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Lint Roller? I Barely Know Her

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LUKE THOMPSON interviewed by CLAUDIA JESSIE Grumpy Magazine shot by Annie Noble
"- My references have always been quite old in the sense that it's not cool to like Shakespeare or classical music. I'm not averse to pop culture. But those big old things do something very emotional to me in a way that I know a lot of people feel about other stuff. I like the scale and the epicness of it."
# going into friday like…
AYO EDEBIRI Explain This | Esquire
*:・゚✧ — plot idea dumpppp !!
childhood sweethearts (on the rocks)
a plot where muse a and muse b have been friends since childhood — here and there, they would have a one night stand, but never really allowed themselves to progress into anything more than just friends. now, as adults who are figuring out the dating scene isn’t as easy as their parents made it seem, muse a and muse b are seeing each other more and more frequently. eventually, muse a starts seeing someone new, and has less and less time for muse b. i’m talking jealousy, tension!!! muse b realizing maybe they’ve had feelings for muse a the whole time, muse a having to make tough decisions — either continue dating this new person or hurt muse b!!! i liiiiive for drama pls
childhood sweethearts (with a twist)
okay but a plot where close childhood friends reunite — except muse a was in love with muse b growing up, and muse b became muse a’s best friend’s high school sweetheart. muse a concealed their feelings for muse b all throughout their friendship, in high school & college, although both muses definitely had feelings & felt sparks for one another long before muse b started dating muse a’s best friend. despite the connection they’d felt, neither wanted to jeopardize any of the friendships between the three, and ultimately, muse b ended up married to muse a’s bff… except now, years later, muse a and muse b reunite at muse a’s best friend’s funeral. imagine the hurt of losing a loved one but having the comfort of yet another loved one?? blurred lines, tension, second-guesses…….
let me take care of you (southern charm)
okay so i’ve been kicking around a ranch hand plot where muse a is looking for help around the ranch they’ve just inherited due to a death in the family, and seeing as they’re just one person with lots of land, and virtually no knowledge on how to take care of it, it’s impossible to go it all on their own… enter muse b. muse b, a man who not only knows how to work the land but can take care of the ranch with ease, finds it impossible to not take care of muse a, while he's at it. just give me texan sunsets and lovers with low static music crooning in the background from some vinyl record please & ty
friends with benefits (with feelings)
a friends with benefits plot where muse a is dead-set, hellbent on not having a relationship and not getting too intimately involved with muse b; muse b has been in love with muse a for years, and muse a knows this, but still can’t bring themselves to get emotionally attached. i need tensionnnn and like, a lil toxicity ykwim??? for the angst omg
will you come find me (after the party?)
so hear me out — a plot where muse a and muse b met at a friend of a friend’s party & instantly hit it off. muse a is immediately infatuated with muse b — they laugh, talk, drink; they even make an incredible beer pong team. at some point during the night, muse a decides to put the moves on muse b. however, after leaving to get them some drinks, muse a comes back to find muse b kissing someone else… and to make it worse? it’s their boyfriend/girlfriend. tbh this plot could have the potential of a shakespearean comedy if we did it right akdjgh ok i'm talking messssssssyyyy
you feel like home (but i’ve got a different address)
okay so i need a tense plot where muse a and muse b are soulmates, beyond the shadow of a doubt — but muse a is married to a nightmare of a spouse. little by little, they spend more time together one on one, but it’s getting increasingly harder for muse b to see muse a with their spouse, especially knowing how that spouse treats muse a. idk this is a rough plot/work in progress plot but i feel like it has potential to go somewhere!!!
as always — send me over a private message if you're interested in writing up any of these bad boys !!
