair! It’ll look great! And it’ll be indestructible! And it’ll have all sorts of weapons and gadgets! Hey, how do you feel about flying…?”

And all of that is literally in the first chapter and then the rest of the story follows the two going around the city like BAMFs, forcing people to stop being ableist, one way or another. And maybe it’ll have some commentary on the scale of morality and what it truly means to be a hero and what it truly means to be a villain.

Would anyone be interested in this!?

Because I really want to write it!?

[sicklord]

YESSSSS. ALL MY YES PLS WRITE IT

[iama-potato]

I’D READ THE SHIT OUT OF THAT YES PLEASE

[marauders4evr]

OP HERE!

Man, it’s so surreal to look at this.

BECAUSE I ACTUALLY WROTE IT!

AND IT WAS JUST PUBLISHED TONIGHT!

Of course, there are some differences between the final book and this original idea. The most notable difference is that all of this takes place in the first book (it’s going to be a series!) and the whole ‘superhero’ thing is just going to be a front. There’s a few other differences as well (such as a huge plotline involving Merlin and immortal characters!)

BUT I WROTE IT!

AND IT’S PUBLISHED!

AND IF YOU’RE INTERESTED, YOU CAN BUY IT HERE:

www.amazon.com/Antagonists-Book-One-Burgandi-Rakoska-ebook/dp/B015BWS9J0/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1442188845&sr=1-1&keywords=the+antagonists

AND IF YOU WANT TO HELP ME OUT, YOU CAN REVIEW IT!

AND IF YOU REALLY WANT TO HELP ME OUT, YOU CAN SIGNAL BOOST THIS POST WITH THIS REPLY SO THAT PEOPLE ACTUALLY KNOW THAT THE BOOK NOW EXISTS!

[marauders4evr]

UPDATES 2+ Years Later:

The Antagonists Series (Books One - Five) is now available in paperback!

https://www.amazon.com/gp/bookseries/B017TW3ZD0/ref=dp_st_1521362947

[marauders4evr]

This is honestly the most surreal post to look back on in the 25,000+ posts that I’ve made/reblogged in my six years on this website. 

Regardless

BOOK SIX IS NOW AVAILABLE!

https://www.amazon.com/Antagonists-Book-Six-Burgandi-Rakoska-ebook/dp/B07CJWV3RL/ref=redir_mobile_desktop?_encoding=UTF8&keywords=burgandi%20rakoska&pi=AC_SX236_SY340_FMwebp_QL65&qid=1525711816&ref_=mp_s_a_1_2&sr=8-2

SIGNAL BOOST!

[changeling-ash]

I love this author, show love! And check out my fav The Defectives from them too!!!

[silenceofsixx]

I think about this episode of the Boondocks at least once a day….

[wizard0rb]

thinking about how an anonymous group (WHO DOESN’T SEEM TO BE AFFILIATED W/ SESAME STREET!!!) found out where jon armond lived and made him swear he wouldn’t show anyone cracks before they gave it to him

[wizard0rb]

oh i am SO glad you asked. gimme a sec

[wizard0rb]

Ok SO. This guy (Jon Armond) claimed to have seen a Sesame Street short as a kid where the cracks in a girl’s wall come to life. One of these cracks is referred to as the “Crack Monster”, which was apparently so unsettling that it “scarred him for life”.

After all was said and done, Jon would end up spending about THIRTY FUCKING YEARS looking for the short. THIRTY. He considered it his life’s work.

Listen. I can appreciate that level of dedication to recovering a lost piece of animation history, but uh. damn.

Anyway, he posted about it online, where many other people reported seeing it as well. The fact that there were multiple accounts of its existence, but little to no information on it anywhere, was what made it start garnering attention on the internet. Now a bunch of people are looking for it.

No one knew for sure what the title was yet, so most referred to it as the “Crack Monster Cartoon”, or something similar. The lack of a known title (or music, or voice actors, or writers, or literally anything) made it extremely difficult to research, but there were too many reports to write it off as a hoax.

So people kept looking.

I’m gonna leave out some details in the middle here, since I don’t wanna make this thread too long. But it’s super interesting, I’d recommend checking it out for yourself. Let’s just skip to the weird part.

After years of searching, Armond received a fax to his workplace with an untraceable number. It read: 

“WE HAVE THE COPY”

Additionally, they said they would send him said copy of the short, on one condition: he was to never show it publicly, or post it online in any way. 

Whoever it was that contacted him, they did NOT want it to be viewed by the general public.

here it is, btw.

So six months pass. Armond gets a letter, which says 

“WE TRUST THIS COMPLETES YOUR SEARCH”

Also enclosed in the envelope is a DVD.

