Electronaut

"En el vértigo de la inmovilidad…"

[khio15]

'Hell' - Poem by Keaton Henson from Sarah Sinclair on Vimeo.

'Hell' from Keaton Henson's book of poetry "Idiot Verse" featuring music from Keaton Henson's Romantic Works album, and doodles inspired by his illustrations.

[scatteredthoughts2]

Sleepless.

I have been awake since 2am,

Dozing off, then awake again,

Waiting for the night to end,

Because the night is not my friend.

Nightimes when my fears creep in,

And banishes the brave within,

In the day, I am in a crowd,

But in the nights, my ghosts are loud.

When the day is gone, and the moon is high,

Like a sad little puppy, I whimper and cry,

All alone, in the dead of the night,

Waiting for, the morning light.

What fear is this, of being alone,

To dread the darkness of my home,

What ails me so, that I can't sleep,

What makes me sad, what makes me weep.

©Ambrose Harte

©Scattered Thoughts

[perfectfeelings]

[bourgwesioie]

“Love isn’t soft, like those poets say. Love has teeth which bite and the wounds never close.”

Stephen King

[khio15]

Everyday I miss him more… even when he’s closer than ever.

[khio15]

Canto el tiempo tiene miedo el miedo tiene tiempo el miedo pasea por mi sangre arranca mis mejores frutos devasta mi lastimosa muralla destrucción de destrucciones sólo destrucción y miedo mucho miedo miedo

Alejandra Pizarnik, “Canto”. 

[khio15]

Days since the last time I thought about you: 0

[khio15]

When the feeling of loneliness creeps up again and there’s nothing you can do to avoid it.

[khio15]

Quiero un amor feroz de garra y diente Que me asalte a traición en pleno día, Y que sofoque esta soberbia mía, Este orgullo de ser todo pudiente. Quiero un amor feroz de garra y diente Que en carne viva inicie mi sangría, A ver si acaba esta melancolía Que me corrompe el alma lentamente. Quiero un amor que sea una tormenta, Que todo rompe y lo remueve todo Porque vigor profundo la alimenta. Que pueda reanimarse allí mi lodo, mi pobre lodo de animal cansado, Por viejas sendas, de rodar, hastiado.

Alfonsina Storini, “Animal cansado”.

[khio15]

El Color de la Pobreza. Los indios pescadores from Pie de Página on Vimeo.

Cucapás

[khio15]

Mexican Handcraft Masters / CARA DE DIABLO from Mariano Rentería Garnica on Vimeo.

Documentary / 6 min / 2018

Mexican Handcraft Masters Series CARA DE DIABLO (DEVIL FACE)

Since the Spanish conquest up until the revolution, the eternal battle between good and evil has been portrayed in Mexican dancing traditions. Felipe Horta has been working for more than 30 years, like many other artisans, on creating masks and wardrobes that give their identity to these traditions in the state of Michoacán.

Desde la conquista hasta la revolución, la lucha interminable del bien contra el mal ha estado representada en las tradiciones dancísticas de México. Felipe Horta trabaja desde hace 30 años como muchos otros artesanos creando las máscaras y atuendos que dan identidad a estas tradiciones en Michoacán.

Artesano: Felipe Horta Dirección: Mariano Rentería Garnica Guión: Mariano Rentería Garnica Producción: Jorge Díez Maza Cinefotografía: Mariano Rentería Garnica Sonido: Mariano Rentería Garnica Edición: Jorge Díez Maza Asistente de fotografía: Jonathan Barojas Música: Kaitlyn Aurelia Smith

Filmado en Tócuaro, Michoacán El Relicario, 2018

[khio15]

WAVE - TRAILER from benjamincleary on Vimeo.

Gaspar Rubicon wakes from a coma speaking a fully formed but unrecognizable language, baffling linguistic experts from around the globe.