Logan Lerman
The New York Times
DANIELLE CAMPBELL photographed by Andie Jane, june 2024
*:・゚✧ — plot idea dumpppp !!
childhood sweethearts (on the rocks)
a plot where muse a and muse b have been friends since childhood — here and there, they would have a one night stand, but never really allowed themselves to progress into anything more than just friends. now, as adults who are figuring out the dating scene isn’t as easy as their parents made it seem, muse a and muse b are seeing each other more and more frequently. eventually, muse a starts seeing someone new, and has less and less time for muse b. i’m talking jealousy, tension!!! muse b realizing maybe they’ve had feelings for muse a the whole time, muse a having to make tough decisions — either continue dating this new person or hurt muse b!!! i liiiiive for drama pls
childhood sweethearts (with a twist)
okay but a plot where close childhood friends reunite — except muse a was in love with muse b growing up, and muse b became muse a’s best friend’s high school sweetheart. muse a concealed their feelings for muse b all throughout their friendship, in high school & college, although both muses definitely had feelings & felt sparks for one another long before muse b started dating muse a’s best friend. despite the connection they’d felt, neither wanted to jeopardize any of the friendships between the three, and ultimately, muse b ended up married to muse a’s bff… except now, years later, muse a and muse b reunite at muse a’s best friend’s funeral. imagine the hurt of losing a loved one but having the comfort of yet another loved one?? blurred lines, tension, second-guesses…….
let me take care of you (southern charm)
okay so i’ve been kicking around a ranch hand plot where muse a is looking for help around the ranch they’ve just inherited due to a death in the family, and seeing as they’re just one person with lots of land, and virtually no knowledge on how to take care of it, it’s impossible to go it all on their own… enter muse b. muse b, a man who not only knows how to work the land but can take care of the ranch with ease, finds it impossible to not take care of muse a, while he's at it. just give me texan sunsets and lovers with low static music crooning in the background from some vinyl record please & ty
friends with benefits (with feelings)
a friends with benefits plot where muse a is dead-set, hellbent on not having a relationship and not getting too intimately involved with muse b; muse b has been in love with muse a for years, and muse a knows this, but still can’t bring themselves to get emotionally attached. i need tensionnnn and like, a lil toxicity ykwim??? for the angst omg
will you come find me (after the party?)
so hear me out — a plot where muse a and muse b met at a friend of a friend’s party & instantly hit it off. muse a is immediately infatuated with muse b — they laugh, talk, drink; they even make an incredible beer pong team. at some point during the night, muse a decides to put the moves on muse b. however, after leaving to get them some drinks, muse a comes back to find muse b kissing someone else… and to make it worse? it’s their boyfriend/girlfriend. tbh this plot could have the potential of a shakespearean comedy if we did it right akdjgh ok i'm talking messssssssyyyy
you feel like home (but i’ve got a different address)
okay so i need a tense plot where muse a and muse b are soulmates, beyond the shadow of a doubt — but muse a is married to a nightmare of a spouse. little by little, they spend more time together one on one, but it’s getting increasingly harder for muse b to see muse a with their spouse, especially knowing how that spouse treats muse a. idk this is a rough plot/work in progress plot but i feel like it has potential to go somewhere!!!
as always — send me over a private message if you're interested in writing up any of these bad boys !!
*:・゚✧ — plot idea dumpppp !!
childhood sweethearts (on the rocks)
a plot where muse a and muse b have been friends since childhood — here and there, they would have a one night stand, but never really allowed themselves to progress into anything more than just friends. now, as adults who are figuring out the dating scene isn’t as easy as their parents made it seem, muse a and muse b are seeing each other more and more frequently. eventually, muse a starts seeing someone new, and has less and less time for muse b. i’m talking jealousy, tension!!! muse b realizing maybe they’ve had feelings for muse a the whole time, muse a having to make tough decisions — either continue dating this new person or hurt muse b!!! i liiiiive for drama pls
childhood sweethearts (with a twist)
okay but a plot where close childhood friends reunite — except muse a was in love with muse b growing up, and muse b became muse a’s best friend’s high school sweetheart. muse a concealed their feelings for muse b all throughout their friendship, in high school & college, although both muses definitely had feelings & felt sparks for one another long before muse b started dating muse a’s best friend. despite the connection they’d felt, neither wanted to jeopardize any of the friendships between the three, and ultimately, muse b ended up married to muse a’s bff… except now, years later, muse a and muse b reunite at muse a’s best friend’s funeral. imagine the hurt of losing a loved one but having the comfort of yet another loved one?? blurred lines, tension, second-guesses…….
