JACOB ANDERSON - the vampire lestat: after dark (2026)
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@keybearer92
JACOB ANDERSON - the vampire lestat: after dark (2026)
A few photos from the De Pointe Du Lac - De Lioncourt family album
Such a simpler time back then š„¹
A few photos from the De Pointe Du Lac - De Lioncourt family album
Heās so gorgeous š„¹š
i started to think i'd never see these two sat next to each other again. and with a little smile too ć½ą¼¼ą²„_಄༽ļ¾
Jacob knows Louis is the Helen of Troy of vampires šāāļø
Kelli: Do you have an answer about how frequently Armand was wiping Louis's memory?
Rolin: Yeah probably but I don't know how important it is... Everybody, Assad probably has a different idea, Jacob does, and maybe some of my writers room do āI love that, I think that's okay. For me I actually think it was very very very little. And I actually think āmany people probably disagree with meā that Louis probably did ask him in Sausalito to erase it. I think he did. I always felt Armand having two really extraordinary lies. And just two. But because you have to continue with those, it becomes a series of lies and lies and lies, and it seems worse to me than it is. I always wanted to find this empathetic version of Armand, but I house it like everything else I did in the show: I house my idea about it, and there are open interpretations of the actor who is embodying it, the people who have had reactions about that, and I think that's cool. And it ends up letting the audience membersā you get to see yourself in how you feel about all those things.
Kelli: I always thought that it might be believable that Louis could ask for that, but I don't know if he did, what do you guys think? Do you agree with Rolin?
Jacob: Yeah, I like Rolin's answer, I think it's open to interpretation. And kind of for me, the thing is that... I sort of don'tā
Sam: It doesn't matter.
Jacob: Yeah!
Two things:
First, I understand the whole "memory is a monster" schtick, but if crucial plot points still require clarification in interviews three years later, then maybe the issue isn't audience interpretation, maybe it's the fucking writing!!!
This is not some minor detail like hair length or whether it was raining on a random night a hundred years ago. This is information that fundamentally changes the dynamic between these characters. Armand erasing Louis' memory once, at Louis' own request, is worlds apart from Armand violating his agency by routinely tampering with his mind against his will. Those are two completely different relationships with radically different implications. So to see Rolin speak of it so dismissively is genuinely baffling to me.
Second, Assad Zaman has been saying this exact same thing in virtually every one of his post S2 interviews. He's explained multiple times that Armand only lied about his role in the rehearsal of the trial, and who manipulated the audience into changing Louis' sentence.
But until now, a big part of the fandom either completely dismissed his words or called him an abuse apologist for the evil crime of understanding a character he's played for damn near five years. Maybe now that the showrunner says it, they will finally listen and stop subjecting everyone to their brainless think pieces about how "it was all Armand's fault, actually."
Nothing to add but agree with many of the points being made here.
#IT'S NEVER LOUMANDOVER
Canāt convince me this wasnāt hot š
Jacob Anderson and Sam Reid for GQ Hype by Huy Luong
This is all Iāve ever wanted for Jacob and now he has it. To be on the cover of GQ is so cool š
LDPDL Books 1c (Family / Parenthood / Siblinghood)
Day One centers around Louisā family and his emotional/high intense relationship to those he holds dear to him. @ldpdlweek2026
For ldpdlweek2026, I'm compiling AMC's book references to break them down thematically, and explore the parallels in the books AMC used to contextualize Louis' dynamics with the people in his life.
1943: The Flies - Jean Paul SartreĀ
A modern adaptation of the Oresteia/Electra. Orestes & his sister Electra are exiles in the wake of their father Agamemnonās murder; and reckon with the consequences.
[x] The Flies (French: Les Mouches) is a play by Jean-Paul Sartre, produced in 1943. It is an adaptation of the Electra myth.... The play recounts the story of Orestes and his sister Electra in their quest to avenge the death of their father Agamemnon, king of Argos, by killing their mother Clytemnestra and her husband Aegisthus, who had deposed and killed him. Sartre incorporates an existentialist theme into the play, having Electra and Orestes engaged in a battle with Zeus and his Furies, who are the gods of Argos and the centerpiece for self-abnegating religious rituals. This results in fear and a lack of autonomy for Zeus's worshippers, who live in constant shame of their humanity.
Sartre's The Flies is one of the books sitting on Louis' nightstand in Dubai (2x3).
