Oyasumi, oyasumi

Close your eyes and you'll leave this dream

[oldwebtreasure]

Screen captures from “Possibly in Michigan” (1983), a short film that touches on stalking, paranoia, and other topics in a rather artful and almost unsettling way.

[weeaboobot]

I totally ship Robbie Rotten and Miku, desu~ <3

[liz-cat-meow-deactivated2020011]

[walwalproject]

일주일간 1일 1클리어

[wimofthewabbits-deactivated2015]

DMMd LOG | vosovic Please do not remove source

[hkyit-deactivated20181204]

いい夫婦の日

[wrenwhite]

i started out drawing a bunch of sad clears then i was like fffffffuck being sad and drew him happy instead

[yyunglame]

[perrfectly]

[llkiri-kao]

はせこ

[earthysuggestion]

if something makes you go ’!!!!’ inside it’s worth keeping around

[lotusdiscussthis]

Excuses, excuses:

Noticing a pattern? Of course you do! It’s rather blatant seeing these scenes back to back like this. Even separately, both protagonists’ journeys were rather obvious ones, weren’t they? In UDG, they really seem to want to drive (hammer) in the fact that Komaru was going through an arc. A “weak girl to strong girl” sort of development. It was incredibly straightforward about how she made excuses every chance she had and how she can’t continue moving forward because she was just “a normal girl”. Kind of similar to how the Ultimate Detective would say things like “I only solved a case by accident” or “I’m only an apprentice”. Both were making all sorts of claims on why they think they weren’t qualified to take any sort of personal responsibility to better the situation they were stuck in.

The difference between the both of them?

Keep reading

[somniaexmachina]

🌌｡ 🎀 𝐹𝓇𝒾𝒹𝒶𝓎 𝒩𝒾𝑔𝒽𝓉𝓈 🎀 ｡🌌

[tokyostreetphoto]

Snake, Shibuya 渋谷

[weepingvixen]

City Lights~ Thank you for 2k!! 💜

[takeafuckingsh0wer-blog]

[colormush]