let me take care of you (southern charm)
okay so i’ve been kicking around a ranch hand plot where muse a is looking for help around the ranch they’ve just inherited due to a death in the family, and seeing as they’re just one person with lots of land, and virtually no knowledge on how to take care of it, it’s impossible to go it all on their own… enter muse b. muse b, a man who not only knows how to work the land but can take care of the ranch with ease, finds it impossible to not take care of muse a, while he's at it. just give me texan sunsets and lovers with low static music crooning in the background from some vinyl record please & ty
friends with benefits (with feelings)
a friends with benefits plot where muse a is dead-set, hellbent on not having a relationship and not getting too intimately involved with muse b; muse b has been in love with muse a for years, and muse a knows this, but still can’t bring themselves to get emotionally attached. i need tensionnnn and like, a lil toxicity ykwim??? for the angst omg
will you come find me (after the party?)
so hear me out — a plot where muse a and muse b met at a friend of a friend’s party & instantly hit it off. muse a is immediately infatuated with muse b — they laugh, talk, drink; they even make an incredible beer pong team. at some point during the night, muse a decides to put the moves on muse b. however, after leaving to get them some drinks, muse a comes back to find muse b kissing someone else… and to make it worse? it’s their boyfriend/girlfriend. tbh this plot could have the potential of a shakespearean comedy if we did it right akdjgh ok i'm talking messssssssyyyy
you feel like home (but i’ve got a different address)
okay so i need a tense plot where muse a and muse b are soulmates, beyond the shadow of a doubt — but muse a is married to a nightmare of a spouse. little by little, they spend more time together one on one, but it’s getting increasingly harder for muse b to see muse a with their spouse, especially knowing how that spouse treats muse a. idk this is a rough plot/work in progress plot but i feel like it has potential to go somewhere!!!
as always — send me over a private message if you're interested in writing up any of these bad boys !!
If you click HERE you'll find 110 gifs of Finn Cole from his role in Locked In. Finn is white, so please cast accordingly. All gifs were made by me from scratch and are 268 x 170. You are welcome to resize these/edit for personal use, but do not redistribute or claim them as your own. Content warning: alcohol, drowning, and death
PAUL MESCAL | Chicken Shop Date (January 26, 2024)
“you just want attention, you don’t want my heart.” give me a messy ex ship. where she can’t seem to quit him no matter hard she tries. she finds herself calling, texting & creeping on his life. every time he starts to even think about another girl, she reels him back with loving words & sweet kisses. he’s still in love with her & falls for it each & every time. deep down she knows she’s in love, but has a hard time with commitment. i want the angst of slipping out before he wakes up. the cold shoulder when she knows he’s back in her grasps. him having enough & threatening to cut all ties. her being afraid of losing him. i just need that angst.
PAUL MESCAL Chicken Shop Date
“you just want attention, you don’t want my heart.” give me a messy ex ship. where she can’t seem to quit him no matter hard she tries. she finds herself calling, texting & creeping on his life. every time he starts to even think about another girl, she reels him back with loving words & sweet kisses. he’s still in love with her & falls for it each & every time. deep down she knows she’s in love, but has a hard time with commitment. i want the angst of slipping out before he wakes up. the cold shoulder when she knows he’s back in her grasps. him having enough & threatening to cut all ties. her being afraid of losing him. i just need that angst.
more f/f plots because we all need more f/f plots.
after midnight ; muse a works at the local cornerstore as well as being in school to pay for books and keep herself alive, and usually gets stuck working the graveyard shift—which she admits can be kind of amusing considering the people that come in. in particular, she notices muse b, a cute girl who comes in at least every friday to pick up a box of condoms, a bag of candy and painkillers. sometimes they talk and joke, but muse a never hits on her because ‘of course she probably is straight.’ however, after jokingly saying ‘have fun with the boyfriend!’ after ringing muse b up, she’s surprised when muse b turns before leaving, laughing and saying ‘i like girls. cute ones.’ with a wink. cue late night flirting and kissing when there are no customers!