It's very easy to see the parallels, so long as Clytemnestra/Electra/Claudia and Orestes/Aegisthus/Louis are melded together.
- Zeus (Greek) / Jupiter (Roman) ā a major antagonist in the play, Zeus is introduced in the exposition as "god of flies and death", although he is traditionally associated with sky, lightning, thunder, law, order, and justice. - Orestes (Philebus) ā the play's major protagonist, he is the brother of Electra and the son of Agamemnon. - Electra ā the sister of Orestes and the daughter of Agamemnon. - Agamemnon ā the former king of Argos and the father of Orestes and Electra, Agamemnon was murdered by Aegisthus prior to the story's onset. Orestes' desire to avenge his father's death is a major plot device in the play. - Clytemnestra ā the wife of Aegisthus and the mother of Orestes and Electra. - Aegisthus ā the husband of Clytemnestra. - Furies ā also known as the Erinyes or "infernal goddesses", the Furies serve as Zeus' enforcers in Argos and punish those who swear false oaths.
I've discussed Clytemnestra!Claudia before (wrt Helen!Louis), because she's the real focus as the one who wanted Agamemnon/Lestat dead. Likewise, Electra (in Euripides' version) is the one pushing the story forward as the mastermind behind killing Clytemnestra & Aegisthus; cussing Orestes from A-Z when he hesitates for lacking her conviction & backbone despite everything they've lost & suffered.
Because vampirism melds spouses & children together, Claudia is a companion-killer AND parent-killer: she's Clytemnestra as Agamemnon/Lestat's traitorous & vengeful spouse/companion; and she's Electra as Clytemnestra/Lestat's traitorous & vengeful child.
As for her brother Orestes/Louis, he's the one who gets left holding the hot potato, half-mad riddled with guilt over going along with the Murder Plot. Plagued with existentialist insecurity, he doesn't know who he really is or what he really wants; so his sister is his source of strength & identity & duty/purpose as the only family he has left--
--esp. since he must lie about who his true father even is ("Bruce") when he moves to a new city. But ofc the head-honcho in town, Zeus (Armand) already knows exactly who he is and what he's up to.
[x] Orestes first arrives as a traveler...and does not seek involvement. Orestes has been traveling in a quest to find himself. He enters the story more as an adolescent with a girlish face, one who does not know his path or responsibility. He enters the city and introduces himself as Philebus ("lover of youth"), to disguise his true identity. Zeus has followed Orestes on his journey, and finally approaches him in Argos, introducing himself.... Orestes has come on the eve of the day of the dead, a day of mourning to commemorate the killing of Agamemnon fifteen years prior....
[x] Electra has been treated as a servant girl since her mother and Aegisthus killed her father. She longs to exact her revenge and refuses to mourn for the sins and death of Agamemnon or of the townspeople.
[x] The Furies decide to leave her alone in order to wait for Orestes to weaken so they can attack him.... Orestes informs them he has taken their crimes upon himself and that they must learn to build a new life for themselves without remorse. He...promises to leave, taking their sins, their dead, and their flies with him.... Orestes walks off into the light as the Furies chase after him.
JACOB ANDERSON The Vampire Lestat | AMCsAnneRice
This is the idgaf part about Louis that I love! š
JACOB ANDERSON
Louisā ācompanion for myself nowā really gets to me. So much of his survival hinged on others. He stayed alive and persevered for the Du Lacs. He agreed to continue existing for Lestat, into vampirism. He endured for Claudia, in her birth, after the train, revenge in Paris. Armand keeps him alive for nearly a century.
Not once has Louis ever just lived for himself. Heās only ever done it for or because of others. The narrative makes sure that Louisā always had a companion all this time because without one, Louis would surely kill himself.
So his ācompanion for myself nowā hits because heās finally allowing himself to exist simply because he wants to. Not for anyone else. He is not being saved by another person. He is not enduring for the sake of, or in spite of, a loved one. He is living because he wants to. Whether or not he deserves to is no longer the question, heāll make this life worth it in whatever way that looks like. āLearn to live honestly.ā Louisā eternity starts here.
I know some people donāt like or maybe even believe Louis when he says he āowns the nightā but I believe him. I think for him itās the first he truly wants to live for himself and embrace what and who he is. So much of his life heās felt the need to shrink himself or hide behind a mask but this time heās being his imperfect and flawed self and I wouldnāt have it any other way. Canāt wait to see this Louis!
Iāll never be over them š„¹
vinder + once, upon time