Can’t get over this remix of Praise You from Fatboy Slim. I remember this song as a slightly cheesy radio song from 1999. That all changed when I heard this smoky version from Maribou State.

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@katelynfoley
Can’t get over this remix of Praise You from Fatboy Slim. I remember this song as a slightly cheesy radio song from 1999. That all changed when I heard this smoky version from Maribou State.
Somebody made out like a bandit this Christmas! Isabella Purr Purr got all the Jetoy Choo Choo Cat items on her Christmas list.
Romeo + Juliet might be the best teen movie ever made.
Disney toys in Japan have taken on a kawaii appearance with bigger eyes and heads. Doesn’t Marie look just like Charmmy Kitty?
Disney Japan has traditionally struggled with the Japanese market because their stories don't resonate in a market saturated with anime and other dissimilar cartoon aesthetics. Interesting to see that they are experimenting with kawaii style characters to break into that market.
Jetoy’s cats are based on real cats that live with the owner and spend their days hanging out in the company’s Seoul headquarters. Choo Choo IRL is just as pretty as her kawaii counterpart, but she likes to hang out in plastic bags…
I continue to be a huge fan of Jetoy's Choo Choo Cat from across the pond. Their designs are based on hyper-girlish concept art, with a touch of something more classical. I love that Choo Choo and friends are inspired by real cats instead of cartoons. Now there's a Hello Kitty killer right there...
David Lynch's Rabbits is one of my favorite experimental mini-series. Lynch's tagline sums it up nicely: "In a nameless city deluged by a continuous rain... three rabbits live with a fearful mystery."
Dressed up in rabbit suits, Naomi Watts, Laura Harring, and Scott Coffey go through their evening routine inside a claustrophobic apartment. We watch them from the perspective of the TV set as they enter and exit the apartment and exchange non sequiturs (diehard Lynch fans believe the dialogue can be pieced together in a linear way, but that doesn't sound like Lynch, does it?). An eerie laugh track punctuates the silence, along with a burning hole in the wall and a demonic voice in two of the episodes.
Unsurprisingly, Lynch doesn't think about Rabbits as a collection of experimental films; rather, he says it's a sitcom.
Consumer products packaging fail: Shake -N- Pour brownie mix by General Mills. While I love the concept, the reason why these are on sale is that they are packaged like laundry detergent (brownie mix ≠ soap). This is just one example of negative cross-pollination.
Compton meets Ibiza
Mini-rainbow at sunrise and sunset.
Monica Felix is a Puerto Rican photographer whose high-contrast images explore heritage, religion, and femininity. The lighting and composition of her photos remind me of the I Spy books I collected and adored as a child. She seems to be asking the viewer to look for something hidden, or maybe something that is not there at all.
Described as Depeche Mode meets the xx but less whiney. I'd agree.
Love pretty much everything released by Seth Troxler's Detroit-based Visionquest.
Further proof that consumer packaged goods are 90% packaging and 10% product. Dolce and Gabbana's Lace makeup line for this fall is too pretty to use.
My friend Katelyn, from both Andover and Harvard, came to Asia the other day on a half business - half travel trip. It was so nice to see her since it’s been several years now. We unfortunately didn’t get to spend too much time together, but we did make the most of it. a.k.a we went to a kitty cafe and ooh’ed and ahh’ed. We also discovered that day that all cats just love Prada. They can’t stay away! Ah, another way in which I’m just a large human cat. The place in Sinchon (Hello Cat) was surprisingly clean, and the animals were just so cute and calm and camera-ready. I fell in love with one with green eyes and black and white stripes. He’s in the last two pictures. Oh, I want him!
Juli and I didn't pay much attention to the "Requirement of Cat" rule sheet at the cat cafe. I think we broke almost all the rules, except teasing the cats with straws. We used feathers instead.
Just remember that the things you put into your head are there forever.
Cormac McCarthy in The Road
Gottfried Helnwein: Muse of Marilyn Manson
Gottfried Helnwein is an Austrian mixed media artist best known for his disturbing paintings of children. As a hyperrealist, he is in a class of his own--his work is distinguishable from photography by only its impossible beauty. Helnwein is part of a longstanding European artistic tradition that borders the Gothic and includes a number of Austrian artists such as filmmaker Michael Haneke (an influencer and influencee, I'd imagine).
I have never had the chance to see Helnwein's work in person, but I loved seeing glimpses of his process on his website, where he shows the making behind "The Murmur of the Innocents".
It's amazing to me that this palette can give rise to the painting below.
It's also amazing that he wears his uniform of sunglasses, a bandana, and a black suit even while painting.
Like a number of contemporary artists, Helnwein has a fascination with celebrity (Elizabeth Peyton's Kanye West and Karen Kilimnik's Scarlett Johansson come to mind). A recent transplant to LA, he opened his downtown studio with a star-studded fete. His rockstar image and close relationships with Michael Jackson and Marilyn Manson have catapulted him into celebrity himself--something that typically doesn't happen for visual artists until they submerge a dead shark in a tank of formaldehyde. He even painted Michael Jackson before his death.
Helnwein has also experimented with cartoon imagery, specifically exploring that Fantasia-esque place where fantasy meets nightmare.
To me, this quote sums up the aesthetic across all of his work:
"Opening my first Donald Duck comic book felt like seeing the daylight again for someone who had been trapped underground. I was back home again, in a decent world where one could get flattened by steam-rollers and perforated by bullets without serious harm. A world in which the people still looked proper, with yellow beaks or black knobs instead of noses."
Koyaanisqatsi: Life out of balance
I used to think that all words had one-to-one translations across all languages. Since then, I've fallen in love with a number of untranslatable words in other languages. The latest is "koyaanisqatsi", meaning "life out of balance" in the Hopi Native American language.
Koyaanisqatsi is also the name of a cult documentary film about the United States in the 70s and 80s. There is no dialogue, but the vibrant Philip Glass score makes it unnecessary. As the name suggests, the film conveys the sentiment that things are becoming too fast-paced and far too out of control.
The beginning is all footage of the natural world with a focus on the alien landscape of the Southwest. There is one defining moment where we see a shot of power lines framing the desert--a turning point in the film.
From there on, we visit major American cities to see their freeways, people going to work, drinking soda, playing video games in arcades. We watch airplanes land and space shuttles launch.
It's not surprising that the dark side of Koyaanisqatsi is subtle, just as it is in the definition of the word. LA lit up a night looks monstrous and eerie (a reaction I have every time I land at LAX). A baseball game from above becomes thousands of spectators suspended in time, watching a few lonely players with bated breath. Strangers on the street look at each other meaningfully and then turn away.
The dark side of mobility is sensory overload, the dark side of a Twinkie is mass consumerism, the dark side of over-communication is isolation. Even in 1982.
My favorite section of the film is a sequence in which Reggio set up cameras in busy places to film spontaneous self-portraits. Instead, people thought the cameras would take still portraits. They try to hold their pose for the camera, but their gaze seems to ask a question or suggest an expectation--they are waiting for something extraordinary to happen.
At the end, we find out that koyaanisqatsi means more than just life out of balance. It also means "a state of life that calls for another way of living". Again, untranslatable. So this is what my mom means when she complains of "too-many-button-things" or my dad, a decisive businessman, looks lost amidst twenty types of dishwashing liquid at the grocery store.
Our culture hasn't spawned the simple word yet, even though we have a million ways to describe it.
Pink Floyd