the wire ; muse a and muse b met during their first year of college while trying to join up for a sorority. sparks flew and now in their junior year, they’re a hot couple: usually pictured at all the parties, always hanging onto to each other—they are the envy of most couples on campus seeing as they’re always getting along— but when a new rush season starts and muse a starts to get close to a new pledge, muse b gets jealous and begins acting out of character and starts flirting with other girls—putting a major strain on their seemingly perfect relationship.
who are you ; muse a is one of those girls. the “i’m not like those other girls,” type. who refuses to buy starbucks, wears glasses, reads books, drinks tea, watches dr.who like her life depends on it, and has the typical internal misogyny glued right into her and refuses to change. muse b is one of those girls, and she really doesn’t care. she’ll wear her uggs, makeup and show up to every event with starbucks and instagram her cup because the barista wrote her name cutely that day. they end up working together at a retail place in the mall and muse a can’t stand muse b , that is until muse a is being harassed in the parking lot late at night after her shift by a bunch of guys while waiting for the bus, and muse b shows up out of nowhere and tells them off, driving muse a home while fuming about the boys, all the while checking to make sure muse a is doing okay. in the days following when muse b is driving muse a to and from work, muse a realizes something: she has a major crush on muse b, this preppy girl who swears like a truck driver at boys and smiles like miss america at every girl she passes— the very girl she thought she hated.
falling ; muse a and muse b are finally living out their lives together— a new apartment, stable jobs, and of course each other. as well as one on the way—they’ve decided to go ahead and adopt a three year old girl. things are great for the first couple months— the child is happy, the couple is doing okay, but after a while muse b is having a hard time adjusting to life like this and is having thoughts of leaving, but doesn’t know what to do. instead she draws back from her girlfriend and child, spending time out with friends and coming home drunk, causing for many fights with a very frustrated and confused muse a .
::**CLASSIC LIT PLOTS
It is the three-year anniversary of susierpt! I know, I have no idea how I’ve managed to keep it up and running this long, either. But here we are. You all voted on what you wanted me to do, and the winner was plots inspired by classic literature. Here are 15 bookish plots for 1x1s, inspired by Pride and Prejudice, Emma, Jane Eyre, Rebecca, Wuthering Heights, Carmilla, War and Peace, The Great Gatsby, Little Women, and Dracula. (And yes, I took artistic liberties. Fight me.) Some of these plots are modern, while others would make great historical plots. Here’s to another year of my shitty RPT blog!
elizabeth and mr. darcy: muse a is the intelligent, strong-willed and bookish middle child of a loud, embarrassing, down-on-their-luck family. when their older sister begins dating a rich guy, muse a meets the guy’s sarcastic, aloof, obscenely wealthy best friend – muse b. it’s hate at first sight for muse a, but muse b is charmed. unfortunately, muse b gets the wrong idea about muse a’s sister, and thinks she’s a gold digger. they take it upon themselves to break the happy couple up, and muse a finds out… right when muse b decides to confess their love to them.
emma and mr. knightley: muse a and muse b have been friends ever since they were kids. now, they’re coworkers, working at muse a’s successful lifestyle youtube channel. muse a makes the content, posting videos about makeovers, dating advice, and “living your best life,” while muse b handles the financial and business side of things. when one of muse a’s attempted makeover/matchmakings backfires horrifically, muse a is left scrambling to clean up the mess they’ve made, enlisting the semi-unwilling help of muse b, who is… tired. so very tired.
emma and harriet: muse a is a popular, feminine sorority girl that would put elle woods to shame. she grew up in a wealthy family, and while her parents brought her up right, she’s still a bit spoiled and frivolous. muse b is a new pledge in the sorority, there on a scholarship. she’s pretty enough, but has never had money for nice things, and is a bit on the shy side. muse a thinks muse b is simply darling, and decides to take her under her wing, giving her a makeover, buying her some new clothes, helping her navigate greek life, and promising to help her find a boyfriend. except, as the girls become closer and closer friends, muse a pushes away all the male attention muse b has begun to attract. muse b deserves only the best, she says, and so far, none of the guys on their campus have been good enough. until, suddenly, it hits her: the reason she’s been telling muse b not to go out with these guys is because muse a sort of hopes she’d go out with her instead.