To clarify, he received it on a SUNDAY. These people, whoever they are, found out where he WORKED, and then went to the effort of delivering it PERSONALLY on a day where there was NO MAIL, just to send the message THAT THEY KNEW WHERE HE LIVED AS WELL.

FOR THAT SESAME STREET CARTOON.

So now he has it. And he tells people he has it, but that no one else can see it. Which is, of course, INCREDIBLY unsatisfying to the people online who have also been searching for it, right?

Enter Dycaite, the founder of the Lost Media Wiki.

So Dycaite started looking into it as well. Like I said, I’m skipping a bunch of details in this thread, but long story short he eventually received an anonymous email.

The email contained CRACKS.

There were no instructions telling him not to share it. Dycaite didn’t hesitate, which is how we got the version of CRACKS that I linked.

With the newfound context provided by the video, it actually makes complete sense that it was only aired a few times. This short was made right before the word “Crack” became widely known as a euphemism for drugs, which is how you get characters like “The Crack Monkey”. 

Sesame Street doesn’t want to be associated with that, so they stop airing it right? Eventually it’s forgotten about, the only record of its existence being Sesame Street’s digital archives.

(It’s believed that the person who emailed Dycaite had access to these archives, due to the timestamp and title at the start of their version of the clip.)

So… that’s it right? It SEEMS like it should just be a classic story of formerly lost media, cartoon stops airing, gets lost, people online find it again. We even know WHY it was lost, not because it was “too scary” or whatever, just because it didn’t age well.

But there’s still SO MUCH mystery surrounding CRACKS.

The version of CRACKS that Jon Armond received was different from the version Dycaite received. Armond says his version appears to be an actual recording, as it starts with a brief appearance of Bert and Ernie, before transitioning to the short. As mentioned earlier, Dycaite’s version seems to come from some kind of archive.

So it can be reasonably assumed that the people who contacted Armond are not affiliated with the person who emailed Dycaite. The person who contacted Dycaite also didn’t seem to care if the short was released to the public. Armond still hasn’t released his version of the recording to the public, though has apparently shown it to a few people privately.

So why all the secrecy? And why was Jon Armond given a copy? Did they simply feel bad for him, or was there something they didn’t want him to discover in his search? Was the version Armond received (and therefore the version that was aired) somehow different from the version Dycaite got????

i don’t fucking know babey!!! and neither does anyone else apparently!!!!

oh AND the group who didn’t want CRACKS to ever be viewed doesn’t actually seem to be affiliated with Sesame Street, since they presumably don’t have access to the archives. (otherwise, why not remove the info from the beginning and send that version?)

so there’s an unofficial Sesame Street Forbidden Knowledge Guild out there i fuckin guess!!!!!!!!

anyways that’s cracks for you

(this isn’t comprehensive btw, and i may have gotten some stuff wrong. if you wanna know more here’s a good video on it)

[wizard0rb]

this is the version of this post w/ the right links btw

[datorangeninja]

I’m cool and blocked Lily Orchard before she blocks me so she can’t see my post unless she goes incognito mode but here’s a Slideshow of her deleted Tweets. Credits goes to John R. Cole for giving me permission to use his screenshot for my videos.

[kyleehenke]

i had no choice

[toastpotent-deactivated20250619]

so no one was gonna tag me in this huh

[shaolinbynature]

wisconsin, michigan, and arizona after their four year relationship with trump

[sophfandoms53]

Louie Duck has never done anything wrong,ever in his life,and I will not be convinced otherwise.

I guess Timephoon just doesn’t exist to you

Y’know when this happened

[sophieandace]

Does Drake Mallard know that I love him cuz it’s important to me that he knows this

[abnormal-normality]

angst angst angst angst

[quotes-ig]

Tommy gets a stark reminder that Techno can tryhard any game...terrifying footage

[kum-mer]

taxi driver saved a guy who was getting chased by cops

[afloweroutofstone]

Shoutout to this Belarusian cab driver

[ruckuscauser]

“‘Help!' he shrieked shrilly in a voice strangling in its own emotion, as the policemen carried him to the open doors in the rear of the ambulance and threw him inside. 'Police! Help! Police!' The doors were shut and bolted, and the ambulance raced away. There was a humorless irony in the ludicrous panic of the man screaming for help to the police while policemen were all around him. Yossarian smiled wryly at the futile and ridiculous cry for aid, then saw with a start that the words were ambiguous, realized with alarm that they were not perhaps, intended as a call for police but as a heroic warning from the grave by a doomed friend to everyone who was not a policeman with a club and gun and a mob of other policemen with clubs and guns to back him up. 'Help! Police!' the man had cried, and he could have been shouting of danger.”

- Catch-22, Joseph Heller