yung ash vs. endless sadness

prod. by dj khaled ft. drake

[kittyovereasy-blog]

SMILING FACE WITH HORNS 😈 - Android v. iOS

Face that appears similar to a devil. Has an evil-looking smiling face with inward facing eyebrows. - Emojipedia

(i think this one is hilarious because they are both so radically different. good thing android updated their version to make it look like iOS's in android L)

[kittyovereasy-blog]

ANGUISHED 😧 - Android v. iOS

This face has raised eyebrows, open eyes and open mouth. A mixture of shock and disappointment. - Emojipedia

[kittyovereasy-blog]

here's the first iteration of an upcoming project about the emoji language barrier between Android & iOS

Imp

A less-evil version of a demon; the Imp is a cheeky and mischievous character originating in Germanic Folklore. - Emojipedia

[kittyovereasy-blog]

and this is what i'm making right now for fun 

[kittyovereasy-blog]

omg i literally posted about that photo series not too long ago. oh well it deserves another one~

[kittyovereasy-blog]

this fuckign great piece of shit art (along w its sisters) is on display @ the artifact gallery in ucsd if y'all wanna holla

[thatadult]

omg what a good week this was aw

[kittyovereasy-blog]

dear lordbape,

i think i have this weird internet crush on you which is weird cus it makes me feel like a stalker, except, not in real life, just on the internt o__o

i just like your style & the way you talk about things like I TOTALLY FEEL YOU you know what i mean????

[arabellesicardi]

I struggle with being a queer hapa in academia and media creator outside of it (i guess my writing and visibility is activism in and of itself) and I still get a lot of questions about how to be a “good feminist” or whatever, a “good ally” to such and such, and how to you know, apply feminist ideology to actual real life. Here are some great tips from a book I just read, Feminism for real: Deconstructing the academic industrial complex of feminism. The whole point of the book is to have an accessible, but progressive discussion about the pitfalls (and good things) about academia in terms of feminist politics and indigenous peoples and it was a quick and easy read. I thought the tips would be super helpful.

Please buy the book!! It’s very good. 

[arabellesicardi]

Ambition is demanded of us because we know mediocrity is not an option. When society tells women that if we are just averagely good-looking, or averagely smart, or reasonably high-achieving, we will never be loved and safe, perfectionism is an adaptive strategy. We learn that if we want love and security, we have to be perfect, and if it doesn’t work out, well, that means we just weren’t good enough. And we know it probably won’t work out well. Girls aren’t fools. They know what is being done to them. They know what means for their futures in terms of money and power. Girls get it. An under-reported, crucial facet of the study is the extent and cynicism of girls’ concerns about economic equality and unpaid work. A full 65% of girls aged 11-21 are worried about the cost of childcare, and while 58% say they “would like to become a leader in their chosen profession, 46% of them worry that having children will negatively affect their career. Girls know perfectly well that structural sexism means they can’t have everything they’re being told they must have. They are striving to have it all everyway, striving to have everything and be everything like good girls are supposed to, and it hasn’t broken them yet, for good or ill. That’s is one reason young women still do so well in school and at college despite our good grades not translating to real-world success. It’s one reason we’re so good at getting those entry-level service jobs: we are not burdened by the excess of ego, the desire to be treated like a human being first, that prevents many young men from engaging proactively with an economy that just wants self-effacing drones trained to smile till it hurts. The press just loves to act concerned about half-naked young ladies, preferably with illustrations to facilitate the concern. Somehow nothing changes. And maybe that’s the point. Maybe part of the function of the constant stream of news about young girls hurting and hating themselves isn’t to raise awareness. Maybe part of it is designed to be reassuring. It must be comforting, if you’re invested in the status quo, to hear that young women are punished and made miserable when they misbehave. I’ve said this before, but I’ll repeat it: for all those knuckle-clutching articles about how girls everywhere are about to pirouette into twerking, puking, self-hating whorishness, we do not actually care about young women - not, that is, about female people who happen to be young. Instead, we care about Young Women (TM), fantasy Young Women as a semiotic skip for all our cultural anxieties. We value girls as commodities without paying them the respect that both their youth and their personhood deserves. Being fifteen is fucked up enough already without having the expectations, moral neuroses and guilty lusts of an entire culture projected onto this perfect empty shell you’re somehow supposed to be. Hollow yourself out and starve yourself down until you can swallow the shame of the world. We care about young women as symbols, not as people.

Girl trouble: we care about young women as symbols, not as people

(via fashinpirate)

This is making the rounds again (and being reblogged by my fave sci-fi actors!! HI FELICIA DAY) and i don’t think anything is more real to me, considering I woke up 80% convinced I have given myself an ulcer from working too hard this year.

The hustle is real.

(via fashinpirate)

[kittyovereasy-blog]

selfie protip #1 pretend the camera isnt there

[kittyovereasy-blog]

why did i put on makeup b4 deciding to shower & why is my hair only interesting when its dirty & i can’t go out nyway cus im already in my jammies

[ghosthierophant]

THE HAIR IF FLAWLESS I BOW IN YOUR GLORY OF YOU & YOUR EYEBROWOSJGG

[kittyovereasy-blog]

ohhhhhh tanks u <<<333

[actuallygrimes]

[subterrean88]

[kittyovereasy-blog]

stevie

i won’t be able to see you this summer, but i will always remember watching orange is the new back at your pad, and how we loved each other’s taste in shoes. you won’t be forgotten my friend.

[arabellesicardi]

things im good at cooking:

rice

rice with kimchi

fried rice with kimchi

dumplings

fried dumplings

spagetti

ramen

sausages

ice water

lil fuckboys who don’t deserve my friends

[kittyovereasy-blog]

#real

[kittyovereasy-blog]

this baby is going to the printer soon. watch out for it, UCSC

too bad i could only work in b&w ;____;

[filmantidote]

Film Antidote is born out of disillusionment with the limited, rather homogenous interaction of film and film spectatorship as well as a yearning to interact with genuine fans of lesser-talked/known cinema. The website is an “antidote” to the typical privileged views dominant in cinema (white, male, cis, heterosexual, etc.) by presenting a prism of views from various ethnicities, nationalities, socioeconomic backgrounds, etc. We strive to highlight nonwestern cinema (cinema not from US/Canada/Australia/New Zealand/Western Europe) and western cinema featuring people of color that does not fall into racial stereotyping, preferably done by people of color.

While we do not act like we are the end-all solution to how film is treated, it is a challenge to the rigid formalism of how film analysis and critique is presented by creating a more open-ended format to how film analysis can be presented. This can be accomplished via various ways such as written dialogue discussions, audio, video, and even poetry.

The website is about fostering a sense of community and creativity within the realm of a love for film. Not just with the contributors but with readers, accomplished by comment section, email ([email protected]), twitter, and our tumblr which we encourage all to utilize.

Every month will feature a different theme ranging from diaspora to alienation to the concept of what a home is, as well as regular columns exploring directors/movements/etc. by contributors. Every so often there will be dialogue discussions between the contributors that tackles a broad topic: the first will be on unpacking and questioning the film canon.

We hope that this endeavor will be enriching, productive, and inspiring for many and expands the boundaries in which we as humans interact with cinema.