jane and mr. rochester: muse a is a wealthy single parent who’s known for being distant, sarcastic, moody, and just plain difficult to be with. despite their many flaws, though, they do love their child and want the best for them. so, upon realizing their child isn’t being challenged enough in school, they decide to hire a live-in tutor, and land upon muse b. muse b is shy, with a poor relationship with their family, and this is their first job since graduating college, but they get on well with muse a’s child, and care deeply for them. after moving into the estate and beginning to teach. despite their differences, and the fact that muse a is rarely around, the two do sort of get along when they’re together – but muse b is uneasy. the house is creepy, and they’ve begun receiving threatening notes and phone calls. when they finally go to muse a with what’s been happening, muse a confesses that they’ve gotten threats, too, and they suspect their ex-spouse (and parent of their child). according to muse a, their ex was always jealous and often unpredictable, and that seeing muse b move into their house and (in their mind) take their place as muse a’s partner and parent to their child might have set them off. before the two can decide on whether to go to the police or handle the threats on their own, muse a’s suspicions are confirmed…. when their ex sets the estate on fire.
mr. and mrs. de winter: muse a is a recently widowed, semi-famous millionaire, on vacation at an upscale resort where muse b works. muse b is told not to bothered muse a; after all, muse a is certainly still grieving losing their spouse in an accident, and would never be interested in someone as plain and unassuming as muse b. except, surprise – they are. the two have a whirlwind courtship over the course of a few weeks, and when muse a has to return home, they stun everyone by suggesting muse b move back with them… and proposing. muse b stuns everyone even further by accepting. muse b tries to settle into their new life, but it’s harder than expected. they and muse a are vastly different people, and muse b is unused to having money, not to mention a household to manage – but, since muse a is the one who’s out working, managing the household is muse b’s function. to make matters worse, everyone who works there still sings praises of muse a’s deceased spouse, and no one thinks muse b can measure up. not helping is that muse a, while often loving and sometimes even affectionate, can be unexpectedly moody and distant. but what muse b doesn’t know is that muse a’s erratic mood stems not from losing their spouse, but from the fact that their spouse was not the saint everyone remembers… and their death wasn’t an accident.
cathy and heathcliffe: muse a and muse b dated when they were young, and it was a total disaster. muse a, coming from a wealthy family, is selfish, spoiled, and arrogant, and muse b, coming from a low-income background, is bitter, self-conscious, and jealous. despite their constant fighting and the toxic nature of the relationship, the two considered themselves soulmates. muse a’s family never approved of muse b, and essentially ordered muse a to terminate the relationship – which they did. muse b, enraged and heartbroken, left town, only to resurface some years later. in the time since they saw each other last, muse a married somebody else, and muse b acquired a vast fortune. now, muse b has a mission: utterly destroy and ruin the lives of everyone who made them feel less-than, including muse a.
carmilla and laura: muse a is a wealthy, lonely young woman who lives in a vast estate in the secluded countryside. she has no friends her own age, and the only people she ever sees are her father and the staff working at the house. one night, there’s an accident on the road just outside the grounds, and among the wreckage is muse b, a young woman about muse a’s age. muse b is sickly and appears to be badly injured, and muse a’s father quickly brings her inside to recover. the family doctor says that muse b is in no state to travel long distances, and muse a suggests that muse b stays at the estate until she’s feeling strong again, which she accepts. muse a is thrilled, having never had a companion before, and this enables her to overlook some… peculiarities about her new friend. muse b avoids answering questions about her past, and muse a eventually sees an old painting that is muse b’s spitting image. on top of that, muse a starts having terrifying nightmares, and as muse b grows stronger, muse a grows weaker, becoming sick and fragile. and there are ever-growing rumors of people being attacked by a mysterious monster in the neighboring town. because muse b has a secret: she’s not just a peculiar girl, and in fact, isn’t human at all. in fact, she’s a vampire, and has been stealing into muse a’s room at night to feed. complicating matters even further is that, although she initially viewed muse a as a source of food, her feelings have grown from indifference to genuine friendship, to what might even be love.