WINNER - Best Live Action Film - Irish Film and Television Awards 2017 WINNER - Best Foreign Film - Toronto International Shorts Festival 2018 WINNER - Best Short Film - Cork International Film Festival 2017 WINNER - Best Lead Actor - European Independent Film Awards 2018 WINNER - Best Of Fest - Aesthetica Short Film Festival 2017 WINNER - Best Drama - Aesthetica Short Film Festival 2017 WINNER - Audience Award - Leeds International Film Festival 2017 WINNER - Best Drama - Galway Film Festival 2017 WINNER - Best Cinematography - Galway Film Festival 2017 WINNER - Best Technical Achievement - Flickerfest Film Festival 2018 WINNER - Best Drama - Kerry International Film Festival 2017 WINNER - Best Film - Offline Film Festival 2017 WINNER - Best Film - Richard Harris International Film Festival 2017 WINNER - Audience Award - Cine Gael Montreal 2018 Official Selection - Clermont Ferrand Film Festival 2018 Official Selection - Flickerfest International Film Festival 2018 Official Selection - European Independent Film Festival 2018 Official Selection - Tribeca Film Festival 2017 Official Selection - BFI London Film Festival 2017 Official Selection - Aspen Short Film Festical 2018 Official Selection - Melbourne International Film Festival 2017 Official Selection - Rio De Janiero Short Film Festival 2017 Official Selection - Encounters Film Festival 2017 Official Selection - Brest Film Festival 2017 Official Selection - Vancouver International Film Festival 2017 Official Selection - Helsinki International Film Festival 2017 Official Selection - LA Shorts Film Fest 2017 Official Selection - Leeds International Film Festival 2017 Official Selection - Valladollid International Film Festival 2017 Official Selection - Savannah International Film Festival Official Selection - Aesthetica Film Festival 2017 Official Selection - Kerry Film Festival 2017 Official Selection - Offline Film Festival 2017 Official Selection - Black Nights Festival Tallinn - 2018 Official Selection - Interfilm Berlin - 2018 Official Selection - Dublin International Film Festival - 2018 Official Selection - Global Cinema Boston - 2018 Official Selection - Sonoma International Film Festival 2018 Official Selection - Look & Roll Film FestivaL Basel 2018

[khio15]

La vida de un hombre, desde el nacimiento hasta la muerte, era una serie de ritos de transición que lo acercaban cada vez más a sus antepasados.

Fragmento de: Chinua Achebe, Todo se derrumba.

[khio15]

A picture of Catherine Zeta-Jones in trousers that are puckering, slightly, around the groin will be met with a hail of ‘Catherine EATER Jones’ headlines, and faux-concerned editorials about how ZetaJones has always ‘battled’ with her weight. Alexa Chung is photographed in a pair of clumpy shoes that make her legs look smaller, and suddenly she’s anorexic, and on the edge of a nervous breakdown. They never blame the clothes in these pictures – stupid puckering too-tight clothes, or stupid baggy clothes. It must always be the woman’s body that’s at fault. Lily Allen, Charlotte Church, Angelina Jolie, Fern Britton, Drew Barrymore, Jennifer Aniston, Gemma Arterton, Michelle Obama, Victoria Beckham, Amy Winehouse, Billie Piper, Kerry Katona, Mariah Carey, Lady Gaga, Madonna, Cherie Blair, Oprah Winfrey, Carla Bruni, the Duchess of York, Sarah Brown – there can’t be a magazine-consuming woman in the Western world who’s not been called upon to speculate on the mental and emotional health of these women on the basis of a single bad photo of her. I’ve read more about Oprah Winfrey’s arse than I have about the rise of China as an economic superpower. I fear this is no exaggeration. Perhaps China is rising as an economic superpower because its women aren’t spending all their time reading about Oprah Winfrey’s arse. If I knew more about China, and less about Oprah Winfrey’s arse, I could probably argue a direct cause-and-effect.

in Caitlin Moran, How to Be a Woman. 

[freshmoviequotes]

Newness (2017)

[freshmoviequotes]

Newness (2017)

[khio15]

Because, as I’ve learned, the most convincing lies are the ones we tell ourselves.

Posthumous (2014)