natasha and pierre: muse a and muse b are two opposites in deeply unhappy situations. the normally cheerful and frivolous muse a has recently had their reputation ruined by a scandal, and the backlash they’ve suffered has left them a shell of their former self. muse b, meanwhile, is a melancholy intellectual with a drinking problem, trapped in an unhappy marriage. despite their differing personalities, the two have common friends, and muse b has attempted to comfort muse a and help them through this difficult time. as the two spend more time together and become closer, muse b realizes; they’re in love with muse a.
natasha and anatole: muse a is engaged, and their fiance is off at war. while muse a waits, they meet muse b – a charming, fun-loving, ne’er-do-well. despite their love and loyalty to their fiance, muse a can’t help but be drawn to muse b. muse b, for their part, is convinced they’re in love with muse a (in reality, they’re probably more in love with love than anything), and tries to persuade muse a to run away with them. finally, despite the damage it will cause to their relationships and reputation, they do – but soon after they leave, muse a discovers that muse b has a spouse they never mentioned.
daisy and gatsby: muse a is a wealthy, naive, somewhat spoiled heir, who meets muse b one summer. muse b is poor and set to ship off to war in a few months, but the two spend the whole summer dating, and fall deeply in love. muse a promises to wait for muse b, but while muse b is deployed, muse a’s parents force them to marry someone wealthy. when muse b comes home and finds out what happened, they decide that the only way to win muse a back is to become rich themselves – no matter what it takes. five years later, muse b is now far richer than muse a’s new spouse could ever hope to be… thanks to a massive drug empire. but muse a can’t just up and leave their spouse; as they inform muse b, there’s going to be a child involved soon.
nick and gatsby: muse a is a new resident in an absurdly wealthy neighborhood, and muse b is their absurdly wealthy next-door neighbor. muse b is known for having massive parties nearly every weekend, but very little is known about them as a person. a good neighbor, however, they extend an invitation to muse a, and one weekend, they decide to go. at the party, they hear different, wildly conflicting stories about muse b and what kind of person they are. in the estate’s massive library, they relate these stories to a stranger they meet – who then reveals themselves to be muse b. muse a is embarrassed, but muse b takes it in good humor, and the two become close friends. over the next months, muse a begins to realize not all is what it seems with their new friend. not only does muse b have a messy romantic history, but the way they got all their money is… not exactly legal.
jo and laurie: just a simple, cute plot where muse a and muse b are childhood friends and spend their summers chilling out in the woods and messing around. muse a is adventurous and strong-willed, while muse b is shyer and totally heart eyes over them. not that muse a notices.
jo and prof. baher: muse a is an aspiring writer, living in a run-down apartment complex until they get their big break. muse b is newly arrived in the country, having left behind a prestigious career as a professor, and is now trying to reestablish themselves, living in the same apartment complex as muse a. upon finding out muse b is a professor, muse a seeks their help in editing their work, to which muse b agrees. as the two work on muse a’s novel and try to get it ready for publication, the two become very close friends… and maybe more?
jonathan and mina: muse a and muse b are a married couple, living in a small town that has a bit of a monster problem. be it vampires, demons, or whatever else you can imagine, people have been dying left and right – including muse a’s close friend. so when muse b is picked to be part of a small group to go hunt the monsters and put an end to this once and for all, muse a is like, “i’m going with you.” “no no it’s too dangerous, you need to stay and–” “i said i’m FUCKING going with you.”
mina and lucy: muse a is a wealthy, popular young woman with many suitors, and muse b is her clever, more tomboyish best friend. when their town is plagued by a vampire, muse a finds that she’s become a target, and the creature takes her from her home one night. muse a manages to escape, but she’s already been bitten and is becoming a vampire herself. too afraid of what’s happening to go home, she hides, trying to manage her new abilities and hunger. what will happen when muse b, who has been worried sick about her friend, finds her weeks later?